art decorative

Hardcover. London, Batsford, 2nd Ed., 2021, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. 192 pages in color. An essential sourcebook of prints from a key fashion decade. The 1950s was the decade when an analytical approach to design, with a lightness and freshness, combined with whimsical imagery and idiosyncratic subject matter. Showcasing hundreds of print designs, this book celebrates the heyday of postwar fashion design. Clean copy.

Hardcover. Kansas City, Andrews McMeel Publishing, 1st, 2010, Book: Very Good, Dust Jacket: None, Hardcover in a slipcase. Extensive b&w and color illustrations throughout. Illustrated frontispiece. Includes decorative slip case. Light rubbing to bottom corner, otherwise clean, tight copy. What began as Bull Tales in the Yale Daily News in 1968 became Doonesbury when it debuted as a Universal Press Syndicate feature in 1970. The strip followed the lives of college roommates B.D. and Mike Doonesbury from their first encounter through the intricate life turns they experience, along with the cadre of eccentric and engaging characters they encounter over the next forty years. Always political, relentlessly pointed, expertly drawn and written, Doonesbury is a classic in its own time, and this book commemorates that special place in cartoon history it holds.

Hardcover. NY, Harry N. Abrams, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages. This stylish book re-creates the charmed life of two American expatriates in France at the turn of the 20th century-the noted artist Walter Gay and his wife, Matilda, whose glittering social circle included John Singer Sargent, Edith Wharton, Henry James, and many other artists and aristocrats. Narrated by witty excerpts from Matilda Gay's recently discovered journal, and richly illustrated with Walter Gay's remarkable, sought-after paintings of the rooms in which they and their friends lived, in Paris, Fontainebleau, Venice, and elsewhere, A Charmed Couple offers an intimate glimpse of a long-gone social milieu whose hold on the popular imagination continues to this day. WILLIAM RIEDER is a curator in the Department of European Sculpture and Decorative Arts at the Metropolitan Museum of Art in New York. Author of numerous articles, most on European furniture, in such journals as Architectural Digest, Connoisseur, and Antiques, he lives in New York City. 128 illustrations, 55 in full color, 81/2 x 101/2".

Hardcover. NY, Alfred A. Knopf, 1st, 1938, Book: Very Good, Dust Jacket: None, Hardcover, green boards stamped with decorative design, 36 pages with Martin's striking artwork. Light shelf wear, no dust jacket.

Hardcover. New York, Thomas Nelson & Sons, 1st, 1968, Book: Very Good, Dust Jacket: Good, Hardcover, 476 pages illustrated in b&w and color displaying beautiful pieces of colored glass and pottery. Clean and bright copy. Dust jacket slightly stained. Previous owner's inscription present. Lavishly illustrated and exhaustively researched reference on Art Nouveau designs in glass produced in America from 1890 to 1925, marking a high spot in the decorative arts. Includes a detailed study of various manufacturers and their histories, with special emphasis on those artisans who created identifiable and collectable pieces, including Louis Comfort Tiffany, A. Douglas Nash, the Durand family, and Frederick Carder. Contains four useful appendices reproducing a complete 1932 catalog published by the Steuben Division of Corning Glass Works, several pages from a circa 1928 Vineland Flint Glass Works catalog, pages from a circa 1914 C. Dorflinger & Sons catalog, and a "Belle Ware" catalog of Carl V. Helmschmied.

Hardcover. New York, Brentano's Publishers, reprint, 1924, Book: Good, Dust Jacket: None, 268 pages. 1 of 1000 copies. Color and b&w illustrations by the subject throughout. Gilt titles on spine. Illustrated frontispiece. Decorative stain to top edge. Edge wear to top and bottom edge. Minor stains and shelf wear. Foxing throughout. Otherwise, clean tight copy.

Hardcover. Mineola NY, Calla Editions, reprint, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Designers, collectors, and Art Nouveau aficionados will treasure this original collection of 100 plates of decorative full-color graphics. These authentic images are reproduced from the now extremely hard-to-find periodical La decoration artistique, which was published in Paris during the decade before World War I. They constitute some of the rarest and best material printed during the Art Nouveau period, and these uncommonly graceful and appealing illustrations are now available in this beautifully designed hardcover edition. The dazzling array of images includes headpieces, typographical banners, and other sinuous designs bursting with parrots and peacocks, vines and flowers, and other natural motifs. Examples include storefront signage for bakeries and cafes; decorative friezes of theatrical masks and grapevines; borders of flowers, books, and birds; stenciled decorations for fire screens; and corner and ceiling ornaments. An essential acquisition for any library or collector of Art Nouveau graphics and illustration, this volume promises to provide a lasting source of inspiration and pleasure. Clean copy.

