africa history

Hardcover. Boston, MA, Little, Brown and Co, 1st, 1947, Book: Very Good, Dust Jacket: Good, 297 pages. Hardcover with dust jacket. Dust jacket shows moderate chipping, creases, wear to top/bottom spine. Internally clean and tight. Fold out maps.

Softcover. NY/London, Routledge, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 233 pages. Ignatiev traces the tattered history of Irish and African-American relations, revealing how the Irish used labor unions, the Catholic Church and the Democratic party to succeed in American. He uncovers the roots of conflict between Irish-Americans and African-Americans and draws a powerful connection between the embracing of white supremacy and Irish "success" in 19th century American society. Clean copy.

Hardcover. London, Macmillan Co., 2nd pr., 1898, Book: Very Good, Dust Jacket: None, Hardcover, 604 pages, 3 fold-out color maps in rear of book. Red coth covers, hinges tender, spine with fading. An account of the landscape, vegetation and wildlife of southern Africa precedes an historical survey of the non-European inhabitants and the arrival and spread of the European settlers.

Hardcover. New York, Charles Scribners, 1st, 1890, Book: Very Good, Dust Jacket: None, 2 hardcover volumes. Volume 1 - 547 pages. Previous owners name on front endpaper. Features black & white Illustrations and fold-out map in rear pocket. Title in gilt on front cover and spine. Light wear to green cloth covers. Clean, tight copy. Volume 2 - 540 pages. Previous owners name on front endpaper. Features black & white illustrations and 2 fold-out maps in rear pocket. Title in gilt on front cover and spine. Light wear to green cloth covers. Clean, tight set. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Walker Books, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Thomas Pakenham, no stranger to Africa with his award-winning books The Boer War and The Scramble for Africa, nor to remarkable trees with his bestselling Remarkable Trees of the World, combines his two interests on safari in Southern Africa. His particular quarry is the rare, the giant, the very old, the extraordinary, or the simply beautiful-from a giant baobab and a prickly quiver tree in Namibia to a glorious jacaranda in South Africa and sesame bushes attacked by elephants in Botswana. He uncovers trees written about by the great explorers of the past, or associated with magic, folklore, or ritual. The narrative accompanying each image interweaves the stories of Pakenham's own journey-at some moments scaling trees to escape from enraged wildlife, while at others standing in awe before a particular tree, connected by some primitive, atavistic bond-with those of the trees themselves, imbuing each with personality and presence. The result is a beautifully crafted blend of botany and social history, the product of a brilliant photographer, an original mind, and a superlative writer. 208 pages in color. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. Germany, Hatje Cantz, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 80 pages, photos in color. Minor shelf-wear to boards, else a clean, tight copy. This book documents the two most recent works by the critically acclaimed British artist and filmmaker, Isaac Julien, both of which continue his investigation of issues of race and global politics. True North, shot in the spectacular landscapes of Iceland and Northern Sweden, is conceived around the expedition writings of the African-American explorer Matthew Henson, one of the key members of Robert E. Peary's 1909 Arctic expedition, and arguably the first person to reach the North Pole. True North's diametric counterpart, Fantome Afrique, weaves cinematic and architectural references through the rich imagery of urban Ouagadougou, Africa's cinematic center, and the arid spaces of rural Burkina Faso. The film is punctuated by archival footage from early colonial expeditions and landmark moments in African history.

Hardcover. New Haven CT, Yale University Press, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 192 pages. Isaac Murphy, born enslaved in 1861, still reigns as one of the greatest jockeys in American history. Black jockeys like Murphy were at the top of the most popular sport in America at the end of the nineteenth century. Black jockeys were internationally famous - the first African American superstar athletes--and with wins in three Kentucky Derbies and countless other prestigious races, Murphy was the greatest of them all. At the same time, he lived through the seismic events of Emancipation and Reconstruction and formative conflicts over freedom and equality in the United States. And inevitably he was drawn into those conflicts, with devastating consequences. Katherine C. Mooney uncovers the history of Murphy's troubled life, his death in 1896 at age thirty-five, and his afterlife. Clean copy.

Softcover. Charlottesville VA, University of Virginia Library, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 64 pages, b&w photos throughout. This is a history of African-American public school education in Henrico County, Virginia. Introductory essay by William A. Link. Author documented his work (as a field agent for the General Education Board) being an amateur photographer. Davis' photographs are organized by subject (Events, People, Demonstration Farming, etc.). Limited to 3.000 copies. Clean.

