Softcover. Lincoln NE, Bison Books, reprint, 2004, Book: Very Good, Dust Jacket: None, Softcover, 368 pages. Documents the generations of Native peoples who for twelve millennia have moved through and eventually settled along the rocky coast, rivers, lakes, valleys, and mountains of a region now known as Maine. Arriving first to this area were Paleo-Indian peoples, followed by maritime hunters, more immigrants, then a revival of maritime cultures. Beginning in the sixteenth century, Native peoples in northern New England became tangled in the far-reaching affairs of European explorers and colonists. Twelve Thousand Years reveals how Penobscots, Abenakis, Passamaquoddies, Maliseets, Micmacs, and other Native communities both strategically accommodated and overtly resisted European and American encroachments. Clean copy.
Hardcover. Center for American Places, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 184 pages. Professor and photographer John Willis is well aware of the exploitation that sometimes occurs when photographers enter impoverished communities for a project. So, in 1992, when he first traveled to the Pine Ridge Indian Reservation in the southwest corner of South Dakota, he assured the elders of the Oglala Lakota Sioux that he would not be exhibiting any of the images he took while there. Over time, however, Willis earned the respect and trust of the community, and the elders--hoping that the photographs might bring aid to their community--urged him to show his work. The product of several visits to the Pine Ridge Indian Reservation, Views from the Reservation is meant to open our eyes, minds, and hearts to the life, culture, and conditions of the Oglala Lakota people.
Hardcover. Chicago, IL, Center for American Places, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 184 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Includes CD. The product of several visits to the Pine Ridge Indian Reservation, Views from the Reservation is meant to open our eyes, minds, and hearts to the life, culture, and conditions of the Oglala Lakota people. With his insightful and complex images Willis enlists several other voices to offer a more complete story: writer Kent Nerburn, who contributes an original essay; Lakota elders and Pine Ridge High School students, who offer poems; Emil Her Many Horses, the associate curator of the National Museum of the American Indian, Kevin Gover, the Assistant Secretary of the Interior for Indian Affairs, and Oglala Lakota artist Dwayne Wilcox. Accompanying the book is Heartbeat of the Rez, a compact disc collecting traditional songs compiled by the author, the elders, and KILI, the radio station of the reservation.
Hardcover. NY, Atria Books, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 368 pages, illustrated in color and b&w. The definitive biography that unlocks the remarkable story of Vivian Maier, the nanny who lived secretly as a world-class photographer, featuring nearly 400 of her images, many never seen before, placed for the first time in the context of her life. Vivian Maier, the photographer nanny whose work was famously discovered in a Chicago storage locker, captured the imagination of the world with her masterful images and mysterious life. Before posthumously skyrocketing to global fame, she had so deeply buried her past that even the families she lived with knew little about her. No one could relay where she was born or raised, if she had parents or siblings, if she enjoyed personal relationships, why she took photographs and why she didn't share them with others. Now, in this definitive biography, Ann Marks uses her complete access to Vivian's personal records and archive of 140,000 photographs to reveal the full story of her extraordinary life. Based on meticulous investigative research, Vivian Maier Developed reveals the story of a woman who fled from a family with a hidden history of illegitimacy, bigamy, parental rejection, substance abuse, violence, and mental illness to live life on her own terms. Left with a limited ability to disclose feelings and form relationships, she expressed herself through photography, creating a secret portfolio of pictures teeming with emotion, authenticity, and humanity. With limitless resilience she knocked down every obstacle in her way, determined to improve her lot in life and that of others by tirelessly advocating for the rights of workers, women, African Americans, and Native Americans. No one knew that behind the detached veneer was a profoundly intelligent, empathetic, and inspired woman--a woman so creatively gifted that her body of work would become one of the greatest photographic discoveries of the century.
Hardcover. Gretna LA, Pelican Publishing, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. In June 1892, a thirty-year-old shoemaker named Homer Plessy bought a first-class railway ticket from his native New Orleans to Covington, north of Lake Pontchartrain. The two-hour trip had hardly begun when Plessy was arrested and removed from the train. Though Homer Plessy was born a free man of color and enjoyed relative equality while growing up in Reconstruction-era New Orleans, by 1890 he could no longer ride in the same carriage with white passengers. Plessy's act of civil disobedience was designed to test the constitutionality of the Separate Car Act, one of the many Jim Crow laws that threatened the freedoms gained by blacks after the Civil War. This largely forgotten case mandated separate-but-equal treatment and established segregation as the law of the land. It would be fifty-eight years before this ruling was reversed by Brown v. Board of Education. Keith Weldon Medley brings to life the players in this landmark trial, from the crusading black columnist Rodolphe Desdunes and the other members of the Comite des Citoyens to Albion W. Tourgee, the outspoken writer who represented Plessy, to John Ferguson, a reformist carpetbagger who nonetheless felt that he had to judge Plessy guilty. Clean copy.
Hardcover. Indianapolis IN, Eiteljorg Museum of American Indian and Western Art, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 212 pages with 129 color plates. Foreword by James K. Ballinger. Wonderful work by the Arizona artist who started his career as an illustrator in New York for magazines like the Saturday Evening Post. The subject is primarily the American Indian. Clean copy.
Hardcover. New York, William Morrow and Company, 1st, 1963, Book: Very Good, Dust Jacket: Good, Hardcover, 208 pages, illustrated with 50 early photographs and sketches. Minor dust jacket edge wear and rubbing, otherwise, very clean and tight copy.