Hardcover. Verba Volant, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 480 pages, 796 b/w & 12 color illustrations. A showcase of the Architecture & Decorative arts of the Art Deco period. Originally published in 1930, in Italy, under the title 'Le Arti d'Oggi' the book is divided into six sections - Architecture, Interiors, Metalwork, Ceramics, Glasswork & Fabrics. A superb pictorial reference for anyone interested in the art & design of the 1920 art deco period.

Softcover. New Haven CT, Yale University Art Gallery, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 123 pages, b&w illustrations, some color. Bright, clean copy.

Hardcover. Somogy Editions D'Art , 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Still in publisher's shrinkwrap. Full color exhibition catalogue of the new retrospective exhibition of Saint-Gaudens' work, the first in Europe since 1900. Venues include the Muse des Augustins, in Toulouse (February 2-May 30, 1999), and the Muse national de la Cooperation Franco-Americaine, at Blrencourt (June 26-October 18, 1999). The artwork covers Saint-Gaudens' entire career, from the cameos done during his youth, to sophisticated portrait reliefs, public monuments and coins. The essays contribute new scholarship on the sculptor's career and art, including his decorative art designs for Tiffany's, personalized pencil caricatures for friends, and the development of the monument to Charles Stewart Parnell in Dublin, the last public monument Saint-Gaudens saw to completion.

Hardcover. NY, Harrison Smith and Robert Haas, 1st US, 1935, Book: Good, Dust Jacket: None, Hardcover, pictorial boards with a green cloth spine with fraying to top and bottom. Decorative endpapers with lots of elephants against a marbled blue background, no dust jacket. Oversize, 14 1/2" tall. The 3rd Babar book. Babar and Celeste build a city for the elephants. Imaginative and rich color artwork throughout 48 pages with hand-lettered text. Covers with edges and corners worn, light soiling. Several pages with mild soil, stain to edges, margins. One page loose. No markings. Overall a good copy of the scarce first American edition.

Hardcover. NY, Atheneum, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 245 pages. B&w illustrations and photographs throughout. Decorated endpapers. Decorative pink stain to top edge. Private library stamp on front endpaper. Otherwise clean. Entertaining recount of the pivotal battle of the Crimean War. Includes bibliography & index. Excellent collection of period photographs and artwork.

Hardcover. New York , St Martins/Christies, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 236 pages. Illustrations in color, b&w. Bright, clean copy in a similar dust jacket. Everyone knows the beauty and value of Tiffany glass lamps, vases and windows. But few know that the masterful pieces fron the Tiffany Studios would not have been possible without Arthur Nash, developer of the now-priceless Favrile glass, and his son Leslie, director of the Studio's division of glassmaking, pottery and enamel. Leslie's memoirs, along with notes and references, tell the unfiltered and refreshing story of the Studio's heyday, and substantially expand our knowledge, and his photos comprise the largest collection of here-to-fore unseen images of the studio's earliest pieces. This historical find is an event in the decorative arts world and will appeal to both collectors and museums.

Softcover. Milwaukee Art Museum and Hatje Cantz, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover. Biedermeier examines Biedermeier painting, furniture and decorative arts as a style and a cultural attitude. Visual arts of the period, which are still largely unstudied as distinct from Romanticism or the Nazarenes, are highlighted here in the work of Georg Friedrich Kersting and Eduard Gaertner. With nearly 300 outstanding examples of German, Austrian and Czechoslovakian paintings, furniture, related decorative arts and works on paper, this is a superb document of the innovative character of the period and its importance as a precursor to modernism.

Hardcover. New York, Heritage Press, 1st, 1948, Book: Very Good, Dust Jacket: Good, Hardcover, 107 pages. Color illustrations throughout. Decorative stain to top edge. Wear, chipping, rubbing to dust jacket. Spine of dust jacket sightly faded. Else a tight copy.

