american west

NY, Aladdin Books, 1st, 1955, Book: Very Good, Dust Jacket: Good, Hardcover, 191 pages. Two-color illust. by Leonard Vosburgh. American Heritage Series. Dust jacket price clipped. Dust jacket with closed tear front & back bottom edge, chip to top spine.

Hardcover. Baltimore MD, Johns Hopkins University Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 356 pages, b&w illustrations. Starrs offers a detailed and comprehensive look at one of America's most enduring institutions. Richly illustrated with 130 photographs and maps, the book combines the authentic detail of an insider's view (Starrs spent six years working cattle on the high desert Great Basin range) with a scholar's keen eye for objective analysis. Tracing the geography and history of ranching in the United States, Starrs tells how Anglo settlers first encountered the open grasslands of the West - an environment alien to most of the European experience." Clean copy.

Hardcover. New York, Miller, Orton & Mulligan, 1st, 1856, Book: Good, Dust Jacket: None, 493 pages. Hardcover. Illustrated with black & white engravings. Foxing to frontis, title page, and occurring to pages surrounding illustrated pages. Brown cloth covers with fading, rubbing moderate wear. Binding is firm. Good + condition.

Hardcover. Kansas City, MO, Tell-Well Press, 1st, 1948, Book: Very Good, Dust Jacket: Good, Nonpaginated. Hardcover. Decorated endpapers. Vivid color illustrations throughout. Dust jacket unclipped, has some age wear, still intact and wrapped in protective brodart. Cover boards decorated with same image as dust jacket. Covers have a little soil a top and age wear. Clean inside and in great shape for its age.

Hardcover. San Francisco, H.S. Crocker Company, 1st, 1926, Book: Very Good, Dust Jacket: None, Hardcover, 87 pages, original dark mustard paper covered boards with dark brown web-lined patterns and tan cloth back strip with brown lettering on spine; numerous photographs including some by well renowned photographer Ansel Adams (4 photos by Adams). 6 1/4 x 8 1/2 inches. The book "being a collection of favorite Yosemite views, together with a brief account of its history and legends, for those who want to know and enjoy Yosemite more". Bookplate on inside front cover, otherwise clean, bright copy.

Hardcover. Flagstaff, Arizona, Northland Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover, 132 pages. Dark brown cloth cover with gilt lettering to spine, color illustrated dust jacket, numerous color and b&w plates of Russell's oils, drawings, watercolors, bronzes and illustrated letters. Light wear to dust jacket; overall a tight, clean copy.

Hardcover. New York, Frederick A. Stokes, 1st, 1902, Book: Very Good, Dust Jacket: None, 42 pages. Hardcover. Features 6 full color and black & white illustrations in text by Edwin Willard Deming. Short separations of preliminary pages from interior hinge at top and bottom. Areas of foxing and abrasion to title page. Printers unusual binding method has created creasing before the page margins. Short closed tears on some pages. Front cover pastedown intact with some surface abrasions. Scarce.

Hardcover. New York, George H. Doran, 1st US, 1927, Book: Very Good, Dust Jacket: None, Hardcover with no dust jacket. Map end papers. 248 pages. Twenty- Four plates including frontispiece from photographs of Andes Mountains area taken by author. Royal 8vo. Red cloth, Gilt titled front cover with large gilt llama under title. Gilt titled and pictorial spine. Minor wear.

