Film & Movies

Hardcover. Washington.DC, Smithsonian, 1st , 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Black & white illustrations.

Hardcover. New York, The Museum of Modern Art, New York, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 375 pages, illustrated throughout in color and b&w. Clean, unmarked copy in excellent condition. 507 illustrations (108 in color, 399 in duotone). Founded in 1935, The Museum of Modern Art's Department of Film and Media is home to one of the most important moving-image archives in the world. Still Moving: The Film and Media Collections of The Museum of Modern Art marks the first time that MoMA has published a volume dedicated exclusively to these holdings. Drawn primarily from the Museum's vast library of film stills, the nearly 500 images in this book represent just a fraction of the department's renowned archive, including one of the world's most important collections of international silent cinema; classic early sound films from the United States, Great Britain, France, Germany, Italy, Russia, and Japan; extensive holdings of documentary and animation shorts and feature films; significant examples of Hollywood filmmaking from studios such as Warner Brothers, RKO, MGM, Twentieth Century-Fox, and Paramount; and more recent works by leading independent and avant-garde film and media artists.

Hardcover. US, The Curated Collection, 1st, 2013, Book: Very Good, Dust Jacket: None, 224 pages. Like new in publisher's shrink-wrap. A visual journey of over 300 photographs with fashion's most cutting-edge photographers, designers and stylists exposes the ominously beautiful obsession with the bad boy aesthetic and reveals what draws us into the darkness, providing a daring testament to the love affair with the gloomy, sultry side of Rock 'n' Roll. Divided into five chapters that explore the different dark sides of high fashion: Dark Angel, Vamp Glam, Tribal Nomad, Hard Rock, and Future Punk.

Hardcover. NY, Harcourt Brace Jovanovich, 1st, 1979, Book: Very Good, Dust Jacket: Good, Hardcover, 295 pages, b&w photos. In a bright dust jacket that has 1/2" gone from bottom of spine. Otherwise very good.

Hardcover. New York, Crown, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 463 pages, b&w photos. In a bright, unclipped dust jacket. 16 pages of b&w photos. McDonough persuasively argues that Russ Meyer, creator of such epic films as Super Vixens and Faster, Pussycat! Kill! Kill! is the father of the modern porn industry, a pop cultural icon in his own right, and something of an auteur who may be appreciated more by film historians of the future than he is now. Meyer achieved technical excellence in low-to- no-budget productions that reveal his "oddly passionate vision of the world," says McDonough. In so doing, Meyer was "a pioneer who represents what's most seductive and what's most repulsive about the USA." McDonough proceeds to compare Meyer to, among others, Elvis (seductive and repulsive, after all) and incorporates vivid, well-referenced anecdotes and observations from Meyer's friends, associates, and stars, including most notably, perhaps, movie critic Roger Ebert (co-conspirator for Meyer's crowning achievement, Beyond the Valley of the Dolls) and porn-parodist director John Waters. Four Meyer movies have been among Variety's 100 all- time top grossers.

Hardcover. Boston, Little Brown, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, 162 pages, b&w photos. Biography of the producer who made four great movies: On the Waterfront; African Queen; Bridge on the River Kwai; and Lawrence of Arabia and lots of mediocrities. Most successful when he assembled talent and let them work, he became controlling and destructive. Very good in a bright dust jacket.

Hardcover. Taschen, 1st, 2010, Book: Very Good, Dust Jacket: None, Hardcover, In this sumptuous over-sized volume, Taschen celebrates a remarkably candid, confident and exuberantly sexual woman: the Latina porn star Vanessa Del Rio. Presented through Vanessa's own archive, in her own words, is a life at once shocking, titillating, amusing, and inspiring. And because paper and ink can't do justice to a personality this big, an original 140 minute DVD documentary is included. First Trade Edition. DOMESTIC SHIPPING ONLY.

Softcover. NY, Museum of Modern Art, 1st, 1983, Book: Very Good, Dust Jacket: None, 222 pages. Softcover. B/w illustrations throughout. Wrapper and pages have some tanning due to age, otherwise clean. Front cover has a crease. In very good condition, no rips or tears. Binding tight.

