NY/Sydney AU, Academic Press , 1st, 1982, Book: Very Good, Dust Jacket: None, Hardcover, dark blue cloth with silver and gilt stamping, 286 pages. Numerous tables, maps, plans and illustrations (some from photographs, others by Margrit Koettig). Name on front fly leaf otherwise clean.
Softcover. Stanford CA, Stanford University Press, 1st pbk., 2008, Book: Very Good, Dust Jacket: None, Softcover, 298 pages. The essays assembled in Agnotology show that ignorance is often more than just an absence of knowledge; it can also be the outcome of cultural and political struggles. Ignorance has a history and a political geography, but there are also things people don't want you to know ("Doubt is our product" is the tobacco industry slogan). Individual chapters treat examples from the realms of global climate change, military secrecy, female orgasm, environmental denialism, Native American paleontology, theoretical archaeology, racial ignorance, and more. The goal of this volume is to better understand how and why various forms of knowing do not come to be, or have disappeared, or have become invisible. Clean copy.
Hardcover. Cambridge, MA, Cosmos Press, 1st, 1945, Book: Very Good, Dust Jacket: None, Hardcover. INITIALED BY AUTHOR on title page. 65 pages, b&w photographic plates. Blue boards w/ light soiling, fading. Light foxing to edges, front fly leaves and title page. Else a very clean, tight copy.
Hardcover. The Monacelli Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. Lynn Davis records the natural and architectural monuments of the world. In this collection of 100 duotone photographs she presents a series of architectural images throughout the United States, ranging from icons of modern and contemporary architecture to the Hoover Dam, a series of lighthouses, the Very Large Array in New Mexico, and the Epcot Center at Disney World. Davis possesses a unique sense of composition and cool aesthetic that brings out purity and form. The exquisite duotone photography and often quirky definition of architecture are timeless.
Softcover. Libya, Antiquities, Museums and Archives of Tripoli, 1st, 1965, Book: Very Good, Dust Jacket: None, Softcover, 178 text pages, three fold-out maps and many b/w plates in second half of the book.
Softcover. London/NY, Routledge, reprint, 1996, Book: Very Good, Dust Jacket: None, Softcover, 1062 pages. This volume includes twenty-two chapters by international experts covering the entire history of technology from humankind's earliest use of stone tools to the exploration of space. Written clearly and without unnecessary jargon, each chapter traces the development of its subject from earliest times to the present day, stressing the social context and its place in scientific thought. Usefully drawn with over 150 tables, drawings and photographs. Two comprehensive indexes of names and subjects. Essential reading for teachers and students in the History and Philosophy of Science and Technology, Industrial History and Archaeology. Clean copy.
Hardcover. Chicago, IL, Art Institute of Chicago, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 397 pages. Hardcover. Color and b/w illustrations throughout. Dust jacket unclipped. Bound in black fabric with gilt title on spine and front cover. Other than a bit of foxing on top edge, clean inside. In very good condition. Published to accompany exhibit at art Institute of Chicago, October 10, 1992-January 3, 1993.
Hardcover. New York , McGraw-Hill, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover, large folio, 159 pages, index, 60 beautiful tipped-in color plates of ancient Mexican sites after photographs by Irmgard Groth. Original gilt-lettered burgundy cloth in original color pictorial dust jacket that has a small chip to top of spine. The author of this book, Ignacio Bernal (1910 - 1992), was an eminent Mexican anthropologist and archaeologist. Bernal excavated much of Monte Alban, originally starting as a student of Alfonso Caso, and later led major archeological projects at Teotihuacan. In 1965 he excavated Dainzu. He was the Director of Mexico's National Museum of Anthropology 1962-68 (at the time of this publication) and again 1970-77. In 1965, he was elected a Foreign Honorary Member of the American Academy of Arts and Sciences. Bernal was awarded the Premio Nacional in 1969. He was a founding member of the Third World Academy of Sciences in 1983. This book includes 60 hand-mounted colour plates and 1 map (all framable); each chosen by Bernal photographed by Mrs. Irmgard Groth, a gifted photographer whose special field was Mexican archaeology. In these plates we see the extraordinary sculpture of the Omecs; the Pyramid of the Moon of Teotihuacan; the Maya temples of Palenque; the Pyramid of the Niches of Tajin on the Gulf Coast; the temples at the great city of Chichen Itza; the gold ornaments of the Mixtecs at Monte Alban; the temple carved by the Aztecs out of the Cliffside at Malinalco; and many other buildings and artifacts, the surviving testimonials - sometimes exquisite, sometimes aw-inspiring - to the greatness of a long-vanished culture.
