Hardcover. Rome, Italy Italy Enterprises, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 240 pages illustrated in b&w and color. Clean copy.

Hardcover. NY, Whitney Museum of Art/Abrams, 1st, 1992, Hardcover in a bright dust jacket, 187 pages. Published to accompany a 1992-93 exhibition held at the Whitney Museum of American Art, New York, this book deals with the full scope of Agnes Martin's art. It includes essays that place her work in the context of American and European 20th-century art and culture. Agnes Martin's paintings, constructions, and works on paper provide a link between the chromatic abstraction of artists such as Mark Rothko and Barnett Newman, her generational and ideological peers, and the Minimalist vocabulary of the 1960s. This book reproduces works made between 1957 and 1967, and better-known paintings and constructions created since 1974. A selection of Martin's writings reveals the spiritual philosophy that sustains her painting. Clean copy.

Hardcover. Manchester UK, Carcanet Press , 1st UK, 1985, Book: Good, Dust Jacket: Good, Hardcover with a bright dust jacket, 300 pages. Set against the backdrop of Italy between 1939 to 1944 - the months of anxiety before the country entered the war through to the tension following the Allied victory - "All Our Yesterdays" follows the lives of two families during the period of great turbulence and tells how the children grow into war and its aftermath. The boys flirt with revolution; Amalia marries a young German Jew; Concettina marries into a family that supports Mussolini; and Anna the youngest child, becomes pregnant when she is sixteen and is married off to Cenzo Rena, an eccentric family friend. War scatters them, but even war cannot break their bonds. All Our Yesterdays is about the endurance and resilience of people living through adolescence and early adulthood in a hostile world. Ex-lib with minor residue to rear endpaper and dust jacket taped to covers.

Softcover. San Diego CA, San Diego Museum of Art, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 86 pages, b&w illustrations. Includes bibliographical references (p. 35-36) and index. In 1916, George Wesley Bellows, a successful painter at the height of his artistic power, turned his considerable talent to the graphic medium of lithography. Over the next nine years, until his untimely death in January 1925, Bellows created nealry 200 lithographs - an impressive body of work unparalleled in the history of American art. While some of these lithographs appeared as illustrations in contemporary periodicals , and others were graphic versions of drawings and paintings he had previously made, the majority stood as independent works. Their subjects and styles span the breadth of Bellows's artistic vision. Light sticker residue to front cover, otherwise clean.

Hardcover. Boston, Houghton Lifflin Company, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 48 pages. Hardcover with dust jacket. SIGNED ON FRONT FLY LEAF BY AUTHOR. Color illustrations by Macaulay. Tight copy.

Hardcover. NY, W. W. Norton & Company, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 345 pages. Nick Flynn met his father when he was working as a caseworker in a homeless shelter in Boston. As a teenager he'd received letters from this stranger father, a self-proclaimed poet and con man doing time in federal prison for bank robbery. Another Bullshit Night in Suck City tells the story of the trajectory that led Nick and his father onto the streets, into that shelter, and finally to each other. Newspaper review laid in, Clean copy.

Hardcover. NY, Harper & Brothers, 1st, 1948, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket. Publisher's $2.50 price at the top of the front flap; previous owner's name and address on front fly leaf, otherwise clean. Short tape repairs to verso of dust jacket.

Hardcover. Penland, NC, Jargon Society, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, 63 pages. Hardcover with dust jacket. Clean, tight copy with only minor wear to edges. Related news clipping laid in.

Softcover. Boston, University of Massachusetts Press, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, 116 pages, 68 color, 14 b&w plates. Indochina Arts Project of the William Joiner Foundation. Essays by Quach Van Phong. Tran Viet Son, Lucy R Lippard and David Kunzle. Clean copy.

Softcover. Mt. Vernon NY, Italian American Writers Association, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 118 pages. INSCRIBED BY PERICONI on the title page. Limited to 1000 copies. A bibliography of fiction, nonfiction, and poetry by and about Italian Americans. Mild tanning to wraps, otherwise clean.

Hardcover. Kentucky, Purple House Press, 2nd pr., 2002, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Light edgewear to covers, otherwise clean and tight copy. 25th Year Anniversary edition.

Softcover. Libreria Musicale Italiana, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover, 215 pages, b&w illustrations. A history of the diaspora of Neapolitan musicians in New York. This book reviews the period from the unification of Italy to the fascist era through significant Neapolitan performers such as Gilda Mignonette and Enrico Caruso. It traces the transformation of a popular tradition written in dialect into a popular tradition, written in Italian, that contributed to the production of 'American' identity. PLEASE NOTE: ITALIAN TEXT. Simona Frasca is a lecturer on early sound reproduction and Italian migration, and a freelance music journalist. She hold a doctorate in History and Analysis of Musical Culture from La Sapienza University in Rome. Mild sunning to wraps, clean copy.

Hardcover. Annapolis MD, United States Naval Institute, Revised Ed., 1950, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket, 288 pages. First published in 1943, this is the 1950 Revised Edition. During World War II, the U.S. Naval Institute created this regimen after finding the sport of boxing uniquely suited to developing essential qualities such as quick reactions, cool judgment, coordination, and grit; skills invaluable not only in combat but also in countless other sports and physical activities. Many b&w instructional photos. Bright yellow cloth, clean copy.