Hardcover. NY, Harper & Row, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Autobiographyy of her life and career by the provocative French star famous for such roles as 'Casque d'Or,' Les Diabliques,' "Room at the Top' (for which she won the Academy Award as Best Actress), 'Madame Rosa,' and many others. Signoret was also nominated for the Oscar for her role in 'Ship of Fools.' She was married to Yves Montand until her death in 1985 and for many years they were the reigning couple in French cinema, both also involved in social and political issues. 403 pages, clean copy.

Softcover. NY, Viking Press , 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover, 148 pages. Lehman's Oscar nominated screenplay for Hitchcock's great 1959 film. Illustrated with 25 b&w stills. Name on front fly leaf otherwise clean, sharp copy.

Hardcover. Lanham MD, Rowman & Littlefield , 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 314 pages. A fascinating history of motion pictures through the lens of the Academy Awards, the Best Picture winners, and the box-office contenders. In Best Pick: A Journey through Film History and the Academy Awards, John Dorney, Jessica Regan, and Tom Salinsky provide a captivating decade-by-decade exploration of the Oscars. For each decade, they examine the making of classic films, trends and innovations in cinema, behind-the-scenes scandals at the awards ceremony, and who won and why. Twenty films are reviewed in-depth, alongside ten detailed "making-of" accounts and capsule reviews of every single Best Picture winner in history. In addition, each Best Picture winner is carefully scrutinized to answer the ultimate question: "Did the Academy get it right?" Full of wonderful stories, cogent analysis, and fascinating insights, Best Pick is a witty and enthralling look at the people, politics, movies, and trends that have shaped our cinematic world. Clean copy.

Hardcover. NY, Macmillan Publishing, 3rd pr., 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Here is the story of Joseph Frank "Buster" Keaton, the director, producer, writer and star--the sad-faced little man who was one of the prime masters of silent film comedy. The book includes hilarious accounts of the filming--usually without script--of some of his now-classic films and more the-an 100 photographs. Clean copy.

Hardcover. Louisville KY, Touchstone Publishing , 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, unclipped. Griffith's autobiography was never finished (Griffith died in 1948), here edited and annotated by James Hart, who was a friend of the filmmaker late in his life. Griffith was the leading exponent in the 'blockbuster' genre of popular film, but with style. Chronologic listing of his innovative works, all profusely illustrated. Forward by Frank Capra. Clean copy.

Softcover. Detroit, Wayne State University, reprint, 2010, Book: Very Good, Dust Jacket: None, Softcover, 280 pages. Originally published in 1977 and long out of print, Maurice Yacowar's Hitchcock's British Films was the first volume devoted solely to the twenty-three films directed by Alfred Hitchcock in his native England before he came to the United States. As such, it was the first book to challenge the assumption that Hitchcock's 'mature' period in Hollywood, from the late 1940s to the early 1960s, represented the director's best work. In this traditional auteurist examination of Hitchcock's early work, author Maurice Yacowar considers Hitchcock's British films in chronological order, reads the composition of individual shots and scenes in each, and pays special attention to the films' verbal effects.Yacowar's readings remain compelling more than thirty years after they were written,

Softcover. Providence RI, Berghahn Books, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, 256 pages. Known as one of the great producers and promoters of the film industry, Eric Pommer had a life-long commitment to German film - despite his emigration in 1933 - and worked in France and Britian, as well as the United States. As German producer, studio executive, and film politician in the pre-Hitler era Erich (later Eric) Pommer (1889-1966), a native of Germany, was an innovator and pioneer, a vital force in leading German cinema to international acclaim with successes such as The Cabinet of Dr Caligari, The Nibelungen and The Blue Angel. As Motion Picture Control Officer of the US Military Government he undertook , from 1946-49, the difficult task of rebuilding West Germany's film industry from the ashes of the Second World War. He succeeded brilliantly, but not without paying the hefty price of becoming embroiled in the turmoil of postwar German politics which made him many friends, but also many enemies. This book is the first detailed account in English of the remarkable career of Pommer who became a legend in his own lifetime. Clean copy.

Hardcover. NY, Harper & Row, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 435 pages, b&w illustrations. An illustrated world history of the Yiddish theatre covering five continents and more than 300 years. Mild wear to rear panel of dust jacket, clean copy.

Hardcover. NY, Exposition Press, 1st, 1965, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and chipped dust jacket, 115 pages. Foreword by Carl Sandburg, The story of the original Ellie May of Tobacco Road for 2,013 performances. Clean copy.