Hardcover. Toronto, L. K. Cameron, 1st, 1904, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth, white cloth spine, gilt. Spotting to covers. Six annual reports for 1903. 05, 06, 07, 11 and 12 - all bound into one volume. Illustrated with black & white and some color photographs, b&w drawings of archaeological finds. Two fold-out maps. Some pages tanned by age otherwise clean.
Softcover. New York , Aperture, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover. 88 pages, Winter 2009. Feature articles on Carrie Mae Weems, Raymond Cauchetier, Contemporary Iranian Photography, Andrew Moore and urban archaeology, Robert Adams on editing, Maira Kalman, and Nick Knight, and more. A clean, tight issue.
Softcover. New York , Aperture, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover. 88 pages, Winter 2009. Feature articles on Carrie Mae Weems, Raymond Cauchetier, Contemporary Iranian Photography, Andrew Moore and urban archaeology, Robert Adams on editing, Maira Kalman, and Nick Knight, and more. A clean, tight issue.
Hardcover. New York, Rizzoli, 1st US, 2002, Book: Very Good, Dust Jacket: Very Good, 363 pages. Large format with gorgeous color photography throughout. White pictorial dust jacket with some light soiling and wear. Wrinkled wrap-around band. A nice, clean, tight copy. Archeology of Elegance is an exceptional and dynamic collection of 200 superb photographs by sixty-two of today's most acclaimed photographers from Robert Mapplethorpe to Peter Lindbergh, Miles Aldridge, Herb Ritts, Ellen von Unwerth, Nick Knight, David Lachapelle and Jean-Baptiste Mondino, presenting fashion photography as art. During the past twenty years, there is no question that fashion photography has become a driving force for new directions in fashion, design and cosmetics and a vital source of ideas for the visual arts and design-manifesting itself in forms as diverse as punk rock, glamour or high-tech futurism. According to culture critic Ulf Poschardt, fashion photography has become the new, almost self-sufficient leitmedia of international culture, a culture that is expressed increasingly in visual terms. As seen in Archeology of Elegance, this once commercial and functional craft has become, without question, an art form in itself.
Hardcover. Washington DC, Smithsonian Institution/Bureau of American Ethnology, 1st, 1957, Book: Very Good, Dust Jacket: None, Hardcover, olive green cloth covers, gilt lettering on spine. 664 pages plus 112 b&w plates in rear. Extensive folding maps, plates. text illustrations. The mounds of Marajo & other sites. Bureau of American Ethnology Bulletin 167. Clean copy.
Hardcover. Baltimore, Johns Hopkins University, 1st, 2002, Book: Very Good, Dust Jacket: None, An extraordinary work, unparalleled in its breadth and depth of detail, this three-volume set offers the first comprehensive history of architecture and town planning throughout colonial North America, from Russian Alaska to French Quebec, to Spanish Florida and California, to British, Dutch, and other settlements on the East Coast. Across this vast terrain, James Kornwolf conjures the outlines of the constructed environment as it emerged in settlements and communities, in structures and sites, and in the flourishes and idiosyncrasies of the families and individuals who erected and inhabited colonial buildings and towns. Here as never before readers can observe the impulses and principles of colonial design and planning as they are implemented in the buildings and streets, harbors and squares, gardens and landscapes of the New World. Incorporating more than 3,000 illustrations, Kornwolf's massive work conveys the full range of the colonial encounter with the continent's geography, from the high forms of architecture through formal landscape design and town planning. From these pages emerge the fine arts of environmental design, an understanding of the political and economic events that helped to determine settlement in North America, an appreciation of the various architectural and landscape forms that the settlers created, and an awareness of the diversity of the continent's geography and its peoples. Considering the humblest buildings along with the mansions of the wealthy and powerful, public buildings, forts, and churches, Kornwolf captures the true dynamism and diversity of colonial communities-their rivalries and frictions, their outlooks and attitudes-as they extended their hold on the land. His work conveys for the first time the full scale, from intimate to grand, of their enduring transformation of the natural landscape of North America. NOTE: DOMESTIC SHIPPING ONLY.
Hardcover. Salt Lake City, University of Utah Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Oblong folio in color pictorial jacket; 208 pages most in color. The Templo Mayor precinct at Tenochtitlan in Mexico was an important center in Aztec ceremonial life, providing the setting for displays of highly-energized rituals. This book uses the latest archaeological research and cutting-edge computer-generated three-dimensional color imagery to reconstruct the spaces where these ritual dramas were played out. Through a series of isometric drawings and sections cut through buildings, the author has created a compelling reconstruction of how the temple looked, and how it evolved from a scatter of mud and thatch huts to become one of the most impressive urban complexes in the world. Clean copy.
