american native

Hardcover. NY, Vanguard Press, 1st, 1929, Book: Very Good, Dust Jacket: None, Hardcover, green cloth, spine stamped in black and gilt, gilt faded. 165 pages, 20 Native American myths. Emdossed stamp on title page, otherwise clean, very good. Uncommon title.

Hardcover. Chicago, Monarch Book Company, reprint, Book: Very Good, Dust Jacket: None, Hardcover, 166 pages. Sixteen color plates by Louis Betts. Yellow cloth cover with title and illustration on front. Spine very slightly darkened. Private library sticker on inner front cover, no other markings. First published by Herbert Stone in 1900, this edition undated but appears to be soon after as quality color plates appear to be from that printing. Clean.

Softcover. Tucson, AZ, Southwest Parks , 1st, 1999, Book: Very Good, Dust Jacket: None, 88 pages. Softcover. Yellowing to front and back covers. An otherwise clean, unmarked copy with minor edgewear. Color photographs throughout.

Hardcover. Boston, The Peabody Museum / Little Brown and Company, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover, 279 pages. 168 full-page black-and-white illustrations and 16 color plates. Light sun-fade to dust jacket spine and flaps, as well as minor chipping along edges and wear along spine. Otherwise, clean, tight copy. This handsome book is the first full study of American marine painting ever published. In it are drawn together representative works by more than sixty painters from Colonial times to the present, including such diverse figures as John Smibert, John Quidor, John Marin, Albert Bierstadt, Geroge Bellows, Thomas Chambers, and Andrew Wyeth. Mr. Wilmerding discusses the development of these artists' concern with marine subjects, the influences (both native and European) on their styles and approaches, and the meaning of their achievement for American art in general.

Hardcover. Boston, Faber and Faber, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, pages. "I write of peoples and of a struggle." So begins A New World, an ambitious and extraordinary book that challenges conventional historical narrative by presenting episodes in North America's history through the eyes and voices of the Europeans who established the first colonial outposts here. Beginning with the swaggering John Smith at Jamestown and ending with the beleaguered Montcalm at Quebec, Arthur Quinn allows towering historical figures to emerge from an often beautiful, sometimes forbidding early American landscape and speak. An elderly William Bradford looks back with growing despair at the early promise of the Pilgrim colony at Plymouth. Governor John Winthrop tries to administer a dose of practicality to the Puritans of Massachusetts. Jesuit missionaries bring Christianity and disaster to the Huron Confederacy. A blustering Peter Stuyvesant watches Manhattan slip from Dutch grasp. William Penn's Holy Experiment in Pennsylvania goes increasingly awry. And, finally, the British and the French fight history's first world war for supremacy in the New World. Telling each story using the literary conventions of the day, Quinn casts North America's colonial beginnings as a multicultural epic, gripping the reader throughout with his uncanny eye and storytelling skill. Clean copy.

Softcover. NY, New York Museum of the American Indian, 1st, 1926, Book: Very Good, Dust Jacket: None, Softcover, leaflet of the Museum of the American Indian, account of a rare blanket, thought to be woven of dog hair, of the Salish Indians along with discussion of technique. Very good condition, bound between stiff card wraps.

Softcover. Santa Fe NM, School of American Research Press, 1st pbk, 1992, Book: Very Good, Dust Jacket: None, Softcover, 241 pages. UW. Scholar and ceramic artist Dillingham offers a comprehensive cultural and technical history of pottery making at the New Mexico pueblos of Acoma and Laguna, lavishly illustrated (color and b&w photos), and supplemented with appendixes listing potters, detailing signs of commercial origin, and cataloging pottery housed in the Indian Arts Research Center at the School of American Research. Commentary extends to the contemporary market and challenges facing today's potters. Clean copy.

hardcover. NY, Coward McCann & Geoghagan, 1st, 1977, Book: Very Good, Dust Jacket: Good, Hardcover. Sepia-toned illustrations by Stephen Gammell. Dust jacket with edgewear, closed tears.

Hardcover. NY, Viking Press, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover, Light edgewear and rubbing to dust jacket. Color photos by Alfred A. Cohen. A Sonoran Desert nature primer told by a small Papago girl (note that Tohono O?odham is now the proper name for these native Americans). Unusual book in that full color photographs are used throughout, rather than illustrations.

Hardcover. NY, Arcade Publishing, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 372 pages with b&w illustrations, index. The life of Western maverick Charles Fletcher Lummis is laid bare in this entertaining biography of the journalist, photographer, poet, and Native American rights advocate who spent most of his life fighting injustice in the West. Mild fade to dj spine otherwise a clean copy.

Softcover. Lincoln NE, University of Nebraska Press, reprint, 1973, Book: Very Good, Dust Jacket: None, Softcover, 303 pages. Clean copy.

Hardcover. New York, Viking, 1st, 1998, Book: Good, Dust Jacket: Very Good, 296 pages. Hardcover. Black & white illustrations. Light pencil underlining in introduction - otherwise, clean, unmarked. Dust jacket protected with clear plastic cover. Clean, tight copy.

Softcover. New York , Ballantine Books, 1st thus, 2003, Book: Very Good, Dust Jacket: None, Softcover, 320 pages, b&w art by R. Crumb, Kevin Brown, Gregory Budgett and others. Clean, bright paperback. The classic collection of the comics that inspired the movie "American "Splendor, winner of the Grand Jury Prize at the 2003 Sundance Film Festival "American Splendor is the world's first literary comic book. Cleveland native Harvey Pekar is a true American original. A V.A. hospital file clerk and comic book writer, Harvey chronicles the ordinary and mundane in stories both funny and touching. His dead-on eye for the frustrations and minutiae of the workaday world mix in a delicate balance with his insight into personal relationships. Pekar has been compared to Dreiser, Dostoevsky, and Lenny Bruce. But he is truly more than all of them--he is himself. "Mr. Pekar has . . . proven that comics can address the ambiguities of daily living, that like the finest fiction, they can hold a mirror up to life."

