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Hardcover. North Bennington VT, Poly Two Press, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket that has fading to spine, 170 pages, b&w illustrations. SIGNED "Best of luck/ Landon Manning" on the title page. A compilation of the best turf articles of Landon Manning, whose true stories on Saratoga thoroughbred racing, have long been recognized for their human interest appeal. As the long-time regular turf writer for Saratoga County's only daily newspaper, The Saratogian, Manning has written of the many individuals, both great and small, he has encountered primarily in the backstretch, during the great era of the 1960's and 1970's. Illustrated with black & white photos.

Hardcover. Chicago, American Sheep Breeder Compny, 1st, 1910, Book: Good, Dust Jacket: None, Hardcover, green cloth covers with gilt lettering, 96 pages plus ads in rear. b&w illustrations. Gilt faded on cover and spine, clean copy. The book provides a comprehensive overview of the different types of cheese made in America, specifically focusing on cheeses made from cow, sheep, and goat milk. The author delves into the history of cheese-making in America, discussing the various techniques and methods used to produce cheese. The book also includes detailed descriptions of different cheese varieties, their flavors, textures, and uses. It is a valuable resource for cheese enthusiasts, historians, and anyone interested in the history and culture of cheese-making in America.

Hardcover. NY, Hurst & Company, reprint, Book: Very Good, Dust Jacket: None, Hardcover, beige cloth with 3-color pictorial cover, 286 pages. An historical book written by Charles Carleton Coffin and originally published in 1865. The book is a detailed account of Coffin's experiences as a war correspondent during the American Civil War, specifically with the Union Army of the Potomac. Coffin provides a firsthand account of the battles and events that took place during the period of August 1861 to November 1862. He describes the conditions and hardships faced by the soldiers, the tactics and strategies employed by the Union army, and the personalities of the commanders and soldiers he encountered. Clean copy.

Hardcover. NY, Library Press, 2nd pr., 1971, Hardcover in a lightly worn dust jacket, 335 pages. Described by Melvin Lasky as "one of the great journalists of our time," Luigi Barzini was also one of the great cultural historians of modern Italy. From Caesar to the Mafia brings together his finest essays, roughly half of them never before published in the English language. Whether discussing the deep Italian roots of Julius Caesar, Casanova's contribution to the art of living big, or Camillo Cavour's contribution to a democratic as well as integrated nation, Barzini makes Italian culture come alive. Whether he is dealing with heroes or villains, he never loses sight of how Italy became a distinct nation. From Caesar to the Mafia is not only about people, but also focuses on places and problems. When Barzini discusses the Sicilians, the Isle of Capri, or his birthplace of Milan, he has the distinct capacity to capture what is universal as well as what is intimate in each place. Clean copy.

Softcover. Minneapolis, University Of Minnesota Press, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 285 pages illustrated in color. Why have home gardeners, professional horticulturists, and landscape preservationists increasingly been attracted to prairie plants? The beauty and hardiness of these flowers, grasses, trees, and shrubs, along with their easy maintenance and environmental friendliness, have spurred a surge of interest in prairie gardens. Whether you are considering adding these plants to a more conventional landscape or intending to "go native" all the way, Gardening with Prairie Plants is the most comprehensive resource and guide available. Clean copy.

Hardcover. Jackson MS, University Press of Mississippi, 1st, 2025, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 520 pages. New Orleans artist George Valentine Dureau (1930-2014) has always been an enigma. His status as an important artist gained momentum beginning with his first exhibition at the New Orleans Museum of Art, then the Isaac Delgado Museum of Art, in the mid-1960s. Not only did his career undergo a meteoric rise, but his work proved at once controversial and provocative, nuanced and groundbreaking. Critics and collectors embraced his bold images, describing them as sexual, sensual, exploitative, erotic, iconoclastic, and innovative. Beneath the surface, Dureau was even more complex as a person and persona, as he crafted a sensational character out of his artistic acumen. His reputation dimmed after his death, but in recent years his importance, and that of the New Orleans art scene he occupied, has once again been recognized. This lush publication features 100 large-format photographic plates, most of which have never been seen or published and surprisingly some in color. There are more than 200 illustrations and two essays to accompany the plates, along with a special section devoted to the artists and artwork of 1980s New Orleans, featuring hundreds of additional photographs, and several appendices of supplementary materials, such as interview transcripts, a timeline of Dureau's life and career, a map of important locations, and a section on relevant art publications, invitations, and posters. Clean copy. This is a heavy and oversized book and will require extra shipping. International customers please ask for a shipping quote before purchasing.

