Softcover. Chicago, Merrill Publishing Co., 1st, 1939, Book: Good, Dust Jacket: None, Softcover, 12 pages, 13" x 9 1/2" heavy paper covers and pages. Covers show light soiling with slight wear at spine and corners. The pages are clean, tight and unmarked. Great art by Milo Winter.

Hardcover. NY, Columbia University, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket, 300 pages. Book from 1980, being one of the most influential works of Japanese history and political theory. With its glorification of Japan's system of imperial succession, the author's 14th century tract became the catechism of loyalty to the throne for generations of Japanese. Beginning with recounting of Japan's divine origins, it tells of the early deities who ruled before heaven and earth were separated. Then the lives of the human sovereigns are chronicled who ruled over Japan in the 21 centuries following the founding of the empire in the year 606 BC. This first complete English translation of this landmark work gives an extensive introduction placing the chronicle in the context of 14th century Japan and exploring its powerful legacy of Japan before the Tokugawa period. Name on front fly leaf, otherwise clean.

Hardcover. Boston, MA, Houghton Mifflin Company, 1st, 1922, Book: Very Good, Dust Jacket: None, Domestic shipping only. 8 Volumes. Hardcovers. Autograph edition is limited to five hundred signed and numbered copies printed at the Riverside Press, Cambridge, U.S.A. Number 187. SIGNED BY BUCHAN in volume 1, reverse of title page.2268 total pages within 8 volumes:Color frontispieces in each volume and b/w illustrations throughout with tissue page guards and fold-out maps. Blue cover boards, navy blue quarter cloths with gilt title on blue paste downs on spines. Covers show very light shelf wear with some slight tanning and a touch of rubbing to bottom of spines (Vol. 3 has small spot on front cover board). Pages offset, some tanning to pages and edges from age. Binding very good. Spines straight. Pages and edges have a touch of tanning from age. Beautiful, historical set perfect for the WWI enthusiast. 

Hardcover. NY, Atheneum Books, reprint, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped in black. Color art by Haley. Discover how an African trickster god made it possible for people to tell stories in this brightly illustrated, Caldecott Medal-winning picture book. Long, long ago there were no stories on earth for children to hear. All stories belonged to Nyame, the Sky God. Ananse, the Spider man, wanted to buy some of these stories, so he spun a web up to the sky to bargain with the Sky God. The price the Sky God asked was Osebo, the leopard-of-the-terrible-teeth, Mmboro the hornet-who-stings-like-fire, and Mmoatia the fairy-whom-men-never-see. Can Ananse capture these sly creatures and give the children of earth stories to tell? No dust jacket, clean copy.

Hardcover. NY, Charles Scribner's Sons, 2nd pr., 1938, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 390 pages. With 30-page booklet outlining speeches laid-in, containing a number of press blurbs supporting Hoover's ideas. Scribner's colophon on copyeight page but no A, so assumed 2nd printing. Clean copy.

Hardcover. Waterville ME, Charta and Colby Museum of Art, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, bound in illustrated paper covered boards with titles present to the spine and front board. 128 pages, 60 color plates. Maine/New York surveys three decades of paintings by Alex Katz (born 1927). A quintessential New York artist, Katz is also a part-time resident of rural Maine, and the subject matter of his paintings accordingly shifts from landscape to cityscape, from rural vignette to Manhattan interior. In this volume, published for an exhibition at Colby College Museum of Art--where the largest public collection of Katz's resides--the pleasant haze of city afternoons is juxtaposed with the flickering greens of a rural path; the buzz of a fashionable social occasion with the dusk as it descends on a pond in the Maine woods. Along the way, we encounter the family members and friends who populate Katz's paintings, cast in his distinctive treatments of light and atmosphere. Clean copy.

Hardcover. NY, Alfred A. Knopf, 1st US, 1946, Book: Very Good, Dust Jacket: Very Good, Hardcover in a very good, price-clipped dust jacket. Illustrations in 2-colors by Frederick T. Chapman. This stirring tale of Iceland fishermen; of their expeditions to the cold and dangerous regions where the summers no longer have nights, and of their return to their firesides in Paimpol--is one of the great masterpieces of French literature. It is a gripping tale of adventure and romance, a colorful and exciting story of fearless men, and of their patient, courageous wives.

Hardcover. NY, Matthew Marks Gallery, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, brown-grey boards with white lettering; 139 pages, richly illustrated, in color. Created on the occasion of an exhibition held at the Matthew Marks Gallery in New York from September 11th through October 23, 2015. This catalogue focuses on the formative drawings that Anne Truitt (1921-2004) made while living in Tokyo from 1964 to 1967, a pivotal moment for her, both artistically and intellectually. Though she later destroyed the sculptures she produced there (all in aluminum, a material she ultimately found unsuited to her intentions), this process of discovery was essential to the clarification of her sculptural vision. The innovations she developed in Japan, many in the form of drawings, would profoundly inform her lifelong practice. Clean copy.