Hardcover. Chicago, University of Chicago Press, 1st, 1941, Book: Very Good, Dust Jacket: None, Hardcover in green cloth, faded gilt lettering on spine, 500 pages. Photographs, bibliography and index.

Hardcover. Boston, Little Brown, 1st, 1971, Book: Very Good, Dust Jacket: Good, Hardcover in a edgeworn dust jacket. Illustrated in 2-colors by Peter Parnall. A tale of the Navajo. Clean copy.

Softcover. NY, Aperture Foundation, 1995, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. A large, beautifully designed photography publication with many full page photographs in black and white and color. Glossy wraps.

Hardcover. Newport VT, J. M. Currier, 1st, 1870, Book: Very Good, Dust Jacket: None, Hardcover, 256 pages, a collection of scientific papers dated Oct. 1870 through July 1874. Bound in black cloth with black leather spine and corners, gilt lettering and rules on spine. Subjects include geology, Pawnee Indians, flora and fauna, birds of Vermont, etc. Small water stain to top edge margin of center pages, otherwise very good. Pencil inscription inside front cover reads: "Compliments of Dr. Currier, 1892". Previous owner's bookplate.

Hardcover. Santa Fe, NM, Clear Light Publishers, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 139 pages illustrated in throughout with 96 color photographs; portrays the lives and works of eighteen ceramic artists including Maria Martinez, Grace Medicine Flower, Popovi Da, Nampeyo, Russell Sanchez, Nathan and Nancy Youngblood and many more. Clean copy.

Softcover. Seattle, University of Washington, 1st PB, 1989, Book: Very Good, Dust Jacket: None, Softcover, 188 pages, illustrations in b&w. Light edgewear to wrappers, else a clean, tight copy.

Hardcover. New York, Alfred A Knopf , 1st, 1971, Book: Near Fine, Dust Jacket: Very Good, Hardcover, 336 pages, illustrated throughout in color and b&w. Pictorial gray cloth with gilt title to spine. Pictorial dust jacket. Light wear and sun to covers and spine, else a very nice, tight copy.

Hardcover. New York, Morrow, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. Illustrated in full color. In a clean, bright dust jacket. A commercial artist who started out sketching in the 1930s for pulp magazines, Lovell advanced to the glossier "slicks" in the 1950s and has since specialized in Old West, Plains Indian, and Civil War themes. He here presents from that long career his best canvases, among them his famed depictions of Lee's surrender and the Fifty-fourth Massachusetts' assault (in film, the climax of Glory). His spark of inspiration is usually to visualize an incident he has read of in the journals of the first white explorers and trappers, such as those of Lewis and Clark. Whether it's Clark firing his rifle or Indians encountering a cannon lost by Fremont, Native Americans are generally presented as wary but curious about the newcomers; Lovell puts the warfare outside of the frame. Themes aside, he works expertly with natural color, and though not a modern George Caitlin, his attention to the detail of Indian dress, carriage, and equipage is quite affecting, fully reflective of his respect for the cultures of Apache, Sioux, etc. A rich tribute to a captivating artist who evokes the West's vast landscape and its individual braves and traders in moods of exuberance and perseverance.

Hardcover. New York, William Morrow & Co, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover. Color illustrations. Clean, unmarked copy with only minor wear to dust jacket. "A commercial artist who started out sketching in the 1930s for pulp magazines, Lovell advanced to the glossier "slicks" in the 1950s and has since specialized in Old West, Plains Indian, and Civil War themes. He here presents from that long career his best canvases, among them his famed depictions of Lee's surrender". Gorgeous color plates.

Hardcover. Washington DC, Smithsonian Books, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 292 pages, color and b&w photos. The famous, the infamous, and the never-before-seen are here in a remarkable 'democracy of images' Amelia Earhart, Abraham Lincoln, P.T. Barnum and Tom Thumb, John Brown, Frederick Douglass, Lucille Ball, Greta Garbo, Babe Ruth; the earliest views of the moon and the earliest panoramic view of Damascus; rare Native American photography; views of Asia, Africa, and the American West; photographs of early flight, and much, much more. In a bright dust jacket.

Hardcover. Washington, Smithsonian Books, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 292 pages. Hardcover with dust jacket. Color and black and whote photos throughout. Clean, tight copy. The Smithsonian holds more than 13 million images spanning over 150 years of taking and collecting photographs. This largely unknown body of photography (most never before published) represents nothing less than the Smithsonian's effort, in the name of all Americans, to describe and comprehend the world. Open anywhere in these pages to be plunged into the history of our modernity, and see what the Smithsonian deemed important to document and preserve. The famous, the infamous, and the never-before-seen are here in a remarkable "democracy of images": Amelia Earhart, Abraham Lincoln, P.T. Barnum and Tom Thumb, John Brown, Frederick Douglass, Lucille Ball, Greta Garbo, Babe Ruth; the earliest views of the moon and the earliest panoramic view of Damascus; rare Native American photography; views of Asia, Africa, and the American West; photographs of early flight, and much, much more. By recording the act of seeing, and of what was seen, both photography and the Smithsonian have shaped our sense of ourselves, as individuals, as a people, and as a country.