american history native

Softcover. Tucson, AZ, Southwest Parks , 1st, 1999, Book: Very Good, Dust Jacket: None, 88 pages. Softcover. Yellowing to front and back covers. An otherwise clean, unmarked copy with minor edgewear. Color photographs throughout.

Hardcover. Boston, The Peabody Museum / Little Brown and Company, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover, 279 pages. 168 full-page black-and-white illustrations and 16 color plates. Light sun-fade to dust jacket spine and flaps, as well as minor chipping along edges and wear along spine. Otherwise, clean, tight copy. This handsome book is the first full study of American marine painting ever published. In it are drawn together representative works by more than sixty painters from Colonial times to the present, including such diverse figures as John Smibert, John Quidor, John Marin, Albert Bierstadt, Geroge Bellows, Thomas Chambers, and Andrew Wyeth. Mr. Wilmerding discusses the development of these artists' concern with marine subjects, the influences (both native and European) on their styles and approaches, and the meaning of their achievement for American art in general.

Hardcover. Boston, Faber and Faber, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, pages. "I write of peoples and of a struggle." So begins A New World, an ambitious and extraordinary book that challenges conventional historical narrative by presenting episodes in North America's history through the eyes and voices of the Europeans who established the first colonial outposts here. Beginning with the swaggering John Smith at Jamestown and ending with the beleaguered Montcalm at Quebec, Arthur Quinn allows towering historical figures to emerge from an often beautiful, sometimes forbidding early American landscape and speak. An elderly William Bradford looks back with growing despair at the early promise of the Pilgrim colony at Plymouth. Governor John Winthrop tries to administer a dose of practicality to the Puritans of Massachusetts. Jesuit missionaries bring Christianity and disaster to the Huron Confederacy. A blustering Peter Stuyvesant watches Manhattan slip from Dutch grasp. William Penn's Holy Experiment in Pennsylvania goes increasingly awry. And, finally, the British and the French fight history's first world war for supremacy in the New World. Telling each story using the literary conventions of the day, Quinn casts North America's colonial beginnings as a multicultural epic, gripping the reader throughout with his uncanny eye and storytelling skill. Clean copy.

Softcover. Santa Fe NM, School of American Research Press, 1st pbk, 1992, Book: Very Good, Dust Jacket: None, Softcover, 241 pages. UW. Scholar and ceramic artist Dillingham offers a comprehensive cultural and technical history of pottery making at the New Mexico pueblos of Acoma and Laguna, lavishly illustrated (color and b&w photos), and supplemented with appendixes listing potters, detailing signs of commercial origin, and cataloging pottery housed in the Indian Arts Research Center at the School of American Research. Commentary extends to the contemporary market and challenges facing today's potters. Clean copy.

Softcover. Lincoln NE, University of Nebraska Press, reprint, 1973, Book: Very Good, Dust Jacket: None, Softcover, 303 pages. Clean copy.

Hardcover. Chicago, University of Chicago Press, 1st, 1941, Book: Very Good, Dust Jacket: None, Hardcover in green cloth, faded gilt lettering on spine, 500 pages. Photographs, bibliography and index.

Hardcover. New York, Morrow, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. Illustrated in full color. In a clean, bright dust jacket. A commercial artist who started out sketching in the 1930s for pulp magazines, Lovell advanced to the glossier "slicks" in the 1950s and has since specialized in Old West, Plains Indian, and Civil War themes. He here presents from that long career his best canvases, among them his famed depictions of Lee's surrender and the Fifty-fourth Massachusetts' assault (in film, the climax of Glory). His spark of inspiration is usually to visualize an incident he has read of in the journals of the first white explorers and trappers, such as those of Lewis and Clark. Whether it's Clark firing his rifle or Indians encountering a cannon lost by Fremont, Native Americans are generally presented as wary but curious about the newcomers; Lovell puts the warfare outside of the frame. Themes aside, he works expertly with natural color, and though not a modern George Caitlin, his attention to the detail of Indian dress, carriage, and equipage is quite affecting, fully reflective of his respect for the cultures of Apache, Sioux, etc. A rich tribute to a captivating artist who evokes the West's vast landscape and its individual braves and traders in moods of exuberance and perseverance.

Hardcover. New York, William Morrow & Co, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover. Color illustrations. Clean, unmarked copy with only minor wear to dust jacket. "A commercial artist who started out sketching in the 1930s for pulp magazines, Lovell advanced to the glossier "slicks" in the 1950s and has since specialized in Old West, Plains Indian, and Civil War themes. He here presents from that long career his best canvases, among them his famed depictions of Lee's surrender". Gorgeous color plates.

Hardcover. Washington DC, Smithsonian Books, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 292 pages, color and b&w photos. The famous, the infamous, and the never-before-seen are here in a remarkable 'democracy of images' Amelia Earhart, Abraham Lincoln, P.T. Barnum and Tom Thumb, John Brown, Frederick Douglass, Lucille Ball, Greta Garbo, Babe Ruth; the earliest views of the moon and the earliest panoramic view of Damascus; rare Native American photography; views of Asia, Africa, and the American West; photographs of early flight, and much, much more. In a bright dust jacket.

