Newport Beach CA, The Newporter Resort, 1986, Book: Very Good, This painting shows the resort from the bay with sailboats and a catamaran in the foreground. The artist did several variations on this picture. This one is a rougher sketch which he didn't sign. Image size: 6" X 7", watercolor on texture white paper. Unpublished.

Newport Beach CA, The Newporter Resort, 1986, Book: Very Good, Boating view #2. McMullan's painting gives one the sense of experiencing boating and sailing on the bay. A bayside, modern adobe-style resort in the background. Image size: 6" X 7", watercolor on texture white paper, signed. Unpublished.

Newport Beach CA, The Newporter Resort, 1986, This painting shows the resort from the bay with sailboats and a catamaran in the foreground. The artist did several variations on this picture. Image size: 6" X 7", watercolor on texture white paper, signed. Unpublished.

Newport Beach CA, The Newporter Resort, 1986, Book: Very Good, Dust Jacket: None, This painting features a couple dining at a table on the patio with sailing boats on the bay behind them. Executed in b&w tones by the artist for newspaper ad. Image size: 5 1/2* X 5", watercolor on texture white paper, signed. Published.

Newport Beach CA, The Newporter Resort, 1986, Book: Very Good, Dust Jacket: None, This painting features the cupola on the main building which was used as a architectural signature in the advertising. Image size: 3* X 2 1/2", watercolor on texture white paper, unsigned. Published.

Newport Beach CA, The Newporter Resort, 1986, This painting shows the dockside facilities on the property. Image size: 7* X 7", watercolor on texture white paper, signed. Unpublished.

Newport Beach CA, The Newporter Resort, 1986, Book: Very Good, This painting shows the entrance to the resort as a couple pass on their way to the tennis courts. Image size: 5 1/2* X 7", watercolor on texture white paper, signed. Unpublished.

Newport Beach CA, The Newporter Resort, 1986, Book: Very Good, Dust Jacket: None, This painting shows guests enjoying the amenities of the lobby by the huge picture window with the bay as a backdrop. Image size: 9* X 9", watercolor on texture white paper, signed. Unpublished.

Newport Beach CA, The Newporter Resort, 1986, Book: Very Good, Dust Jacket: None, This painting shows guests enjoying the amenities of the lobby by the huge picture window with the bay as a backdrop. This is a rougher version of a more finished piece the artist did later and is unsigned. Image size: 9 X 9", watercolor on texture white paper. Unpublished.

Newport Beach CA, The Newporter Resort, 1986, Book: Very Good, This painting features guests sitting by the stone fireplace, enjoying drinks while the sun sets on the bay beyond the big picture window. Image size: 8* X 8", watercolor on texture white paper, signed. Unpublished.

New York, Watson-Guptill Publications, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 143 pages, illustrated throughout. A monograph on the artwork of James McMullan as well as a step-by-step guide to his approach to the design process with his reference materials, sketches, photographs of the artist at work, and the finished project. Introductory interview by Milton Glaser. Dust jacket edge wear and fade, minor foxing on top edge. Otherwise, very clean and tight copy.

Hardcover. NY, Watson-Guptill Publications Inc.,U.S., 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 143 pages. Illustrated in color, b&w.

Hardcover. NY, Delacorte Press, 1t, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover. 166 pages. Story of two cousins & their mothers, one of whom has run away. Dust jacket illustration by James McMullan.

Garden City, NY, Doubleday, 1st, 1963, Book: Good, Dust Jacket: Good, Hardcover. 71 pages. Black & white illustrations by Jim McMullan, his first book. Previous owner's inscription front end paper. Dust jacket price clipped. Creases, large tears, light soiling. Clear plastic protective cover.

Softcover. New York, Viking Studio, 1st, 1998, Book: Very Good, Dust Jacket: None, 129 pages, color illustrations. Features 40 of the designers posters for the Lincoln Center. Large softcover, clean, bright copy.

NY, Penguin Studio, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 129 pages, 13.5 X 10". Foreword by Bernard Gersten. Introduction by John Guare. Well-illustrated throughout in color. On buses, billboards, and train platforms, in newspapers and magazines, a poster's swift promise in glorious color or powerful dark tones offers a vivid impression of what awaits a theatergoer, and provides the lasting mental image of a play long after its closing night. No one creates such images with more invention, honesty, and beauty--sometimes disturbingly, but always memorably--than James McMullan. The Theater Posters of James McMullan is an illuminating collection of thirty-six posters from 1976 to the present (from Arcadia and Carousel to Six Degrees of Separation), almost all of them for New York's Lincoln Center Theater, by this artist for whom "the body itself becomes a quickly understood gesture like the movement of a mime or a dance." The ragman hanging off the lamppost with his flaming match in Road, the French-postcard wink of the Anything Goes woman, Eros aiming his arrow in Four Baboons Admiring the Sun . . . full-page reproductions of McMullan's posters accompany his stories of their geneses. Reference photographs, sketches, and alternate versions illustrate his search for the perfect visual metaphor. Most of all, the personalities and dramas of the theater people who surrounded each poster's birth--from Wole Soyinka and John Guare to Liv Ullmann, Patti LuPone, and Mike Nichols--fill this gift book of choice for all theater and art lovers.Newspaper review laid in. Clean, very goog in a bright, unclipped dust jacket.