Hardcover. NY, W. W. Norton & Company, 1st, 2024, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly rubbed dust jacket, 560 pages, b&w illustrations. In this first major biography since Fitzgerald's death, music historian Judith Tick draws on deep archival research, family interviews and newly available recordings and concert footage to show how Fitzgerald fused a Black vocal aesthetic with mainstream popular repertoire to revolutionise American music. From Fitzgerald's first audition at the Apollo Theatre to swing-era success at the Savoy, Tick shows how this 'girl singer' broke new ground: as a female bandleader, as a ground-breaking bebop improviser and as the arbiter of the American canon with her Song Book recordings. Yet even as she electrified concert halls and sold millions of records, jazz critics belittled her as 'naive'. Tick reveals instead an ambitious risk-taker with a stunningly diverse repertoire, whose exceptional musical spontaneity (often radically different on stage than in the studio) made her a transformational artist. Remainder dot to top edge otherwise a clean copy.
Hardcover. NY, Harper, 2nd pr., 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 265 pages, b&w illustrations. The first installment in the long-awaited portrait of one of the most talented and influential musicians of the twentieth century, from Stanley Crouch, one of the foremost authorities on jazz and culture in America. Throughout his life, Charlie Parker personified the tortured American artist: a revolutionary performer who used his alto saxophone to create a new music known as bebop even as he wrestled with a drug addiction that would lead to his death at the age of thirty-four. Drawing on interviews with peers, collaborators, and family members, Kansas City Lightning recreates Parker's Depression-era childhood; his early days navigating the Kansas City nightlife, inspired by lions like Lester Young and Count Basie; and on to New York, where he began to transcend the music he had mastered. Clean copy.
Softcover. London, Omnibus Press, Revised Ed., 1979, Book: Very Good, Dust Jacket: None, Softcover, 270 pages. Compiled by Solomon, Howard Pizzey and Martin Watson. Gives you instant answers to thousands of questions. Listed alphabetically by artists, is every top 50 entry, date of entry, number of weeks in chart, highest position reached, original label and catalogue number, plus details of any corresponding success in the U.S.charts. Clean.
Softcover. Lincoln NE, University Of Nebraska Press , 1st pbk, 1995, Book: Very Good, Dust Jacket: None, Softcover, 432 pages. Collects letters and essays that are published during the 1850s and 1860s. This title highlights the notorious 1850 article "Judaism in Music". It includes prose pieces such as "On the Performing of Tannhauser"; "On Musical Criticism"; and, "Music of the Future". It offers suggestions for the reform of opera houses in Vienna, Paris, and Zurich. Clean copy.
Hardcover. Lake Oswego OR, Metamorphous Press, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, b&w illustrations, 104 pages. A veteran piano tuner presents a non-technical, literary view of the quixotic tuning system used on keyboard instruments for hundreds of years. Focuses on the "comma", which is the pitch difference by which (9/8)^12 > (2/1), discusses its history, its importance in piano tuning, and philosophically what it all means. Winner of the Western States Book Award for creative nonfiction in 1986.
Hardcover. Boston, Little, Brown and Company, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A raucous and vividly dishy memoir by the only woman writer on the masthead of Rolling Stone Magazine in the early Seventies. In 1971, Robin Green had an interview with Jann Wenner at the offices of Rolling Stone magazine. She had just moved to Berkeley, California, a city that promised "Good Vibes All-a Time." Those days, job applications asked just one question: "What are your sun, moon and rising signs?" Green thought she was interviewing for a clerical job like the other girls in the office, a "real job." Instead, she was hired as a journalist. With irreverent humor and remarkable nerve, Green spills stories of sparring with Dennis Hopper on a film junket in the desert, scandalizing fans of David Cassidy and spending a legendary evening on a water bed in Robert F. Kennedy Jr.'s dorm room. In the seventies, Green was there as Hunter S. Thompson crafted Fear and Loathing in Las Vegas, and now, with a distinctly gonzo female voice, she reveals her side of that tumultuous time in America. Brutally honest and bold, Green reveals what it was like to be the first woman granted entry into an iconic boys' club. Pulling back the curtain on Rolling Stone magazine in its prime, The Only Girl is a stunning tribute to a bygone era and a publication that defined a generation. 293 page, illustrated with b&w and color photos.