Hardcover. NY, Harcourt, Inc., 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 312 pages, b&w illustrations. This is the extraordinary story of Eli Wallach's many years dedicated to his acting craft which began in Brooklyn and grew in his college years in Texas. He has worked with many of the stars in movies and has been in many well-known movies, but he will always be remembered as a Western badman in the Spaghetti Westerns of the 60s and 70s. Clean copy.

Hardcover. NY, St Martins Press, 3rd pr, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 404 pages, with black & white photographs. Minor dust jacket edge wear, otherwise, very clean and tight copy.

Hardcover. NY, Putnam, 1st, 2005, Book: Very Good, Dust Jacket: Good, Hardcover in a bright dust jacket with light edgewear, wrinkling to front flap. SIGNED by author and movie star Goldie Hawn directly on the title page with purple flair pen. A rather unconventional memoir from one of the world's most beloved actresses. Goldie writes about everything from her early years as a little girl who felt like an ugly duckling to her go-go dancing years in New York in the Sixties to Hollywood and memorable films like the Oscar-winning Cactus Flower, Swing Shift, and Private Benjamin. She speaks of her relationship with her family, her partner Kurt Russell, her children Kate Hudson, Oliver Hudson, Wyatt Russell, and her stepson Boston Russell.

Softcover. Bloomington, Indiana University, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 443 pages, b&w illustrations, index. Traces the origins of American cinema's century-long fascination with Italy and Italian immigrants to the popularity of the pre-photographic aesthetic - the picturesque. "To read Bertellini's superb book is to enter into an intense, rich, and intricately layered experience of Italian immigrant culture in the New York of the 1900's and 1910's." Clean copy.

Hardcover. London, Titan Books , 1st, 2025, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 240 pages, illustrated in color. The concept: the world's greatest music, presented according to the highest acoustic standard, and illustrated by the brilliance of the Disney studio at the height of its powers. The journey of how Fantasia came to be, beset with almost insurmountable challenges, is one of the most breathtaking in movie history. In 1940, Walt Disney released his third feature film: Fantasia, consisting of eight animated segments set to music by Leopold Stokowski and the Philadelphia Orchestra. The film was groundbreaking: it was the first to record using multiple audio channels in a process called Fantasound, the precursor to surround sound. Apart from its technical achievements, Fantasia is remembered as being the first Disney movie meant not only for children. With emotional depth and innovative techniques that pushed the boundaries of animated storytelling, Fantasia was the first to appeal to an audience of every age. To celebrate The Walt Disney Company's 100th Anniversary, author J.B. Kaufman presents the definitive history of the making of Fantasia, from source material to hundreds of photographs documenting the film's production. In Worlds to Conquer, become a part of the wild ride that was the making of a Disney classic. Still in publisher's shrinkwrap. DOMESTIC SHIPPING ONLY.

Softcover. Los Angeles, Paul Monash, N/A, Book: Good, Dust Jacket: None, 141 pages, 3-hole punched pages but blue cover gone, back present. Two brads holding pages. Title page states: ADAPTED from the NOVEL by STEVEN KING (note that STEPHEN KING" is misspelled in this First Draft as "STEVEN KING"). This is an ORIGINAL FIRST DRAFT SCREENPLAY. At this point the film, Carrie, was in early development. This was, perhaps, a spec script under the umbrella of Producer Paul Monash. Stamped with logo and address of the Ziegler Ross Agency.

Softcover. NY, Overlook Books, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, 281 pages. Slight wear to wraps, otherwise, clean and tight copy.

Hardcover. New York, Universe Books, 1st, 1975, Book: Very Good, Dust Jacket: Good, 256 pages. Hardcover. Illustrated with 1,500 black & white frame blow-ups, and the entire dialogue. Dust jacket worn with curling/tears along edges. Clean, tight copy.

Hardcover. NY, Simon & Schuster , 2nd pr., 1953, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dustjacket, Illustrated wth 12 b/w cartoons by George Price. A wry and witty history of the American motion picture by a giant of the industry. Postcard of Brown Derby Restaurant laid-in.

