Hardcover. Edinburgh, Adam & Charles Black, 1st, 1838, Book: Very Good, Dust Jacket: None, Four volumes complete, [x], 676p, [1]; [iv], 632p; [iv], 626p; 571p+Index. Full calf binding, marbled edges, spine ribbed with 6 sections, 2 with leather labels and gilt titles. Gilt edge design on all edges, ornate gilt design on spine. Bookplate of Herbert John Gladstone on inside covers. He was a British Liberal politician. The youngest son of Prime Minister William Ewart Gladstone, he was Home Secretary from 1905 to 1910 and Governor-General of the Union of South Africa from 1910 to 1914. All volumes are bright and clean. Some minor wear to spine edges.
Hardcover. Boston, Little Brown, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, 162 pages, b&w photos. Biography of the producer who made four great movies: On the Waterfront; African Queen; Bridge on the River Kwai; and Lawrence of Arabia and lots of mediocrities. Most successful when he assembled talent and let them work, he became controlling and destructive. Very good in a bright dust jacket.
Hardcover. NY, Harcourt Brace Jovanovich, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 326 pages, b&w photos. Rosenblum, a journalist, and Williamson, a scientist, explore Africa in the 1980s and report ubiquitous disaster and tragedy. It weaves a backdrop of misguided charity, of bloated egos amid corruption and waste, and of our State Department consistently backing the wrong horse. It is a hard look at a depressing future. Pages tanning slightly, no markings.
Hardcover. London, Oxford University Press, 1st, 1944, Book: Good, Dust Jacket: None, Hardcover, tan cloth with gilt lettering on the spine, 212 pages, fold-out map in rear. Previous owners signature at top of front endpaper. Cover shows wear and sun fading.
Softcover. Nairobi, East African Publishing House, 1st, 1968, Book: Very Good, Dust Jacket: None, Softcover, 162 pages, index, genealogy of kings and chiefs, bibliography, chronology, notes. Name on front fly leaf, otherwise clean.
Hardcover. London , Titan Books , 1st, 2015, Book: Very Good, Dust Jacket: None, 191 pages. Hardcover without dust jacket. Extensive color illustrations throughout. Illustrated end papers and fly leafs. Clean tight copy. This book covers four complete comic strips from May 1940 to October 1943, and is continued on from "Tarzan in the City of Gold", Book 1 in the series.Mr. Hogarth carries on his new way of art form which is a pleasure to the eye, and the four stories are: Tarzan and the Peoples of the Sea and the Fire, Tarzan Against Dagga Ramba, Tarzan and the Fatal Fountain, and Tarzan and the Barbarians. There is also an introduction by Thomas Yeates.Relive four more tales of Tarzan as his adventures lead him across Africa, fighting for justice in lands unknown or forgotten to civilized man.
Hardcover. Boston, Thomas & Andrews , 6th Ed., 1812, Book: Good, Dust Jacket: None, Hardcover in contemporary calf, with gilt letting on red leather spine label and sound and bright internally with 3 fold-out maps (Africa, Asia/Arabia and Europe). Covers worn, bottom of spine has a small chunk gone from bottom, about a square inch. Interior clean, minor foxing. VOLUME 2 ONLY.
Softcover. Washington DC, National Gallery of Art , 2nd pr., 203, Book: Very Good, Dust Jacket: None, Softcover, 334 pages illustrated with 224 color plates, 86 black & white. One of America's most innovative artists, Romare Bearden (1911-1988) made colorful and passionate images that reflected his life in a time of creative ferment. His influences ranged from the old masters to African art, as well as the world around him: popular religion and ritual, jazz clubs and brothels, the history and literature of his time, and the places he lived (the rural South, Pittsburgh and Harlem, the Caribbean island of St. Martin). The resulting images are fresh and evocative, filled with quirky details and rhythmic forms. This authoritative and beautiful book, which accompanies a major retrospective opening at the National Gallery of Art in Washington, D.C., provides a provocative and absorbing look at a beloved artist. The Art of Romare Bearden showcases compelling examples of his pioneering work: complex collages and photostats; watercolors, gouaches, and oils; little-known landscapes; his only known sculpture; costume designs; and book illustrations. Mildwear to corners otherwise very good, clean copy.
