Hardcover. New Haven CT, Yale University Press, 2nd pr., 1922, Book: Good, Dust Jacket: None, Hardcover, marbled boards with gray cloth spine, 333 pages plus index. Endpapers map. Janet Schaw, a supporter of the Crown, illustrates the extent to which the American Revolution had, by 1775, become a close, personal insurgency, pitting neighbor against neighbor. Schaw was a young, well-educated Scottish woman who traveled to North Carolina to visit her older brother Robert, the owner of a plantation on the Cape Fear River near Wilmington. She arrived in March of 1775 and while in North Carolina witnessed, among other things, land clearing through controlled burning and the killing of an alligator. More important, she observed a society that was splitting asunder under the stress of revolutionary politics. The decisions of the Wilmington Committee forced men and women along the Cape Fear to take sides. Worn covers with spine cloth coming loose. Binding is solid.
Hardcover. New Haven CT, Yale University Press, 4th pr., 1927, Book: Very Good, Dust Jacket: None, Hardcover, marbled boards with a gray cloth spine, title label on spine, 343 pages, endpapers map, top edge gilt. Journey of Janet Schaw, a Scottish woman who traveled through the American colonies and the Caribbean in the late 18th century. Her observations provide firsthand accounts of colonial society, politics, slavery, and daily life on the eve of the American Revolution. With historical notes and context by the editor, this work offers valuable insight into the era from a unique perspective. Bookplate on inside front cover, otherwise clean.
Hardcover. Auburn NY, Knapp, Peck and Thomson, 1st, 1887, Book: Fair, Dust Jacket: None, Hardcover, original red cloth, gilt titles and rules, blind-stamped double border. 581 pages including Errata leaf. Includes several fold-out maps, plus pockets inside the front and rear boards containing maps and plans. Engraved frontispiece of Sullivan, engraved portraits in text of Brigadier General James Clinton, Colonel Peter Gansevoort (from a portrait by Gilbert Stuart, famous for his portrait of George Washington), and Colonel Philip Van Cortlandt. John Sullivan was an American general in the Revolutionary War and a delegate in the Continental Congress. Sullivan served as a major general in the Continental Army and as Governor (or 'President') of New Hampshire. He is most famous for leading the Sullivan Expedition in 1779, a scorched earth campaign against the Iroquois towns that had taken up arms against the American revolutionaries. This volume contains journals by 27 officers present during the campaign, and has become the authoritative primary source of the event. Both front and rear hinges cracked with spine cloth loose, battlefield map at page 288 has a tear but no loss, front signature with title page loose but whole. All other maps present in envelopes and in very good condition. Covers worn.
Hardcover. NY, Harper, 2nd pr., 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 265 pages, b&w illustrations. The first installment in the long-awaited portrait of one of the most talented and influential musicians of the twentieth century, from Stanley Crouch, one of the foremost authorities on jazz and culture in America. Throughout his life, Charlie Parker personified the tortured American artist: a revolutionary performer who used his alto saxophone to create a new music known as bebop even as he wrestled with a drug addiction that would lead to his death at the age of thirty-four. Drawing on interviews with peers, collaborators, and family members, Kansas City Lightning recreates Parker's Depression-era childhood; his early days navigating the Kansas City nightlife, inspired by lions like Lester Young and Count Basie; and on to New York, where he began to transcend the music he had mastered. Clean copy.
Hardcover. Glens Falls, Champlain Publishing, 1st, 1914, Book: Very Good, Dust Jacket: None, 255 pages. Blue cloth covers with title rubbed from spine and some rubbing to gilt title on cover. Book has slight damp smell. Clean, tight copy.
Hardcover. New York, Naval History Society, 1st, 1915, Book: Near Fine, Dust Jacket: None, 240 pages, b&w illustration. White vellum spine and corners with blue-gray boards, gilt lettering on spine, top edge gilt. Limited to 600 copies, this is #590. Beautiful bright copy.
Hardcover. New York, Naval History Society, 1st, 1915, Book: Near Fine, Dust Jacket: None, 240 pages, b&w illustration. White vellum spine and corners with blue-gray boards, gilt lettering on spine, top edge gilt. Limited to 600 copies, this is #582. Beautiful bright copy.
Hardcover. Cambridge MA, Harvard University Press, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover, light brown cloth w/ black lettering on spine., 237 pages. Lightest of edgewear to dj. A collection of 42 letters written between 1769 and 1777 by Eddis, a young Englishman, loyal to the Crown. The correspondence offers unique insights into a critical point in American history, especially around the Cheapeake area where he was a resident. Name on front fly leaf, otherwise clean.
