africa

NY, Grosset & Dunlap, reprint, 1928, Book: Very Good, Dust Jacket: None, Hardcover, red cloth covers stamped in black. Four b&w plates by J. Allen St. John. "Imaginative and exciting tale recounts the remarkable exploits of young Lord Greystoke, who is raised by a family of apes in the African jungle and becomes the worthy opponent of the jungle's most feared predators." Clean copy.

Hardcover. Dark Horse, 1st, 2005, Hardcover, 200 pages. Few artists can capture visceral action sequences and the dynamic human form like Joe Kubert, and his expressive talents are fully realized in his 1970s Tarzan comics. This beautiful archive collection - with an introduction by Kubert and color restoration based off of Tatjana Wood's original colors - is a must-have for fans of timeless adventure tales and Joe Kubert's undeniable intensity and skill. Beginning with this first volume, Dark Horse's hardcover series reprints Kubert's entire Tarzan work. Join us on these primal adventures, as Tarzan discovers the pleasures and perils of the African wilds... and the many dangers posed by both man and beast! Joe Kubert's Tarzan, Volume One, reprints issues #207 through #214 of the 1970s run, featuring "Origin of the Ape Man" (a bold adaptation of Edgar Rice Burroughs' first Tarzan novel), "Jungle Tales of Tarzan," and other stories inspired by Burroughs' books - all written and drawn by the legendary Joe Kubert!

New York, Hyperion, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 31 pages. Color illustrations by Michael McCurdy.A baby boy, left alone in the African jungle after the deaths of his parents, is adopted by an ape and raised to manhood without ever seeing another human being.

Hardcover. NY, Alfred A. Knopf, 1st US, 1954, Book: Very Good, Dust Jacket: None, Hardcover, decorative red cloth, 370 pages, no dust jacket, Abrahams was born in the slums of Johnannesburg and later moved to England. Autobiography of author's 22 years of struggle before he left South Africa. Name on front fly leaf, otherwise tight and clean copy.

Hardcover. NY, Norton, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 752 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. Never before has Gordimer, awarded the Nobel Prize for Literature in 1991, published such a comprehensive collection of her nonfiction. Telling Times represents the full span of her works in that field-from the twilight of white rule in South Africa to the fight to overthrow the apartheid regime, and most recently, her role over the past seven years in confronting the contemporary phenomena of violence and the dangers of HIV. The range of this book is staggering, and the work in totality celebrates the lively perseverance of the life-loving individual in the face of political tumult, then the onslaught of a globalized world. The abiding passionate spirit that informs "A South African Childhood," a youthful autobiographical piece published in The New Yorker in 1954, can be found in each of the book's ninety-one pieces that span a period of fifty-five years.

Hardcover. NY, Viking Press, 1st US, 1975, Book: Very Good, Dust Jacket: Good, Hardcover in a worn dust jacket, 398 pages, b&w illustrations, maps. About the Boer War and the rescue of the garrison at Ladysmith, Natal, under siege by 5,000 Boer farmers. One map with bottom corner torn, affecting several words on caption, otherwise very good, clean copy.

Softcover. NY, Routledge, 1st pbk, 2003, Book: Very Good, Dust Jacket: None, Softcover, 366 pages. The African Diaspora presents musical case studies from various regions of the African diaspora, including Africa, the Caribbean, Latin America, and Europe, that engage with broader interdisciplinary discussions about race, gender, politics, nationalism, and music. Clean copy.

Hardcover. NY, Greenwood Press, reprint, 1969, Book: Very Good, Dust Jacket: None, Hardcover set, 2 volumes complete, 1064 total pages. Brown cloth covers with gilt lettering on spine. A reprint of the 1930 edition that covered the Harvard African Expedition, 1926-1927. Illustrated with annotated b/w photographs, some in-text drawings and tables. Clean, bright set. This is a heavy and oversized book and will require extra shipping. International customers please ask for a shipping quote before purchasing.

