Theater

Hardcover. Boston, Bulfinch Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 470 pages, illustrated with over 500 color and b&w images including posters, programs, maps and other archival material. Like new in publisher's shrinkwrap.

Hardcover. Paris, France, Vilo, 1st, 1967, Book: Good, Dust Jacket: None, 72 pages. Hardcover. FRENCH TEXT. B/w illustrations throughout. Decorated glossy cover boards, some chipping of lamination at spine and corners, a couple scratch marks. Previous owner's bookplate on front endpaper. Back cover boards slightly warped so it curls just a touch at top and bottom. Pages clean. Binding tight. A beautifully photo-illustrated volume featuring performance photos and portraits of the world-famous prima ballerina.

Hardcover. Ithaca NY, Cornell University Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 209 pages with index. Why do we laugh? Do we really want to know why? We are torn between desire to understand the joyous human response of laughter and reluctance to expose the secret of our spontaneity to the rigors of intellectualizing, the labors of analysis. Marcel Gutwirth here offers a fresh approach to laughter and the full range of funny occasions-- from the artistry of Molire's Misanthrope to the unique nature of Beckett's comic wisdom. Clean copy.

Hardcover. NY, Harcourt Brace Jovanovich, 1st, 1973, Book: Very Good, Dust Jacket: None, Hardcover, bright turquoise cloth with gilt stamping, dj flaps laid in. A look behind Graham's artistic interpretations of her work, reproducing her working notes. 464 pages, clean copy. NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, E.P. Dutton, 1st, 1937, Book: Very Good, Dust Jacket: None, Hardcover, cream color cloth with green lettering. A memoir of growing up with the author George W. Cable written by his daughter. 189 pages, frontis of Cable. Inscription on front flyleaf, otherwise clean. Light fading to cloth covers.

Softcover. Los Angeles, The Augustan Reprint Society , reprint, 1986, Book: Very Good, Dust Jacket: None, Softcover, 80,pages. A facsimile reprint, Introduction by Deborah C. Payne. Clean, bright copy.

Softcover. Charleston SC, Arcadia Publishing, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 128 pages. INSCRIBED BY THE AUTHOR on the half-title page. Italian-American theatre sprang to life in New York City shortly after waves of Italian immigrants poured into this country in the 1870's. The mass migration brought both the performers and the audiences necessary for theatrical entertainment. Hungry for recognition, support, and social exchange, the men and women from Italy formed amateur theatrical clubs as one way of satisfying emotional needs. By 1900, the community had produced the major forces that created the Italian-American theatre of the ensuing decades. In The Italian-American Immigrant Theatre of New York City, author Emelise Aleandri regenerates the excitement of the stage through striking photographs, programs, and other memorabilia generously loaned by families of the theatre community. She follows the fortunes of the earliest nineteenth-century companies and introduces those that arose in the twentieth-century. Within these pages are scenes of comedy, tragedy, vaudeville, and radio, featuring stars such as Mimi Cecchini, Guglielmo Ricciardi, Concetta Arcamone, Antonio Maiori, Rita Berti, Farfariello, and Olga Barbato. Clean copy.

Hardcover. Charlottesville, University of Virginia, 1st Thus, 1977, Book: Very Good, Dust Jacket: Very Good, 106 pages. A Play with black & white illustrations by Faulkner. Clean, tight copy. Introduction by Noel Polk. In a bright yellow dust jacket.

Hardcover. NY, George H. Doran, 1st, 1915, Hardcover, black cloth covers with gilt title, top edge gilt. 523 pages, b&w photos. The author wrote this book to depict and commemorate "leading representatives of the Stage". He writes about: William Warren, laura Keene, Matilda Heron, Lester Wallack, James W. Wallace, Mark Smith, Edward Adams, Henry J. Montague; Edwin Booth, Augustin Daly, Henry Irving, Johnston Forbes-Robertson, Edward H. Sothern and Julia Marlowe. Index. Clean, bright copy.