Hardcover. NY, Museum of Modern Art/Abrams, 1st, 2000, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with cover paste-down plate, white lettering. Gerhard Richter (b. 1932) is one of the most highly regarded of contemporary artists, and his series of 15 paintings known as October 18, 1977, is one of the 20th century's most famous works on a political theme. It commemorates the day on which three young German radicals, members of the militant Baader-Meinhof group, were found dead in a Stuttgart prison; they were pronounced suicides, but many people suspected that they had been murdered. Richter's paintings, created 11 years after this traumatic event, are among the most challenging works of the artist's career. These hauntingly powerful images, derived from newspaper and police photography, are now in the collection of the Museum of Modern Art, New York. Clean copy.

Softcover. NY, Archipelago Books, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 171 pages. One of the most transcendent poets of his generation, Darwish composed this remarkable elegy at the apex of his creativity, but with the full knowledge that his death was imminent. Thinking it might be his final work, he summoned all his poetic genius to create a luminous work that defies categorization. In stunning language, Darwish's self-elegy inhabits a rare space where opposites bleed and blend into each other. Prose and poetry, life and death, home and exile are all sung by the poet and his other. On the threshold of immortality, the poet looks back at his own existence, intertwined with that of his people. Clean Copy.

Softcover. Canberra AU, National Gallery of Australia, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. From his studio in the heart of New York, Australian-born Anton Bruehl created inventive and perfectly realized color photographs for advertisements in top American magazines such as Vogue and the New Yorker. Seen by the millions of readers, his ads had a dedicated following eliciting bags of fan mail. As well as advertising, Bruehl produced evocative images of stars of stage and screen, other celebrities, seasonal child studies, and his personal photography in the classic documentary tradition including his award-winning photo book Mexico (1933) and Tropic patterns (1970). Essays cover the early lives of the Bruehl brothers in Australia; Anton's success in New York, including his most famous and whimsical advertising campaigns; and fascinating details on Bruehl-Bourges color process which gave Breuhl's photographs their distinctive look. Illustrated with Bruehl's photographs, magazine prints, and printers proofs, this book is a must for anyone interested in photography, advertising, and popular culture. In publisher's shrinkwrap.

Hardcover. Boston, Little, Brown and Co., 1st, 1951, Book: Very Good, Dust Jacket: None, Hardcover, red cloth stamped in black. 126 pages. Illustrated in b&w by Phyllis Rowand. Red cloth cover. Child's name printed on front endpaper. Cover bumped at spine and corners. Clean copy. An imaginative dialogue between father and son interspersed in a story the father is creating about the two of them arriving in preColumbian America. Kind of an odd take on "Redskins" but an interesting book.

Softcover. NY, Archipelago Books, 1st transl. thus, 2023, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 114 pages. "This debut novel--by an acclaimed Argentinean writer, and first published in 1958--centers on a sixteen-year-old who becomes pregnant after an assault by an older man. Setting the story in the sweltering heat of Argentina's Pampas, Gallardo re-creates the world of ranchers and missionaries from the perspective of the girl, with her adolescent confusion and private sense of guilt. Gallardo juxtaposes her solitary desperation--she visits a local medicine woman for an abortion, and gallops recklessly on horseback to induce a miscarriage--with the conservative Catholic society that closes ranks against her." Clean, bright copy.

