ancient

Hardcover. London, Society for the Promotion of Hellenic Studies, 1st, 1915 1916, Book: Very Good, Dust Jacket: None, Two years (1915 and 1916) bound in one volume. Handsome half black calf with raised bands on spine along with red label and gilt lettering. Part one for 1915: 290 pages plus 9 full-page b&w plates. Part two for 1916: 417 pages plus 9 b&w plates. Former university library with minimal stamping to edge of text block and on bookplate inside front cover. Sticker residue to bottom of spine. Chip to calf at top of spine.

Hardcover. Israel, Yeshivat Kol Yehuda, Reprint, 1970, Book: Very Good, Dust Jacket: Very Good, 264 pages. Hardcover. Black & white illustrations. Dust jacket with light wear along edges. Clean, unmarked pages.

Hardcover. NY/London, Frederick Warne, 1st, 1963, Book: Very Good, Dust Jacket: Very Good, Hardcover, 200 pages. Black & white illustrations by Kurt Roschl. Dust jacket price clipped, spine faded, has light edgewear. Dust jacket is protected by a mylar cover. A Stone Age boy takes a far journey on the Great River (the Danube) to find special rocks (obsidian?) in an island in the sea.

Hardcover. NY, W. W. Norton & Company, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Written by two members of archaeological expeditions which have excavated at Caesarea, the ancient city on the coast of Israel built by Herod the Great, this book tells the story of the great city, from its beginnings to its destruction in the 13th century. Readers discover this past through archaeologists' eyes, as the text considers not only artifacts and written sources but the processes by which archaeologists reconstruct the past. A companion volume to a traveling exhibition of Caesarean artifacts, this is very highly recommended for both its clarity and creativity. 244 pages illustrated in color plus index. Clean.

Hardcover. Los Angeles, World Hapkido Federation, 2nd pr., 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 300 pages, b&w illustrations. First published in 1976. Clean, bright copy.

Hardcover. Boulder CO, Bala Kids, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, gorgeous color art by Wen Hsu. Two sisters discover the power of love and the true meaning of compassion in this princess-adventure story based on an ancient Chinese tale. Miao Shan isn't your typical princess. She likes to spend her time quietly meditating with the creatures of the forest or having adventures with dragons and tigers. Miao Shan's heart is so full of love that her dream is to spread happiness throughout the land and help people endlessly. But her father has other plans for her--he intends to have her married and remain in the palace. With the help of her little sister Ling, Miao Shan escapes and begins her journey to discover the true meaning of compassion. Clean copy.

Softcover. UK, Cambridge University Press, 2nd pr., 2018, Book: Very Good, Dust Jacket: None, Softcover, 512 pages. Learn Latin from the Romans is the only introductory Latin textbook to feature texts written by ancient Romans for Latin learners. These texts, the 'colloquia', consist of dialogues and narratives about daily life similar to those found in modern-language textbooks today, introducing learners to Roman culture as well as to Latin in an engaging, accessible, and enjoyable way. Students and instructors will find everything they need in one complete volume, including clear explanations of grammatical concepts and how Latin works, both British and American orders for all noun and adjective paradigms, 5,000 easy practice sentences, and over 150 longer passages (from the colloquia and a diverse range of other sources including inscriptions, graffiti, and Christian texts as well as Catullus, Cicero, and Virgil). Written by a leading Latin linguist with decades of language teaching experience, this textbook is suitable for introductory Latin courses worldwide. Clean copy.

Hardcover. NY, Dover Publications, reprint, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 48 pages illustrated in color by Gorey. A new approach to the ancient fables of Aesop features charming rhymes and winsome images by a beloved illustrator. Artist Edward Gorey sets the scenes for poet Ennis Rees's modern interpretation of Aesop's verses, which recount how animals with all-too-human failings receive their just desserts. Memorable renderings of familiar and lesser-known vignettes include the fable of the industrious ant, who prepares for the hardships of the coming winter, and the feckless grasshopper, whose laziness proves fatal. A mighty lion is amused at the notion of a tiny mouse coming to his rescue, a naive young crustacean admires the bright red shell of a boiled lobster, and a swarm of flies are undone by their attraction to a pool of spilled honey. These and other timeless tales provide humorous insights into the folly of greed and vanity and the rewards of virtuous behavior. Originally published in 1971 by Young Scott.

