africa colonial

Hardcover. US, Soul Jazz Books, 1st, 2014, Book: Very Good, Dust Jacket: None, 200 pages. Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to laminated cover boards. Color and black and white pictures throughout. The image of the Caribbean is as much a creation of the West as it is the result of its population's incredibly complex identity. A melting pot of races born of the 400-year slave trade--Africans, indigenous Americans and their French, Spanish, German, Dutch and English colonizers--the identity of the Caribbean stands at the intersection of tourism, colonialism and tropicality. This deluxe large-format volume features hundreds of fascinating and unique photographs that span 100 years of Caribbean history, culture, industry and more, as well as the subsequent diaspora of its people to America, England and elsewhere. The photographs show the many ways in which the region has been portrayed, from tropical backdrop of tourism and hedonism to colonial outpost and revolutionary threat in North America's own backyard.

Softcover. Lanham MD, Lexington Books, 1st, 2016, Book: Very Good, Dust Jacket: None, Softcover, 167 pages. Introduces basic information on Rwanda and how it has been viewed by the outside world. Chapter One describes early Rwanda's political and cultural development, traditional narratives, group migrations, the effects of German and later Belgian colonialism, and the introduction of Christianity. It concludes with a look at how this early history has been interpreted and reinterpreted. The second chapter discusses the end of Tutsi dominance and the 1959 Hutu Revolution. It details Hutu Power ideology, Belgian domestic politics, early acts of genocide, refugee movements, and economic and political stagnation. The text documents the development of the Rwandan Patriotic Front, its 1990 invasion, and the Arusha peace process. An account of the 1994 genocide follows. Drawing on numerous sources and fieldwork, it discusses this east central African nation's deeply seated cleavages, atrocious recent past, and the internal and external myths that have directed its history and national life. Clean copy.

Hardcover. London, The Hogarth Press, 1st, 1931, Book: Very Good, Dust Jacket: None, Hardcover reddish cloth, 173 pages. A classic farsighted expose of the destructive effects of colonialism on the indigenous social fabric in Kenya. Remains of dust jacket laid in. There are some handwritten notes on first and last blank pages of book, otherwise clean.

Softcover. Silvana Editoriale, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 192 pages. Photography has proved a particularly essential art in the African continent's postcolonial era, both for recording the numerous seismic moments in its recent history, and for reclaiming the imagery of Africa from its colonial portrayers. As Africa has begun to step beyond its colonial subjugation, photography has also assumed a leading role in providing African countries with individual identities. Tracking the blossoming of postcolonial photography in Africa from 1960 to the present, and accompanying an exhibition at the Palais des Beaux-Arts in Brussels, A Useful Dream: African Photography 1960-2010 celebrates 50 years of African photography. Among the 34 photographers gathered in its pages are Rui Assubuji, Nabil Boutros, Loulou Cherinet, James Depara, Samuel Fosso, David Goldblatt, Bob Gosani, Pierrot Men, Zwelethu Mtethwa, Eileen Perrier, Ricardo Rangel, Malick Sidibe and Patrice-Felix Tchikaya. The volume includes an introduction by Simon Njami and a text by Frank Vanhaec

Hardcover. London, Macmillan and Co., 1st, 1955, Book: Very Good, Dust Jacket: None, Hardcover, bright blue cloth covers, 243 pages, 13 b/w illustrations. Author was an administrator in East Africa and the West Indies from 1908 to 1944. A memoir of 30 years of colonial rule in Africa by a lifetime member of the British Colonial Service. Beginning with his first glimpse of Africa on a tropical morning as a young man and ends with a last glimpse of Kilimanjaro after spending his entire working life as one of the last servants of the old Empire. Name on front fly leaf, otherwise clean.