Hardcover. NY, Thames & Hudson, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. While Josef Albers' Bauhaus colleagues Klee and Kandinsky are household names, Albers himself has remained inscrutable. He is best known as the painter of the Homages to the Square, a series of over 2,000 seemingly tightly controlled experiments in the interaction of colour. Yet he did not begin these pictures until he was in his sixties, already several decades into his career as an artist, maker and theorist, much of it pursued in the United States following the Nazi dissolution of the Bauhaus in 1933. Misunderstanding of the Homages reflects a wider misreading of Albers' life and work. Married to the textile artist Anni Albers, his papers include letters from fellow artists John Cage, Robert Rauschenberg, Richard Serra and Eva Hesse; colleagues such as Buckminster Fuller and Philip Johnson; and fans and collectors ranging from the composer Virgil Thomson to the cartoonist Saul Steinberg. 335 pages with 185 illustrations including the 23 color plates bookending the beginning and end of the text. Still in publisher's shrinkwrap.

Hardcover. NY, NYR Children's Collection, reprint, 2013, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 64 pages illustrated in 2-colors by Kunhardt. Originally published in 1933. Junket is a delicious custard and a lovely dessert. But why is the old man with a red beard and red slippers eating such an enormous bowl of junket, and what could he possibly be thinking about while he feasts? That's a good question! And one that the old man poses to the crowds and crowds of people that gather to watch him. In fact, almost everyone in the whole world wants to know the answer to this riddle. And only one little boy has the answer. This ingenious book of inspired nonsense was the very first from Dorothy Kunhardt, whose Pat the Bunny has delighted generations of young children. Clean copy.

Softcover. NY, Museum of Modern Art, 1st, 2022, Book: Very Good, Dust Jacket: None, Softcover, 184 pages, illustrated in color and b&w. Just Above Midtown, or JAM, was an art gallery and self-described laboratory for experimentation led by Linda Goode Bryant that foregrounded African American artists and artists of color. Open from 1974 to 1986, it was a place where an expansive idea of contemporary art flourished and debate was cultivated. The gallery offered early opportunities for artists recognized as pivotal figures in late-20th-century art-including David Hammons, Butch Morris, Senga Nengudi, Lorraine O'Grady and Howardena Pindell-as well as a nonhierarchical approach to art that welcomed artists without stylistic proscription.Published in conjunction with the first museum exhibition to focus on this visionary gallery and its ongoing impact, Just Above Midtown: Changing Spaces showcases rarely seen material from JAM's history-artworks, ephemera and photographs-that collectively document the gallery's communal and programmatic activities. This richly illustrated, jacketed paperback catalog includes essays that contextualize JAM and consider its legacy, a conversation between Goode Bryant and Thelma Golden, Director and Chief Curator of the Studio Museum in Harlem, a complete exhibition chronology written by MoMA and Studio Museum staff with nearly 50 annotated entries, and excerpts from oral histories with JAM staff and artists conducted especially for this project. Clean copy.

Softcover. Daytona Beach, Southeast Museum of Photography, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, 64 pages illustrated in color and b&w. Features the photography of Yuji Saiga, Naoya Hatakeyama, Norio Kobayashi and Toshio Yamane. Clean copy.

Hardcover. Chicago, Museum of Contemporary Art, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 240 pages. Artist Lee Bontecou (b. 1931) became widely known in the 1960s and 1970s for her welded steel sculptures and plastic and epoxy molded assemblages, powerful constructions that evoked natural phenomena and organic biological life as well as machines and instruments of war. This critically acclaimed book re-evaluates the career of this highly influential artist and focuses not only upon the impact of her early work but also on the import she has exerted on a generation of younger artists. Featuring some 50 sculptures and more than 100 drawings from the late 1950s to 2003, the book presents four essays that reposition Bontecou's work within the history of recent art, examine its shifting critical reception, discuss the artistic context in which her work was made, and analyze how science underpinned some of her earliest explorations. Related ephemera laid in. Clean copy. This is a heavy and oversized book and will require extra shipping. International customers please ask for a shipping quote before purchasing.

Hardcover. Berlin, Julius Springer, reprint, 1910, Book: Good, Dust Jacket: None, Hardcover, tan cloth stamped in dark brown, 337 pages. Illustrated with 500 text drawings and 6 2-color plates in rear. A detailed study of perspective. GERMAN TEXT. light stamping to endpaper, title page, otherwise clean.