Softcover. Williamstown MA, Sterling & Francine Clark Art Institute/Yale University Press., 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 271 pages. Art history, aesthetics, and visual studies today find themselves in contested new philosophical and institutional circumstances. This fascinating and challenging volume explores the connections and differences among these three methods of investigating visual representation. What are the dominant aesthetic assumptions underlying art historical inquiry? How have these assumptions been challenged by visual studies? Are questions of quality, form, content, meaning, and spectatorship culturally specific? Can we still define the parameters of what should properly constitute the objects of the history of art? Fifteen distinguished scholars answer these and other questions, critically examining the relationships among these three scholarly fields from their founding moments through their contemporary practices. Clean copy.

Softcover. University of Chicago Press, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 228 pages, b&w illustrations. Art has the power to affect our thinking, changing not only the way we view and interact with the world but also how we create it. In Art in Mind, Ernst van Alphen probes this idea of art as a commanding force with the capacity to shape our intellect and intervene in our lives. Rather than interpreting art as merely a reflection of our social experience or a product of history, van Alphen here argues that art is a historical agent, or a cultural creator, that propels thought and experience forward.Examining a broad range of works, van Alphen--a renowned art historian and cultural theorist--demonstrates how art serves a socially constructive function by actually experimenting with the parameters of thought. Employing work from artists as diverse as Picasso, Watteau, Francis Bacon, Marlene Dumas, and Matthew Barney, he shows how art confronts its viewers with the "pain points" of cultural experience-genocide, sexuality, diaspora, and transcultural identity-and thereby transforms the ways in which human existence is conceived. Clean, like new.

Hardcover. NY, Harper & Row, reprint, 1977, Book: Very Good, Dust Jacket: None, Hardcover, pictorial cloth, three-color art by author. Benjy, a small dog takes a surprise boat trip and meets an angry ship's cat. Clean. Book Club Edition, no dust jacket.

Softcover. Hanover NH, Hood Museum of Art, Dartmouth College , 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 374 pages illustrated in b&w and color. Issued in connection with an exhibition held March 8 to September 7, 2008, Hood Museum of Art, Dartmouth College. Black Womanhood examines an especially charged icon - the black female body - and contemporary artists' interventions upon historical images of black women as exotic Others, erotic fantasies, and supermaternal Mammies. This book presents icons of the black female body as seen from three separate but intersecting perspectives: the traditional African, the colonial, and the contemporary global. The display and contemplation of such iconic images addresses complex and often competing forces of self-presentation and the representation of others. Clean, like new. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Race Point Publishing, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 208 pages. Every August, tens of thousands of participants gather to celebrate artistic expression in Nevada's barren Black Rock Desert. This vastly inhospitable location, called the playa, is the site of Burning Man, where, within a 9-mile fence, artists called Burners create a temporary city devoted to art and participation. Braving extreme elements, over two hundred wildly ambitious works of art are created and intended to delight, provoke, involve, or amaze. In 2013, over 68,000 people attended - the highest number ever allowed on the playa. As Burning Man has created new context, new categories of art have emerged since its inception, including Art to Ride, Collaborative Art, and of course, Art to Burn. Burning Man: Art on Fire is an authorized collection of some of the most stunning examples of Burning Man art. Experience the amazing sculptures, art, stories, and interviews from the world's greatest gathering of artists. Get lost in a rich gallery of images showcasing the best examples of playa art with 170 photos. Interviews with the artists reveal not only their motivation to create art specifically for Burning Man, but they also illuminate the dramatic efforts it took to create their pieces. Featuring the incredible photography of long-time Burning Man photographers, Sidney Erthal and Scott London, an introduction from Burning Man founder Larry Harvey, and a foreword from Will Chase, this stunning gift book allows Burners and enthusiasts alike to have a piece of Burning Man with them all year around. Clean, bright copy. DOMESTIC SHIPPING ONLY.

Hardcover. Toronto, Canada, George Brown, Rebound 1st Edition, 1864, Book: Good, Dust Jacket: None, 376 pages. Hardcover. Rebound edition. Domestic shipping only. Previous owner's bookplate on front endpapers. Previous owner's name and date of acquisition on preliminary page in pencil. Bright blue bound cover boards. Some light tanning to pages and edges from age. Binding very good. Pages unmarked. Spine straight.

Hardcover. Brighton UK, Alpha Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 127 pages, illustrated in color and b&w. This book examines the extraordinary metamorphosis that has occurred in the presentation of the human face during the twentieth century. A series of essays charts the portraits which are the "Milestones" to that change, while the discussion that follows - "Changing Perceptions" - endeavours to identify its nature, its causes, and to show the manner in which the artists reveal this transformation when painting their sitters. Clean copy.