Hardcover. John Wiley and Sons, 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover, black cloth covers with white lettering, 261 pages. INSCRIBED BY ORGANSCHI on the half-title page. A comprehensive approach to design that integrates sustainable principles and design strategies for decarbonized construction. Offers professionals in the field an approach to sustainable design that embraces building science principles, life-cycle analysis, and design strategies in carbon neutral construction. The book also contains background information on carbon in construction materials and in the building design process. This book is filled with illustrative diagrams and drawings that help evaluate the potential impact of design decisions for creating carbon emissions. Written by and for designers and builders, the book includes a compelling pair of case studies that explore carbon-reducing strategies, suggests steps for assessing a building's carbon footprint, and reviews carbon storages and circulation of materials. Clean copy, like new.

Softcover. Manchester UK, Carcanet Press , 1st UK, 2006, Book: Very Good, Dust Jacket: None, Softcover, 247 pages. SIGNED & INSCRIBED BY DELANTY on the title page. Bringing Greg Delanty's six books together, this book contains poems that draw on an inheritance from the different worlds that Delanty moves in: Ireland and America, Gaelic and English, traditional verse forms and modern colloquial. Clean copy.

Hardcover. NY, Farrar, Straus & Giroux, 1st US, 1966, Book: Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket, 192 pages, b&w white illustrations. The history of a small volcanic island, 24 miles in circumference, that was settled by an English soldier and his family in 1816. And what happened in 1961 when it's descendants, cut off from civilization for 150 years, were rescued after a volcanic eruption into the modern world.

Hardcover. New York, M. Evans & Company, 1st, 1967, Book: Very Good, Dust Jacket: None, Non-paginated. Hardcover with no dust jacket. Clean, red cloth covers with black lettering and illustration of an aardvark on front. Pictures by Wendy Watson. Front hinge shows light tearing.

Softcover. Bennington VT, Bennington Historical Museum and Art Gallery, 1st, 1945, Book: Very Good, Dust Jacket: None, Softcover, cream color card wrappers, 67 pages, frontispiece of the author. "From several points of view, I think the strange story of David Redding, the mystery surrounding his trials and condemnation, is as interesting as any in our history. From my study I can look out upon the place where stood the gallows upon which David Redding was executed. These pages contain the result of many years' study of this man's tragic story." - from the Foreword. Clean, bright copy.

Softcover. Los Angeles, Hennessey & Ingalls, 1st US, 2000, Book: Very Good, Dust Jacket: None, Softcover, 130 pages, b&w and color photographs. A pictorial study of dead factories, rail-yards, harbors, and aircraft boneyards, originally published in Germany in 1981. Clean copy.

Hardcover. Scalo, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 308 pages. In 1987 Dirk Reinartz set out on his sad itinerary: Dachau, Auschwitz, Ravensbruck, Treblinka. The list goes on. Seven years later he compiled this series of 200 black-and-white photographs of the 24 ruins of the death camps. In 279 chilly, gray photographs taken at 25 different Nazi concentration camps, Reinartz successfully portrays the very purpose--death--of these horrific places. In the photographs, no figure intrudes on the stark emptiness and brutal orderliness of the camps' architecture. The photographs are carefully composed, and their tonal range deliberately compressed, so that there is no brightness in them, only shades of gray. Nor is there any shred of sentiment, only emptiness and silence. In his text, Krockow contrasts the truth of the pictures and the superficial, "amusement park" ambiance that greets actual visitors to the camps today. He meditates as well on the failings of the human mind that allowed the power to kill to go unchecked. Disturbing photographs, thoughtful text. Clean copy.

Softcover. NY, E. P. Dutton & Co., 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 116 pages illustrated in color. Documents the superb and amazing Art Deco buildings of Miami Beach. Bright and beautiful full color photos feature mainly the exteriors of these gems. Clean copy.

Hardcover. NY, Harcourt, Brace & World, 1st US, 1967, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn, chipped dust jacket, 259 pages, photographic frontispiece, 4 leaves of plates; original blue cloth over blue boards, gilt lettering on spine, Autobiography of the English writer and founder of the Hogarth Press with his wife Virginia Woolf. The fourth volume of the autobiography. Remainder line to edge, otherwise clean.

Hardcover. New York, Boni & Liveright, 1st, 1928, Two hardcover volumes 291/266 pages. Black cloth spine with gilt decoration over boards with patterned batik paper. Limited numbered set #2025/2050, signed by the publishers on the limitation page. 24 two-color semi-erotic plates by Ralph Barton. Edgewear to cardboard covers and corners worn. Some gutter cracks throughout. Overall, a good plus set.

Softcover. The Norton Gallery of Art, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, 122 pages illustrated in color and b&w. Here the Norton Gallery of Arts Museum shows the exhibition of works by the distinguished Norwegian painter and printmaker Edvard Munch. For him, art must do nothing less than reveal the essential human condition. Having emerged as an accomplished Naturialist painter in the 1880s, he rejected Naturalism in his artistic manifesto of 1889-90. He began to paint images reflecting the stormy human psyche, and arranged his paintings into friezes to better communicate their meaning. At his death in 1944, his legacy included several thousand oil prints, reams of drawings, literary fragments, photographs and sculpture. Light sticker residue to front cover otherwise clean and bright.