Hardcover. Washington, Smithsonian Books, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 292 pages. Hardcover with dust jacket. Color and black and whote photos throughout. Clean, tight copy. The Smithsonian holds more than 13 million images spanning over 150 years of taking and collecting photographs. This largely unknown body of photography (most never before published) represents nothing less than the Smithsonian's effort, in the name of all Americans, to describe and comprehend the world. Open anywhere in these pages to be plunged into the history of our modernity, and see what the Smithsonian deemed important to document and preserve. The famous, the infamous, and the never-before-seen are here in a remarkable "democracy of images": Amelia Earhart, Abraham Lincoln, P.T. Barnum and Tom Thumb, John Brown, Frederick Douglass, Lucille Ball, Greta Garbo, Babe Ruth; the earliest views of the moon and the earliest panoramic view of Damascus; rare Native American photography; views of Asia, Africa, and the American West; photographs of early flight, and much, much more. By recording the act of seeing, and of what was seen, both photography and the Smithsonian have shaped our sense of ourselves, as individuals, as a people, and as a country.

Hardcover. NY, Farrar, Straus and Giroux, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 358 pages. A riveting historical mystery of Colonial America. In April, 1586, Queen Elizabeth I acquired a new and exotic title. A tribe of Native Americans, "savages," had made her their weroanza-a word that meant "big chief." The news was received with great joy, both by the Queen and by her favorite, Sir Walter Ralegh. His first American expedition had brought back a captive, Manteo, whose tattoed face and otter-skin cloak had caused a sensation in Elizabethan London. In 1857, Manteo was returned to his homeland as Lord and Governor, along with more than 100 English men, women and children.In 1590, a supply ship arrived at the colony to discover that the settlers had vanished. For almost twenty years the fate of Ralegh's colonists was to remain a mystery. When a new wave of settlers sailed to America to found Jamestown, their efforts to locate the lost colony were frustrated by the mighty chieftain, Powhatan, father of Pocahontas, who vowed to drive the English out of America. Only when it was too late did the settlers discover the incredible news that Ralegh's colonists had survived in the forests for almost two decades before being slaughtered in cold blood by Powhatan's henchmen. Clean copy.

Hardcover. Norman OK, University of Oklahoma Press, 1st , 1950, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dustjacket. Ground plans of the Indian villages of New Mexico and Arizona with aerial photos & scale drawings.

Hardcover. New York, Harper & Brothers, reprint , 1923, Book: Very Good, Dust Jacket: None, Hardcover, 274 pages. Illustrated with full color and black & white plates by Frederic Remington. Brown paper covered boards with cover pastedown of Remington drawing. black cloth spine. Copyright page with 1923 date and Harper's G-B code indicating later printing of 1st edition. Light foxing to outer edges of some pages and plates. Fraying to cloth at top of spine. Light darkening of pages close to gutter. Still an attractive copy.

Hardcover. London, Barrie & Jenkins, 1st UK, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, price-clipped dust jacket. The first British edition featuring wrap-around color pictorial artwork by Frederick S. Remington (The Sign of the Buffalo Scout,1907). 487 pages. Notes, Bibliography, Index; illustrated in photos, reproductions, double-page frontis map. Clean copy.

Softcover. Chapel Nill NC, University of North Carolina Press , 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 419 pages. This sweeping, richly evocative study examines the origins and legacies of a flourishing captive exchange economy within and among native American and Euramerican communities throughout the Southwest Borderlands from the Spanish colonial era to the end of the nineteenth century. Indigenous and colonial traditions of capture, servitude, and kinship met and meshed in the borderlands, forming a "slave system" in which victims symbolized social wealth, performed services for their masters, and produced material goods under the threat of violence. Slave and livestock raiding and trading among Apaches, Comanches, Kiowas, Navajos, Utes, and Spaniards provided labor resources, redistributed wealth, and fostered kin connections that integrated disparate and antagonistic groups even as these practices renewed cycles of violence and warfare. Always attentive to the corrosive effects of the "slave trade" on Indian and colonial societies, the book also explores slavery's centrality in intercultural trade, alliances, and "communities of interest" among groups often antagonistic to Spanish, Mexican, and American modernizing strategies. The extension of the moral and military campaigns of the American Civil War to the Southwest in a regional "war against slavery" brought differing forms of social stability but cost local communities much of their economic vitality. Clean copy.

Hardcover. Norman, OK, University of Oklahoma Press (, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 415 pages, b&w illustrations. Light edge wear to dust jacket, creases to front flap. Light soiling to edges. Else a clean, tight copy. The first major battle between the U.S. Army and the Cheyenne Indians took place on the south fork of the Solomon River in present-day northwest Kansas. In this stirring account, William Y. Chalfant recreates the human dimensions of what was probably the only large-unit sabre charge against the Plains tribes, in a battle that was as much a clash of cultures as of cavalry and Cheyenne warriors.

