Hardcover. New York, Katherine Tegen Books, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, SIGNED BY AUTHOR. Illustrated by Hilary Knight. Very little wear to cover and dust jacket. Beautiful color illustrations throughout. A bright, clean copy. When Hilary Knight discovered mice in his studio, he set about designing them a special outdoor home. The mice had unique talents of their own. Maude, an expert needle-mouse, complemented Max's way with a hammer. Both shared a keen eye for found objects. Mr. Knight's watercolor journal of this charming couple's enterprise, accompanied by Maude's daily notations, has become a joyous celebration of the Twelve Days of Christmas.
Hardcover. Kansas City MO, Tell-Well Press, 1st, 1951, Book: Very Good, Dust Jacket: Very Good, Hardcover, 28 pages, illustrated in color. Color illustrated boards with a bright dust jacket with minor edgewear, price clipped.
Hardcover. NY, Harper and Brothers, 1st US, 1937, Book: Good, Dust Jacket: None, Hardcover, pictorial boards with gray cloth spine. Rojan (Rojankovsky) illustrations in color and black and white. A baby rabbit's experience. Delicate landscapes of woodland and meadow, some labeled diagrams, black and white lithos in text. Corners bumped, worn.
Hardcover. White River Jct VT, Chelsea Green Publishing, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY MITCHELL on title page and INSCRIBED on the front fly leaf. Novelist and shepherd Mitchell presents this account of what happened after a biologist from the Vermont Fish & Wildlife Department asked for permission to track bats on his farm. The author having been an iconoclast since his youth, the book is as much a story about a back-to-the-land Vermont farmer coming to collaborate with government as the story of the bats for whose benefit the forested land was managed. This idealist muses on the process of balancing concerns of money, ecology, independence and co-dependence, wrapping up the book with insights learned in convoluted manner about nature, society, and himself.
Hardcover. Owings Mills, Maryland, Stemmer House Publishers, 1st, 1977, Book: Very Good, Dust Jacket: Good, 87 pages. Color frontispiece and color illustrations throughout. Minor edgewear to cover. Chipping, rubbing to dust jacket. Else a tight copy.
Hardcover. London, Hodder & Stoughton, 1st thus, nd, Book: Very Good, Dust Jacket: None, Hardcover, pictorial green cloth covered boards. Black and white illustrations throughout, 128 pages. Other stories include Coaly-Bay: The Outlaw Horse and Way-Atcha: The Coon Raccoon of Kilder Creek. Clean copy.
Hardcover. New York, Doubleday Page & Co., 1st, 1913, Book: Very Good, Dust Jacket: None, 129 pages. Hardcover with no dust jacket. Gilt decoration and laid in art on front cover. Black & white illustrations by Charles Livingston Bull.
NY, Orchard Books, 1st US, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color illustrations by Peter Malone. A boy from the nearby village befriends a girl who has been raised by the animals of the forest and later helps rescue her from a hunter
Hardcover. London, Dewi Lewis Publishing, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, 160 pages, 125 color plates. Like new in publishers shrink-wrap. The remarkable photographs in Forever Engand were taken at Bekonscot Model Village in Beaconsfield. Initially built by a London accountant to entertain his house guests, it opened to the public in 1929 and is the oldest model village in the world. Bekonscot's miniature population of 3,000 people and 300 animals becomes real, their lives frozen in time, as we are carried back to an England we all know and long for.
Hardcover. Stockholm, R&S Books, 2nd pr., 2006, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Color illustrations by Olaf Lanstrom. Clean, tight copy.
Hardcover. Boston, Houghton Mifflin, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. On No-Man Farm, Orvie rules. What makes that lazy pig the farmer? Orvie can walk on two legs. And that makes him better than all the other animals. All except Duck. "I have two legs, Orvie. Can I be the farmer now?" she asks. "You're too little, Duck," says Orvie. "You can't do BIG work." "I can do BIG work!" Duck says. More like BIG MISCHIEF! Award-winning author and illustrator D. B. Johnson adds a lively new chapter to George Orwell's classic Animal Farm. This time, a duck brings a joyful transformation to the farm--and to Orvie! In this picture book, as well as the ones he has written about Henry David Thoreau, D. B. Johnson continues, with simplicity and humor, to draw children to the complex ideas in great works of literature.
New York , Alfred A. Knopf, 1st, 1990, Book: Very Good, Dust Jacket: None, Hardcover. Color illustrations by Robert Andrew Parker. Corners and spine slightly bumped, otherwise very good. Unhappy with their father's plan to remarry, a brother and sister have their wishes fulfilled by a stableboy who knows magic and are turned into a fox and a kingfisher.
Hardcover. Chicago, Rand McNally & Co , reprint, Book: Very Good, Dust Jacket: None, Hardcover, glossy pictorial boards, The squirrel family leaves their home in the woods, which is threatened by woodsmen, and seek refuge in a nearby garden. 64 pages with eight color plates and additional b&w drawings by Frances Beem. Several of the drawings have been colored by a child.