Softcover. Canada, Art Gallery of Ontario, Toronto, 1st, 2010, Book: Very Good, Dust Jacket: None, Like new in publishers shrink-wrap. This survey of Schnabel's career to date presents the artist's painterly production, from the 1970s through to the present, juxtaposing his large-scale paintings with his numerous critically acclaimed movies-'Basquiat' (1996), 'Before Night Falls' (2000), 'The Diving Bell and the Butterfly' (2007) and his newest film 'Miral,' which addresses the Palestinian-Israeli conflict. The complete scripts of each of these movies are featured, punctuated with stills chosen by Schnabel. Published for the Art Gallery of Ontario's 2010 survey, 'Julian Schnabel: Art and Film' is the first appraisal of how Schnabel works across media, bridging painting, writing and cinema. 447 pages.

Hardcover. New York , Hyperion, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, SIGNED BY BOTH AUTHORS. 232 pages, color and b&w illustrations, index. Navy blue cloth binding with blind-stamped facsimile signatures of Johnston and Thomas on front cover and gold-stamped titles on spine.

Hardcover. NY, Doubleday, 1st, 1971, Book: Very Good, Dust Jacket: Good, Hardcover, 318 pages, b&w photos. Dust jacket bright, unclipped. Light shelf wear. Previous owner's sticker on front fly leaf.

Hardcover. Berkeley CA, University of California, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 525 pages, in a bright unclipped dust jacket.

Hardcover. NY, Arbor House, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover, 220 pages, b&w photos. Complete filmography. Clean copy in a bright, unclipped dust jacket.

Hollywood CA, Universal Studios, 1978, Two b&w glossy photos. 1) Members of the fraternity in front of their campus frat house. 2) Two cheerleaders in bleachers with John Belushi peering up at them.

Hardcover. NY, McGraw-Hill, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 792 pages, b&w illustrations. David Robinson who was given unbridled access to Chaplin's records documents Chaplin's life from his childhood in London to his death in Switzerland. Great attention is given to his film making methods especially the great classics. The book contains many photos and over a hundred pages of appendices.

Hardcover. NY, Abbeville Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 408 pages, b&w illustrations. This remarkable collection of stories, hand-picked from the archive of legendary New York Post columnist Leonard Lyons by his son, film critic Jeffrey Lyons, will transport readers back to the sparkling peak of New York City nightlife. This was the time when notables of every sort--film producers and stars, writers, politicians, comedians, athletes, and artists--gathered nightly at such famed restaurants and nightclubs as Sardi's, the Stork Club, and the Copacabana. From 1934 to 1974, Leonard Lyons was a fixture at these clubs, befriending celebrities of all stripes and gathering exclusive tidbits for his syndicated newspaper column, The Lyons Den. What a Time It Was! offers candid portraits of stars and statesmen at work and at play--especially at play--but still, effortlessly, larger than life. Illustrated with snapshots and glamour shots, it offers a unique window onto the lives of iconic figures from Ethel Barrymore and Muhammad Ali to Tennessee Williams and Jackie Kennedy, as well as their favorite haunts. Here are four decades of popular culture seen from the front row, by a man who said, "Give me lights and sound and people, and music into the night. Late into the night!"

Softcover. NY, British Film Institute/Palgrave, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 119 pages, b&w photos, Cleo de 5 a 7, Agnes Varda's classic work of 1962 depicts, in near real time, ninety minutes in the life of Cleo, a young woman in Paris awaiting the results of medical tests that she fears will confirm a fatal condition. The film, whose visual beauty matches its evocation of early Fifth Republic Paris, was a major point of reference for the French New Wave despite the fact that Varda, the only major female French director of the period, never considered herself a member of the core Cahiers du Cinema group of critics turned filmmakers. Ungar provides a close reading of the film and situates it in its social, political and cinematic context, tracing Varda's early career as a student of art history and a photographer, the history of post-war French film, and the lengthy Algerian war to which Cleo's health concerns and ambitions to become a pop singer make her more or less oblivious. His study is the first to set a reading of Cleo's formal and technical complexity alongside an analysis of its status as a document of a specific historical moment.