Hardcover. NY, Dover Publications, reprint, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 48 pages illustrated in color by Gorey. A new approach to the ancient fables of Aesop features charming rhymes and winsome images by a beloved illustrator. Artist Edward Gorey sets the scenes for poet Ennis Rees's modern interpretation of Aesop's verses, which recount how animals with all-too-human failings receive their just desserts. Memorable renderings of familiar and lesser-known vignettes include the fable of the industrious ant, who prepares for the hardships of the coming winter, and the feckless grasshopper, whose laziness proves fatal. A mighty lion is amused at the notion of a tiny mouse coming to his rescue, a naive young crustacean admires the bright red shell of a boiled lobster, and a swarm of flies are undone by their attraction to a pool of spilled honey. These and other timeless tales provide humorous insights into the folly of greed and vanity and the rewards of virtuous behavior. Originally published in 1971 by Young Scott.

Hardcover. NY, Artisan, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 145 pages. A master craftsman provides timeless wisdom from working with stone. Beautifully illustrated with color and black and white photographs from the work-field. In his highly anticipated second book, Vermonter Dan Snow once again proves that he is not just one of America's premier artisans, but also one of our most articulate voices on the natural world and our relationship to it. Snow's medium is stone: He is the nation's premier drystone wall builder. Schooled in this ancient craft, he painstakingly creates structures as breathtaking as sculpture with nothing but gravity as their glue. In Listening to Stone, Peter Mauss's tactile photographs of Snow's artistry are matched by the artisan's quietly compelling prose. Clean, bright copy.

Hardcover. San Francisco, Chronicle Books, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. This book curates 125 unputdownable entries from a list of names that are as eclectic and intriguing as its contents, which include myriad reasons given by ancient Egyptians for missing work, Albert Einstein's demands of his estranged wife, F. Scott Fitzgerald's extensive conjugation of "to cocktail," and many more. Rarely intended for the public eye, these lists reveal hopes, priorities, and musings in a most engaging and entertaining way. Each transcript is accompanied by an artwork, most a captivating facsimile of the list itself. Clean copy.

Hardcover. Library of American Comics, 1st, 2014, Book: Very Good, Dust Jacket: None, Oblong hardcover, 336 pages. In Alley Oop, Hamlin created a unique concept, marrying his fascination with dinosaurs and prehistoric times to a rollicking style of storytelling and drawing that was simultaneously serious, fantastic, and loaded with slapstick. The series was set in the kingdom of Moo and starred Alley Oop, the club-wielding caveman, his girlfriend Ooola, friends Dinny the dinosaur and Foozy (who speaks in rhyme), plus Oop's rival, King Guz, and Guz's Queen Umpateedle. Yet Hamlin knew that the strip's horizons in Moo were limited. So it was, in early 1939, that Alley Oop and Ooola see a mysterious box and, to the utter amazement of Guz and his minions, promptly fade from view, followed by the caption: "Dear Reader: you must now say goodbye to Moo...if you are to follow Alley Oop in this strangest of many strange adventures. --V. T. Hamlin". Oop and Ooola had entered a time machine and were now living in the modern-day 20th Century! Their host was the inventor of the time machine, Dr. Elbert Wonmug! No change of such magnitude had ever occurred in a continuing newspaper strip, and readers responded enthusiastically. With every time period in history available as a backdrop, Alley Oop became even more popular. This volume features Oop's final Moo adventure, followed by his trips to the 20th Century and ancient Greece, where he and Ooola share adventures with brave Ulysses, the lovely Helen of Troy, and the mighty Hercules. V.T. Hamlin would send his characters everywhere and everywhen--but the classic Alley Oop begins with the stories contained in this volume. The book is introduced by Michael T. Price, who first met V. T. Hamlin in the 1960s and remained friendly with him for the rest of the cartoonist's life. Price also composed the musical score for Hip Pocket Theatre's production, Alley Oop.

Softcover. Lima, Librerias A. B. C., Reprint, 2002, Book: Very Good, Dust Jacket: None, 252 pages. Softcover with light marginal wear to wraps. Bright photograph, Young Hiram Bingham in Front of Tent, to front wrap in bw. Full page, full color photographs throughout. Very clean, unmarked copy.

Hardcover. Princeton NJ, Princeton University Press, 1st, 1980, Book: Very Good, Dust Jacket: None, Hardcover, ochre cloth stamped on the spine in green and gilt, 209 pages. This masterful portrait of an Islamic society undergoing a great social upheaval has become one of the most significant contributions to our understanding of pre-modern Islamic history. Loyalty and Leadership in an Early Islamic Society concentrates on the Buyid dynasty that ruled in Iran and Iraq during the 10th and II centuries, a period when the Abbasids were in decline and power had fallen into the hands of military groups who could not legitimise it in the same way as the Caliphs. From this confusion emerged a new Muslim society whose essential interests differed from those of the transient and limited dynasty that had preceded it. Page 5 in introduction with a brief ink notation in margin, otherwise clean.

