art comic

Softcover. Long Beach CA, Tony Raiola, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 46 pages illustrated in b&w by Falk. Clean, bright copy.

Softcover. Long Beach CA, Tony Raiola, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 40 pages illustrated in b&w by Falk. Clean, bright copy.

Softcover. Long Beach CA, Tony Raiola, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 36 pages illustrated in b&w by Falk. Clean, bright copy.

Softcover. Long Beach CA, Tony Raiola, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 56 pages illustrated in b&w by Falk. Clean, bright copy.

Softcover. Long Beach CA, Tony Raiola, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 56 pages illustrated in b&w by Falk. Clean, bright copy.

Softcover. Long Beach CA, Tony Raiola, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 32 pages illustrated in b&w by Falk. Clean, bright copy.

Softcover. New York , Fireside Book/Simon & Schuster, 1989, Book: Very Good, Dust Jacket: None, Clean, unmarked copy with only minor wear to wrappers. 255 pages

Softcover. New Haven, Yale University Press, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 144 pages. Explores the various uses of images with and without text in the work of over thirty artists from around the world. B&w illustrations.

Softcover. New Haven CT, Yale University Press, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 144 pages. Comics, graphic novels, and single panel cartoons have long flourished as an alternative medium. In recent years these forms of narrative illustration-artwork that tells its own story rather than supporting a text-have increasingly crossed over into mainstream popular culture. Pictorial storytelling now reaches the public through animated films (Spirited Away) and films with animated sequences (Kill Bill), while graphic novels win literary prizes and comic art hangs in art galleries. This delightful book explores the various uses of images with and without text in the work of over thirty artists from around the world.

Softcover. NY, R.H. Russell, 1st, 1899, Book: Very Good, Dust Jacket: None, Hardcover. A collection of 84 black & white cartoons by Gibson. Oblong, 1/2 cloth and cardboard covers. Rear panel has scuffing tears to paper over boards. Interior very good.

Hardcover. Berkeley CA, University of California Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 287 pages. Pieter Bruegel (ca. 1525-1569), generally considered the greatest Flemish painter of the sixteenth century, was described in 1604 by his earliest biographer as a supremely comic artist, few of whose works failed to elicit laughter. Today, however, we approach Bruegel's art as anything but a laughing matter. His paintings and drawings are thought to conceal profound allegories best illuminated with scholarly erudition. In this delightfully engaging book, Walter S. Gibson takes a new look at Bruegel, arguing that the artist was no erudite philosopher, but a man very much in the world, and that a significant part of his art is best appreciated in the context of humor. In his illuminating examination of the witty and amusing elements in Bruegel's paintings, prints, and drawings in relation to the sixteenth century European culture of laughter, Gibson reminds us exactly why Bruegel was one of the most original artists of his time. Clean copy.

Hardcover. Lincoln NE, Blase, reprint, 1997, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. Here is a subtle mix of humor, glamour, erotica, and nostalgia. Pin Up takes us back to World War 2 for a glimpse at GI life in the Far East. Full color graphic novels with a style reminiscent of Milton Caniff. 48 pages. Part 1 of a trilogy. Originally published in Paris in 1994 by Dargaud. Clean copy.

Hardcover. Lincoln NE, Blase, reprint, 1998, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. Here is a subtle mix of humor, glamour, erotica, and nostalgia. Pin Up takes us back to World War 2 for a glimpse at GI life in the Far East. Full color graphic novels with a style reminiscent of Milton Caniff. 48 pages. Part 2 of a trilogy. Originally published in Paris in 1994 by Dargaud. Clean copy.

Hardcover. UK, PS Publishing, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, 288 pages, illustrated throughout in color. Clean, tight copy. Collects January 1940 to April 1940, Issues 1-4.

Hardcover. UK, PS Publishing, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, 288 pages, illustrated throughout in color. Clean, tight copy. Collects January 1940 to April 1940, Issues 1-4.

