CCS

Hardcover. London ; New York, Routledge, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 270 pages. Light foxing to top edge. Previous owner's signature on front fly leaf. Minor wear to dust jacket. Else a clean, tight copy.

Hardcover. Oxford, Clarendon Press, 1st, 1912, Book: Very Good, Dust Jacket: None, 319 pages, illustrated with 2 portrait plates and a diagram. Gilt ruled brick-red cloth with gilt lettering on spine. Edited by Atkinson. Bright, tight copy.

Hardcover. New York, Oxford University Press, 3rd Ed., 1931, Book: Very Good, Dust Jacket: None, Five volumes complete, 594, 576, 543. 645 and 593 pages. Olive cloth binding with gilt lettering on spine, top edge gilt.Couple hinges tender. Bright, clean set. DUE TO WEIGHT, DOESTIC SHIPPING ONLY.

Hardcover. NY, Farrar Rinehart, 1st, 1939, Book: Very Good, Dust Jacket: Good, Dust jacket with spotting, light soil to cover, chips to corners. 1" stain along bottom edge of rear panel.

Hardcover. NY, Pantheon Books, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket. 294 pages. INSCRIBED BY AUTHOR on front end paper. A collection of short stories, from the author's earliest fiction in 1937 to her new novella "Dr. Heart". Clean copy.

Hardcover. New York, Bloomsbury Academic, 1st, 2017, Book: Very Good, Dust Jacket: None, 224 pages. Hardcover with no dust jacket. A very clean, unmarked copy with no visible wear. Price sticker to back cover. Otherwise a tight copy. Many critics have interpreted Bob Dylan's lyrics, especially those composed during the middle to late 1960s, in the contexts of their relation to American folk, blues, and rock 'n' roll precedents; their discographical details and concert performances; their social, political and cultural relevance; and/or their status for discussion as "poems." Dylan's Autobiography of a Vocation instead focuses on how all of Dylan's 1965-1967 songs manifest traces of his ongoing, internal "autobiography" in which he continually declares and questions his relation to a self-determined existential summons.

Softcover. London, Sotheby's, 1st, 2005, Book: Very Good, Dust Jacket: None, 367 pages, photographs throughout. Very slight corner and edge wear, otherwise, very clean and tight copy.

Hardcover. London, William Tegg, 1st, 1860, Book: Very Good, Dust Jacket: None, 739 pages, rebound copy with gilt tile on spine and green cloth board. Minor edge fade, otherwise, very clean and tight copy.

Hardcover. NY, The Viking Press, 1st, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 113 pages, beige canvas boards with salmon cloth spine, wood-grained dust jacket in mylar cover. A collection of poems by American author R. G. Vliet (1929-1984), his first book. Clean copy.

Hardcover. Rome, Leonardo-De Luca, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 236 pages, illustrated in color and b&w. Italian text. Dust jacket with light edgewear.

Hardcover. London, Faber & Faber, 1st, 1990, Book: Good, Dust Jacket: Good, 161 pages, black cloth, book slightly cocked. Dust jacket edgeworn with light chipping. INSCRIBED BY HARRIS ( "Joyce and Irving, with love, Wilson & Margaret 1990") on the title page to Joyce and Irving Adler. The book is heavily annotated and underlined in both ink and light pencil by Joyce who was a literary scholar who wrote two books on Harris.

Softcover. Crossroad Pub Co, reprint, January 1992, Book: Good, Dust Jacket: None, 720 pages. Light wear, creasing, rubbing to wrappers, faint soil to edges, small dent to spine. Previous owner's notation in ink on contents-page.

London, National Gallery, 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover, 71 pages illustrated in color. A key member of the Hudson River School, Frederic Church (1826-1900) rose to fame as the creator of some of America's most iconic landscape paintings. He also traveled abroad extensively, making trips to Jamaica, South America, Europe, and the Middle East. At home and away, Church made numerous plein air oil sketches of the landscapes he saw, some magnificent, some humble, many of them later subjects for his full-scale paintings. Frederic Church and the Landscape Oil Sketch features some thirty sketches Church executed during his career. Many of these wonderful works come from Olana, the artist's magnificent home overlooking the Hudson River. As Andrew Wilton's essay explains, these informal and often spontaneous sketches played a vital role in the practice and pedagogy of landscape painting in American art just as they did in European art of the 19th century. Clean copy.

