Hardcover. NY, Versify/Houghton, reprint, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. a poignant and powerful ode to the resilience and strength of black life and history in America. Originally performed for ESPN's The Undefeated in 2016, the poem adopts a picture book format with a new title, accompanied by stunning oil paintings in Nelson's trademark photorealistic style. The evocative illustrations stand out against stark white backgrounds and vary in their composition. On some spreads, the focus is on a single expressive portrait; others feature collages of African American icons from various disciplines, or refer to significant historical moments. The art functions in perfect harmony with the poet's spare, striking verse to electrify the Black American experience, and to celebrate black athletes, writers, musicians, activists, and heroes. Clean copy. Caldecott Winner 2020
Hardcover. Hatje Cantz Publishers, 1st, 2006, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. Hardcover, 176 pages. Text in English and German. Hardcover, pages. Thomas Zipp, born in 1966, studied under Martin Kippenberger in Frankfurt and then continued at the Slade School of Fine Art in London. His imagery blends New Age thought patterns with provocative spiritual irony: religion, cults, myths, drugs and violence. Achtung! Vision presents his paintings, drawings, collages and installations since 2003, including a number of very new and never-before-seen works.
Hardcover. Hanover NH, Hood Museum of Art, 1st, 1989, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket. 86 pages. Exhibition catalog for a show that ran March 25 through June 25, 1989 at the Hood Museum of Art and then September 9 through October 15, 1989 at the Currier Gallery of Art. Features a preface by Timothy Rub, an introduction by Robert M. Doty and the poem "Chariot" by Stanley Kunitz. Includes color and black and white numerous illustrations, a checklist, biographical information, and a selected bibliography. Boghosian, (1926-2020), constructed his works from found objects. "Building upon the traditions of Surrealism and Dada Boghosian's assemblages and collages playfully contemplate the boundaries between dream and reality. In creating his art, Boghosian draws heavily on his extensive personal archive of found objects, gathered together in his home and studio. A one inch tear at the top of the jacket has been repaired with tape on the reverse side. Name on first blank page, otherwise clean.
Hardcover. NY, Clarion Books, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Gorgeous color collages by the artist on every page. In this exuberant new picture book, Lois Ehlert takes us on a trip to the farmers market with a group of friendly, furry, and (mostly) well-behaved pups. And when the shopping's done, the gang heads to the dog park for some serious playing.
Softcover. New York, Abbeville Press, 1st US, 1984, Book: Very Good, Dust Jacket: None, 160 pages, illustrated throughout in b&w. Previous owner's sticker on front end paper, light edgewear and soil to wrappers. Clean, tight copy. The pictures assembled here show how this artistic culture originated in the aftermath of the First World War and the unsettled early years of the Weimar Republic, uneasily balanced between revolutionary pretensions and the desire for order. The montage of images--photographs, paintings, drawings, collages, books, and film stills--evokes the period with shocking vividness.
Softcover. Berkeley CA, Last Gasp, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover The Summer, 1982 issue of the famed Weirdo comics series, created by Robert Crumb, his wife Aline and others, featuring a beautiful, color collage front cover with a border of "girlie" photos and a full color rear drawing by Aline Kominsky Crumb; contributors include Terry Boyce, Norman Dog, a fabulous, four page piece by Robert, entitled Trash:What Do We Throw Away, a funny 4-page, photo piece called Untamed Passion For Pasta, Jeff John, Fried Nuts by Robert, and a terrific Drew Friedman piece called Joe Franklin Is A Dream Walkin' and Old Bud Abbott, also by Drew; a wonderful issue, this is the true first printing, in stapled wrappers.
Hardcover. Montreal, Drawn and Quarterly, 4th printing, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 210 pages, illustrated throughout in color. Light shelf-wear to covers, else a clean, tight copy. How do objects summon memories? What do real images feel like? For decades, these types of questions have permeated the pages of Lynda Barry's compositions, with words attracting pictures and conjuring places through a pen that first and foremost keeps on moving. What It Is demonstrates a tried-and-true creative method that is playful, powerful, and accessible to anyone with an inquisitive wish to write or to remember. Composed of completely new material, each page of Barry's first Drawn & Quarterly book is a full-color collage that is not only a gentle guide to this process but an invigorating example of exactly what it is: "The ordinary is extraordinary."
Hardcover. Montreal, Drawn and Quarterly, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. How do objects summon memories? What do real images feel like? For decades, these types of questions have permeated the pages of Lynda Barry's compositions, with words attracting pictures and conjuring places through a pen that first and foremost keeps on moving. What It Is demonstrates a tried-and-true creative method that is playful, powerful, and accessible to anyone with an inquisitive wish to write or to remember. Composed of completely new material, each page of Barry's first Drawn & Quarterly book is a full-color collage that is not only a gentle guide to this process but an invigorating example of exactly what it is: "The ordinary is extraordinary."
Hardcover. Birmingham AL, University of Alabama Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 64 pages. William Christenberry is enjoying wide exposure of his artistic body of work. Since the early 1960s, he has plumbed the regional identity of the American South, primarily centering on his early home in the Black Belt counties of Alabama, His poetic elucidation of Southern vernacular landscape and architecture using the media of photography, drawing, painting, collage, sculpture, and miniaturization reveals how history, the very story of place, is at the heart of his lifelong project.
Softcover. New York, Metropolitan Museum of Art, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 192 pages, b&w and color photographs. Light edge wear to wrappers. Small sticker on rear cover, else a clean, tight copy. This book celebrates the first 20 years of Saint Laurent"s fashion house. The essays engage with: fashion & the psychology of art; Saint Laurent"s artist"s statement; a collage of inspiration; Paloma Picasso-Lomez"s, Marellla Agnelli"s and Catherine Deneuve"s eulogies; Duane Michals"s photo essay and an overview of his achievements to 1982.