Softcover. Ithaca NY, Cornell University Press, reprint, 2004, Book: Very Good, Dust Jacket: None, Softcover, 283 pages. A particularly vicious and bloody civil war has racked Algeria for a decade. Amnesty International notes that since 1992, in a population of 28 million, 80,000 people have been reported killed, and the actual total is almost certainly higher. This terrible war overshadows Algeria's long and complex history and its prominence on the world economic stage-second in size among African nations, Algeria has the longest Mediterranean coastline and contains the world's fifth-largest natural gas reserves. Algeria, 1830-2000 is a comprehensive narrative history of the country. Benjamin Stora, widely recognized as the leading expert on Algeria, presents the story of this turbulent area from the start of formal French colonialism in the early nineteenth century, through the prolonged war for independence in the latter 1950s, to the internal strife of the present day.This book adapts and updates three short volumes published originally in French by La Decouverte. For this English edition, Stora has written a new introductory chapter on Algeria's colonial period (1830-1954) and has revised the final section to bring the volume up to date.

Softcover. NY, Cambridge University Press, 1st pbk, 2009, Book: Very Good, Dust Jacket: None, Softcover, 309 pages. An Empire of Facts presents a fascinating account of the formation of French conceptions of Islam in France's largest and most important colony. During the period from 1870 to 1914, travelers, bureaucrats, scholars, and writers formed influential and long-lasting misconceptions about Islam that determined the imperial cultural politics of Algeria and its interactions with republican France. Narratives of Islamic mysticism, rituals, gender relations, and sensational crimes brought unfamiliar cultural forms and practices to popular attention in France, but also constructed Algerian Muslims as objects for colonial intervention. Personal lives and interactions between Algerian and French men and women inflected these texts, determining their style, content, and consequences. Drawing on sources in Arabic and French, this book places such personal moments at the heart of the production of colonial knowledge, emphasizing the indeterminacy of ethnography, and its political context in the unfolding of France's empire and its relations with Muslim North Africa. Clean copy.

Softcover. Washington DC, Howard University Press, 1994, Book: Very Good, Dust Jacket: None, Softcover, 365 pages. Maps, illustrations, bibliography, index. A comparative social overview of slavery in Britain, America, and the Caribbean during the colonial period. Walvin carefully examines the external pressures exerted on coastal communities in Africa for slaves, the gradual development of a slave trading system within Africa, and the transport of over twelve million Africans across the seas. Clean copy. Several pages with dog-ear creases.

Softcover. Hanover NH, Hood Museum of Art, Dartmouth College , 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 374 pages illustrated in b&w and color. Issued in connection with an exhibition held March 8 to September 7, 2008, Hood Museum of Art, Dartmouth College. Black Womanhood examines an especially charged icon - the black female body - and contemporary artists' interventions upon historical images of black women as exotic Others, erotic fantasies, and supermaternal Mammies. This book presents icons of the black female body as seen from three separate but intersecting perspectives: the traditional African, the colonial, and the contemporary global. The display and contemplation of such iconic images addresses complex and often competing forces of self-presentation and the representation of others. Clean, like new. DOMESTIC SHIPPING ONLY.

Hardcover. Seattle, University of Washington Press, 1st, 1966, Book: Very Good, Dust Jacket: Good, Hardcover, black cloth stamped in gilt, 204 pages. Dust jacket with partial fading, edgewear. Clean copy. The author's last work, a study of the Dahomean Kingdom, it's history and the part gold, colonialism and the slave trade played in it's fortunes. Scarce title.

