american art

Softcover. New York, Associated American Artists, 1st, 1941, Book: Very Good, Dust Jacket: None, Softcover, spiral bound with illustrated wrappers. Published quarterly by the Associated American Artists, Inc. and features art work and sketches by Freeman. This issue has sketches of the Columbus Circle area of the city. Sketches are either in black and white or two-tone color. Unpaginated with approximately 28 full page sketches, some fold-outs. Light edgewear, clean.

Softcover. New York, Associated American Artists, 1st, 1941, Book: Very Good, Dust Jacket: None, Softcover, spiral bound with illustrated wrappers. Published quarterly by the Associated American Artists, Inc. and features art work and sketches by Freeman. This issue has sketches of Carl Sandburg among other local individuals. Sketches are either in black and white or two-tone color. Unpaginated with approximately 28 full page sketches. Light edgewear, clean.

Softcover. Philadelphia, PA, Running Press, 1st, 2015, Book: Very Good, Dust Jacket: None, 256 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Color illustrations throughout. Donuts are America's favorite treat and, in Donut Nation, Ellen Brown travels the United States in search of the best donut shops. From beloved mom-and-pop establishments and roadside cafes to innovative boutiques and artisanal restaurants, there are more than seventy hand-crafted donut shops to take you from Maine to Arizona.

Hardcover. NY, American Heritage Press, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. Gary Trudeau's first book of Doonesbury cartoons, which originally appeared in the Yale Record and Yale Daily News. Subtitled: The popular cartoon strip featuring B.D., star Quarterback; Megaphone Mark, campus radical; and Michael J. Doonesbury, would-be lover. Written and illustrated by G.B. (Gary) Trudeau; foreword by Erich Segal. Dust jacket with light edge wear, clean copy.

Hardcover. New York, Harper Collins, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 250 pages. Hardcover. Extensive color photographs throughout. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. New York, Harper Design, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Color photographs. Clean, unmarked copy with only minor wear to dust jacket. A lavish, gorgeously designed full-color collection that showcases the designs of Dorothy and Otis Shepard, two groundbreaking giants of early twentieth-century American advertising. Dorothy and Otis Shepard are the unsung heroes of early twentieth-century North American visual culture. Together, they were the first American graphic designers to work in multiple mediums and scales with equal skill and vision, and their work remains brilliant; yet their names are little known today. Dorothy and Otis chronicles their story in detail for the first time. It explores the Shepards' penchant for abstraction and modernism, and shows how the advent of billboard advertising inspired their creativity--large campaigns that matched the grandeur of their lifestyle. Throughout, it demonstrates how their influence touched all aspects of consumer culture--from collaborating on the packaging for Wrigley's Gum and designing uniforms and logos for the Chicago Cubs to planning and promoting the resort island Catalina, where Stan Laurel, Oliver Hardy, Clark Gable, and other celebrities frequented.

Hardcover. Westport CT, Greenwood Press, 1st, 1993, Book: Very Good, Dust Jacket: None, Hardcover in glossy boards, 174 pages. B&w frontispiece portrait. Dorothy Parker (1893-1967) had something to say about virtually all her contemporaries among the literati, and they returned the favor in full measure. This well articulated primary and secondary bibliography covers the complete canon and its critical reaction, with illuminating annotations complemented by a biographical sketch. Included also are three personal views of Parker-- by Joseph Bryan, III, Richard Lauterbach, and Wyatt Cooper. The accumulated evidence suggests that Parker should be considered a major figure in American letters not just America's wittiest woman who happened to write. Clean copy.

Hardcover. NY, Farrar, Straus And Giroux, 1st, 2024, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 464 pages. A personal exploration of the American West and the work of one of America's greatest photographers. Timothy O'Sullivan is America's most famous war photographer. You know his work even if you don't know his name: A Harvest of Death, taken at Gettysburg, is an icon of the Civil War. He was also among the first photographers to elevate what was then a trade to the status of fine art. The images of the American West he made after the war, while traveling with the surveys led by Clarence King and George Wheeler, display a prescient awareness of what photography would become; years later, Ansel Adams would declare his work 'surrealistic and disturbing.' At the same time, we know very little about O'Sullivan himself. Nor do we know-really know-much more about the landscapes he captured. Robert Sullivan's Double Exposure sets off in pursuit of these two enigmas. This book documents the author's own road trip across the West in search of the places, many long forgotten or paved over, that O'Sullivan pictured. It also stages a reckoning with how the changes wrought on the land were already under way in the 1860s and '70s, and how these changes were a continuation of the Civil War by other means.

