anthropology

Softcover. Norman OK, University of Oklahoma Press, 1992, Book: Very Good, Dust Jacket: None, Softcover, 239 pages. In Work, Identity, and Legal Status at Rome, Sandra R. Joshel examines Roman commemorative inscriptions from the first and second centuries A.D. to determine ways in which slaves, freed slaves, and unprivileged freeborn citizens used work to frame their identities. The inscriptions indicate the significance of work-as a source of community, a way to reframe the conditions of legal status, an assertion of activity against upper-class passivity, and a standard of assessment based on economic achievement rather than birth. Drawing on sociology, anthropology, ethnography, and women's history, this thoroughly documented volume illuminates the dynamics of work and slavery at Rome. Owner's name on title page, otherwise clean, unread.

Hardcover. Honolulu, University of Hawaii Press, 1st, 1995, Book: Good, Dust Jacket: None, Hardcover, red cloth stamp in gilt, 197 pages, b&w maps. (Pacific Islands Monograph Series No. 12) An imaginative and thought-provoking study of clowning in Rotuma, especially of ritual clowning in contexts of marriage ceremonies and the weaving of fine mats. Pencil marking throughout text.

Hardcover. University of Chicago, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a nice dust jacket. 368 pages, index, bibliography, diagrams. Pigs, yams, women and valuables are items of exchange throughout Papua New Guinea. Ceremonial exchange does not arise from economic necessity, rather a social phenomenon reflecting interplay between kinship and marriage structures, the nature of political leadership and the religious and symbolic systems found in these cultures. This work copares 13 New Guinea societies focusing on these distinctive ceremonial exchanges. Clean copy.

Hardcover. Milan, Skira, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. An outstanding photographic monograph from the Twenties and Thirties brings back the memory of ways of living, ceremonies, adorned bodies of an Africa that be aptly defined as "lost". These extraordinary, unpublished pictures, taken with great technical skill and with a sense of great dignity of the people portrayed, constitute a monument to the African continent as it was. Kazimir Ostoja Zagourski (1880-1941) was born in Poland and moved to Congo in 1924. Zagourski was the first professional photographer to travel throughout the interior of Congo and visited also the neighboring countries, Tchad, Rwanda, Burundi, Uganda, Kenya, and South Africa. During his long stay in Africa he took hundred of pictures, 500 of which, divided in two extraordinary series on different tribes, build up to a unique historic and ethnographic survey. In a sense, Zagourski's work constitutes the first "non-European" look, devoid of the colonial overtones that characterize much contemporary work. His forays into the depths of the African continent took him into the most remote villages of Kuba, Mangbetu, Bwaka, Tutsi, Masai, etc. where he took unprecedented pictures of great ethnographic interest. he documented for example, ceremonies (initiation, circumcision, excision, masked dances, etc.), the great African creativity in body ornament (from scarification to hair dresses, from jewels to lip plugs), clothes and all utilitarian objects placed in their appropriate cultural context (musical instruments, shields, stools, knives, containers, etc.).

Softcover. London, Longman, 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover, 138 pages, b&w illustrations. INSCRIBED BY AUTHOR on title page. Clean copy.

Hardcover. University of Texas Press, 1st, 1974, Book: Very Good, Dust Jacket: Good, Hardcover, with a foreword by Howard S. Becker, red cloth; gilt titles; 166 pages.; b/w illustrations; some edgewear and spine sunning to price-clipped dust jacket, INSCRIBED BY SELBY on front fly leaf. clean copy.