animation film

Hardcover. NY, Harmony Books, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover, 255 pages. SIGNED BY CO-AUTHOR DAVID BAIN ON TITLE PAGE. Color and black & white illustrations by Walt Disney studio. Color and black & white photography. Dust jacket is protected by a mylar cover.

NY, St. Martins, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, black & white illustrations. 442 pages. The story of the popular Rocky and Bullwinkle show. The legendary Jay Ward and Bill Scott produced the gleeful wonder and cumulative joy that transcended the crude drawings and occasionally muddy sound. Jay Ward was the magnificent visionary, the outrageous showman, while Bill Scott was the genial, brilliant head writer, coproducer, and all-purpose creative whirlwind. With exclusive interviews, original scripts, artwork, story notes, letters and memos, Keith Scott has written the definitive history of Jay Ward Productions.

Hardcover. Seattle, Fantagraphics, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. This is an essential purchase for fans of Felix the Cat. As all true fans know, Felix's real glory days were in the silent era, when Pat Sullivan's animation studio produced over a 100 ingenious short cartoons featurng the protean ebony feline. Though Sullivan hogged all the credit, the artist behind the series was Otto Messmer, who also worked on Felix's spin-off newspaper comic strip. He continued with that strip after the cartoons ended in 1930 (due to Sullivan's incompetent management).Editor David Gerstein has compiled a sampling of strips from the early 1920s to the 1930s. It's fascinating to see how Felix changed over a decade, moving from a blocky, snout-nosed design to a sleek look with rubber hose limbs and circular head and torso. Comic-strip Felix is of naturally talkier than his film self, and Messmer's sight gags flow less smoothly when broken up by panels and dialogue, but these strips remain a delight, especially since a couple stories are adaptations of now-lost cartoons (and even re-use art from them). As for the original stories, they take advantage of the format to tell longer tales, often in the sort of gently humorous adventure genre later used by Floyd Gottfredson's Mickey Mouse and Carl Bark's Donald Duck comics. Sadly, Felix's comic strip adventures remain far more obscure than those Disney productions.

Softcover. NY, Plume/New American Library, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover, 470 pages, illustrated in b&w and color. Film historian and critic, Leonard Maltin's extensively researched book about the world of animated cartoons. Illustrated with drawings, photographs, and color posters. With studio filmographies, Academy Award nominees and winners, glossary of animation terms, source listings, and index. Clean copy.

Softcover. NY, Harry N. Abrams, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 160 pages. An entertaining collection celebrating the work of cutting-edge animation filmmakers features frame grabs, production stills, original artwork, behind-the-scenes photographs, and interviews from twenty-five years of teh Spike & Mike Festival of Animation, with works by Nick Park and Peter Lord of Aardman, John Lasseter, Craig McCracken, Mike Judge, and others.

Softcover. NY, Harry N. Abrams, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 160 pages. An entertaining collection celebrating the work of cutting-edge animation filmmakers features frame grabs, production stills, original artwork, behind-the-scenes photographs, and interviews from twenty-five years of teh Spike & Mike Festival of Animation, with works by Nick Park and Peter Lord of Aardman, John Lasseter, Craig McCracken, Mike Judge, and others.

Hardcover. NY, Hyperion, 2nd Ed., 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages. Canemaker's second volume on Disney animation (his first was Before the Animation Begins, pub. 11/15/96) covers new territory. Focusing on the birth and progression of the storyboard method, the noted animator/historian explores both the history and the personalities of the Disney storyboard department. He takes readers from the early Disney days (when Walt created the storyboard to add depth and substance to the animated shorts the early studio produced) to today (when ever-changing teams of story specialists gather material and prepare sequence drawings before artists flesh out those Disney masterpieces). Along the way, Canemaker reveals the human effort required to bring an animated film to life and throws in juicy tidbits garnered from his interviews with animation pioneers. Lavish illustrations accompany the text. Recommended for larger public libraries and essential for collections in film and animation history.

Hardcover. NY, Hyperion, 2nd Ed., 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages. Canemaker's second volume on Disney animation (his first was Before the Animation Begins, pub. 11/15/96) covers new territory. Focusing on the birth and progression of the storyboard method, the noted animator/historian explores both the history and the personalities of the Disney storyboard department. He takes readers from the early Disney days (when Walt created the storyboard to add depth and substance to the animated shorts the early studio produced) to today (when ever-changing teams of story specialists gather material and prepare sequence drawings before artists flesh out those Disney masterpieces). Along the way, Canemaker reveals the human effort required to bring an animated film to life and throws in juicy tidbits garnered from his interviews with animation pioneers. Lavish illustrations accompany the text. Recommended for larger public libraries and essential for collections in film and animation history.