Hardcover. NY, Oxford University Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, 532 pages. Hardcover with dust jacket. Very light wear to jacket, two small scratches to upper jacket spine. Otherwise very clean and tight copy. In this superb collection of essays, reviews and articles, Giddins brings together, for the first time, more than 140 pieces written over a 14-year period, most of them for his column in the Village Voice (also called "Weather Bird"). The book is first and foremost a celebration of jazz, with illuminating commentary on contemporary jazz events, on today's top musicians, on the best records of the year, and on leading figures from jazz's past. Readers will find extended pieces on Louis Armstrong, Erroll Garner, Benny Carter, Sonny Rollins, Dave Brubeck, Ornette Coleman, Billie Holiday, Cassandra Wilson, Tony Bennett, and many others.
Hardcover. NY, Farrar Straus Giroux, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 347 pages. In this first biography focusing on John Hammond, the charismatic American music producer is brought to life by journalist Dunston Prial. Hammond was renowned for his ability to spot new talent, introducing the world to some of most gifted musicians of early jazz- Billie Holiday, Count Basie, and Charlie Christian. Then, as jazz gave way to pop and rock, Hammond staged an amazing second act discovering Bob Dylan, Aretha Franklin, Bruce Springsteen, and Stevie Ray Vaughan. 'The Producer' covers Hammond's entire story from his heyday as a music producer to his privileged upbringing as a Vanderbilt. This is a story of an American music in all its rough-edged vitality. Clean copy.
Hardcover. Boston, Little, Brown and Company, 1st, 1947, Book: Good, Hardcover, beige boards with green and red text; light wear to corners and spine, light spotting to covers. Nash's poems set to music by Vernon Duke. Each song accompanied by playful two tone illustrations by Frank Owen. Inscription on front fly leaf, clean internally. 48 pages, no dust jacket.
Hardcover. NY, Billboard Books, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 154 pages, b&w illustrations. Carmen McRae is well known as one of jazz music's most masterful improvisers, and is ranked among the greatest jazz singers of all time. She grew up during the swing era in Harlem, and participated in the transition from swing to bebop--the New Thing--playing with all the important musicians and in all the major clubs. Her struggle to fame was long and hard, finally paying off when she was thirty-four years old and began to perform with Tony Scott's band. It was Scott who convinced her to stand up at the microphone and leave the piano bench behind. By 1955 she had signed with Decca records and achieved national recognition. The rise to fame had begun. By the end of her life Carmen had performed all over the world, recorded over sixty albums, and been recognized with numerous awards and honors. Carmen McRae died on November 10, 1994.
Hardcover. NY, Columbia University Press, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover, 838 pages. Light edgewear, small tear to price-clipped dust jacket; fold to front flap. Previous price sticker on front fly leaf. Else clean and tight.
Hardcover. NY, Doubleday, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. For generations the electric guitar has been an international symbol of freedom, danger, rebellion, and hedonism. In Play It Loud, veteran music journalists Brad Tolinski and Alan di Perna bring the history of this iconic instrument to roaring life. It's a story of inventors and iconoclasts, of scam artists, prodigies, and mythologizers as varied and original as the instruments they spawned. Clean copy.
Hardcover. Urbana IL, University of Illinois Press, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket, 221 pages, b&w illustrations. Sketches and essays that combine White's scholarly research on the origins of western folksong with his personal knowledge and experience as a cowboy singer. A work that bridges the generations of balladry and folksong scholarship. Includes a four song vinyl record laid in at rear.