Hardcover. Middletown CT, Wesleyan University Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The Dancer Within is a collection of photographic portraits and short essays based on confessional interviews with forty dancers and entertainers, many of them world-famous. Well-known on the concert stage, on Broadway, in Hollywood musicals, and on television, the personalities featured in this book speak with extraordinary candor about all stages of the dancer's life-from their first dance class to their signature performances and their days of reflection on the artist's life. The Dancer Within reveals how these artists triumphed, but also how they overcame adversity, including self-doubt, injuries, and aging. Most of all, this book is about the courage, commitment, love, and passion of these performers in their quest for artistic excellence. The reader will quickly realize that "the dancer within" is a metaphor of the human spirit.

Hardcover. San Francisco, The Bohemian Club, 1st, 1984, Book: Very Good, Dust Jacket: None, Hardcover, 74 pages, illustrated orange paper over boards with title on front cover and spine. Illustrated with woodcuts by Vincent Perez. Issued without dust jacket. Bohemian Club Library Notes brochure laid in.

Hardcover. NY, Harper & Brothers , 1st, 1940, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket. 303 pages. Beach was a popular writer of adventure stories. Here he tells his own tale, more colorful, humorous and adventurous than his novels. Clean copy.

Hardcover. NY, E.P. Dutton, 1st US, 1930, Book: Very Good, Dust Jacket: None, Hardcover, maroon cloth with gilt lettering. 231 pages with b/w illustrations, 28 photographs and twelve diagrams. Written to assist the producers of amateur plays. First published in London the same year. Clean copy.

Hardcover. Boston, Little, Brown & Co, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 242 pages, illustrated throughout in color and b&w. Light edge wear, rubbing to dust jacket. Clean, tight copy.

Hardcover. London, Hodder & Stoughton, nd (1913), Book: Very Good, Dust Jacket: None, Hardcover, purple cloth covers with elaborate gilt design featuring 3 ladies drinking tea, 197 pages. 17 color illustrations plus frontispiece by Hugh Thomson, all tipped in and with tissue guards. Previous owner's inscription front end paper. Corners lightly rubbed, spine wear, light stain to rear cover. No date but assumed 1920s and first illustrated thus.

Hardcover. NY, Association Press, 1st, 1973, Book: Very Good, Dust Jacket: Good, Hardcover, 312 pages, very good in an edgeworn, chipped dust jacket. 82 Broadway plays reviewed by Atkinson and all illustrated with Hirschfeld's caricatures.

Softcover. NY, Routledge, reprint, 1997, Book: Very Good, Dust Jacket: None, Softcover, 511 pages. Illustrations by Zina Lee. 'Actors on Guard is the most comprehensive and detailed book on the art of theatrical swordplay available today. It provides the reader with the historical, theoretical and practical basis for learning, practicing and presenting theatrical sword fights.' Clean, bright copy.

NY, Metro Books , 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket,178 pages illustrated in color and b&w. A pictorial history of the Broadway musical. Clean copy.

Hardcover. NY, Harcourt, Brace and Company, 1st, 1951, Book: Very Good, Dust Jacket: None, Hardcover. light blue cloth stamped in dark blue. SIGNED BY ATKINSON on front fly leaf along with previous owner's inscription. Illustrated with 12 woodcuts by Don Freeman. One year in the life of the New York journalist and drama critic. Written in a diary format, by month and day. No dust jacket, very good copy.

Hardcover. NY, Doubleday, Doran & Company, 1st, 1928, Book: Very Good, Dust Jacket: None, Hardcover, tan cloth with dark blue lettering, 293 pages. Early book on Adolph Zuckor & the pioneer days of the motion picture industry. 15 photos. Zukor was a Hungarian-American who produced one of the first feature-length films (The Prisoner of Zenda, 1913) and was one of the three founders of Paramount Studios. The book covers his rise from nickelodeon arcades to the heights of Hollywood. No dust jacket. Clean copy.

Softcover. Los Angeles, Augustan Reprint Society, reprint, 1981, Book: Very Good, Dust Jacket: None, Softcover, facsimile reprint of the 1682 edition, 80 pages. Introduction by Diane Dreher. An early historical play about Anne Boleyn, second queen of Henry VIII. Clean copy.

Hardcover. Lexington KY, University Press of Kentucky, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages, in a bright, unclipped dust jacket. A collection of plays performed in Louisville. Edited by Michael Bigelow Dixon and Michele Volansky. Including plays by: Wendell Berry, Roy Blount, Jr., Harry Crews, and Marsha Norman. INSCRIBED BY CREWS on the front fly leaf to poet friend Ed Hyland: "For Ed - Best wishes for resilience in your work. Keep your ass in the chair - Harry Crews". The Crews play "Blood Issue" is included. Bright, clean copy.