Hardcover. Boston, Thomas & Andrews , 6th Ed., 1812, Book: Good, Dust Jacket: None, Hardcover in contemporary calf, with gilt letting on red leather spine label and sound and bright internally with 3 fold-out maps (Africa, Asia/Arabia and Europe). Covers worn, bottom of spine has a small chunk gone from bottom, about a square inch. Interior clean, minor foxing. VOLUME 2 ONLY.

Softcover. Washington DC, National Gallery of Art , 2nd pr., 203, Book: Very Good, Dust Jacket: None, Softcover, 334 pages illustrated with 224 color plates, 86 black & white. One of America's most innovative artists, Romare Bearden (1911-1988) made colorful and passionate images that reflected his life in a time of creative ferment. His influences ranged from the old masters to African art, as well as the world around him: popular religion and ritual, jazz clubs and brothels, the history and literature of his time, and the places he lived (the rural South, Pittsburgh and Harlem, the Caribbean island of St. Martin). The resulting images are fresh and evocative, filled with quirky details and rhythmic forms. This authoritative and beautiful book, which accompanies a major retrospective opening at the National Gallery of Art in Washington, D.C., provides a provocative and absorbing look at a beloved artist. The Art of Romare Bearden showcases compelling examples of his pioneering work: complex collages and photostats; watercolors, gouaches, and oils; little-known landscapes; his only known sculpture; costume designs; and book illustrations. Mildwear to corners otherwise very good, clean copy.

Softcover. London/NY, Verso Books, reprint, 2002, Book: Very Good, Dust Jacket: None, Softcover, 226 pages, b&w illustrations. Unravels the appalling mass of lies, hypocrisy and betrayals that have surrounded accounts of the 1961 assassination of Patrice Lumumba-the first prime minister of the Republic of Congo and a pioneer of African unity-since it perpetration. Making use of a huge array of official sources as well as personal testimony from many of those in the Congo at the time, Ludo De Witte reveals a network of complicity ranging from the Belgian government to the CIA. Patrice Lumumba's personal strength and his quest for African unity emerges in stark contrast with one of the murkiest episodes in twentieth-century politics.

Hardcover. Westport CT, Greenwood Press, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, glazed pictorial boards, 177 pages. Postma draws on primary sources and current historical scholarship to offer secondary readers and researchers a comprehensive and well-written history. He covers the entire Atlantic slave trade era, from the 1400s to the final abolition of chattel slavery in the New World in 1888. The focus is on Africa and the entire New World. While he describes the many horrors of the Middle Passage, he also examines how the slave trade contributed to the development of the modern international economy. The last chapters discuss the efforts to abolish the slave trade and its legacy. Throughout, Postma documents the sources that support his discussion and conclusions. Chapter notes are supplemented by an extensive annotated bibliography that includes books, articles, films, and electronic resources. The volume concludes with biographical sketches of important people and excerpts from primary documents written by enslaved Africans and white officials. The black-and-white reproductions of period illustrations add little to the text. Clean copy.

Hardcover. NY, Farrar Straus Giroux, 2nd pr., 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A PEN/Faulkner Award nominated novel. The story of a woman's life on the island of Dominica - the daughter of a Carib mother and a half-Scottish, half African father, abandoned as an infant. INSCRIBED BY KINCAID on the half-title page. Clean copy.

Softcover. Norman OK, University of Oklahoma Press , reprint, 1996, Book: Very Good, Dust Jacket: None, Softcover, 167 pages. After nearly 200,000 African-American soldiers fought in the Civil War, Congress enacted legislation to authorize regiments of cavalry and infantry for service in the West. The Ninth and Tenth cavalries won fame as "buffalo soldiers" in the Indian wars, nearly overshadowing the critical support role of the Twenty-fourth and Twenty-fifth infantries. Now Arlen L. Fowler brings to light the story of African-American infantry service from 1869 to 1891 in Texas, Indian Territory, the Dakotas, Montana, and Arizona.