Hardcover. New York, DC Comics, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover 216 pages. Like new in publisher's shrink-wrap. Plastic Man encounters a number of zany villains, including Fargo Freddie, the volcanic man; Froggy Fink, underworld killer; Elmer Body, the body-possessing nobody; and others. Jack Cole was one of the true geniuses of the comic book art form. Here we have some great examples of his masterwork, Plastic Man. Plastic Man and his sidekick Woozy Winks are two of the greatest characters of the Golden Age of comics. Jack Cole's odd outlook on life, and his sometimes dark sense of humor, make these among the best of the superhero comics of the era. Highly recommended to superhero fans, especially those who don't them too seriously.

Hardcover. New York, DC Comics, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 204 pages. Like new in publisher's shrink-wrap. Reprinting POLICE COMICS #50-58 and PLASTIC MAN #4 in a handsome hardcover archive! Featuring an introduction by Bill Schelly and a host of innovative and unusual Golden Age Plastic Man tales.

Softcover. UK, PS Artbooks, reprint, nd, Book: Very Good, Dust Jacket: None, Softcover. Reprints the first four comic books (published by Vital Publications, 1943-1946) in their entirety. All in color including covers and ads. Featuring art by the great Jack Cole, firmly locating Plastic Man in the humorous super-hero genre.

Softcover. UK, PS Artbooks, reprint, nd, Book: Very Good, Dust Jacket: None, Softcover. Reprints Plastic Man Nos. 5-8 in their entirety. All in color including covers and ads. Originally published 1946-47. Featuring art by the great Jack Cole, firmly locating Plastic Man in the humorous super-hero genre.

Softcover. Chicago IL, Playboy Press , reprint, 1973, Book: Very Good, Dust Jacket: None, 128 pages. Softcover. Extensive color and b&w illustrations throughout. Some edge wear to covers, otherwise clean, tight copy. More than 220 cartoons - 120 in full color.

Hardcover. New York, W. W. Norton & Company, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Drawings by Will Eisner.

Softcover. NY, Simon and Schuster, 1st, 1961, Book: Very Good, Dust Jacket: None, Softcover, 127 pages in b&w. Purple pictorial wrappers. Walt Kelly's career in animation began in 1936 at Walt Disney Studios, where he contributed to Pinocchio and Fantasia. In 1941, Kelly resigned at the age of 28 to work at Dell Comics, where he created Pogo. He started drawing the comic strip in 1943 but it was not widely published until 1948. He based his characters on animals native to the Okefenokee Swamp. Pogo, a possum, was the central character and some of his friends were cigar chomping Albert the Alligator, Churchy LeFemme (a turtle), Dr. Howland Owl complete with glasses, and others. His biting political satire was aimed a Senator Joseph McCarthy (Kelly s nickname for him was Simple J Malarkey ), the FBI, the John Birch Society, Nikita Khrushchev, and later, Presidents Lyndon Johnson and Richard Nixon. Clean, bright copy.

Hardcover. Seattle, Fantagraphics, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 344 pages. The second volume in a series reprinting in its entirety the syndicated run of Walt Kelly's classic newspaper strip. It features all the strips from 1951 and 1952, which have been collected before, but in now long-out-of print books, and even there they were not as meticulously restored and reproduced as in this new series. Bona Fide Balderdash also reprints, literally for the first time ever in full color, the two full years of Sunday pages, also carefully restored and color-corrected, shot from the finest copies available. This second volume is once again edited and designed by the cartoonist's daughter, Carolyn Kelly, who is also handling much of the restoration work.

Hardcover. Seattle, Fantagraphics, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 344 pages. The second volume in a series reprinting in its entirety the syndicated run of Walt Kelly's classic newspaper strip. It features all the strips from 1951 and 1952, which have been collected before, but in now long-out-of print books, and even there they were not as meticulously restored and reproduced as in this new series. Bona Fide Balderdash also reprints, literally for the first time ever in full color, the two full years of Sunday pages, also carefully restored and color-corrected, shot from the finest copies available. This second volume is once again edited and designed by the cartoonist's daughter, Carolyn Kelly, who is also handling much of the restoration work.