Hardcover. NY, Hachette, 1st, 2024, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 513 pages. Veteran music journalist Robert Hilburn presents the definitive portrait of an American legend. Hilburn has known Newman since his club debut at the Troubadour in 1970, and the two have maintained a connection in the decades since, conversing over the course of times good and bad. Though Newman has long refused to talk with potential biographers, he now gives Hilburn unprecedented access not only to himself but also to his archives, as well as his family, friends, and collaborators. Bob Dylan, Paul Simon, John Williams, Linda Ronstadt, Don Henley, Bonnie Raitt, Chuck D, James Taylor, and New York Times' Pulitzer-winning columnists, Thomas Friedman and Wesley Morris, among others, contributed to the book. Clean copy.
Hardcover. Schirmer Reference, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 271 pages. The last decade of Mozart's short but amazingly prolific career counts as one of the most remarkable periods--truly golden years--in the history of Western music. Richly illustrated with contemporary paintings and engravings and authoritatively written, this book provides a vivid account of the composer's life in the European music capital, Vienna, from 1781 to 1791. Clean copy.
Hardcover. Neptune NJ, Paganiniana Publications, 1st, 1977, Book: Very Good, Dust Jacket: None, 176 pages, maroon cloth covers with gilt lettering, design. Scarce book by a master teacher. No dust jacket issued.
Hardcover. Cleveland OH, Dayton C. Miller, reprint, 1922, Book: Very Good, Dust Jacket: None, 197 pages, dark blue cloth with gilt lettering and design. Many b&w drawings and photos, some fold-out. Light edgewear to cloth edges, mild foxing to end papers, otherwise clean.
Softcover. New York, Ballentine Books, 1st, 1985, Book: Good, Dust Jacket: None, Softcover, 235 pages. Top right corner edge wear with small page corner curling. Small chip missing from colored paper on top spine. Clean, tight copy featuring the 50's to the 80's of the TV show, American Bandstand. Includes photos.
Hardcover. New Haven CT, Yale University Press, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 606 pages, b&w illustrations. In a bright, unclipped dust jacket. Clean copy. An extraordinary selection of revealing letters to and from one of the titans of 20th-century music. Leonard Bernstein was a charismatic and versatile musician--a brilliant conductor who attained international super-star status, and a gifted composer of Broadway musicals (West Side Story), symphonies (Age of Anxiety), choral works (Chichester Psalms), film scores (On the Waterfront), and much more. Bernstein was also an enthusiastic letter writer, and this book is the first to present a wide-ranging selection of his correspondence. The letters have been selected for the insights they offer into the passions of his life--musical and personal--and the extravagant scope of his musical and extra-musical activities.
Softcover. Santa Fe Springs CA, Hathaway and Bowers, 1st, 1970-71, Book: Good, Dust Jacket: None, Nine softcover catalogs from the foremost dealer in antique music makers: Organs, pianinos, automatic harps, music boxes, etc. Catalogues No. 9 through 17, 1969-1971. All with b&w illustrations. Pages vary, 60-100. From a museum library with light stamping, small stickers on covers. Otherwise clean.
Hardcover. San Francisco, Panjandrum/Aris Books, 1st, April 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover, 251 pages plus index, b&w photographs. Light edge wear, rubbing to dust jacket. Else a clean, tight copy.
Hardcover. Portland OR, Amedeus Press, 1st, March 1, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 453 pages, b&w photographs and frontispiece, sheet music end paper. Light edge wear to dust jacket. Else a very clean, tight copy.
Hardcover. San Francisco, Pomegranate, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 164 pages. Hardcover. Black & white photographs by Jazz musician Milt Hinton. Dust jacket with light wear. Clean, tight copy.
Hardcover. New York, Ktav Pub Inc, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 226 pages, INSCRIBED BY AUTHOR on title page, with photographs throughout. Minor dust jacket edge wear, otherwise, very clean and tight.
Softcover. Gweru, Zimbabwe, Mambo Press, 1st, 1995, Book: Very Good, Dust Jacket: None, 153 pages, copiously illustrated throughout. Minor corner and edge wear, previous owner's signature on front endpaper, otherwise, very clean and tight copy.