Softcover. Chicago, University of Chicago Press, 1st, 1990, Book: Very Good, Dust Jacket: None, Softcover, 161 pages. In this overview of the origins and development of black societies in southern Africa, Martin Hall reconstructs the region's past by throughly examining both the archaeological and the historical records. Beginning with the gradual southward movement of the earliest farmers nearly two thousand years ago, Hall tracks the emergence of precolonial states such as Mapungubwe and Great Zimbabwe. Farmers, Kings, and Traders concludes with the devastating effects of colonialism. Through a close reading of the accounts of early travelers, colonialists, archaeologists, and historians, Hall places in context the often contradictory histories that have been written of this region. The result is an illuminating look at how ideas about the past have themselves changed over time. Name on front fly leaf, otherwise clean.

hardcover. London, Sinclair-Stevenson , 1st, 1994, Book: Very Good, Dust Jacket: Very Good, 293 pages. Hardcover. INSCRIBED BY AUTHOR on title page. Gilt titles on spine. Illustrated end papers and paste downs. Clean, unmarked copy with only minor wear to dust jacket. Novel based on a true piece of colonial history when 25 European radicals met on Lamu planning to travel inland & set up a Utopia on Mount Kenya.

Hardcover. London, Faber and Faber, 1st UK, 1976, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with gilt and red title block on spine. 422 pages, b&w map. Light bump to top corner otherwise very good, clean copy. "An analysis That carries an indictment of the whole colonial system."

Hardcover. Germany, Hatje Cantz, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 80 pages, photos in color. Minor shelf-wear to boards, else a clean, tight copy. This book documents the two most recent works by the critically acclaimed British artist and filmmaker, Isaac Julien, both of which continue his investigation of issues of race and global politics. True North, shot in the spectacular landscapes of Iceland and Northern Sweden, is conceived around the expedition writings of the African-American explorer Matthew Henson, one of the key members of Robert E. Peary's 1909 Arctic expedition, and arguably the first person to reach the North Pole. True North's diametric counterpart, Fantome Afrique, weaves cinematic and architectural references through the rich imagery of urban Ouagadougou, Africa's cinematic center, and the arid spaces of rural Burkina Faso. The film is punctuated by archival footage from early colonial expeditions and landmark moments in African history.

Boston, Houghton Mifflin, 2nd pr., 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket.Color illustrations by Chris K. Soentpiet. On a cold gray morning in 1683, Molly Walsh sat on a stool tugging at the udder of an obstinate cow. When she spilled the milk, she was brought before the court for stealing. Because she could read, Molly escaped the typicalpunishment of death on the gallows. At the age of seventeen, the English dairymaid was exiled from her country and sentenced to work as an indentured servant in British Colonial America. Molly worked for a planter in Maryland for seven long years. Then she was given an ox hitched to a cart, some supplies-and her freedom. That a lone woman should stake land was unheard of. That she would marry an African slave was even more so. Yet Molly prospered, and with her husband Bannaky, she turned a one-room cabin in the wilderness into a thriving one hundred-acre farm.

Softcover. Chicago, University of Chicago Press, reprint, 1992, Book: Very Good, Dust Jacket: None, Softcover, 414 pages. An anthropological and historical discourse on the arrival of Christianity in the Southern Tswana region of South Africa. A compelling read and referenced in an in-depth manner. Clean copy.

Hardcover. Boston, Museum of Fine Arts, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. , 144 pages illustrated in color and b&w. During the global postcard craze that peaked around 1900 and continued for several decades thereafter, photographers in Africa grasped the opportunity to serve a lucrative market for images of the continent, both locally and worldwide. Their picture postcards now contribute to understanding political and cultural changes in Africa at the time, as the rise of the new medium coincided with the expansion and consolidation of colonial rule. They also provide a way to reconstruct the life and work of the photographers of European, African and other backgrounds who created these images-which often survive only in postcard form-and in some cases published them as well. The cards were produced for residents and travelers in Africa, as well as for buyers and collectors who had never set foot on the continent. Their depictions of colonial administrations and the exploitation of resources and peoples, as well as images inscribing tribal identities and racial classifications, often reflect the colonizers' worldview. Yet it is also possible to recover the authorship of some of the African women and men who participated in these photographic encounters. For instance, some cards show that members of Africa's elites recognized the power of photographic images to enhance their standing and present their own narratives.