Softcover. London/NY, Verso Books, reprint, 2002, Book: Very Good, Dust Jacket: None, Softcover, 226 pages, b&w illustrations. Unravels the appalling mass of lies, hypocrisy and betrayals that have surrounded accounts of the 1961 assassination of Patrice Lumumba-the first prime minister of the Republic of Congo and a pioneer of African unity-since it perpetration. Making use of a huge array of official sources as well as personal testimony from many of those in the Congo at the time, Ludo De Witte reveals a network of complicity ranging from the Belgian government to the CIA. Patrice Lumumba's personal strength and his quest for African unity emerges in stark contrast with one of the murkiest episodes in twentieth-century politics.
Hardcover. Westport CT, Greenwood Press, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, glazed pictorial boards, 177 pages. Postma draws on primary sources and current historical scholarship to offer secondary readers and researchers a comprehensive and well-written history. He covers the entire Atlantic slave trade era, from the 1400s to the final abolition of chattel slavery in the New World in 1888. The focus is on Africa and the entire New World. While he describes the many horrors of the Middle Passage, he also examines how the slave trade contributed to the development of the modern international economy. The last chapters discuss the efforts to abolish the slave trade and its legacy. Throughout, Postma documents the sources that support his discussion and conclusions. Chapter notes are supplemented by an extensive annotated bibliography that includes books, articles, films, and electronic resources. The volume concludes with biographical sketches of important people and excerpts from primary documents written by enslaved Africans and white officials. The black-and-white reproductions of period illustrations add little to the text. Clean copy.
Softcover. Norman OK, University of Oklahoma Press , reprint, 1996, Book: Very Good, Dust Jacket: None, Softcover, 167 pages. After nearly 200,000 African-American soldiers fought in the Civil War, Congress enacted legislation to authorize regiments of cavalry and infantry for service in the West. The Ninth and Tenth cavalries won fame as "buffalo soldiers" in the Indian wars, nearly overshadowing the critical support role of the Twenty-fourth and Twenty-fifth infantries. Now Arlen L. Fowler brings to light the story of African-American infantry service from 1869 to 1891 in Texas, Indian Territory, the Dakotas, Montana, and Arizona.
Softcover. Madison WI, University of Wisconsin, reprint., 2005, Book: Very Good, Dust Jacket: None, Softcover in pictorial wraps, 244 pages. The Blind African Slave recounts the life of Jeffrey Brace (ne Boyrereau Brinch), who was born in West Africa around 1742. Captured by slave traders at the age of sixteen, Brace was transported to Barbados, where he experienced the shock and trauma of slave-breaking and was sold to a New England ship captain. After fighting as an enslaved sailor for two years in the Seven Years War, Brace was taken to New Haven, Connecticut, and sold into slavery. After several years in New England, Brace enlisted in the Continental Army in hopes of winning his manumission. After five years of military service, he was honorably discharged and was freed from slavery. As a free man, he chose in 1784 to move to Vermont, the first state to make slavery illegal. There, he met and married an African woman, bought a farm, and raised a family. Although literate, he was blind when he decided to publish his life story, which he narrated to a white antislavery lawyer, Benjamin Prentiss, who published it in 1810. Upon his death in 1827, Brace was a well-respected abolitionist. In this first new edition since 1810, Kari J. Winter provides a historical introduction, annotations, and original documents that verify and supplement our knowledge of Brace's life and times. Clean copy.
Hardcover. UK, Osprey Military Books, 1st, 1999, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth with gilt lettering on spine, 160 pages. The Boer War devastated the South African economy and left a legacy of bitterness. It saw the invention of the concentration camp and a new style of guerilla warfare. This history of the campaign includes artwork of maps, weapons and uniforms, with contemporary photography from the period. Clean copy. No dust jacket.
Hardcover. Boulder CO, Westview Press, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 304 pages, b&w illustrations. INSCRIBED BY AUTHOR on front fly leaf to fellow anthropologist William Mitchell.Images of the Bushman--from the innocent hero of the hit movie, The Gods Must Be Crazy, to "vermin" eradicated by the colonists, to the superhuman trackers conscripted by the South African Defense Forces, and the living embodiment of prehistory for the academic--shape our perceptions rather than the actuality. Looking at this interplay between imagery, history, and policy, Robert Gordon focuses not on the Bushman but on the colonizers' image of them and the consequences of that image for the people assumed to be Bushmen. Clean copy.