Hardcover. Switzerland, A. Guichard, 1st, 1966, Book: Very Good, Dust Jacket: None, A very good hardcover copy, 126 pages with decorative burgundy boards and gilding on the spine and covers. A book of 164 facsimile tipped-in plates. Production by Edita S. A. Lausanne. Illustration by Imprimerie Centrale Lausanne S. A. Text by Offset Jean Genoud S. A. Lausanne. Engraving by Photogravure Dupuis & Cie Lausanne. Binding by Maurice Busenhart, Lausanne. At the age of seven, at the begining of the 20th century, Lartique received a camera as a gift from his father, and from then on, day after day, he would try to 'fix' scenes of his domestic life, having been allowed by the conditions of his life sufficient leisure to do so." Roger Therond. In this, Lartique's premier collection, presented in the form of an album of pasted-in pictures, we are treated to his madcap antics with flying machines and automobiles when they were still a novelty. With his cousins, we have pictures of their three-seater peddle racing machine of their own invention - gliders built and flown in the field, crashes included, an inflatable suit for drifting in the river without getting wet . These are photographs one would not see in a typical family album, rather, they are the record of a joyful and artistic youth. Clean copy.

Hardcover. NY, Stewart, Tabori and Chang, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 271 pages, illustrated throughout in color. Folio. Clean, unmarked copy with only minor wear to dust jacket. You learn from people with great taste, says Bunny Williams. She should know. As a novice, Williams worked for legendary decorators Sister Parish and Albert Hadley, absorbing everything she could of their peerless design sense. Striking out on her own, she rose to the top rank of the interior design profession, where she has stylishly remained for the last 30 years. Now, it's our turn to learn from her. Part memoir and part how-to manual, Bunny Williams' Point of View showcases many of the drop-dead chic but always cozily comfortable residences whose interiors Williams has designed during her astounding career. Due to size and weight, DOMESTIC SHIPPING ONLY.

Hardcover. Columbia, S.C., University of South Carolina Press, 1st, 1983, Book: Very Good, Dust Jacket: Good, Columbia, S.C., University of South Carolina Press, 1st, 1983, Book: Very Good, Dust jacket: Good, 344 pages. Hardcover with dust jacket. B&w illustrations and photographs throughout. Illustrated frontispiece. Gilt titles on spine. Decorative stain to top edge. Light edge wear to dust jacket, otherwise clean, tight copy. . Record # 467670

Hardcover. NY, Rizzoli, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 159 pages. Color illustrated. Brilliantly illustrates the interior designs of an internationally acclaimed British designer, featuring her use of vibrant colors, silky textiles, dramatic gilding, and untraditional combinations to create expressive rooms that are each a work of art.

Hardcover. NY, Gallimard, 1st, 2017, Book: Very Good, Dust Jacket: None, Hardcover, 392 pages. Profusley illustrated, this book explores a hitherto overlooked topic in Chagall studies - the connection between Chagall and music. This intimate relationship, which ran deep in both his family history and the Jewish culture of his native city, was particularly meaningful in Chagall's creations for the stage. His works for the Jewish Theatre (Moscow, 1919-1920) and the ballets 'Aleko' (Mexico, 1942), 'The Firebird' (New York, 1945), 'Daphnis et Chloe' (1958) and 'The Magic Flute' (New York, 1967) celebrate the links he established between music, large-scale set design, and the material design of costumes. Chagall's monumental projects in the 1960s, such as the ceiling of the Paris Opera (1964) and his decorative architectural program for the Metropolitan Opera at Lincoln Center in New York (1966), are a reflection of his notion of 'total art', and his explorations in the universality of music and its translation into the spatial dimension. Music was a constant source of inspiration to Chagall. Clean, bright copy. No dust jacket.

Hardcover. Norman OK, University of Oklahoma Press , 1st, 1971, Book: Very Good, Dust Jacket: Very Good, 238 pages. b&w and color illustrations. Pictorial dust jacket. Decorative endpapers. Minor edge wear. A very nice. clean and tight copy.

Hardcover. Chicago, IL, Chicago Historical Society, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover. History of the art of glass and ceramics in Chicago. Focuses on both small-scale, decorative works and larger, architectural pieces. Illustrated with 221 photographs (mostly black/white, few color). Dust jacket in very good condition, shows slight rubbing on the back, but cloth bound book in near fine condition with virtually no flaws.

Softcover. US, Dover Publications, 1st, 2016, Book: Very Good, Dust Jacket: None, 272 pages. softcover. Color plates throughout. Light edgewear to wrappers.

Softcover. The Art Institute of Chicago, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover. Exhibition catalog of decorative arts of The Art Institute of Chicago. 112 pages; 24 color plates. Text by Milo M. Naeve and Lynn Springer Roberts. In very good condition; no marks on cover.