Hardcover. UK, Oxford University Press, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 326 pages. Lucretius' didactic masterpiece De Rerum Natura (On the Nature of Things) is one of the most brilliant and powerful poems in the Latin language, a passionate attempt at dispelling humanity's fear of death and its enslavement by false beliefs about the gods, and a detailed exposition of Epicurean atomist physics. For centuries, it has raised the question of whether it is primarily a poem or primarily a philosophical treatise, which also presents scientific doctrine. The current volume seeks to unite the three disciplinary aspects -- poetry, philosophy, and science -- in order to offer a holistic response to an important monument in cultural history. With ten original essays and an analytical introduction, the volume aims not only to combine different approaches within single covers, but to offer responses to the poem by experts from all three scholarly backgrounds. Philosophers and scholars of ancient science look closely at the artistic placement of individual words, while literary critics explore ethical matters and the contribution of Lucretius' poetry to the argument of the poem. Topics covered include death and grief, evolution and the cosmos, ethics and politics, perception, and epistemology.Name and date on front fly leaf, light pencil marking to about 25 pages.

Hardcover. Boston, Massachusetts, Harry N. Abrams, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 470 pages. Brown cloth cover, color illustrated dust jacket, 113 color and 206 illustrations. Still in original shrink wrap; book in excellent condition. American artists have been inspired by Italy since the 1760s, when Benjamin West, the first American painter to travel there, was drawn to the ancient Roman ruins and magnificent Renaissance architecture, statuary, and frescoes. This intriguing, superbly illustrated book is the first to explore the fascination Italy held for the American artist from West's time to the eve of World War I.The unique sense of the past found in Italy, where tangible evidence exists of a continual civilization from antiquity to the present, lured countless American artists to its cities, towns, and countryside. Painters from West and Copley in the eighteenth century to Cole, Inness, Whistler, Sargent, and Prendergast in the nineteenth century were inspired to create many of their finest works in Italy, as were American sculptors such as Hiram Powers and Harriet Hosmer and writers from Washington Irving to Henry James.This in-depth study includes 319 illustrations, of which 113 are reproduced in full color, many of works that have not previously been published. Theodore E. Stebbins, Jr., John Moors Cabot Curator of American Paintings at the Museum of Fine Arts, Boston, and Professor of Art History at Boston University, provides a broad overview of the American perception of Italy and the unique role that Italy played in the formation of American art.

Hardcover. Boston, Massachusetts, Harry N. Abrams, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 470 pages. Brown cloth cover, color illustrated dust jacket, 113 color and 206 illustrations. Still in original shrink wrap; book in excellent condition. American artists have been inspired by Italy since the 1760s, when Benjamin West, the first American painter to travel there, was drawn to the ancient Roman ruins and magnificent Renaissance architecture, statuary, and frescoes. This intriguing, superbly illustrated book is the first to explore the fascination Italy held for the American artist from West's time to the eve of World War I.The unique sense of the past found in Italy, where tangible evidence exists of a continual civilization from antiquity to the present, lured countless American artists to its cities, towns, and countryside. Painters from West and Copley in the eighteenth century to Cole, Inness, Whistler, Sargent, and Prendergast in the nineteenth century were inspired to create many of their finest works in Italy, as were American sculptors such as Hiram Powers and Harriet Hosmer and writers from Washington Irving to Henry James.This in-depth study includes 319 illustrations, of which 113 are reproduced in full color, many of works that have not previously been published. Theodore E. Stebbins, Jr., John Moors Cabot Curator of American Paintings at the Museum of Fine Arts, Boston, and Professor of Art History at Boston University, provides a broad overview of the American perception of Italy and the unique role that Italy played in the formation of American art.

Hardcover. NY, Da Capo Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 684 pages. Marcus Aurelius is one of the great figures of antiquity who still speaks to us today, more than two thousand years after his death. His Meditations has been compared by John Stuart Mill to the Sermon on the Mount. A guide to how we should live, it remains one of the most widely read books from the classical world. But Marcus Aurelius was much more than a philosopher. As emperor he stabilized the empire, issued numerous reform edicts, and defended the borders with success. His life itself represented the fulfillment of Plato's famous dictum that mankind will prosper only when philosophers are rulers and rulers philosophers. Frank McLynn's Marcus Aurelius, based on all available original sources, is the definitive and most vivid biography to date of this monumental historical figure. Clean copy.