Hardcover. Lanham MD, Rowman & Littlefield, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. While many film fans may not be familiar with Bill Duke's name, they most certainly recognize his face. Dating back to the 1970s, Duke has appeared in a number of popular films, including Car Wash, American Gigolo, Commando, Predator, and X-Men: The Last Stand. Fewer still might be aware of Duke's extraordinary accomplishments off-screen--as a talented director, producer, entrepreneur, and humanitarian. Bill Duke: My 40-Year Career on Screen and behind the Camera is the memoir of a Hollywood original. In an industry that rarely embraces artists of color, Duke first achieved success as an actor then turned to directing. After helming episodes of ratings giants Dallas, Falcon Crest, Hill Street Blues, and Miami Vice, Duke progressed to feature films like A Rage in Harlem, Deep Cover, Hoodlum, and Sister Act 2. In this candid autobiography, Duke recalls the loving but stern presence of his mother and father, acting mentors like Olympia Dukakis, and the pitfalls that nearly derailed his career, notably an addiction to drugs. Along the way, readers will encounter familiar names like Danny Glover, Laurence Fishburne, Forest Whitaker, Arnold Schwarzenegger, and Whoopi Goldberg.

Hardcover. University Press of Kentucky, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 279 pages, b&w photos. With a career that spanned from the silent era to the 1990s, British screenwriter Charles Bennett (1899-1995) lived an extraordinary life. His experiences as an actor, director, playwright, film and television writer, and novelist in both England and Hollywood left him with many amusing anecdotes, opinions about his craft, and impressions of the many famous people he knew. Among other things, Bennett was a decorated WWI hero, an eminent Shakespearean actor, and an Allied spy and propagandist during WWII, but he is best remembered for his commercially and critically acclaimed collaborations with directors Sir Alfred Hitchcock and Cecil B. DeMille. The fruitful partnership began after Hitchcock adapted Bennett's play Blackmail (1929) as the first British sound film. Their partnership produced six thrillers: The Man Who Knew Too Much (1934), The 39 Steps (1935), Sabotage (1936), Secret Agent (1936), Young and Innocent (1937), and Foreign Correspondent (1940). In this witty and intriguing book, Bennett discusses how their collaboration created such famous motifs as the "wrong man accused" device and the MacGuffin. He also takes readers behind the scenes with the Master of Suspense, offering his thoughts on the director's work, sense of humor, and personal life.

Hardcover. NY, Harry N Abrams , Revised Ed., 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 208 pages. This generously illustrated volume, now fully updated, which provides a rare view of the 35-year film collaboration of producer Ismail Merchant, screenwriter Ruth Prawer Jhabvala, and director James Ivory. Merchant Ivory's films have long been distinguished by their literate character, superb ensemble acting, and refusal to bow to passing cinematic trends. This book, originally published in 1991, has been revised to include Merchant Ivory's most recent films -- Howard's End, The Remains of the Day, Jefferson in Paris, Surviving Picasso, and The Proprietor -- as well as a discussion of their upcoming projects. Clean copy.

Hardcover. San Francisco, CA, Walt Disney Family Museum, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. A clean, unmarked copy with only minor rubbing to dust jacket. A tight copy. Produced in conjunction with The Walt Disney Family Museum's 2018 exhibition of the same name, Walt Disney's Nine Old Men: Masters of Animation features an array of fascinating artwork and family mementos from each of these accomplished gentlemen, such as sketchbooks, caricatures, and snapshots, as well as original art from the classic films Pinocchio, Bambi, Peter Pan, Lady and the Tramp, and Sleeping Beauty.

Softcover. Evanston IL, Filmfax, 1988, Book: Very Good, Softcover magazine, 66 pages, stapled, b&w illustrations. Classic PRC Film Noir Filmfax; The Fantasy Films of Edgar G. Ulmer; Featuring "The Man From Planet X"; Interview with Douglas Fairbanks, Jr. on Early Hollywood; Forrest J Ackerman on "The Bat Whispers", a Golden Age Mystery; Looking back at Tod Browning's "Freaks"; and More! Clean copy.

Hardcover. NY, Alfred A. Knopf, 1st, 1965, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, tape-repaired dust jacket. 343 pages plus index, b&w photos. An intimate no-holds-barred light and dark portrait of the Norwegian soprano Kirsten Flagstad from her first Metropolitan operas house performance through her career and retirement and more. Written by her accompanist- and often her orchestral conductor. Front fly leaf clipped, otherwise clean, tight copy.