Hardcover. New Haven CT, Yale University Press;, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 180 pages. John Gutmann (1905-1998) was one of America's most distinctive photographers. Born in Germany where he trained as an artist and art teacher, he fled the Nazis in 1933 and settled in San Francisco, reinventing himself as a photo-reporter. Gutmann captured images of American culture, celebrating signs of a vibrant democracy, however imperfect. His own status as an outsider--a Jew in Germany, a naturalized citizen in the United States--informed his focus on individuals from the Asian-American, African-American, and gay communities, as well as his photography in India, Burma, and China during World War II. This handsome book acknowledges Gutmann's place in the history of photography. Drawing on his archive of photographs and papers at the Center for Creative Photography, it presents both unfamiliar works and little-known contexts for his imagery, linking his photography to his passionate interest in painting and filmmaking, his collections of non-Western art and artifacts, and his pedagogy. In addition to a major essay by Sally Stein, the volume includes an introduction by Douglas R. Nickel, and an overview of the Gutmann archive by Amy Rule.

Hardcover. New Haven CT, Yale University Press;, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 180 pages. John Gutmann (1905-1998) was one of America's most distinctive photographers. Born in Germany where he trained as an artist and art teacher, he fled the Nazis in 1933 and settled in San Francisco, reinventing himself as a photo-reporter. Gutmann captured images of American culture, celebrating signs of a vibrant democracy, however imperfect. His own status as an outsider--a Jew in Germany, a naturalized citizen in the United States--informed his focus on individuals from the Asian-American, African-American, and gay communities, as well as his photography in India, Burma, and China during World War II. This handsome book acknowledges Gutmann's place in the history of photography. Drawing on his archive of photographs and papers at the Center for Creative Photography, it presents both unfamiliar works and little-known contexts for his imagery, linking his photography to his passionate interest in painting and filmmaking, his collections of non-Western art and artifacts, and his pedagogy. In addition to a major essay by Sally Stein, the volume includes an introduction by Douglas R. Nickel, and an overview of the Gutmann archive by Amy Rule.

Hardcover. Boston, John P. Jewett & Co., 1st, 1852, Book: Very Good, Dust Jacket: None, Hardcover, original blind stamped cloth with gilt stamped lettering on spine. 479 pages with mild foxing to a few pages. Very good plus, no markings.

Hardcover. NY, New York University Press, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 200 pages. Joyce Cary long a popular author among discriminating readers, is gaining a wider audience for his novels every year. This critical study of his work considers the developing relationship between his matter and his manner. It especially emphasizes his growth as artist and thinker. Looking closely at the language and structure of Cary's books, the author examines all the novels- the African ones, the historical ones, and the two trilogies most of them in detail. To gain an overall view he also considers Cary's nonfiction and some as yet unpublished material. While this study is essentially non-biographical, it does analyze Cary's interpretations of history, sociology and politics as they are gathered from the actions and words of his colorful characters. One of the most intriguing features of Dr. Wolkenfeld's book is the dialogue between characters of the various novels, where likenesses as well as dissimilarities, which reveal so much about Cary as a writer, become evident. Clean copy.

Softcover. NY, Museum of Modern Art, 1st, 2022, Book: Very Good, Dust Jacket: None, Softcover, 184 pages, illustrated in color and b&w. Just Above Midtown, or JAM, was an art gallery and self-described laboratory for experimentation led by Linda Goode Bryant that foregrounded African American artists and artists of color. Open from 1974 to 1986, it was a place where an expansive idea of contemporary art flourished and debate was cultivated. The gallery offered early opportunities for artists recognized as pivotal figures in late-20th-century art-including David Hammons, Butch Morris, Senga Nengudi, Lorraine O'Grady and Howardena Pindell-as well as a nonhierarchical approach to art that welcomed artists without stylistic proscription.Published in conjunction with the first museum exhibition to focus on this visionary gallery and its ongoing impact, Just Above Midtown: Changing Spaces showcases rarely seen material from JAM's history-artworks, ephemera and photographs-that collectively document the gallery's communal and programmatic activities. This richly illustrated, jacketed paperback catalog includes essays that contextualize JAM and consider its legacy, a conversation between Goode Bryant and Thelma Golden, Director and Chief Curator of the Studio Museum in Harlem, a complete exhibition chronology written by MoMA and Studio Museum staff with nearly 50 annotated entries, and excerpts from oral histories with JAM staff and artists conducted especially for this project. Clean copy.