Hardcover. NY, Basic Books, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, unclipped. INSCRIBED BY AUTHOR on the title page. Throughout the nineteenth century, swarms of locusts regularly swept across the continent, turning noon into dusk, demolishing farm communities, and bringing trains to a halt as the crushed bodies of insects greased the rails. In 1876, the U.S. Congress declared the locust "the single greatest impediment to the settlement of the country." From the Dakotas to Texas, from California to Iowa, the swarms pushed thousands of settlers to the brink of starvation, prompting the federal government to enlist some of the greatest scientific minds of the day and thereby jumpstarting the fledgling science of entomology. Over the next few decades, the Rocky Mountain locust suddenly--and mysteriously--vanished.A century later, Jeffrey Lockwood set out to discover why. Unconvinced by the reigning theories, he searched for new evidence in musty books, crumbling maps, and crevassed glaciers, eventually piecing together the elusive answer: A group of early settlers unwittingly destroyed the locust's sanctuaries just as the insect was experiencing a natural population crash. Drawing on historical accounts and modern science, Locust brings to life the cultural, economic, and political forces at work in America in the late-nineteenth century, even as it solves one of the greatest ecological mysteries of our time. 294 pages, clean copy.

Hardcover. Boston, Massachusetts, Harry N. Abrams, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 470 pages. Brown cloth cover, color illustrated dust jacket, 113 color and 206 illustrations. Still in original shrink wrap; book in excellent condition. American artists have been inspired by Italy since the 1760s, when Benjamin West, the first American painter to travel there, was drawn to the ancient Roman ruins and magnificent Renaissance architecture, statuary, and frescoes. This intriguing, superbly illustrated book is the first to explore the fascination Italy held for the American artist from West's time to the eve of World War I.The unique sense of the past found in Italy, where tangible evidence exists of a continual civilization from antiquity to the present, lured countless American artists to its cities, towns, and countryside. Painters from West and Copley in the eighteenth century to Cole, Inness, Whistler, Sargent, and Prendergast in the nineteenth century were inspired to create many of their finest works in Italy, as were American sculptors such as Hiram Powers and Harriet Hosmer and writers from Washington Irving to Henry James.This in-depth study includes 319 illustrations, of which 113 are reproduced in full color, many of works that have not previously been published. Theodore E. Stebbins, Jr., John Moors Cabot Curator of American Paintings at the Museum of Fine Arts, Boston, and Professor of Art History at Boston University, provides a broad overview of the American perception of Italy and the unique role that Italy played in the formation of American art.

Hardcover. Boston, Massachusetts, Harry N. Abrams, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 470 pages. Brown cloth cover, color illustrated dust jacket, 113 color and 206 illustrations. Still in original shrink wrap; book in excellent condition. American artists have been inspired by Italy since the 1760s, when Benjamin West, the first American painter to travel there, was drawn to the ancient Roman ruins and magnificent Renaissance architecture, statuary, and frescoes. This intriguing, superbly illustrated book is the first to explore the fascination Italy held for the American artist from West's time to the eve of World War I.The unique sense of the past found in Italy, where tangible evidence exists of a continual civilization from antiquity to the present, lured countless American artists to its cities, towns, and countryside. Painters from West and Copley in the eighteenth century to Cole, Inness, Whistler, Sargent, and Prendergast in the nineteenth century were inspired to create many of their finest works in Italy, as were American sculptors such as Hiram Powers and Harriet Hosmer and writers from Washington Irving to Henry James.This in-depth study includes 319 illustrations, of which 113 are reproduced in full color, many of works that have not previously been published. Theodore E. Stebbins, Jr., John Moors Cabot Curator of American Paintings at the Museum of Fine Arts, Boston, and Professor of Art History at Boston University, provides a broad overview of the American perception of Italy and the unique role that Italy played in the formation of American art.

Hardcover. West Chester PA, Schiffer Publishing, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 199 pages. SIGNED BY THE ARTIST/POTTER MARGARET TAFOYA on the title page. Foreword by Rick Dillingham. Illustrated throughout with black & white and color photography. Bibliography. Index. This beautiful book presented in large format tells the story of Margaret Tafoya and her contributions to Tewa Pueblo pottery. The book explores her life, pottery making techniques, the Tafoya family and descendants, and the history of the Pueblo people. clean copy.