Hardcover. NY, Disney Editions, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Featuring the art and artists used to plan and map out Disney's many classic animated films, a collection of "storyboard" images offers a fascinating retrospective of the company's history of animation, from Snow White to The Hunchback of Notre Dame.

Hardcover. NY, Dorling Kindersley Publishers Ltd, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover. Celebrates every move the Pink Panther has ever made over the past forty years, from the original Pink Panther movie starring Peter Sellers and the long-running animated series to the movie starring Steve Martin, Beyonce Knowles, and Kevin Kline.

Hardcover. US, Walt Disney Family Foundation Press, 1sr, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, 351 pages. Clean, unmarked copy with only minor wear to dust jacket. Black and white & color photographs. In 1940, Walt Disney released his second feature film: Pinocchio, based on Carlo Collodi's 1883 Italian children's novel. The film was groundbreaking: it pioneered the latest animation and sound technology of the era, and established a blueprint for Disney filmmaking that remains intact today. It became the first animated feature to win a competitive Academy Award® (in fact, it won two), and earned a place on the roster of the National Film Registry.

Hardcover. US, Walt Disney Family Foundation Press, 1sr, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, 351 pages. Clean, unmarked copy with only minor wear to dust jacket. Black and white & color photographs. In 1940, Walt Disney released his second feature film: Pinocchio, based on Carlo Collodi's 1883 Italian children's novel. The film was groundbreaking: it pioneered the latest animation and sound technology of the era, and established a blueprint for Disney filmmaking that remains intact today. It became the first animated feature to win a competitive Academy Award® (in fact, it won two), and earned a place on the roster of the National Film Registry.

Hardcover. US, Walt Disney Family Foundation Press, 1sr, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, 351 pages. Clean, unmarked copy with only minor wear to dust jacket. Black and white & color photographs. In 1940, Walt Disney released his second feature film: Pinocchio, based on Carlo Collodi's 1883 Italian children's novel. The film was groundbreaking: it pioneered the latest animation and sound technology of the era, and established a blueprint for Disney filmmaking that remains intact today. It became the first animated feature to win a competitive Academy Award® (in fact, it won two), and earned a place on the roster of the National Film Registry.

Softcover. Edinburgh, National Galleries Of Scotland, 1st, 2020, Book: Very Good, Dust Jacket: None, Softcover. Special-effects superstar Ray Harryhausen elevated stop-motion animation to an art during the 1950s to 1980s. With material drawn from his incredible archive, his daughter, Vanessa, selects 100 creatures and objects, in chronological order, that meant the most to her as she watched her father make world-famous films that changed the course of cinema. Ray Harryhausen's work included the Sinbad films of the 50s and 70s, One Million Years B.C. and Mighty Joe Young, as well as a wider portfolio including children's fairy tales and commercials. He inspired a generation of film-makers such as Peter Jackson, Aardman Animation, Tim Burton, George Lucas and Steven Spielberg, and his influence on blockbuster cinema can be felt to this day. Some of the objects featured in the book, such as Talos from Jason and the Argonauts, are world famous, while others are less well known but hold special personal significance to Vanessa. Many newly restored works that have never previously been seen are included.

Hardcover. NY, Scribner, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 256 pages. Color and b&w illustrations. Clean copy.

Hardcover. New York, Harry N. Abrams, Reprint, 1987, Book: Very Good, Dust Jacket: Very Good, 79 pages. Hardcover facsimile copy of the original 1937 edition in full color. Black boards with white titles to spine. Full page, full color & bw illustrations throughout. Dust jacket with light marginal wear to edges. Tight bindng, sharp corners, illustrated endpapers, clean & unmarked pages throughout.

Hardcover. New York, The Museum of Modern Art, New York, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 375 pages, illustrated throughout in color and b&w. Clean, unmarked copy in excellent condition. 507 illustrations (108 in color, 399 in duotone). Founded in 1935, The Museum of Modern Art's Department of Film and Media is home to one of the most important moving-image archives in the world. Still Moving: The Film and Media Collections of The Museum of Modern Art marks the first time that MoMA has published a volume dedicated exclusively to these holdings. Drawn primarily from the Museum's vast library of film stills, the nearly 500 images in this book represent just a fraction of the department's renowned archive, including one of the world's most important collections of international silent cinema; classic early sound films from the United States, Great Britain, France, Germany, Italy, Russia, and Japan; extensive holdings of documentary and animation shorts and feature films; significant examples of Hollywood filmmaking from studios such as Warner Brothers, RKO, MGM, Twentieth Century-Fox, and Paramount; and more recent works by leading independent and avant-garde film and media artists.