Hardcover. Cleveland, World Publishing, 1st, 1966, Book: Very Good, Dust Jacket: None, Hardcover, pictorial cloth, 48 pages. Color art by Schulz. The story of "an all-star baseball team and its conscientious but misunderstood manager-pitcher, Charlie Brown. " The book was the basis of the second prime-time animated TV specials based on the Peanuts comic strip. C;ean copy.

Hardcover. NY, HarperOne, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 300 pages, b&w illustrations. The long-awaited and wildly entertaining memoir of the star of stage and screen, the legendary Chita Rivera-three-time Tony Award-winner, Kennedy Centers honoree, and recipient of the Presidential Medal of Freedom.She was born Dolores Conchita Figueroa del Rivero-until the entertainment world renamed her. But Dolores-the irreverent side of the sensual, dark and ferocious Chita-was always present center stage, and was influential in creating some of Broadway most iconic and acclaimed roles, including Anita in West Side Story the part that made her a star-Rosie in Bye Bye, Birdie, Velma in Chicago, and Aurora in Kiss of the Spider Woman. Written in gratitude to her fans and with the hope that new generations may learn from her extraordinary experience, Chita takes us behind the curtain to reveal the highs and lows of one extraordinary show business career-the creative fermentation, the ego clashes, the miraculous discoveries, the exhilaration when it all went right, and the disappointment when it all went wrong. Clean copy.

Softcover. NY, Schocken Books, reprint, 1973, Book: Very Good, Dust Jacket: None, Softcover, 439 pages. Reprint of a work first published in 1875, b&w illustrations. Name on front fly leaf, otherwise clean. An historical account written during the late 19th century. The book explores various communistic communities in the United States, documenting their origins, practices, and social structures. Nordhoff's investigation is based on personal visits and observations, aiming to provide insights into how these societies operate and their contributions to the labor question.

Hardcover. Boston, MA, J.E. Tilton and Company, 1st Edition, 1866, Book: Very Good, Dust Jacket: None, 53 pages. Hardcover. B/w illustrations throughout (By Hammatt Billings) with tissue guards. Gilt edges, brown endpapers. Slight tanning from age to pages. Dark green cover boards, with bevelled edges and gilt title with design on front cover board. Spine straight, binding tight, pages unmarked. Beautifully illustrated antique volume of poetry by Oliver Goldsmith.

Hardcover. London, UK, Routledge & Kegan Paul, Reprint, 1975, Book: Very Good, Dust Jacket: Very Good, 404 pages. Hardcover. Volume 2 ONLY. Red cloth cover boards, gilt title on spine. Foldout family trees of the House of Medici, etc. attached. Previous owner's notes/underlining on a few pages in pencil. Top edge dyed orange. Dust jacket price clipped. Some tape outlines on front flyleaf and back page. First published in 1950, this classic translation by the late Leslie J. Waker has been out of print for some years. It is now reissued complete, together with an introductory essay by Cecil H. Clough which places Father Walker's contribution in the context of current researches.

Hardcover. NY, Wonder Books, 2nd pr., 1952, Book: Very Good, Dust Jacket: None, Hardcover, pictorial glazed boards. Originally published as The Magic Word. Color illustrations by Eleanor Dart. Teaching kids to say the magic word: "Please!" Name blacked out on inside front cover, otherwise clean.

Hardcover. Raleigh NC, TwoMorrows Publishing, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 191 pages. Don Heck remains one of the legendary names in comics, considered an "artist's artist," respected by peers, and beloved by fans as the co-creator of Marvel Comics characters Iron Man, Hawkeye, and Black Widow, and for his long stint on Marvel Comics' team book The Avengers. In Don Heck: A Work of Art, author John Coates has meticulously researched and chronicled information on Don's storied 40-year career, including his time at DC, Dell, Gold Key, and as "ghost" artist on Lee Falk's The Phantom newspaper strip. From personal recollections from Don's surviving family, long-time friends, and industry legends, to rare interviews with Heck himself (where he discusses his career, artistic technique, triumphs, frustrations, and love of drawing), this book is full of insight into - and first-hand anecdotes from - the early days of Marvel Comics. It also features an unbiased analysis of sales on Don's DC Comics titles, an extensive art gallery (including published, unpublished, and pencil artwork), a Foreword by Stan Lee, and an Afterword by Beau Smith. Clean copy.

Softcover. Port Townsend WA, Feral House., 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover in pictorial wraps, 220 pages. Dope Menace boasts hundreds of full color images from the wicked subgenre of drug-exploitation narratives. The covers that made these authors books so easy to pick up are collected here for the first time, in all their seductive glory. While we now enjoy this exploitative genre for its campy kitsch, gloriously bad writing, and outlandish misinformation, drug paperback books were once a transgressive medium with a perversely seductive quality. Dope Menace collects together hundreds of fabulously lurid and collectible covers in color, from xenophobic turn-of-the century tomes about the opium trade to the beatnik glories of reefer smoking and William S. Burroughs' Junkie to the spaced-out psychedelic '60s. Clean copy.