Hardcover. New Haven CT, Yale University Press, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages, color plates. Considered to be among the greatest early American modernists, the painter Marsden Hartley (1877-1943) traveled the United States and Europe in his search for a distinctive American aesthetic. His stay in New Mexico resulted in an extraordinary series of landscape paintings--created in New Mexico, New York, and Europe between 1918 and 1924--that show an evolution in style and thinking that is important for understanding both Hartley's oeuvre and American modernism in the postwar years. Marsden Hartley and the West examines this pivotal stage of the painter's career, drawing upon his writings and providing illustrations of rarely seen and previously unpublished works. The author considers Hartley's involvement with the Stieglitz circle and its "soil-and-spirit" philosophy, the Taos art colony, New York Dada, and the impact of historical events such as World War I. Within this setting she analyzes the pastels and oil paintings that suggest Hartley's increasingly ambivalent response to the land. Beginning with optimistic, naturalistic views, the New Mexico works grew progressively darker and more tumultuous, increasingly reflecting a sense of loss brought on by war. The paintings become a site where the landscapes of memory, self, and nation merge, while reflecting broader modernist debates about "American-ness" and a usable past.

Softcover. Guilford CT, TwoDot, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 151 pages, b&w illustrations. The massacre at Wickenburg was one of the most notorious crimes committed in the Wild West--a story revealed in this book through a criminal investigation. November 5, 1871. A westbound stagecoach carrying seven men and one woman left Wickenburg in the early morning hours. At 8:00 a.m., six of the passengers were shot dead. One man and the lone woman, severely wounded, escaped into the desert. Debates raged over the identity of the murderous ambushers -- Indians? Mexican bandits? The two survivors? After a massive investigation, the U.S. Army concluded that a band of local Yavapai Indians were responsible, which led to a policy of "removal and concentration" that altered the fate of nearly every Indian in America's Southwest. Clean copy.

Hardcover. NY, Archer House, reprint, 1958, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 110 b/w illustrations. 669 pages. This is a facsimile reprint of edition first published in 1886. Covering 60 years of merciless bloody conflict, it documents in detail every major Indian battle between 1815 and 1876. Dust jacket spine faded, otherwise a clean, very good copy.

Softcover. The Anschutz Collection, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps, 176 pages. An impressive collection of American West art by 128 different artists, with full color reproductions of a painting by each followed by a short biographical sketch of each. Small ink price in corner of front fly leaf, otherwise clean.

Hardcover. Auburn, WA, Brigham Young University, 1st, 1974, Book: Very Good, Dust Jacket: Good, 237 pages. Hardcover. Illustrated with full color and black & white examples of paintings by Maynard Dixon. Faint damp smell. Small areas of abrasion to front cover of dust jacket, minor staining along bottom edge of jacket - jacket now protected with clear plastic cover. Clean, unmarked pages.

hardcover. New York, Mysterious Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, 247 pages. Hardcover. SIGNED BY AUTHOR on title page. Clean, unmarked copy with only minor wear to dust jacket. A blood-encrusted ceramic figure is at the center of private investigator C. W. Sughrue's search through the American West for the missing mother of his Vietnam buddy. By the author of The Wrong Case.

Softcover. Helena MT, FarCountry Press, 2nd pr., 2009, Book: Very Good, Dust Jacket: None, Softcover, 295 pages, b&w illustrations. In this remarkable and important book, Sarah Carter introduces us to some of Montana's first women homesteaders through their journals and other writings. By shedding light on these determined nineteenth- and early twentieth-century pioneers, Carter reveals inspiring stories filled with joy, tragedy, and redemption.