Softcover. New Britain, CT, New Britain Museum of American Art ; London : University Press of New England, 1st, 2009, Book: Very Good, Dust Jacket: None, 84 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Color illustrations throughout. This catalogue explores the often uneasy relationship between the art of painting and the art of illustration, featuring American artists who practiced both styles of painting between 1850 and 1950. The catalogue charts the development of both types of art through the eyes of a select group of artists of who engaged in both fine art and illustration.

Softcover. New Britain, CT, New Britain Museum of American Art ; London : University Press of New England, 1st, 2009, Book: Very Good, Dust Jacket: None, 84 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Color illustrations throughout. This catalogue explores the often uneasy relationship between the art of painting and the art of illustration, featuring American artists who practiced both styles of painting between 1850 and 1950. The catalogue charts the development of both types of art through the eyes of a select group of artists of who engaged in both fine art and illustration.

Hardcover. NY, Pointed Leaf Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. The first monograph on the work of Kenneth Paul Block, one of the most influential fashion illustrators of the twentieth century. The oversize, lavishly illustrated book chronicles Block's lifetime of drawings, watercolors, and astute observations during the artist's over 30-year career at Women's Wear Daily, powerful fashion publication. A long awaited book of astonishingly vibrant fashion and portrait drawings of swan necked beauties by a much admired fashion-insider. Mr. Block studied at The Parsons school of Design and illustrated the work of the most influential fashion designers from about the mid 20th century to the nineties before unoriginal, mediocre photography (and unskilled illustrations) completely dominated how fashion was communicated to the celebrity obsessed, style challenged, uninformed masses. With seemingly effortless ease (the energy in the art looks like it could have been sketched yesterday!), Mr. Block drew the ever changing mood of fashion from London Mod to Italian Modern, Preppy Classic to Japanese Experimental, French couture to American casual and inspired many generations of fashion enthusiasts in the process. Mr. Block's portraits showcase a few of his favorite ladies. A rare and exquisite breed who set the standard for elegance and chic for most of the 20th century. Society beauties like Mrs. Guinness, Mrs. Paley, Mrs. Guest, Mrs. Vanderbilt and Mrs. Kennedy speak of a time when grace, poise and mystery mixed with a certain sense of knowing defined a chic, stylish lady. PLEASE NOTE: The book,while clean and bright, has a mild musty smell. DOMESTIC SHIPPING ONLY due to size and weight.

Softcover. Los Angeles :, Los Angeles County Museum of Art, 1st, 1984, Book: Very Good, Dust Jacket: None, Exhibition catalog. 191 pages, illustrated throughout with numerous plates in b&w. Cream dye-cut textured wrappers. Light wear and staining to covers, else a very nice, tight copy.

Softcover. NY, Pierpont Morgan Library, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 281 pages. This annotated and illustrated catalogue presents 90 specific pieces. "I felt that it would be of unusual value to scholars and to the public generally if we could see Raphael in relation to the artists working in his circle in Rome. Therefore, nearly half of the works described in this volume are by Raphael; the others are by Giulio Romano, Giovanni Francesco Penni, Perino del Vaga, Polidoro da Caravaggio, and Baldassare Peruzzi." Color and b&w plates. Clean copy.

Hardcover. New Haven, Yale University Press, 1st, 1964, Book: Very Good, Dust Jacket: None, Two hardcover volumes. V.1; 164 pages with text, V.2; 227 plates in color and b&w. Gray cloth, gilt title spine. Lacking slipcase and dust jacket, but in excellent shape. A very nice, tight, clean set.

Softcover. New York, Jill Newhouse, 1st, 1983, Book: Good, Dust Jacket: None, Unpaginated, staple-bound pamphlet, with 47 black-and-white illustrations. Price list for works laid in. Light soiling, edge-wear, and shelf-wear to covers. A little foxing to top edge. Otherwise, clean, tight copy.