Softcover. Hallie Ford Museum of Art, Willamette University, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 152 pages. Frank Boyden is a highly regarded Oregon ceramic artist and printmaker who has created a stunning body of work based on the flora and fauna of Oregon. Boyden has explored a wide variety of themes in his prints, including animals, the landscape, and most recently, the human figure. An essay by Prudence Roberts places Boyden's work within the context of regional and American art. Ian Boyden discusses his father as a printmaker and book collaborator. Clean copy.
Hardcover. New York , Knopf, 1st, 1955, Book: Good, Dust Jacket: None, 241 pages, pink cloth covers with blue and black design. End paper drawing and b&w illustrations by Kurt Wiese. Light wear, ex-library with residue on end papers, small ink price on front fly leaf, no dust jacket.
Hardcover. New York , Knopf, 1st, 1958, Book: Very Good, Dust Jacket: None, 239 pages, yellow cloth covers with red and green design. End paper drawing and b&w illustrations by Kurt Wiese. Light wear but clean, no dust jacket.
Hardcover. NY, Knopf, 2nd pr., 1997, Book: Very Good, Dust Jacket: None, Hardcover, glossy pictorial boards, color illustrations by Lionni. In honor of the 30th anniversary of the publication of Frederick, Knopf is pleased to issue an expanded collector's edition of Leo Lionni's timeless tales that celebrate the power of imagination and the human spirit. With the addition of three new titles--Matthew's Dream, An Extraordinary Egg, and Six Crows--this magnificent treasury now contains 16 unabridged stories, including three Caldecott Honor books and Lionni's inimitable full-color artwork gracing every page. Add a striking new cover and a fascinating introduction by the author, and this is a volume no Lionni fan will want to be without. Clean copy.
New York, Harcourt Brace Jovanovich, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover284 pages. In a nice dust jacket that shows slight spotting to back and little to no edgewear. Spine modestly cocked. American first edition (per publisher's requisite "First edition" statement and "BCD . . ." The adventures of Monkey from his departure from the jungle to his arrival in England where he makes many friends." A later book in the writing career of British author P.L. Travers most renowned for her authorship of the Mary Poppins series.
Hardcover. NY, Dutton, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color illustrations by Barbara Garrison and SIGNED BY GARRISON on the title page. Like new. When an apple-shaped birdhouse is placed in the tree, a curious frog thinks that it may be a home meant just for him and so moves in, but other animals have the same idea and soon the frog has a whole cast of interesting visitors dropping on by his unique abode.
Softcover. London, George Allen & Unwin, 2nd, Book: Very Good, Dust Jacket: Good, Hardcover. Color, black & white lithographs by Feodor Rojankovsky. #4 of Pere Castor's Wild Animal Books. Transl. by Rose Fyleman. Cardboard covers with dust jacket. Dust jacket with closed tear to rear panel.
Hardcover. Springfield Mass , McLoughlin Brothers , reprint, 1936, Book: Good, Dust Jacket: None, 24 pages. Hardcover. 12 full page color illustrations and smaller black & white illustrations throughout. Illustrated chapter headings. Center double page illustration with old clear tape over binding staples. Edge wear to top and sides. Some pages with short closed tears. Otherwise clean, tight copy.
Hardcover. New York, Julian Messner, 1st, 1943, Book: Good, Dust Jacket: None, Illustrated green boards, 16 pages, Illustrated by Sally Tate. Printed in brown and red on green paper. Green paper over boards printed in brown and red and with fuzz on the bear, both upper and lower boards. Decorated endpapers, also with fuzz on the bears. The illustrations feature the bear on every other page, each depiction of him with brown fuzz. Light soiling to covers and the paper is starting to peel at top of spine, top corner worn.
Hardcover. Taschen, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 520 pages. Over 30 trips-traveled by foot, light aircraft, seagoing vessels, canoes, and even balloons, through extreme heat and cold and in sometimes dangerous conditions-Salgado created a collection of images showing us nature, animals, and indigenous peoples in breathtaking beauty. Mastering the monochrome with an extreme deftness to rival the virtuoso Ansel Adams, Salgado brings black-and-white photography to a new dimension; the tonal variations in his works, the contrasts of light and dark, recall the works of Old Masters such as Rembrandt and Georges de La Tour. What does one discover in GENESIS? The animal species and volcanoes of the Galapagos; penguins, sea lions, cormorants, and whales of the Antarctic and South Atlantic; Brazilian alligators and jaguars; African lions, leopards, and elephants; the isolated Zo'e tribe deep in the Amazon jungle; the Stone Age Korowai people of West Papua; nomadic Dinka cattle farmers in Sudan; Nenet nomads and their reindeer herds in the Arctic Circle; Mentawai jungle communities on islands west of Sumatra; the icebergs of the Antarctic; the volcanoes of Central Africa and the Kamchatka Peninsula; Saharan deserts; the Negro and Jurua rivers in the Amazon; the ravines of the Grand Canyon; the glaciers of Alaska... and beyond. Having dedicated so much time, energy, and passion to the making of this work, Salgado calls GENESIS "my love letter to the planet."Due to size and weight, DOMESTIC SHIPPING ONLY.