Hardcover. NY, One World/Ballantine, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A fictional narrative base on the life of America's first black female millionaire. Born to former slaves on a Louisiana plantation in 1867, Madam C.J. Walker rose from poverty and indignity to become America's first black female millionaire, the head of a hugely successful company, and a leading philanthropist in African American causes. Renowned author Alex Haley became fascinated by the story of this extraordinary heroine, and before his death in 1992 he embarked on the research and outline of a major novel based on her life. Now with The Black Rose, critically acclaimed writer Tananarive Due brings the work to inspiring completion. "I got my start by giving myself a start," Madam C.J. was fond of saying as she recounted her transformation from the uneducated laundress Sarah Breedlove to a woman of wealth, culture, and celebrity. Madam C.J. was nearing forty and married to a maverick Denver newspaperman when the wonder-working hair care method she discovered changed her life. Seemingly overnight, she built a marketing empire that enlisted more than twenty thousand bright young African American women to demonstrate and sell her products door-to-door. By the time she died in 1919, Madam C.J. Walker had constructed her own factory from the ground up, established a training school, and built a twenty-room mansion at Irvington on the Hudson, New York, called Villa Lawaro.

Softcover. Madison WI, University of Wisconsin, reprint., 2005, Book: Very Good, Dust Jacket: None, Softcover in pictorial wraps, 244 pages. The Blind African Slave recounts the life of Jeffrey Brace (ne Boyrereau Brinch), who was born in West Africa around 1742. Captured by slave traders at the age of sixteen, Brace was transported to Barbados, where he experienced the shock and trauma of slave-breaking and was sold to a New England ship captain. After fighting as an enslaved sailor for two years in the Seven Years War, Brace was taken to New Haven, Connecticut, and sold into slavery. After several years in New England, Brace enlisted in the Continental Army in hopes of winning his manumission. After five years of military service, he was honorably discharged and was freed from slavery. As a free man, he chose in 1784 to move to Vermont, the first state to make slavery illegal. There, he met and married an African woman, bought a farm, and raised a family. Although literate, he was blind when he decided to publish his life story, which he narrated to a white antislavery lawyer, Benjamin Prentiss, who published it in 1810. Upon his death in 1827, Brace was a well-respected abolitionist. In this first new edition since 1810, Kari J. Winter provides a historical introduction, annotations, and original documents that verify and supplement our knowledge of Brace's life and times. Clean copy.

Hardcover. UK, Osprey Military Books, 1st, 1999, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth with gilt lettering on spine, 160 pages. The Boer War devastated the South African economy and left a legacy of bitterness. It saw the invention of the concentration camp and a new style of guerilla warfare. This history of the campaign includes artwork of maps, weapons and uniforms, with contemporary photography from the period. Clean copy. No dust jacket.

Hardcover. Boston, Houghton Mifflin, 1st US, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Dust jacket art, b&w illustrations by Victor Ambrus. Children's adnture story set in Africa. Clean copy.

Hardcover. Boulder CO, Westview Press, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 304 pages, b&w illustrations. INSCRIBED BY AUTHOR on front fly leaf to fellow anthropologist William Mitchell.Images of the Bushman--from the innocent hero of the hit movie, The Gods Must Be Crazy, to "vermin" eradicated by the colonists, to the superhuman trackers conscripted by the South African Defense Forces, and the living embodiment of prehistory for the academic--shape our perceptions rather than the actuality. Looking at this interplay between imagery, history, and policy, Robert Gordon focuses not on the Bushman but on the colonizers' image of them and the consequences of that image for the people assumed to be Bushmen. Clean copy.

Hardcover. Austin TX, University of Texas Press, 1st, 1962, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn and chipped dust jacket. Foreword by George Orwell. Introduction by Christopher Fyfe. 241 pages. Reprints two books by Irish novelist Joyce Cary (1888-1957), "The Case for African Freedom" (1941) and "Britain and West Africa" (1946), and three shorter magazine pieces. Illustrated in black and white, with three maps of Africa. Cary was English novelist who served in the Nigerian political service.