Softcover. Charleston, SC, Arcadia Publishing, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 128 pages, b&w photos throughout. At the foot of the Huachuca Mountains, the U.S. Army founded one of the most crucial military posts for American expansion into the southwest frontier. Soldiers had been stationed in the region for decades, but in 1877 Fort Huachuca became the symbolic cornerstone of America's western domain. The Native American word huachuca, meaning "place of thunder," described the sporadic but marvelous electrical storms in the area, but the skies would not be the only thing booming. During the tumultuous campaigns to resolve American and Indian disputes, the U.S. infantry and famed Buffalo Soldiers faced off with Geronimo and his Apache nation in both tense negotiations and bitter combat. As time marched on, the fort developed into a permanent installation with barracks, modern training grounds, and other facilities to accommodate troop rotations and eventually became the innovative Center for Military Intelligence. Clean copy.

Hardcover. New York, Crown Publishers, 1st Thus, 1971, Book: Very Good, Dust Jacket: Very Good, 239 pages. Hardcover. Black & white illustrations. Dust jacket in protective clear plastic cover. Clean, unmarked text.

Hardcover. Baton Rouge, Louisiana State University , 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 173 pages. This work is a brief look at worldwide slave revolts in the 17th through 19th centuries, emphasizing their interrelations with European power struggles, which gave rebels hope of finding weak spots in the defenses of the slave powers. The French Revolution also had an influence on slave revolts, but the canny European powers used indigenous peoples to suppress slave revolts (e.g., native Americans) and took advantage of African ethnic divisions as well. American slaves stood little chance of revolt and were under constant surveillance from Southerners, who coward in fear after the successful rebellions in the Caribbean, particularly in Hispaniola, and after Nat Turner and John Brown's efforts. Genovese also brings up religion's double-edged sword: one side used to pacify slaves and the other side to inspire them to break their chains. In short, this scholarly treatise is thought-provoking as well as informative and ends with an inspirational quote from one of Frederick Douglass's lectures. Name on front fly leaf, otherwise a clean copy.

Hardcover. Lincoln NE, University of Nebraska Press, 1st thus, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 693 pages with index, 16 pages of plates. A Fur Trader on the Upper Missouri offers the first annotated scholarly edition of Jean-Baptiste Truteau's journal of his voyage on the Missouri River in the central and northern Plains from 1794 to 1796 and of his description of the upper Missouri. This fully modern and magisterial edition of this essential journal surpasses all previous editions in assisting scholars and general readers in understanding Truteau's travels and encounters with the numerous Native peoples of the region, including the Arikaras, Cheyennes, Lakotas-Dakotas-Nakotas, Omahas, and Pawnees. Truteau's writings constitute the very foundation to our understanding of the late eighteenth-century fur trade in the region immediately preceding the expedition of Meriwether Lewis and William Clark commissioned by President Thomas Jefferson in 1803. French and English text. Bright, clean copy.

Softcover. NY, NYU Press, 1st pbk., 1998, Book: Very Good, Dust Jacket: None, Softcover. 474 pages. In Generations of Youth, Joe Austin and Michael Willard have brought together leading cultural critics from history, sociology, and cultural studies to explore the cultural expressions of twentieth-century youth. The contributors to the volume explore diverse popular culture practices such as Chicano rock-and-roll dancing; the Boy Scouts and heroism; 'zines and community; Native American boxing; African American hip-hop; fan clubs and femininity; Malcolm X's zoot suit; Filipino McIntosh suits; lesbian, bisexual, and gay Internet culture; Chicano lowriding; skateboarding and the production of urban space; graffiti and spatial mobility; Native American pow wows; and post-punk, Generation X, and downward mobility. Generations of Youth considers the ways in which young people's autonomy and "youth" itself is produced in negotiation with adult authority and institutions of socialization.

Hardcover. Norton/Smithsonian, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages. From the foremost collection of the artist's work, a remarkable portrait of Native American life. In 1832, George Catlin-showman, entrepreneur, and artist-made the first of four trips into Indian country, painting as he went, in a wonderfully spontaneous, if somewhat naive style. His ambition was to paint every tribe. He fell short. But what he did achieve, and the subject of this splendid volume, is a remarkable look into the faces and daily activities of Native Americans before their lands and their numbers were so radically diminished. And while Catlin was clearly influenced by the idea that Indians were Noble Savages (rapidly acquiring the vices of the white man while losing their "savage" virtues), his passion for his work is evidence of a profound respect and affection for his subjects, clearly demonstrated in this magnificent book. 275 illustrations, 150 in color.

Hardcover. Washington DC, Government Printing Office, 1st, 1948, Book: Very Good, Dust Jacket: None, Hardcover, olive green cloth hardcover with gilt lettering on spine. 986 pages, includes drawings, photographs, maps (some fold-out) and an extensive bibliography. Super condition with just a small ownership sticker on inside front cover, otherwise a clean, tight copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Washington DC, Government Printing Office, 1st, 1949, Book: Very Good, Dust Jacket: None, Hardcover, olive green cloth hardcover with gilt lettering on spine. This is Smithsonian Institution Bureau of American Ethnology Bulletin 143; 818 pages, includes drawings, photographs, maps and an extensive bibliography. Super condition with just a small ownership sticker on inside front cover, otherwise a clean, tight copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.