Hardcover. Nairobi, The English Press,, 1st, 1954, Book: Good, Dust Jacket: None, Hardcover, blue cloth with black title on front, 117 pages + postscript. The Mau Mau, the black challenge to white supremacy and the need for British rule to remain in Kenya. Name on front fly leaf, light marking to margins on some pages.

Hardcover. NY, W. W. Norton & Company, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 320 pages. Extraordinary photographs, along with extensive captions, document the transition from a barely explored paradise to a modern nation.This stunning collection of 720 photographs, many of them drawn from family archives and scrapbooks and all carefully restored, is one of the most important visual records of Africa in the late nineteenth and early twentieth centuries ever to have been published. The early photographers captured the beauty and dangerous allure of life on this spectacular frontier: the ceremonies and traditional attire of the native people, the fantastic machinery used in construction of the Uganda Railway, the gradual development of trade on the coast and in the country's interior, the hardships of the East African Campaign during World War I, and the pioneering spirit of early European settlers and farmers. Many of the most famous names and places connected with Africa appear in these pages, including Karen Blixen's farm and Ernest Hemingway and Theodore Roosevelt on safari.

Hardcover. New York, Phaidon Press, 1st, 2005-07-06, Book: Near Fine, Dust Jacket: Near Fine, Like new in publishers shrink-wrap. Hardcover. Portraits of life in Benin from the 1960's and 70's. A collection of never-before-seen photographs made in West Africa whose discovery opens a new chapter in the history of African and world photography. 136 pages.

Hardcover. New York, Phaidon Press, 1st, 2005-07-06, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Hardcover. Portraits of life in Benin from the 1960's and 70's. A collection of never-before-seen photographs made in West Africa whose discovery opens a new chapter in the history of African and world photography. 136 pages.

Hardcover. New York , Knopf, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover, 115 pages. Light shelf-wear to dust jacket, else a clean, tight copy. Photography by David Goldblatt. Excerpts from Gordimer's prose alongside Goldblatt's striking black and white photographs. Goldblatt was an important South African photographer and documented apartheid under personal peril.

Hardcover. New York , Knopf, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover, 115 pages. Light shelf-wear to dust jacket, else a clean, tight copy. Photography by David Goldblatt. Excerpts from Gordimer's prose alongside Goldblatt's striking black and white photographs. Goldblatt was an important South African photographer and documented apartheid under personal peril.

Hardcover. Boston, Bradbury Soden & Co., 1st thus, 1844, Book: Good, Dust Jacket: None, Hardcover, 336 pages, frontispiece engraving with tissue guard, extra engraved title page, several other full page engraved plates as well as text illustrations. Brown cloth with black leather spine stamped in gilt. Pages with tanning to edges, faint water stain to top corners of some pages, not affecting text or images. Covers show mottling, discoloration to foredges, front and rear. Interior clean, binding tight.

Softcover. NY, Ballantine Books, reprint, 1989, Book: Very Good, Dust Jacket: None, Softcover, 242 pages, b&w illustrations. Describes the causes and background of the Zulu War, recounts the experiences of British and Zulu survivors, and looks at the strategies and tactics of the war. Clean copy.

London, John Murray, 1st, 1963, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 229 pages illustrated in b&w by Victor Ambrus. The early (1914-34) and very readable Kenya memoirs of an administration official. Seaton presents his own particular vision of East Africa as it was from 1913 to 1926, the unsophisticated Africa with its peoples and wild life, before the golden age came to an end. Previous owner's name on front fly leaf, otherwise clean.

Hardcover. NY, Simon & Schuster, 1st, 1969, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 286 pages. frontis, map on endpapers, biblio, notes, index, Of all Livingstone's exploits, none was more daringly conceived, more ill-fated and more difficult than his expedition to the Zambezi- a monumental step in opening up the Dark Continent. The author recounts the insuperable difficulties that made the expedition an epic of endurance- sickness, strandings, endless toil and hardship, and almost unbelievable acts of courage. More than a story of an expedition, it is a portrait of Livingstone the man, a hero of superhuman contrasts-ruthless to his subordinates yet selflessly humanitarian; completely idealistic yet viciously spiteful; profoundly serious yet a reckless gambler.