Hardcover. New York, Thomas Dunne Books, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 324 pages, SIGNED BY AUTHOR on title page. B&w photographs, spotless and tight copy.

Hardcover. NY, Harry N. Abrams, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with light edgewear. 192 pages. A critical examination of American photographer Gertrude Kasebier. Features text by Barbara L. Michaels. Includes 120 duotone illustrations. NAME ON FRONT FLY LEAF, OTHERWISE CLEAN.

Hardcover. NY, Limited Editions Club, 1966, Book: Very Good, Dust Jacket: None, Hardcover, beige buckram and boards covered in dark blue paper. Copy #794 of 1500 designed and printed by Joseph Blumenthal at the Spiral Press and illustrated with 15 wash drawings in color by Charles Raymond. SIGNED by the illustrator on the colophon page. Dickens' tenth novel, unusual from his others in its short length, and for not having scenes set in London. The satirical novel is instead set in the fictitious industrial mill-town Coketown Dickens wrote this serialised novel hoping to boost the sales of his periodical 'Household Words', which it indeed did. In a blue slipcase with one corner with a minor bump.

Softcover. NY, Harmony Books, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover, 176 pages, illustrated in b&w, some color. In a charming, straightforward way, Benson tells of his life in photography. Benson presents a useful mix of his own photography with personal ancedotes and specific lists of how-to's. The photos are useful for showing some of the great moments that can be caught on film, as well as for giving the newer photographer something to aspire towards. Mixed in with the photo sections are pages of up-front writing about how Benson achieved what you are looking at. "Certain qualities are essential to a photojournalist -- an inherent love of photography, a strong determination to succeed, and a willingness to put everything second to your work. You also need a sense of history, an awareness of human behavior, physical stamina, a fascination with gossip, a survival instinct, a naive belief in yourself, and a bit of luck." -- Harry Benson

Softcover. North Slope Borough, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover, 128 pages, b&w illustrations. A study of an Inupiat village on Alaska's North Slope and how the people live off their surroundings. Whaling, caribou hunting, fox trapping, seal and walrus hunting and other methods of subsistence are covered. Maps, b&w photos. Crease to rear cover, clean copy.

Hardcover. NY, Alfred A. Knopf, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a dust jacket with light fading to spine. A collection of 16 poems by Meredith, all based on the fictitious painter Hazard. #66 of 100 copies numbered and SIGNED on a tipped-in prelim page. In addition, also INSCRIBED BY AUTHOR on the front fly leaf. Clean copy.

Softcover. Alexandria, Eyrie Publications, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover in blue wrappers, 82 pages. B&w illustrations and photographs throughout. Previous owner's signature on top right corner of front cover. Minor rubbing to cover edges. SIGNED LETTER FROM AUTHOR LAID IN. A nice, clean copy.

Hardcover. New York , Charles Scribner's Sons, reprint, 1899, Book: Good, Dust Jacket: None, 416 pages. Blue cloth cover, gilt lettering, and embossed design. Some wear to corners and edges of spine. Spine is slightly cracked at rear endpage. Some faint stains on front pages, otherwise inside is bright and clean, with more than 500 b&w illustrations, maps and diagrams. A nice copy.

Hardcover. New York , Charles Scribner's Sons, reprint, 1899, Book: Good, Dust Jacket: None, 425 pages. Blue cloth cover, gilt lettering, and embossed design. Some wear to corners and edges of spine. Some faint stains on front pages, otherwise inside is bright and clean, with more than 500 b&w illustrations, maps and diagrams. A nice copy.

Hardcover. Baltimore, Regional Publishing Co., Reprint, 1970, Book: Very Good, Dust Jacket: None, 719 pages. Black & white illustrations. Includes fold-out maps. Clean, tight copy.

Hardcover. ASEP, 1st, 1972, Book: Very Good, Dust Jacket: None, 260 pages, b&w photos. Blue cloth, silver titles to front and spine. Light wear and rubbbing to edges, slight scratch down center of rear board. Previous owner's signature on front end paper, else a clean, tight copy.