Art Intitute of Chicago/Yale University Press, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover, pictorial cloth, 251 pages illustrated in color. The extraordinary life of a captivating American artist, beautifully illustrated with his dreamlike drawings Much of Joseph Elmer Yoakum's story comes from the artist himself--and is almost too fantastic to believe. At a young age, Yoakum (1891-1972) traveled the globe with numerous circuses; he later served in a segregated noncombat regiment during World War I before settling in Chicago. There, inspired by a dream, he began his artistic career at age seventy-one, producing some two thousand drawings over a decade. How did Yoakum gain representation in major museum collections in Chicago and New York? What fueled his process, which he described as a "spiritual unfoldment"? This volume delves into the friendships Yoakum forged with the Chicago Imagists that secured his place in art history, explores the religious outlook that may have helped him cope with a racially fractured city, and examines his complicated relationship to African American and Native American identities. With hundreds of beautiful color reproductions of his dreamlike drawings, it offers the most comprehensive study of the artist's work, illuminating his vivid and imaginative creativity and giving definition and dimension to his remarkable biography. Clean copy. NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.
Hardcover. Boston, Little, Brown Young Readers;, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 32 pages. A lunar guide describes the folkloric names of twelve moons according to Native American tradition and showcases their defining characteristics in short verse and beautifully detailed hand-colored woodcuts. SIGNED BY AZARIAN.
Hardcover. NY, Grosset & Dunlap, 1st, 1934, Book: Very Good, Dust Jacket: Fair, Hardcover in a bright, unclipped dust jacket with soil, major chipping, tape repair. 128 pages. Frontispiece illustrated by Lee Haynes. Many illustrations in b/w, a few indicate B. Stevenson as artist, the rest are not specifically identified. Illustrated end papers. Seventeen chapters telling of the growth and experiences of a young American Indian boy.- his adventures are closely interwoven with the habits, customs and beliefs of his people.
Hardcover. NY, Holt, Rinehart and Winston, 1st, 1967, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket. Dark blue cloth, 274 pages. Fully illustrated with reproductions of Father Point's paintings and drawings, most in full color. DOMESTIC SHIPPING ONLY.
Hardcover. Dobbs Ferry NY, Morgan and Morgan / Amon Carter Museum, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, pric-clipped dust jacket, 158 pages. Complete with a List of Photographs, Preface, Introduction, a long presentation of the photographs of William H. Jackson, Chronology and full Bibliography. Over 100 of Jackson's finest photographs in black-and-white and duotone. With a critical essay by William L. Broecker. Ink inscription on front fly leaf otherwise clean.
Hardcover. Boston, Little Brown , 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Color illustrations by Robert Andrew Parker. Light edgewear and soil to dust jacket.
Hardcover. Boston, Little Brown , 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Color illustrations by Robert Andrew Parker. Light edgewear and soil to dust jacket.
Softcover. Madison WI, University of Wisconsin Press, reprint, 1977, Book: Very Good, Dust Jacket: None, Softcover, 295 pages. Wisconsin Chippewa Myths & Tales, originally published in 1977, was the first collection of Chippewa folklore to provide a comparative and sociological context for the tales. These myths and tales were recorded between 1941 and 1944 by four young field workers who later became prominent anthropologists: Joseph B. Casagrande, Ernestine Friedl, Robert E. Ritzenthaler, and Victor Barnouw himself. The tales--which include stories of tricksters, animals, magical powers, and cannibal ice-giants--were told primarily by five members of the Lac Court Oreilles and Lac du Flambeau bands of Chippewa: John Mink, Prosper Guibord, Delia Oshogay, Tom Badger, and Julia Badger. Wisconsin Chippewa Myths & Tales is read as much for its fascinating stories as for its scholarship.
Hardcover. New York, Macmillan, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 182 pages. Hardcover with dust jacket. Clean, tight copy. A photographic tribute to Julia Tuell, one of the first women to photograph Native Americans at the turn of the 20th century.
Softcover. NY, Crown, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, oblong format. 158 pages. A book of quietly beautiful photographic portraits of Native-American women, accompanied by their own reflections on what it means to be a woman and an Indian in America. The result is a startlingly honest and often poetic work. The women within these pages defy stereotype: they are mothers, activists, artists, environmentalists, and community leaders. Whether living on reservations or in cities, they have struggled to preserve an ancient culture and a land under siege. 85 black-and-white photographs. Clean copy.
Hardcover. Fleischmanns NY, Purple Mountain Press, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 178 pages.Award-winning biographer and historian Lincoln Diamant introduces a diverse group of men and women who contributed in unique ways to the eight-year American Revolution. . . . Among them are soldiers and civilians, veteran generals and three-week militiamen, patriots and spies, a host of Native American and African-American volunteers, and more than a few courageous women. Clean copy.
Softcover. Caldwell ID, Caxton Press, reprint, Book: Very Good, Dust Jacket: None, Softcover, 328 pages. illustrated frontispiece. Extensive b&w photographs throughout. The Nez Perce campaign is among the most famous in the brief and bloody history of the Indian wars of the West. Yellow Wolf was a contemporary of Chief Joseph and a leader among his own men. His story is one that had never been told and will never be told again. A first person account, through author L.V. McWhorter of the Nez Perce's ill-fated battle for land and freedom. Clean copy.
Softcover. Santa Fe, NM, Museum of New Mexico Press, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 166 pages. Toba Tucker's expressive portraits honoring Pueblo artists were made over a two-and-a-half year sojourn in the Southwest. These photographs form a record for history and art at the end of the twentieth century and portray Tucker's interest in the individuals and families who pass their artistic traditions from one generation to the next. Remainder stamp on bottom edge otherwise clean.