Softcover. US, Academy Books, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 89 pages. Signed by Johnnie Francis and Judith Porter Sargent on front end paper. Clean, tight copy.
Softcover. Middletown CT, Wesleyan University Press, 2nd pr., 2006, Book: Very Good, Dust Jacket: None, Softcover, 252 pages. How does a Middle Eastern community create a modern image through its expression of heritage and authenticity? In Among the Jasmine Trees: Music and Modernity in Contemporary Syria, Jonathan H. Shannon investigates expressions of authenticity in Syria's musical culture, which is particularly known for embracing and preserving the Arab musical tradition, and which has seldom been researched in depth by Western scholars. Music plays a key role in the process of self-imaging by virtue of its ability to convey feeling and emotion, and Shannon explores a variety of performance genres, Sufi rituals, song lyrics, melodic modes, and aesthetic criteria. Clean copy.
Hardcover. NY, Farrar, Straus and Giroux, 2nd pr., 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 328 pages, b&w illustrations. With the explosive early 1960s folk revival as backdrop, Hajdu entertainingly recounts this downright Shakespearean tale of Folk Queen Joan Baez falling for the Ass, Bob Dylan. Meanwhile, Joan's younger sister, Mimi, succumbs to the spell of the charming writer Richard Farina, and the two become a highly regarded folk-singing duo in their own right. Little does Mimi suspect that she is a convenient way for Richard to get closer to Joan. Tragedy strikes the foursome as Dylan dumps Baez once his fame eclipses hers, and Farina is killed in a motorcycle accident on Mimi's 21st birthday, two days after the publication of his first novel Been Down So Long It Looks Like Up to Me. Though Dylan and Baez will sell this book, the real star is the colorful but controlling rogue, Farina, whose star was swiftly rising at the time of his death. Hajdu pulled off a coup in winning the participation of reclusive novelist Thomas Pynchon, who was a close friend of Farina's. Clean copy.
Hardcover. Toronto, HarperCollins, 1st CAN, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 420 pages, b&w photos. Joni Mitchell may be the most influential female recording artist and composer of the late twentieth century. In Reckless Daughter, the music critic David Yaffe tells the remarkable, heart-wrenching story of how the blond girl with the guitar became a superstar of folk music in the 1960s, a key figure in the Laurel Canyon music scene of the 1970s, and the songwriter who spoke resonantly to, and for, audiences across the country. A Canadian prairie girl, a free-spirited artist, Mitchell never wanted to be a pop star. She was nothing more than "a painter derailed by circumstances," she would explain. And yet, she went on to become a talented self-taught musician and a brilliant bandleader, releasing album after album, each distinctly experimental, challenging, and revealing. Her lyrics captivated listeners with their perceptive language and naked emotion, born out of Mitchell's life, loves, complaints, and prophecies. Remainder dot to bottom edge, otherwise clean.
Hardcover. NY, Doubleday, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 390 pages, b&w illustrations. Growing up in Greenwich Village, Sean Wilentz discov-ered the music of Bob Dylan as a young teenager; almost half a century later, he revisits Dylan's work with the skills of an eminent American historian as well as the passion of a fan. Drawn in part from Wilentz's essays as "historian in residence" of Dylan's official website, Bob Dylan in America is a unique blend of fact, interpretation, and affinity--a book that, much like its subject, shifts gears and changes shape as the occasion warrants. Beginning with his explosion onto the scene in 1961, this book follows Dylan as he continues to develop a body of musical and literary work unique in our cultural history. Wilentz's approach places Dylan's music in the context of its time, including the early influences of Popular Front ideology and Beat aesthetics, and offers a larger critical appreciation of Dylan as both a song-writer and performer down to the present. Remainder dot on bottom edge otherwise clean.