Hardcover. New York, Simon & Schuster Books for Young Readers, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Unpaginated. Hardcover with dust jacket. SIGNED BY AUTHOR ON HALF TITLE PAGE. Clean, tight copy with minor wear to cover boards. Illustrations by author.

Softcover. Tuscaloosa, University of Alabama Press, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover. This collection of Ford's works focuses on the development of ceramic chronology-a key tool in Americanist archaeology. When James Ford began archaeological fieldwork in 1927, scholars divided time simply into prehistory and history. Though certainly influenced by his colleagues, Ford devoted his life to establishing a chronology for prehistory based on ceramic types, and today he deserves credit for bringing chronological order to the vast archaeological record of the Mississippi Valley. This book collects Ford's seminal writings showing the importance of pottery styles in dating sites, population movements, and cultures. These works defined the development of ceramic chronology that culminated in the major volume Archaeological Survey in the Lower Mississippi Alluvial Valley, 1940-1947, which Ford wrote with Philip Phillips and James B. Griffin. In addition to Ford's early writings, the collection includes articles written with Griffin and Gordon Willey, as well as other key papers by Henry Collins and Fred Kniffen. Clean copy in publisher's shrinkwrap.

Hardcover. Limpsfield UK, Paper Tiger, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket, 70 pages. 30 fables collected by the mysterious Marie de France, lavishly illustrated by Jason Carter and with new translations from original manuscripts. Carter's ancient-look, colorful artwork adds to the appeal. (The publisher has added `pre-foxed' pages.) Three of the tales are : The Bitch and Her Litter, The King of the Frogs, and The Crow Who Found Peacock Feathers. Each has an attached moral. Previous owner's inscription on front fly leaf, otherwise clean.

Hardcover. Norman OK, University of Oklahoma Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 348 pages, b&w illustrations. This handsomely illustrated book offers a panoramic view of ancient Mexico, beginning more than thirty thousand years ago and ending with European occupation in the sixteenth century. Drawing on archaeological and ethnohistorical sources, the book is one of the first to offer a unified vision of Mexico's precolonial past. Typical histories of Mexico focus on the prosperity and accomplishments of Mesoamerica, located in the southern half of Mexico, due to the wealth of records about the glorious past of this region. Mesoamerica was only one of three cultural superareas of ancient Mexico, however, all interlinked by complex economic and social relationships. Tracing the large social transformations that took place from the earliest hunter-gatherer times to the Postclassic states, the authors describe the ties between the three superareas of ancient Mexico, which stretched from present-day Costa Rica to what is now the southwestern United States. According to the authors, these superareas-Mesoamerica, Aridamerica, and Oasisamerica - cannot be viewed as independent entities. Instead, they must be considered as a whole to understand the complex reality of Mexico's past.

Softcover. Cincinnati OH, Contemporary Art Center, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 102 pages, b&w and color illustrations. Very light edge wear, else a clean, tight copy. Publication documenting renowned post-modern architect Michael Graves and the summer pavilion for the Cincinnati Symphony Orchestra. Written by architecture historian and critic Jayne Merkel, the book begins with a history of other outdoor music structures and the decision to build on the river site. Merkel discusses Graves' development as a leader of the post-modern movement and draws upon his sources in ancient amphitheaters, as well as his other structures in Portland, Louisville, and San Juan Capistrano. The book also includes an in-depth interview with Graves and a chapter on the "state of the art" acoustics and the collaboration between architect Graves and artist Ted Schmidt which resulted in the unique cut-out sculptures adorning the roof line of Riverbend.

Hardcover. Milan, Silvana Editoriale, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Iraqi-American artist Michael Rakowitz's (b. 1973, USA) first major European survey presents a sequence of installations drawing on architecture, cultural artifacts and cuisine to tell stories of social ritual, conflict and loss. It encompasses work considering the citizen visionaries of post Soviet Hungary, Middle Eastern Beatles fans and the stonecarvers of Afghanistan, with Rakowitz's casts of players and objects revealing the legacy of colonization, modernism and globalism. The artist's life-size replica of the gigantic lamassu, one of two monumental winged bulls that once guarded the gates of Nineveh in Iraq, currently features on Trafalgar Square's Fourth Plinth. This recreation of an ancient mythological creature is made from everyday date syrup cans and is part of an epic endeavour to recreate all 7,000 objects looted from the Iraq Museum in 2003, as well as those destroyed more recently at archaeological sites like Nimrud, also presented here. Text in English and Italian. Short closed tear to dj corner. otherwise like new. DOMESTIC SHIPPING ONLY.