Softcover. Golden CO, Speck Press, 1st, 2004, Book: Very Good, Dust Jacket: None, Paperback, 144 pages, illustrated in color and b&w. Clean, bright copy.

Hardcover. NY, Knopf, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket, 326 pages. Extensively illustrated in color and black and white. Clean copy. Margot Fonteyn shares her personal vision of the history of dance.

Hardcover. Chicago, University of Chicago Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 178 pages. The drama is the most social of the arts, depending upon physical space, audience, and social factors for its existence. It is no surprise, therefore, that the most successful criticism approaches theater the way Barber and Mullaney do: as historical artifact. Barber is the better known, having authored the classic Shakespeare's Festive Comedy (1959); the present volume is based on his papers and examines three early Elizabethan tragedies"Tamburlaine" and "Dr. Faustus" by Marlowe and "The Spanish Tragedy" by Kyd. Particularly interested in locating these plays in the unstable religious atmosphere of the late 16th century, Barber ably demonstrates his understanding of the social, historical, and economic factors that defined the era. Mullaney takes the novel approach of examining the theater in light of London topography; the title thus refers to the physical location of the playhouses as well as the social importance of the theater. Mullaney points out that the prejudice that forced the great theaters of the age to operate outside the city walls encouraged a drama that was radical and iconoclastichence its greatness. Mullaney's argument is fascinating and thought-provoking, convincingly presented. Clean copy.

Hardcover. NY, Random House, 1st, 1935, Book: Very Good, Dust Jacket: None, Hardcover, gray cloth stamped in blue and red. 161 pages, clean copy, no dust jacket.

Hardcover. NY, Alfred A. Knopf, 1st, 1921, Book: Very Good, Dust Jacket: Poor, Hardcover, brown cloth stamped in gilt, 222 pages with line drawings by the author. In a very worn and chipped dust jacket. "Mr. Day here sets forth in his characteristic vein his observations about men and human nature and books--talks about Humpty-Dumpty, Prometheus, Shaw, Fabre and Noah--money, the nebular hypothesis, legs, cows and marriage. Also an attempt to describe our world to a fish." Clean copy.

Softcover. Los Angeles, The Augustan Reprint Society , reprint, 1988, Book: Very Good, Dust Jacket: None, Softcover, 88 pages. A facsimile reprint of a satirical play written in 1700. Name on front cover, otherwise clean copy.

Hardcover. Franklin Center PA, The Franklin Library, 1st, 1987, Book: Very Good, Dust Jacket: None, Hardcover in decorated red leather. This limited first edition has been signed by Arthur Miller exclusively for members of the The Signed First Edition Society. All edges gilt, marbled endpapers, sewn-in silk bookmarker. Clean, fresh and bright. His aurobiography. Pulitzer Prize-winning playwright Arthur Miller tells his life story with humor, passion, and candor. Beginning with his childhood and continuing through his life and career telling of both successes and failures. Miller gives colorful portraits of those people who touched his life, such as Marilyn Monroe, Orson Wells, Lucky Luciano, Clark Gable, Tennessee Williams, John F. Kennedy, Mikhail Gorbachev, and many more. Clean, bright copy.

Hardcover. Milano, Skira, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, 320 pages. Hardcover. Profusely illustrated in full color. Clean, tight copy. This catalog of over three hundred artworks related to the Saisons Russes between 1909 and 1929 is the official companion to an exhibition in Monte Carlo. The legendary productions are brought to life through stage designs, costumes, paintings, sculptures, photographs, and programs. The artwork comes from a wide variety of public and private collections, including the Fokine collection in the St. Petersburg Theatre Museum.

Hardcover. College Station TX, Texas A & M University Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 174 pages, b&w photos. The show traveled in West Texas, Kansas, Oklahoma and Eastern Colorado from 1920 to 1945. Clean copy in a bright dust jacket.