Hardcover. Boston, Charles E. Goodspeed, 1st, 1902, Book: Very Good, Dust Jacket: None, 88 pages, hardcover. Edited by Charles Knowles Bolton. Correspondence during the American revolutionary war. Mild fading to spine and top edge. Mild rubbing and edgewear to boards as well. Rough cut top edge. Minor bumping to corners. Frontispiece intact. Unmarked. A bright and tight copy.
Hardcover. London, Bell and Daldy, 1st, 1864, Book: Good, Dust Jacket: None, 452 pages. Red cloth covers with embossed graphic border and gilt titles to spine. Light rubbing to covers, slight wear to cover edges and corners, front cover and backstrip of spine separated from page block, though page block still attached to rear cover.
Hardcover. Hartford, F. A. Brown, 2nd, 1856, Book: Very Good, Dust Jacket: None, 267 pages of main text plus Appendix and 12 pages of Press reviews. Black & white illustrations. Light foxing throughout. Light wear to cloth covers with fading to spine. Clean, tight copy.
Hardcover. Hartford CT, F.A. Brown, 1st, 1856, Book: Very Good, Dust Jacket: None, Hardcover, gray cloth, covers embossed with floral designs in blind-stamp. Gilt medallion front cover, gilt lettering and Hale Monument on spine, 230 pages, errata page at conclusion. Gutter crack at page 60, but not bad, binding solid. Eight b&w plates with tissue guards. Previous owner's signature (dated 1856) on blank pelim page. A biography of the soldier in the Continental Army and member of Knowlton's Rangers, the first organized intelligence service organization of the United States of America. Hale spied on the British, and was captured and executed during a mission in New York City. His service earned him the title of state hero of Connecticut.
Hardcover. Lexington KY, University Press of Kentucky, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. An Armenian national raised in Russia, Rouben Mamoulian (1897--1987) studied in the influential Stanislavski studio, renowned as the source of the "method" acting technique. Shortly after immigrating to New York in 1926, he created a sensation with an all-black production of Porgy (1927). He then went on to direct the debut Broadway productions of three of the most popular shows in the history of American musical theater: Porgy and Bess (1935), Oklahoma! (1943), and Carousel (1945). Mamoulian began working in film just as the sound revolution was dramatically changing the technical capabilities of the medium, and he quickly established himself as an innovator. Not only did many of his unusual camera techniques become standard, but he also invented a device that eliminated the background noises created by cameras and dollies. Seen as a rebel earlier in his career, Mamoulian gradually gained respect in Hollywood, and the Directors Guild of America awarded him the prestigious D. W. Griffith Award for Lifetime Achievement in 1983. In this meticulously researched biography, David Luhrssen paints the influential director as a socially conscious artist who sought to successfully combine art and commercial entertainment. Luhrssen not only reveals the fascinating personal story of an important yet neglected figure, but he also offers a tantalizing glimpse into the extraordinarily vibrant American film and theater industries during the twenties, thirties, and forties.
Softcover. Bowie MD, Heritage Books, reprint, 2001, Book: Very Good, Dust Jacket: None, Two softcover volumes 391 & 392 pages. Volumes 1 and 2 complete, a facsimile reprint of the 1897 edition by Lippincott. This two-volume series takes the reader on a journey through the colonies of Virginia, Massachusetts, Connecticut, Rhode Island, New Hampshire, Pennsylvania, New Jersey, New York, Maryland, Carolina, and Georgia. The charm of the journey is in its variety, as the reader passes through communities of such striking individuality that they assume the character of different nations. Each colony has a set of opinions and laws peculiar to itself, and it is not uncommon to find the laws of one in contradiction with the laws of another. This text explores the settlement and history of each colony prior to the American Revolution. Topics include development of the colonies' government, laws, religion, schools, boundaries, industries, layout of the cities, fashions, homes, social activities, slavery, architecture, interaction with the Indians, and customs. At least one prominent person from each colony is discussed, amongst them, William Penn of Pennsylvania, John Smith of Virginia, George Calvert of Maryland, and General Oglethorpe of Georgia. Light sunning ti spines.Clean copies.
Hardcover. New York, Aperture, 1st, 2003, Book: Near Fine, Dust Jacket: Near Fine, 220 pages, 155 b&w photographs by Casasola. Edited by Pablo Ortiz Monasterio, essay by Pete Hamill. Agustin Victor Casasola photographed everyone of consequence in Mexico at the time of the revolution, from Francisco (Pancho) Villa, Emiliano Zapata and the exiled Russian leader Leon Trotsky to artists Diego Rivera and Frida Kahlo. For this splendid collection of Casasola's work, the noted American author Pete Hamill has written a rich essay on the photographer and the Mexico he pictured so well.
Softcover. NY, Harper Torchbooks, reprint, 1969, Book: Good, Dust Jacket: None, Softcover, 458 pages. This book argues that there was a middle-class democracy in Massachusetts even before the Revolution, which only removed British power from the area. Bump to top corner of volume causing a crease, remainder lines to bottom edge. No markings.