Softcover. Berkeley CA, University of California Press, reprint, 1977, Book: Very Good, Dust Jacket: None, Softcover, 170 pages. Having previously published a more standard ethnographic study about Morocco, here Rabinow describes in straight-forward language a series of encounters with his informants, from a French innkeeper holding on to the vestiges of a colonial past to the rural descendants of a seventeenth-century saint. The unfolding of these encounters over the length of the author's stay in Morocco develops the book's main theme, that the collection of cultural data shapes and informs that material and its participant observer as well.

Hardcover. Montclair NJ, Allanheld, Osmun, 1st US, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 266 pages. Illustrated with maps and tables, this study describes and analyse the social and ecological destruction of the 1968-78 Sahel drought and famine, during which more than 100,000 W. Africans died of starvation and hunger related diseases, and livestock herds and agricultural production were critically reduced. It traces the history of this disaster to the impact of French colonial government policy on the fragile ecology of the region and the effects of food and export regulations on agriculture and on the social structure and interrelationships of the tribes. Clean copy.

Hardcover. NY, Pellegrini & Cudahy, 1st US, 1950, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering, 260 pages. Originally entitled ADEPTS OF AFRICA, SHADOWS OF ECSTACY, which was written in seven weeks in 1925, was the first novel Williams wrote but the fifth to be published in 1933. Follows the story of Nigel Constantine, an evangelical preacher who discovers the ability to cheat death. The charismatic occult leader stirs up an African revolt against Western Europe, with predictably devastating results. An unusual work on the occult and spiritualism, dealing with themes of colonialism, power, and global politics. Charles Williams, 1886-1945, was an English writer and theologian. He was a friend of J.R.R. Tolkien and C.S. Lewis, and was a member of their informal Oxford literary group, the Inklings. Clean copy, no dust jacket.

Hardcover. London, Edward Arnold, 2nd pr., 1905, Book: Fair, Dust Jacket: None, Hardcover, original blue cloth covers worn with faded gilt lettering. Frontis. missing, hinges cracked, B&w photos, folding maps present. An account of the British territories in East Africa, intended as a guide for prospective colonisers, and future developers. Topics discussed include the physical geography, native peoples such as the Swahilis, the Masai, Somalis, and Nandi, vegetations and animals, slavery, the Uganda railway and more. Sir Charles Eliot was a British colonial administrator and commissioner for the Protectorate of British East Africa, now Kenya.

Hardcover. Chicago, University of Chicago Press , 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 280 pages. Preface by Geoff Dyer. Essay by David Van Reybrouck. Includes 20 color plates and 80 halftones. Still in publisher's shrinkwrap. The First World War presents a startlingly different perspective, one based on rare glass plate photographs, that reveals the war with previously unseen, even uncanny, clarity.Scanned from the original plates, with scratches and other flaws expertly removed, these oversized reproductions offer a wealth of unusual moments, including scenes of men in training, pictures of African colonial troops on the Western front, landscapes of astonishing destruction, and postmortem portraits of Belgian soldiers killed in action. Readers previously familiar with only black-and-white or sepia-toned prints of the hostilities will be riveted by the book's many authentic color photographs, products of the early autochrome method. From children playing war games to a wrenching deathbed visit, these images are extraordinary not only for their subject matter, but also for the wide range of emotions they evoke.

Hardcover. London, Secker & Warburg, reprint, 1955, Book: Very Good, Dust Jacket: Fair, Hardcover in a very worn, chipped dust jacket, 255 pages, fold-out chart in rear. A blow by blow account of the Mau Mau leader's trial that lasted for over 100 days, "one of the most dramatic and important this century". In 1952, Kenyatta was arrested in Kenya by the British colonial authorities and charged with masterminding the anti-colonial Mau Mau Uprising. Although protesting his innocence, a view shared by later historians, he was convicted. He remained imprisoned at Lokitaung until 1959 and was then exiled to Lodwar until 1961. Appears to be a book club edition. Overall clean copy but cheap paper is tanning.