Hardcover. Boston, John W. Luce and Company, 1st US, nd, Book: Very Good, Dust Jacket: None, Hardcover, olive green cloth over tan cloth boards, no dustwrapper; 149 pages. No date but appears to be circa 1900. A uncommon edition of a Tolstoy play. Title page states "Authorized Edition". Owner's signature on front fly leaf otherwise clean.

Softcover. McKinleyville CA, Fithian Press/, 1st, 2014, Book: Very Good, Dust Jacket: None, Softcover, 238 pages, b&w illustrations. INSCRIBED BY COHEN on the front fly leaf. Robert Cohen is the founding Chair of Drama a the University of California, Irvine, and has written 20 book on theatre. In this memoir, he recounts the "lucky breaks" that took him from being a college student preparing for law school to a long career as a man of the theatre. The first lucky break took place in his junior year of high school when Judy Berkenbilt asked him to be in "Belles On Their Toes," a play she was directing. She wanted to cast him as a policeman but after reading the script, Cohen asked for the role as the family handyman, which she agreed to. He identifies Lucky Break #2, in the same year, as ending up in a Vocational Typing class when he transferred out of the Mechanical Drawing class to escape a creepy instructor. He became a fabulous typist and was able to earn lunch money in college by typing papers for other students. Lucky Break #3 was getting into the 12th grade Advanced English class taught by Miss Casey, which advanced his intellectual development and reading "like crazy." Lucky Break #6 was being asked to take over as coach of the swimming program at the camp where he was a counselor. When Cohen did not have the $20 needed to to get a Water Safety Instructor certification, the camp owner asked him take over the drama program instead. And so on.

Hardcover. NY, Harcourt Brace Jovanovich, 1st, 1973, Book: Good, Dust Jacket: Good, Hardcover in a lightly worn and chipped dust jacket. 401 pages with index. Ex-lib copy with stamp to front fly leaf, envelope on rear endpaper, sticker on dust jacket spine, interior clean.

Hardcover. NY, Metro Books , 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 178 pages illustrated in color and b&w. A pictorial history of the Broadway musical. Light edgewear to dust jacket. Clean copy.

Hardcover. NY, Aperture , 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with minor wear. 315 pages illustrated in color and b&w. Incorporates images of performances and rehearsals, along with candid photographs by many important photographers, including Imogen Cunningham, Arnold Eagle, Peter Hujar, James Klosty, Annie Leibovitz, Barbara Morgan, and Max Waldman. The book also features examples of Cunningham's choreographic notes, as well as scores, and set and costume designs by the artists with whom he has collaborated over the years. Top corner bumped, causing a mild crease to corner of pages. DOMESTIC SHIPPING ONLY.

Hardcover. New York, Duell, Sloan and Pearce, 1st, 1941, Book: Very Good, Dust Jacket: None, Introduction by Morgan, her superb photographs reproduced in black & white photogravure. Essays by George Beiswanger and Louis Horst as well as a statement by Graham. 160 pages. Corners worn, some chipping of cloth at ends of spine. Light age tanning to cover and page edges.

Hardcover. NY, Atheneum, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 227 pages, b&w illustrations. In a clean, unclipped dust jacket. Rattigan was a renowned English playwright, the author of 22 plays.

Hardcover. NY/New Haven, Coward-McCann / Yale University, 1st, 1931, Book: Very Good, Dust Jacket: None, Hardcover, #38/525 copies, Numbered and SIGNED by Wilder on a leaf tipped onto the copyright page, bound in faux-vellum spine, flowered paper covered boards. Mild foxing to a few pages, otherwise clean. A one act play whose action spans 90 years in the home of one family, specifically in the dining room during Christmas dinners. laid in is a page of The Yale Alumni Weekly from 1931 with a review of the play.

Hardcover. NY, Benjamin Blom, 1st, 1964, Book: Very Good, Dust Jacket: None, Hardcover, light orange cloth with brown titles on spine. Traces the history of the time-honored farce, featuring Pulcinella, Harlequin, Pierrot, Pantaleone, and other traditionsl characters, from Roman comedy to Cruikshank's Punch & Judy. Originally published in 1912, this new edition adds 46 pages of illustrations and a folding color frontispiece. Clean copy, no dust jacket.