Hardcover. NY, Applause, Revised Ed., 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 326 pages, b&w illustrations. The greatest partnership in the history of the musical, captured in print, wonderfully illustrated. For this new edition, the book has been completely rewritten and substantially expanded to include material on Rodgers' early career with Lorenz Hart as well as his later work, and also features recollections from such theatrical titans as Sheldon Harnick, Martin Charnin, Stephen Sondheim and Arthur Laurents. Also, a completely new appendix reveals the details of the continuing worldwide phenomenon of Rodgers and Hammerstein's work. Clean copy.
Hardcover. NY, Doubleday, 1st, 2024, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 335 pages. George Frideric Handel's Messiah is arguably the greatest piece of participatory art ever created. Adored by millions, it is performed each year by renowned choirs and orchestras, as well as by audiences singing along with the words on their cell phones. But this work of triumphant joy was born in a worried age. Britain in the early Enlightenment was a place of astonishing creativity but also the seat of an empire mired in war, enslavement, and conflicts over everything from the legitimacy of government to the meaning of truth. Against this turbulent background, prize-winning author Charles King has crafted a cinematic drama of the troubled lives that shaped a masterpiece of hope. Clean copy.
Hardcover. London , Jazz Book Club/ Andre Deutsch, reprint, 1963, Book: Very Good, Dust Jacket: Very Good, Hardcover, 242 pages, in a very good dust jacket.
Great Neck, NY, Musical Vistas, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, A collection of cartoons all about violins by an Hungarian artist who became one of the world's best violin makers. Dust jacket with light edgewear to corners.
Hardcover. Boston, Charles S. Nutter, 1st, 1892, Book: Very Good, Dust Jacket: None, Hardcover, 208 pages. Black & white illustrations. Cloth covers show light rubbing at corners and edges. Clean, tight copy.
Hardcover. Cambridge, Harvard University Press, 1st, 1929, Book: Very Good, Dust Jacket: None, 634 pages. Hardcover. Illustrated with a few black & white photographs. Bookplate on inside front cover. Features music and lyrics. 1 Fold-out map of Virginia. Clean, tight copy.
Hardcover. New Brunswick, Rutgers University Press, 1st, 1960, Book: Very Good, Dust Jacket: Good, 177 pages. Hardcover. Illustrated with black & white photographs. Price clipped dust jacket with wear along edges - now protected with clear plastic cover. Clean, tight copy. Report on the men and women who lived in the South and created work songs, spirituals, blues, and jazz.
Hardcover. New York , Charles Scribner's Sons, 1st, 1972, Book: Very Good, Dust Jacket: Good, 176 pages, illustrated throughout in b&w. Dust jacket price clipped with slight rubbing, wear, sunning to edges and spine. Internally very good.
Hardcover. Chapel Hill, University of Carolina Press , 1st, 1936, Book: Very Good, Dust Jacket: None, 321 pages. Green cloth without a dust jacket. Minor sun-fade to spine. Clean, tight copy.
Hardcover. London, Macmillan and Co, 1st, 1894, Book: Good, Dust Jacket: None, Hardcover, 163 pages, illustrated throughout in b&w by Hugh Thomson. Unfortunate foxing throughout text. Minor wear to illustrated boards with light soil to rear cover.
Hardcover. Cambridge UK, Cambridge University Press, 1st UK, 1993, Book: Very Good, Dust Jacket: Very Good, 168 pages. Hardcover. Dust jacket with light rubbing. Collection of correspondence between Pierre Boulez and John Cage. Translated and edited by Robert Samuels.
Record # 951026
Price: $35.00
Collectible & Vintage Music Books
Browse used, rare and out-of-print music books covering songwriting, popular song, rock, jazz and the recording era. You will find biographies, songbooks, illustrated histories and design-led titles from many decades, from Broadway and Tin Pan Alley to sixties pop and record-sleeve art.
Recent listings include David Leopold's Irving Berlin's Show Business, Carl Ewens' Born to Boogie: The Songwriting of Marc Bolan, Edward Jablonski's Harold Arlen: Rhythm, Rainbows, and Blues, and Milton Okun's Great Songs of the Sixties, alongside Spencer Drate's 45 Rpm and the band history The Doors.
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