Hardcover. NY, Doubleday Page & Co., 1st, 1927, Book: Very Good, Dust Jacket: None, Hardcover, tan cloth covers with dark blue design, lettering. Color frontispiece, 3 b&w plates by Marguerite DeAngeli. Front hinge tender. A novel set during the American Revolution.
Hardcover. Poughkeepsie, New York, Abraham Tomlinson, 1st, 1855, Book: Fair, Dust Jacket: None, 128 pages, gilt title on cover and frontispiece illustration, with numerous illustrative notes throughout and a supplement containing official papers on the skirmishes at Lexington and Concord. Ex-library residue, front cover loose and binding needs new back strip. Internal pages are clean and bright.
Hardcover. New Haven CT, Yale University Press, 1st, 2020, Book: Very Good, Dust Jacket: None, Hardcover, Original black lettered cloth quarter laid on pictorial boards, 184 pages. A fascinating exploration of how photography, graphic design, and popular magazines converged to transform American visual culture at mid-century. This dynamic study examines the intersection of modernist photography and American commercial graphic design between 1930 and 1960. Avant-garde strategies in photography and design reached the United States via European emigres, including Bauhaus artists forced out of Nazi Germany. The unmistakable aesthetic made popular by such magazines as Harper's Bazaar and Vogue--whose art directors, Alexey Brodovitch and Alexander Liberman, were both immigrants and accomplished photographers--emerged from a distinctly American combination of innovation, inclusiveness, and pragmatism. Beautifully illustrated with more than 150 revolutionary photographs, layouts, and cover designs, Modern Look considers the connections and mutual influences of such designers and photographers as Richard Avedon, Lillian Bassman, Herbert Bayer, Robert Frank, Lisette Model, Gordon Parks, Irving Penn, Cipe Pineles, and Paul Rand. Essays draw a lineage from European experimental design to innovative work in American magazine design at mid-century and offer insights into the role of gender in fashion photography and political activism in the mass media.
Softcover. Greensburg PA, privately printed, 1st, 1913, Book: Very Good, Dust Jacket: None, Softcover, octavo, 25 pages, sparsely illustrated in b&w. Book near fine with mild general shelfwear to wrap, stapled binding tight, text clean and unmarked. Includes a b/w sketch by John Trumbull.
Softcover. Boston, Beacon Press, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, illustrated wraps, 616 pages. Clean, bright copy. Sojourner Nadine Jane Johnson, also known as Mosquito, is an African-American truck driver. Set in a south Texas border town, Mosquito is the story of her accidental and yet growing involvement in "the new underground railroad," a sanctuary movement for Mexican immigrants. Mosquito's journey begins when she discovers Maria, a stowaway who nearly gives birth in the back of the truck; Maria will eventually name her baby Journal, a misspelled tribute to her unwitting benefactor Sojourner. Along the road, Mosquito introduces us to Delgadina, a Chicana bartender who fries cactus, writes haunting stories, and studies to become a detective - one of the most original and appealing characters in all of Jones's fiction. We also meet Monkey Bread, a childhood pal who is, improbably, assistant to a blonde star in Hollywood, where Mosquito pays her a memorable visit. As her understanding of the immigrants' need to forge new lives and identities deepens, so too does Mosquito's romance with Ray, a gentle revolutionary, philosopher, and, perhaps, a priest.
Softcover. Washington DC, National Park Service,, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 58 pages, The famous cartoonist of WW2's Willie and Joe fame offers his take on America's War for Independence. Small price sticker on cover otherwise clean.
Hardcover. Ithaca NY, Cornell University Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 336 pages. This single-volume selection of the letters of Margaret Fuller affords a unique opportunity for renewed acquaintance with a great American thinker of the Transcendentalist circle. The letters represent Fuller at all stages of her life and career, and show her engaged as literary critic, as translator and as champion of German literature and thought, as teacher, as travel writer, as literary editor, as journalist, as feminist, as revolutionary, as wife and mother. My Heart Is a Large Kingdom, unlike previous collections, includes only letters transcribed from Fuller's manuscripts and does not reproduce correspondence known only from printed sources and copies in hands other than Fuller's. Among the recipients of the letters in this generous selection are such literary and cultural figures as Bronson Alcott, Elizabeth Barrett Browning, Arthur Hugh Clough, Ralph Waldo Emerson, Giuseppe Mazzini, Giovanni Angelo Ossoli (Fuller's husband), George Ripley, and Henry David Thoreau. Taken together, the letters serve as a chronicle of Fuller's lifetime and provide glimpses into her thoughts and feelings during the years of the "Conversations," Dial, and the revolution in Rome. Clean copy.