Softcover. Hanover NH, Wesleyan University Press, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 542 pages. Now, Voyager, Stella Dallas, Leaver Her to Heaven, Imitation of Life, Mildred Pierce, Gilda ...these are only a few of the hundreds of "women's films" that poured out of Hollywood during the thirties, forties, and fifties. The films were widely disparate in subject, sentiment, and technique, they nonetheless shared one dual to provide the audience (of women, primarily) with temporary liberation into a screen dream--of romance, sexuality, luxury, suffering, or even wickedness--and then send it home reminded of, reassured by, and resigned to the fact that no matter what else she might do, a woman's most important job was...to be a woman. Now, with boundless knowledge and infectious enthusiasm, Jeanine Basinger illuminates the various surprising and subversive ways in which women's films delivered their message. Basinger examines dozens of films, exploring the seemingly intractable contradictions at the convoluted heart of the woman's genre--among them, the dilemma of the strong and glamorous woman who cedes her power when she feels it threatening her personal happiness, and the self-abnegating woman whose selflessness is not always as "noble" as it appears. Basinger looks at the stars who played these women and helps us understand the qualities--the right off-screen personae, the right on-screen attitudes, the right faces--that made them personify the woman's film and equipped them to make believable drama or comedy out of the crackpot plots, the conflicting ideas, and the exaggerations of real behavior that characterize these movies.

Hardcover. NY, Scribner, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 256 pages. Color and b&w illustrations. Clean copy.

Softcover. Secaucus NJ, Citadel Press, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, 208 pages, many b&w illustrations. Clean, bright copy.

Hardcover. NY, Random House, 1st, 1980, Book: Very Good, Dust Jacket: Good, Hardcover in a bright dust jacket that has light edgewear and chipping. A 4 1/2" X 6 1/2" color photo laid in, depicts Gloria Swanson surrounded by family members on Christmas Eve, 1966 (per pencil handwritten note on rear/ NOT in Swanson's hand). Book was a gift to a family friend after the actress's death in 1983. A thank you note from her daughter (Gloria Daly) is taped to prelim page addressed to Helen and Homer.

Hardcover. london, Reaktion Books, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 444 pages, b&w illustrations. Show People offers a comprehensive history of the idea of the film star from Mary Pickford to Andy Serkis, traversing more than one hundred years and drawing on examples from America, Britain, Europe, and Asia. Renowned film writer Michael Newton explores our enduring love affair with fame, glamour, and the cinematic image. Newton builds up an expansive picture of movie stardom through explorations of striking and diverse figures such as Ingrid Bergman and John Wayne, Anna Karina and Sidney Poitier, Maggie Cheung, and Raj Kapoor. He celebrates the great performers of the past, and he looks forward to developments in the future, while also illuminating the inner workings of the movie industry and what moves us in a film and in an actor's performance. An encyclopedic, illustrated history of film idols ready for their close-ups, Show People is ultimately a book about cinephilia, the love of cinema, and our complex connection to that celebrated and beleaguered figure, the movie star. Clean, like new.

Hardcover. NY, Columbia University Press, 2nd pr., 1990, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 199 pages, b&w illustrations. Familiarity with Duras's films, novels, plays, and screenplays is essential for a full appreciation of this set of interviews (originally published in a special issue of Cahiers du Cinema ) reflecting Duras's views on her own work and that of many film directors. This translation (by Carol Barko)captures the informal, "fireside chat" style of the original, and the reader will find a wealth of information regarding Duras's personal views on politics, the media, and literary and film production. An abundance of photos and film stills is a valuable addition. Previous owner's inscription on the front fly leaf, otherwise clean.

Hardcover. NY, W W Norton & Co., 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 281 pages, minor dust jacket edge wear and foxing on edges, otherwise, very clean and tight copy. A brilliant, daring, and utterly original book that analyzes (even as it exemplifies) the effect that the image saturation of a hundred years of moving pictures have had on human culture and consciousness.

Softcover. Burbank CA, Mirage Productions, 1st, 1980, Book: Good, Dust Jacket: None, Softcover, 134 pages, printed on 3-hole punched paper and bound with one brass brad and reinforced with tape on the spine. Plain blue paper wraps with title hand-printed on front, on spine tape and bottom edge. No indicated draft but dated September 15, 1980. This was copy #16 distributed, as lettered on title page in corner. The 1981 film was directed by Sydney Pollack and starred Paul Newman and Sally Field. Luedtke won an Academy Award nomination for screenplay written directly for the screenplay.

Hardcover. New York, Warner Books, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 245 pages. Illustrated with full color and black & white photographs. Clean, tight copy. A commemorative volume offers the definitive pictorial history of one of the most popular movies of all time.