Hardcover. Washington DC, Counterpoint, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 642 pages. Hailed in 1849 as "a new department in the literature of civilization," the slave narrative forms the foundation of the African American literary tradition. From the late-eighteenth-century narratives by Africans who endured the harrowing Middle Passage, through the classic American fugitive slave narratives of the mid-nineteenth century, slave narratives have provided some of the most graphic and damning documentary evidence of the horrors of slavery. Riveting, passionate, and politically charged, the slave narrative blends personal memory and rhetorical attacks on slavery to create powerful literature and propaganda.The Civitas Anthology presents the seven classic antislavery narratives of the antebellum period in their entirety: The History of Mary Prince, a West Indian Slave , the first slave narrative published by a woman in the Americas; The Confessions of Nat Turner , written when Turner was asked to record his motivation for leading the bloodiest slave revolt in U.S. history; The Narrative of the Life of Frederick Douglass , an international bestseller and the first narrative to fashion the male fugitive slave into an African American cultural hero; The Narrative of William W. Brown , an account that explored with unprecedented realism the slave's survival ethic and the art of the slave trickster; The Narrative of the Life of Henry Bibb , the story of the struggles of the most memorable family man among the classic slave narrators; Running a Thousand Miles for Freedom , a gripping chronicle of one of the most daring and celebrated slave escapes ever recorded; and Incidents in the Life of Slave Girl , a dramatic text that exposed the sexual abuse of female slaves and pioneered the image of the fugitive slave woman as an articulate resister and survivor.Born out of lives of unparalleled suffering, the slave narrative captures all the bravery, drama, and hope that characterized the African American struggle against slavery. From these beginnings came some of the most influential novels in American literature, for the works of writers such as Harriet Beecher Stowe, Mark Twain, and Toni Morrison owe much of their power and social resonance to the slave narrative tradition. The Civitas Anthology gathers the most important narratives in this tradition into one volume for the first time, an indispensable resource for scholars, students, and general readers. Clean copy.
Hardcover. NY, Basic Books, 4th pr., 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 710 pages. We think of the Cold War as a clash of two superpowers, the United States and the Soviet Union. But in The Cold War, award-winning historian Odd Arne Westad argues that the war must be understood as a global confrontation, with roots in the Industrial Revolution and ongoing repercussions around the world. The Cold War may have begun on the perimeters of Europe, but it had its deepest reverberations in Asia, Africa, and the Middle East. Stunning in its breadth and revelatory in its perspective, The Cold War expands our understanding of the Cold War both geographically and chronologically, and offers a new history of how today's world was creased. Clean copy.
Hardcover. NY, Columbia University Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 894 pages. Edited by Jay Parini and with poetry and poetry criticism by Anne Bradstreet and Edward Taylor by Francis Murphy, Early African American Poetry, by Carolivia Herron, The Epic in the Nineteenth Century, by John McWilliams, Longfellow in the Aftermath of Modernism, by Dana Gioia, The Transcendentalist Poets by Lawrence Buell, Emily Dickinson, Cynthia Griffin Wolff, Walt Whitman, by Donald Pease and many others, such as Dana Gioia, Gregory Orr, Ann Charters, William Pritchard, Helen Vendler, Edward Hirsch, and the work of Ezra Pound, William Carlos Williams, the Beat poets and Native American poets and others. SIGNED BY PARINI on the title page. Bright, clean copy.
Hardcover. Evanston IL, Northwestern University Press, 1959-1963, Book: Very Good, Dust Jacket: None, Four hardcover volumes: Vol. 1, East Africa November 1889 to December 1890, 432 pages. Vol. 2, East Africa December 1890 to December 1891, 481 pages. Vol. 3, East Africa January 1892 to August 1892, 454 pages. Vol. 4, Nigeria 1894-5 and 1898, 444 pages. Black-and-white illustrations and maps; Bindings vary: Vols. 1, 3 and 4 are matching green cloth with gilt lettering on spine. Vol. 2 is terra-cotta cloth with a black clorh spine. Previous owner'e signature in 1 and #. Otherwise clean and tight set.