Hardcover. New York, The Museum of Modern Art, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 375 pages, illustrated throughout in color and b&w. Clean, unmarked copy in excellent condition. 507 illustrations (108 in color, 399 in duotone). Founded in 1935, The Museum of Modern Art's Department of Film and Media is home to one of the most important moving-image archives in the world. Still Moving: The Film and Media Collections of The Museum of Modern Art marks the first time that MoMA has published a volume dedicated exclusively to these holdings. Drawn primarily from the Museum's vast library of film stills, the nearly 500 images in this book represent just a fraction of the department's renowned archive, including one of the world's most important collections of international silent cinema; classic early sound films from the United States, Great Britain, France, Germany, Italy, Russia, and Japan; extensive holdings of documentary and animation shorts and feature films; significant examples of Hollywood filmmaking from studios such as Warner Brothers, RKO, MGM, Twentieth Century-Fox, and Paramount; and more recent works by leading independent and avant-garde film and media artists.

Hardcover. New York, Henry Holt and Company, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 252 pages. B&W and color animation throughout. Pictorial dust jacket, slight wear to covers, edges, and spine. Dust jacket price-clipped. Blue boards with gilt title to spine. Overall, a clean, tight copy.

Hardcover. Atlanta, Turner Publishing, 1st, 1994, Book: Very Good, Dust Jacket: None, Hardcover in a bright dust jacket, 192 pages. Illustrated in color and b&w. Showcases some of the greatest cartoons of all time, including characters from Disney, Warner Brothers, Fleischer Studio, Walter Lantz, MGM, and others. A bright, clean copy that has a light smoker's odor.

Hardcover. Philadelphia, David McKay Co., 1st, 1932, Book: Good, Dust Jacket: None, Color pictorial Illustrated boards are lightly rubbed, worn at edges and corners. Front hinge is cracked, light finger smudges to a few pages, yellow paper on cardboard spine chipped. Illustrated in color throughout. A follow-up to The Adventures of Mickey Mouse Book 1, featuring a supporting cast and personalities that align more closely to the Mickey Mouse short films and comic strip of the time. Characters include Captain Church Mouse, Tanglefoot, Peg-Leg Pete, and Pluto along with Mickey and Minnie Mouse.

Hardcover. NY, Abrams, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover, slipcase edition. Celebrate 30 years of DreamWorks Animation's visually rich worlds with this luxurious edition of the studio's artistic achievements in both film and television Brimming with rare concept art, preproduction designs, and character sketches, this comprehensive collection offers behind-the-scenes access to the DreamWorks archives. Featuring a foreword from Cameron Diaz, along with insider anecdotes and perspectives from actors, directors, producers, and artists, 571 pages in color. Over the past 30 years, the premier studio has produced some of the most groundbreaking and illustrious animated movies of all time, such as Shrek, Trolls, Kung Fu Panda, How to Train Your Dragon, The Bad Guys, Madagascar, and the newest addition, The Wild Robot, as well as acclaimed TV shows, such as Gabby's Dollhouse, Jurassic World: Camp Cretaceous, Trollhunters, and Spirit Riding Freeamong many others. Like new, in publisher's shrinkwrap. Due to size and weight, DOMESTIC SHIPPING ONLY.

Hardcover. Hermes Press, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 190 pages. When cartoonist Elzie Segar created Popeye, as a minor character ten years into the run of the Thimble Theatre strip in 1929, little did he know that the world's most famous sailor would still be around over ninety years later and still being offered as a Sunday feature.To celebrate Popeye, the character, the comic strip and his universe, a feature cartoonist Charles M. Schulz described as "perfect... consistent in drawing and humor," Hermes Press is publishing the definitive art monograph on the subject.This book features a comprehensive essay written by pop culture historian R.C. Harvey accompanied by over 350 illustrations of original strip and comic book art, animation art, illustrations, advertising art, products, the Robert Altman film, and everything Popeye. Every aspect of Popeye is explored, from Olive Oyl and Eugene the Jeep to Wimpy and Bluto. Clean, bright copy.

Hardcover. Chronicle Books, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 160 pages. Explores the artistic vision upon which the film of an ambitious rat was built with a concept art, including storyboards, full-colour pastels, pencil sketches, maquettes, and others. This book includes extensive quotes from the artists and production team and a foreword by director Brad Bird. 300 plates in color.