Hardcover. US, Yale University Press, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 549 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. This book presents a survey of Chinese painting from the eighth to the 14th century, a period during which the nature of China's pictorial art changed dramatically. Illustrated by works in the collection of The Metropolitan Museum of Art, New York, the author begins by describing the advent toward the end of the Bronze Age of figural representation in Chinese art, and next traces the development of Chinese landscape painting from the third to the tenth century. He then moves on to discuss the art of the Sung dynasty, when the imperial government was increasingly absolute and repressive. In this period artists shifted from a realistic rendition of nature to more symbolic representation of single flowers, rocks and trees. By the time of the Yuan dynasty, following the Mongol conquest of 1279, objective representation in art had been replaced by imagery that drew on the artist's inner response to his world. Because it was believed that the meaning of a painted subject, made complex by personal and symbolic associations, could no longer be expressed without language, the painter began to inscribe poems and incorporate calligraphy in his works, the multiple relationships among word, image and calligraphy forming the basis of a new art. At this stage Chinese art entered its richest and most diverse stage f development.
Hardcover. Norman OK, University of Oklahoma Press, 1st , 1950, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dustjacket. Ground plans of the Indian villages of New Mexico and Arizona with aerial photos & scale drawings.
Hardcover. San Diego, Sunbelt Publications, Revised Ed., 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 246 pages, color photographs and illustrations throughout, illustrated end paper. The Great Murals of Mexico's Baja California are one of the five greatest sites in the world for primitive rock art. They rank with those of southern France, northern Spain, northwest Africa, and outback Australia. These Great Murals, created by an unknown people, are without doubt the most distinctive trove of rock art in the Western Hemisphere. The site was unveiled to the modern world in the 1960s by adventure/mystery writer Erle Stanley Gardner who brought in UCLA archaeologist Clement Meighan to validate the importance of his find. But it was not until the 1970s, when author/photographer Harry W. Crosby undertook a systematic search for the largely unknown works hidden in the mountains of central Baja that the scope and significance of the find became known. He documented his search and discovery of over 200 previously unreported rock art sites leading to the original publication of The Cave Paintings of Baja California by Copley Books in 1975 which first introduced this cave art to the general public. Since that time, Baja California's Great Murals have been designated a United Nations Heritage Site. This lavishly illustrated full-color account is greatly revised and expanded from the original edition and offers Crosby's unique perspective on the painted sites and painting styles found in different parts of the Great Mural area. Light edge wear to dust jacket. Else a very clean, tight copy.
Hardcover. Bloomington IN, Indiana University Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 199 pages, scattered maps & drawings & figures. The authors selected five reasonably well excavated settlements in southern and central Greece to stand as the exemplars for the contemporary situation and the ongoing transformations of Greek society between 1200 and 700 B.C. (?) Thus, for the late-thirteenth to twelfth centuries there is Mycenae; Nichoria for the eleventh; Athens for the tenth; Lefkandi for the ninth; Corinth for the eight; and Ascra for the early seventh. Each settlement?s particular situation provides them with an opportunity to expand on how this is similar or not to the situations of other, contemporary settlements as well as to the larger picture and trends of cultural transformation. Clean copy.
Softcover. Austin, University of Texas Press, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, yellow wrappers, 287 pages. Light fading to spine. In ancient Mediterranean cultures, diamonds were thought to endow their owners with invincibility. In contemporary United States culture, a foreign-made luxury car is believed to give its owner status and prestige. Where do these beliefs come from In this study of craft production and long-distance trade in traditional, nonindustrial societies, Mary W. Helms explores the power attributed to objects that either are produced by skilled artisans and/or come from 'afar.' She argues that fine artisanship and long-distance trade, both of which are more available to powerful elites than to ordinary people, are means of creating or acquiring tangible objects that embody intangible powers and energies from the cosmological realms of gods, ancestors, or heroes. Clean copy.
Softcover. Los Angeles, Hennessey & Ingalls, 1st US, 2000, Book: Very Good, Dust Jacket: None, Softcover, 130 pages, b&w and color photographs. A pictorial study of dead factories, rail-yards, harbors, and aircraft boneyards, originally published in Germany in 1981. Clean copy.
Hardcover. NY, Farrar, Sraus and Giroux, 1st, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 650 pages, b&w illustrations. A rare study of the Nabataeans, whose kingdom included that archaeological wonder of the world:, Petra. Name on front fly leaf, dj spine with fading.
Softcover. London, Hard Case Crime, 1st thus, 2013, Book: Very Good, Dust Jacket: None, Softcover, colorful wraps with a retro-style illustration by Glen Orbik. Beneath the sands of the Egyptian desert lies treasure beyond imagining. And when a professor of archaeology finds clues to the location of a Pharaoh's lost tomb in ancient hieroglyphs, he hatches a plan to find the burial site--and plunder it. But can a five-man team of smugglers and thieves uncover what the centuries have hidden? And even if they find it, can they escape with it...and with their lives? Like new.