Softcover. UK, Cambridge University Press, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 317 pages, b&w illustrations. Translated from the Dutch by Diane Webb. "Rembrandt, Hals and Vermeer are still household names, even though they died over three hundred years ago. In their lifetimes they witnessed the extraordinary consolidation of the newly independent Dutch Republic and its emergence as one of the richest nations on earth. As one contemporary wrote in 1673: the Dutch were 'the envy of some, the fear of others, and the wonder of all their neighbours'. During the Dutch Golden Age, the arts blossomed and the country became a haven of religious tolerance. However, despite being self-proclaimed champions of freedom, the Dutch conquered communities in America, Africa and Asia and were heavily involved in both slavery and the slave trade on three continents." Clean copy.
Softcover. NY, Penguin Books, reprint, 1990, Book: Very Good, Dust Jacket: None, Softcover, 363 pages. Despite ceaseless conflict between different classes and cities, Holland's rise to power was almost miraculously rapid. In a few short years a tiny country gained control of territory from Indonesia to the West Indies, from South Africa to South America. In this marvelously evocative book Professor Boxer recaptures the scenes of adventure and dissipation in the four corners of the earth , the up surge in the arts and sciences, and the sad decoines from the ' Golden Century' to the 'Periwig Period'. Few stories could be as rich and colorful, yet it was largely inspired by the ' grave and sober people of Holland', the Calvinist merchants of Amsterdam who forged a nation based on ' gain and godliness'. Such were the people whom Rembrandt painted, who debated policies of apartheid or assimilation, who founded factories and forts. The Dutch Seaborne empire offers a portrait of them all, as they made their spectacular entrance into the modern world. Clean copy.
Hardcover. London, Edward Arnold, 2nd pr., 1905, Book: Fair, Dust Jacket: None, Hardcover, original blue cloth covers worn with faded gilt lettering. Frontis. missing, hinges cracked, B&w photos, folding maps present. An account of the British territories in East Africa, intended as a guide for prospective colonisers, and future developers. Topics discussed include the physical geography, native peoples such as the Swahilis, the Masai, Somalis, and Nandi, vegetations and animals, slavery, the Uganda railway and more. Sir Charles Eliot was a British colonial administrator and commissioner for the Protectorate of British East Africa, now Kenya.
Hardcover. Boston, Little, Brown and Company, 1st US, 1943, Book: Very Good, Dust Jacket: None, Hardcover, red cloth covers lettered in gold with black letterbox, 322 pages. Contains speeches throughout 1942. This year was a low point of the war, full of setbacks and disappointments across the globe for the British. Throughout the year Churchill's speeches conveyed sober, resolved, and eloquent defiance - with of course an occasional sparkle of Churchillian wit, even in the dark hours of the war. The title of this volume comes from Churchill's 10 November 1942 speech at the Lord Mayor's Day Luncheon in London at a time when fortune finally favored the British with victories in North Africa: "The Germans have received back again that measure of fire and steel which they have so often meted out to others. Now this is not the end. It is not even the beginning of the end. But it is, perhaps, the end of the beginning." Light marking to front endpapers.
Hardcover. NY, Scholastic, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. "Those shackles didn't rob us of being black, son, they robbed us of being human."This is the story of one family. A family whose history saw its first ancestor captured, shackled, and brought to this country from Africa. A family who can still see remnants of the shackles that held some of its members captive -- even today. It is a story of pride, determination, struggle, and love. And of the piece of the land that holds them together throughout it all. Clean copy.
Hardcover. NY, Pantheon, 1st US, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A magisterial achievement: part biography, part history, part moral meditation on the resurrection of torture as an instrument of political power in the twentieth century, The Good Listener tells the story of Helen Bamber, a good but complex woman now in her seventies, who has spent her life battling to bring the dark side of history into the light. In almost every situation in our century where mankind has demonstrated its capacity to intensify evil--during the Nazi Holocaust, in Algeria, Chile, Africa, the USSR, and Israel, as well as in postwar Britain and Germany--Bamber has served as a witness, an expert, or a reproach, as well as a repository of our collective memory of debasement. Her father, a Polish Jew, had been so obsessed by the Fascist threat that he would read to Helen from Goebbels' speeches, teaching her how corrupting and manipulative language can be. She went to Bergen-Belsen after World War II had ended, and upon her return to London she dedicated herself to caring for the young survivors of the camp. So began Bamber's brave devotion to the grim and dangerous task of undoing the work of the torturer--culminating, after her participation as a central force in Amnesty International, in her establishment in England of the Foundation for the Care of Victims of Torture. Because Bamber's uncanny openness to others has been one of her great skills, Clean copy.