Softcover. London, Reaktion Books, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 224 pages illustrated in color. Leon Golub was a leading exponent of history painting - painting as a narrative, symbolic expression of global, social and political relations and of the realities of power. In this book, published to accompany a major retrospective exhibition traveling to Ireland, England and the United States, Jon Bird examines the artist's work from the classically influenced early paintings through depictions of conflict and masculine aggression to compelling images of his recent work. Crease to rear cover, otherwise clean, bright copy.

Hardcover. NY, Scholastic Press, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 247 pages. INSCRIBED BY RYAN on the title page. Maximiliano Cordoba loves stories, especially the legend Buelo tells him about a mythical gatekeeper who can guide brave travelers on a journey into tomorrow. If Max could see tomorrow, he would know if he'd make Santa Maria's celebrated futbol team and whether he'd ever meet his mother, who disappeared when he was a baby. He longs to know more about her, but Papa won't talk. So when Max uncovers a buried family secret--involving an underground network of guardians who lead people fleeing a neighboring country to safety--he decides to seek answers on his own. Clean copy.

Hardcover. NY, Doubleday & Company, 1st, 1955, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 93 pages plus index. Two-color illustrations throughout by Manning Lee. Blurb on the front board and dust jacket from Amy Vanderbilt, "You can't begin manners training too young if you do it right." Wonderful mid-20th century etiquette book for children. Clean copy.

Hardcover. NY, Aperture, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover. In Migrations, Sebastiao Salgado turns his attention to the staggering phenomenon of mass migration. Photographs taken over seven years across more than 35 countries document the epic displacement of the world's people at the close of the twentieth century. Wars, natural disasters, environmental degradation, explosive population growth and the widening gap between rich and poor have resulted in over one hundred million international migrants, a number that has doubled in a decade. This demographic change, unparalleled in human history, presents profound challenges to the notions of nation, community, and citizenship. The first extensive pictorial survey of the current global flux of humanity, Migrations follows Latin Americans entering the United States, Jews leaving the former Soviet Union, Africans traveling into Europe, Kosovars fleeing into Albania and many others. The images address suffering while revealing the dignity and courage of the subjects. With his unique vision and empathy, Salgado gives us a picture of the enormous social and political transformations now occurring in a world divided between excess and need. This is a heavy and oversized book and will require extra shipping. International customers please ask for a shipping quote before purchasing. 

Hardcover. Geneve, Musee Barbier-Mueller, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 215 pages illustrated in color. FRENCH TEXT. Catalog of an exhibition held at the Musee Barbier-Muller, Geneva, February 11-October 30, 2016. Includes bibliographical references. The study conducted by Anne Vanderstraete on currencies and exchange objects selected from the collections of the Barbier-Mueller Museum explains not only the practices linked to the use of these items in their original context but also explores the aesthetic richness of this collection. Many works are revealed to the public for the first time. Clean copy.

Hardcover. NY/Munich, Hirmer Publishers, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 208 pages, color illustrations. Monuments and Myths is the first publication to trace the intersecting work of Augustus Saint-Gaudens (1848-1907) and Daniel Chester French (1850-1931), the leading American sculptors of the Gilded Age. Featuring provocative essays, stunning photographs, and an in-depth illustrated chronology, the catalog brings a contemporary perspective to sculptures that have defined and defied notions of American identity. This critical look at the artists' public and private works considers evolving ideas about race and representation, Indigeneity, civic space, memory, and American history. Clean copy.

Softcover. NY, Archipelago Books, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover in a pictorial wrapper, 71 pages. A small masterpiece, Pea's lyrical autobiographical novel paints a fiery and intimate portrait of an old man through the bold brushstrokes of his grandson. The passions and tensions between the old eccentric and his brothers play themselves out in mythical sketches before a vivid backdrop of the hills of Lunigiana. Moscardino, the first novella of his tetralogy, Il romanzo di Moscardino, is anarchic and haunting. Pound conducts Pea's vernacular song, allowing images to flow from the land, the flesh, and beyond. Clean, bright copy.