Hardcover. Washington DC, Counterpoint, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 642 pages. Hailed in 1849 as "a new department in the literature of civilization," the slave narrative forms the foundation of the African American literary tradition. From the late-eighteenth-century narratives by Africans who endured the harrowing Middle Passage, through the classic American fugitive slave narratives of the mid-nineteenth century, slave narratives have provided some of the most graphic and damning documentary evidence of the horrors of slavery. Riveting, passionate, and politically charged, the slave narrative blends personal memory and rhetorical attacks on slavery to create powerful literature and propaganda.The Civitas Anthology presents the seven classic antislavery narratives of the antebellum period in their entirety: The History of Mary Prince, a West Indian Slave , the first slave narrative published by a woman in the Americas; The Confessions of Nat Turner , written when Turner was asked to record his motivation for leading the bloodiest slave revolt in U.S. history; The Narrative of the Life of Frederick Douglass , an international bestseller and the first narrative to fashion the male fugitive slave into an African American cultural hero; The Narrative of William W. Brown , an account that explored with unprecedented realism the slave's survival ethic and the art of the slave trickster; The Narrative of the Life of Henry Bibb , the story of the struggles of the most memorable family man among the classic slave narrators; Running a Thousand Miles for Freedom , a gripping chronicle of one of the most daring and celebrated slave escapes ever recorded; and Incidents in the Life of Slave Girl , a dramatic text that exposed the sexual abuse of female slaves and pioneered the image of the fugitive slave woman as an articulate resister and survivor.Born out of lives of unparalleled suffering, the slave narrative captures all the bravery, drama, and hope that characterized the African American struggle against slavery. From these beginnings came some of the most influential novels in American literature, for the works of writers such as Harriet Beecher Stowe, Mark Twain, and Toni Morrison owe much of their power and social resonance to the slave narrative tradition. The Civitas Anthology gathers the most important narratives in this tradition into one volume for the first time, an indispensable resource for scholars, students, and general readers. Clean copy.

Hardcover. NY, Basic Books, 4th pr., 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 710 pages. We think of the Cold War as a clash of two superpowers, the United States and the Soviet Union. But in The Cold War, award-winning historian Odd Arne Westad argues that the war must be understood as a global confrontation, with roots in the Industrial Revolution and ongoing repercussions around the world. The Cold War may have begun on the perimeters of Europe, but it had its deepest reverberations in Asia, Africa, and the Middle East. Stunning in its breadth and revelatory in its perspective, The Cold War expands our understanding of the Cold War both geographically and chronologically, and offers a new history of how today's world was creased. Clean copy.

Hardcover. NY, Columbia University Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 894 pages. Edited by Jay Parini and with poetry and poetry criticism by Anne Bradstreet and Edward Taylor by Francis Murphy, Early African American Poetry, by Carolivia Herron, The Epic in the Nineteenth Century, by John McWilliams, Longfellow in the Aftermath of Modernism, by Dana Gioia, The Transcendentalist Poets by Lawrence Buell, Emily Dickinson, Cynthia Griffin Wolff, Walt Whitman, by Donald Pease and many others, such as Dana Gioia, Gregory Orr, Ann Charters, William Pritchard, Helen Vendler, Edward Hirsch, and the work of Ezra Pound, William Carlos Williams, the Beat poets and Native American poets and others. SIGNED BY PARINI on the title page. Bright, clean copy.

Softcover. Ann Arbor MI, University of Michigan Press, reprint, 2002, Book: Very Good, Dust Jacket: None, Softcover, 316 pages. The first known mystery written by an African-American, set in 1930s Harlem. Rudolph Fisher, one of the principal writers of the Harlem Renaissance, weaves an intricate story of a native African king, who, after receiving a degree from Harvard University, settles into Harlem in the 1930s. He becomes a "conjure-man," a fortune-teller, a mysterious figure who remains shrouded in darkness while his clients sit directly across from him, singly bathed in light. It is in this configuration that one of these seekers of the revelation of fate discovers he is speaking to a dead man. Thus a complex mystery begins, involving suspects and characters who are vividly and richly portrayed, and who dramatically illuminate for the reader a time, a place, and a people. Clean copy.