Hardcover. New York, Fox, Duffield & Co, 1st, 1904, Book: Good, Dust Jacket: None, Hardcover. Unpaginated. 39 full page b&w plates of drawings by A. B. Frost, accompanied by verse by Wallace Irwin, introduction by Joe Chandler Harris, small b&w illustrated figures throughout, monotone illustration to cover. Covers have noticeable wear, faded, wear to cloth spine, water stains to right edge of pages, dark markings to back cover, previous owner's inscription to front endpaper, some pages partially separated from binding.

Hardcover. Montgomery AL, Elliot & Clark Publishing, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 164 pages, b&w cartoons throughout. Chronicles the nation's highs and lows in an extensive collection of cartoons that span the entire history of American political cartooning. The authors note that not all cartoonists have worn white hats many have perpetuated demeaning ethnic stereotypes, slandered honest politicians, and oversimplified complex issues. Nonetheless, most cartoonists pride themselves on attacking honestly, if ruthlessly. This collection humorously recounts some direct hits, recalling the discomfort of the cartoon's targets and the delight of their readers. Spine label otherwise clean.

Hardcover. New Haven CT, Yale University Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 223 pages, 250 color illustrations. Betsy Beinecke Shirley, one of the great collectors of American children's literature, gathered a peerless collection of books, original illustrations, manuscripts, and ephemera. This gorgeously illustrated book presents over 200 selected original artworks from the enchanting collection she bequeathed to the Beinecke Rare Book and Manuscript Library of Yale University. Artists whose works are represented include many beloved favorites, among them Ludwig Bemelmans, Maurice Sendak, A. B. Frost, Wanda Gag, Peter Newell, N. C. Wyeth, Tony Sarg, Robert Lawson, and Johnny Gruelle. From variant illustrations for Goodnight Moon and Where the Wild Things Are to little-known sketches for nineteenth-century periodicals that delighted generations of children.

Hardcover. Stockholm, Journal, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 304 pages, 85 color, 210 b&w plates. Hardcover with dust jacket. Like new in publisher's shrink-wrap.

Softcover. New York, Universe Pub, 1st, 1993, Book: Very Good, Dust Jacket: None, 138 pages. Softcover. Color photographs. Light edgewear to wrappers otherwise clean, unmarked copy. Hotchkiss (1833-69), an American painter and intimate of Asher B. Durand and Elihu Vedder, is the quintessential delicate artist who dies, underappreciated, at a young age. The title refers not only to his romantic landscapes but also to his sketchy career. This catalog accompanies an exhibition that opens this fall at the National Academy of Design. Novak, a premier art historian of the Hudson River School, provides a provocative essay on Hotchkiss as the fragile, poetic artist fixated on capturing evocative images of the ancient past. Felker, the exhibition curator, provides an insightful catalog of works arranged by subject matter. Appendixes include an exhibition checklist, a chronology of the artist's life, and transcriptions of selected manuscript material. Recommended for academically oriented art history collections.

Hardcover. NY, Harper Design, 1st, 2023, Hardcover in pictorial boards, 223 pages illustrated in color. From longtime fashion director, consultant, media personality, and author, Hal Rubenstein, comes a lush, full color, illustrated guide to the most influential fashion on television from the 1950s to today, revealing the surprising ways our favorite shows have significantly reflected and often shaped the way we dress. From Mary Tyler Moore's capri pants on The Dick van Dyke Show and Emma Peel's dominatrix jumpsuit on The Avengers to Olivia Pope's trademark white trench on Scandal and Don Drapers' grey sharkskin suits on Mad Men Dressing the Part is a rich history of popular American fashion and culture in the modern age. In this gorgeous compendium, the longtime fashion director and expert identifies the most stylish television shows of the past 70 years, highlighting the ways they have affected and often inspired ordinary Americans' wardrobes. Combining his decades of fashion expertise and insider knowledge with lush photographs, archival sketches, fascinating interviews with over two dozen of television's best costume designers, commentary from showrunners and co-stars, and little-known backstories, Rubenstein reveals with insight and wit how television has shaped everyday fashion, guiding and often elevating how we dress. Clean copy.

Softcover. Atlanta, The High Museum of Art, 1st, 1972, Book: Good, Dust Jacket: None, 135 pages. Foreword by Gudmund Vigtel. Illustrated in B&W. Some surface wear to covers. Internally clean. Overall tight copy.