Hardcover. London, Batsford Limited, 1st, 1970, Book: Very Good, Dust Jacket: Good, Hardcover, red cloth covers in a worn, chipped dust jacket. Black & white illustrations by the author. 120 pages. Contains drawings and instructions on: The characters of the drama; inside the glove puppet; making the head; making hands; making the body; clothes; trick puppets; theatres and more. NOTE: This book has a musty odor, otherwise a clean, bright copy.

Hardcover. Lausanne, Librairie Marguerat , 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover, 157 pages, b&w and tipped-in color plates. French text. Previous owner's signature on front fly leaf. Edge wear, rubbing to dust jacket. Foxing to top edge. Else a clean, tight copy.

Softcover. Los Angeles, Augustan Reprint Society, reprint, 1989, Book: Very Good, Dust Jacket: None, Softcover. A facsimile reprint.

Hardcover. Winnipeg Canada, Blizzard Publishing, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 92 pages. SIGNED BY FINDLEY on title page. Slight wear to dust jacket with old price-sticker to back cover, else a very nice, tight, clean copy.

Hardcover. Carbondale, Southern Illinous University Press, 1st, 1938, Book: Very Good, Dust Jacket: Good, 289 pages. Hardcover with price-clipped dust jacket. Dust jacket shows moderate wear, spine fading and rubbing, internally cleann and tight copy.

Hardcover. Franklin Center,PA, The Franklin Library, 1st thus, 1977, Book: Very Good, Dust Jacket: None, Hardcover, full leather binding, all edges gilt, moire endpapers, sewn-in ribbon marker, hubbed spine, gilt decorations on spine and covers. Two=color illustrations by Jerry Pinkney.

Hardcover. NY, Robert M. McBride, 2nd pr., 1927, Book: Very Good, Dust Jacket: None, Hardcover, floral decorated boards, black cloth spine, paper title labels, lacking dust jacket. American playwright, Green won the Pulitzer in 1927 for In Abraham's Bosom. 317 pages, top edge stained red. A clean, bright copy.

Softcover. London, The Curtain Press, 1946-48, Book: Very Good, Dust Jacket: None, Softcovers, five stapled pamphlets. 1) Oscar Wilde and the Theatre, 23 pages. Contains eight pages of costume designs by Cecil Beaton four in color, along with other cartoons and drawings and a text by James Agate. 2) Notes on the Verse Drama by Christopher Hassall. 36 pages. With Wood Engravings By Joan Hassall. 3) The Masque of Christmas: Dramatic Joys of the Festival described by Laurence Whistler, 40 pages. 4) The Masque. a Theatre Notebook. the Old Vic. King Lear. Reviewed by Ivor Brown. No. 1 December 1946, 16 pages. 5) Designs for the Theatre by Rex Whistler (Part 1) with color and b&w illustrations, 20 pages. All very good, clean.

NY, William Morrow, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. 364 pages, b&w photos. Novelist Peter Feibleman first met world-famous playwright Lillian Hellman when he was ten and she was thirty-five-years old, and out of that first encounter there grew romantic friendship that was to blossom into a love affair--one that ended only with her death. Drawing on many of her letters, private journals, and conversations recorded by them both specifically for this memoir, and on her later published and unpublished works, as well as on his own diaries, Feibleman brings to life one of the most glittering, fascinating, and complex women of our time. LILLY is replete with anecdotes about Miss Hellman's celebrated friends, including Dashiell Hammett, with whom she shared her life for many years; Dorothy Parker; Elizabeth Taylor, who made a triumphant stage appearance in 'The Little Foxes'; Mike Nichols; Elaine May; Leonard Bernstein; and her Martha's Vineyard neighbors--Jules Feiffer, Barbara and John Hersey, Ann and Art Buchwald, Rose and William Styron, and many, many others. Her animosities are depicted as well, including her lengthy and virulent feud with Mary McCarthy. What emerges is an intensely personal portrait, unique and fully realized, of an immensely talented writer, her ways of loving, and her world.

Softcover. Los Angeles, Augustan Reprint Society, reprint, 1989, Book: Very Good, Dust Jacket: None, Softcover, 40 pages, b&w frontis. Facsimile reprint of 18th century (1732) edition. An anti-Catholic play by Fielding, Introduction by Connie Capers Thorson. Includes bibliographical references.