Hardcover. Syracuse NY, Syracuse University Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 142 pages, b&w illustrations. In 1950, future Hall of Famer Earl Lloyd became the first African American to play in a National Basketball Association game. A warm and gracious man, widely loved and respected, Lloyd has lived what he describes as an 'incredible journey' and has spent eighty years gathering passionate lessons from that experience. He was born in Virginia, a state he describes as 'the cradle of segregation', only sixty-two years after the end of the Civil War. Nicknamed 'Moonfixer' in college, Lloyd led West Virginia State to two CIAA Conference and Tournament Championships and was named All-American twice. One of three African Americans to enter the NBA at that time, Lloyd played seven games for the Washington Capitals before the team folded. He joined the Syracuse Nationals for six seasons and later played for the Detroit Pistons before he retired in 1961. Throughout his career, he quietly endured the overwhelming slights and exclusions that went with being black in America. Yet he has also lived to see basketball - a demonstration of art, power, and pride - become the black national pastime and to witness the inauguration of Barack Obama. In a series of extraordinary conversations with Sean Kirst, Lloyd reveals his fierce determination to succeed, his frustration with the plight of many young black men, and his sincere desire for the nation to achieve true equality among its citizens. CLEAN COPY.

Hardcover. NY, Pegasus Books, 1st, 2020, Hardcover in a bright dust jacket, 242 pages. A finely wrought coming-of-age memoir about the author's relationship with her beloved grandfather Joe Simon, cartoonist and co-creator of Captain America. In the 1990s, Megan Margulies's Upper West Side neighborhood was marked by addicts shooting up in subway stations, frequent burglaries, and the "Wild Man of 96th Street," who set fires under cars and heaved rocks through stained glass church windows. The world inside her parents' tiny one-bedroom apartment was hardly a respite, with a family of five-including some loud personalities-eventually occupying the 550-square-foot space. Salvation arrived in the form of her spirited grandfather, Daddy Joe, whose midtown studio became a second home to Megan. There, he listened to her woes, fed her Hungry Man frozen dinners, and simply let her be. His living room may have been dominated by the drawing table, notes, and doodles that marked him as Joe Simon the cartoonist. But for Megan, he was always Daddy Joe: an escape from her increasingly hectic home, a nonjudgmental voice whose sense of humor was as dry as his farfel, and a steady presence in a world that felt off balance. Evoking New York City both in the 1980s and '90s and during the Golden Age of comics in the 1930s and '40s, My Captain America flashes back from Megan's story to chart the life and career of Rochester-native Joe Simon, from his early days retouching publicity photos and doing spot art for magazines, to his partnership with Jack Kirby at Timely Comics (the forerunner of Marvel Comics), which resulted in the creation of beloved characters like Captain America, the Boy Commandos, and Fighting American. My Captain America offers a tender and sharply observed account of Megan's life with Daddy Joe-and an intimate portrait of the creative genius who gave us one of the most enduring superheroes of all time.

Hardcover. Westport CT, Greenwood Press, 1st, 1988, Book: Very Good, Dust Jacket: None, Hardcover, red cloth stamped in black, 249 pages. This bibliography includes more than 1,100 entries from books, journals, newspaper articles, and dissertations concerning North American Indian basketry. More general cultural works with some information on basketry are also included, and the materials date from early ethnographic work in the late 19th and early 20th centuries to 1987. . . . The introduction offers a good overview of research in Native American basketry, and although the annotations vary greatly in thoroughness and length, they are generally useful. Bookplate on inside front cover. Otherwise a clean, bright copy.

Hardcover. Flagstaff, Arizona, Northland Press, 2nd pr., 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover, 98 pages. INSCRIBED BY PERCEVAL with personal note to previous owner from him and his wife. Cover shows very light wear and soiling. Internally clean. Beautiful color and black & white sketches of Navajos and Arizona landscape. With a descriptive text by Clay Lockett.

Hardcover. New Haven CT, Yale University Press , 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, still sealed in publisher's shrinkwrap. Exhibition catalog for a show organized by the Amon Carter Museum of American Art, Fort Worth, Texas, and the Saint Louis Art Museum, St. Louis, Mo. Concentrates on Bingham?'s images inspired by the waterborne traffic on the Mississippi and Missouri rivers? in his lifetime, the great highways of the American frontier?and the men who worked on the river's? flatboats and rafts. 11-14" x 10-3/4", 199 numbered pages. A detailed academic analysis of Bingham's work, with numerous color plates and photos of his drawings.