Softcover. NY, Museum of Modern Art, 3rd Ed., 1978, Book: Very Good, Dust Jacket: None, Softcover, 229 pages, illustrated with 210 photographs, drawings, and plans; bibliography. Clean copy.
Softcover. NY, The Museum of Modern Art , 1st, 1973, Book: Very Good, Softcover, 140 pages. 64 illustations, 22 in color. Tribute to Miro on his eightieth birthday, compiled with his cooperation. Presents paintings, sculptures, drawings, collages and objects in the MOMA -- fully catalogued with notes on each work. Includes a list of MOMA exhibitions of Miro's work and a list of publications on him. Clean copy.
hardcover. NY, Macmillan, 1st US, 1942, Book: Very Good, Dust Jacket: None, Hardcover, 321 pages. A Swallows and Amazons adventure. Illustrated with black & white drawings by the author. 321 pages.. Map illustrated endpapers. Spine faded. Previous owner's inscription on prelim page, otherwise clean. A wonderful adventure story for young readers, on a voyage around the world in the Wild Cat, where the Swallows and Amazons and Captain Flint put out from their hundredth port into the China seas.
Hardcover. Albuquerque, NM, University of New Mexico Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 238 pages, illustrated throughout in color and b&w. Blue cloth, pictorial blue dust jacket. Light bumps to corners, else a beautiful copy. Like new.
NY, St. Martins, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, black & white illustrations. 442 pages. The story of the popular Rocky and Bullwinkle show. The legendary Jay Ward and Bill Scott produced the gleeful wonder and cumulative joy that transcended the crude drawings and occasionally muddy sound. Jay Ward was the magnificent visionary, the outrageous showman, while Bill Scott was the genial, brilliant head writer, coproducer, and all-purpose creative whirlwind. With exclusive interviews, original scripts, artwork, story notes, letters and memos, Keith Scott has written the definitive history of Jay Ward Productions.
Softcover. Seattle, Fantagraphics Books, 1st, 2019, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers, 112 pages illustrated in b&w. A 50-year career retrospective of cartoonist Mort Gerberg, whose social-justice-minded-and bitingly funny-cartoons have appeared in magazines such as The Realist, The New Yorker, Playboy, and the Saturday Evening Post. And as a reporter, he's sketched historic scenes like the fiery Women's Marches of the '60s and the infamous '68 Democratic National Convention. This handsome edition collects Gerberg's magazine cartoons, sketchbook drawings, and on-the-scene reportage sketches. Clean, bright copy.
Hardcover. Seattle WA, Fantagraphics Books, 1st, 2025, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 276 pages. A coffee table retrospective commemorating Mort Walker's long and dedicated commitment to cartooning, spotlighting the anniversary of his most popular and beloved creation. In addition to the 75 Sunday pages reproduced from color syndicate proofs, 135 daily and Sunday strips scanned from original artwork, and close to 200 additional images, this beautifully designed volume, impeccably researched and written by his son Brian, also includes rare photographs, historic debut character appearances, syndicate promotional materials, posters, merchandise, personal drawings and memorabilia from the family archives, as well as biographical sketches and anecdotes. Clean copy.
Hardcover. NY, Viking Press, 5th pr., 1963, Book: Very Good, Dust Jacket: None, Hardcover, light beige cloth stamped in blue, 40 pages. Illustrated with two-color drawings and endpapers art by Corydon Bell. A young boy's life living ia a log cabin home with his family. Randy Reed's oudoor adventures with his dog Trace along with a spelling lesson.
Softcover. New York, Dell, 1st, 1970, Book: Very Good, Dust Jacket: None, Mass market paperback, Dell #5868, unpaginated. B&w cartoon drawings throughout by the Berenstains. Clean.
Hardcover. NY, Farrar Straus Giroux, 1st US, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 598 pages, b&w and color illustrations. In 1827 the young Edward Lear (1812-1888) began to draw 'for bread and cheese'; later he became a renowned wildlife and landscape artist and, later still, the author of the famous limericks and songs. Reproducing many of his paintings and drawings, Jenny Uglow's critically acclaimed biography describes Lear the artist, traveler, writer of nonsense verse and self-appointed exile, and aims to discover 'how the layers are laid down, how they overlap and twist like strata' in a strange contradictory life of art and nonsense. Clean copy.
Softcover. San Francisco, Apex Novelties, 3rd pr., 1970, Book: Very Good, Dust Jacket: None, Soft cover with stapled binding, color covers with b/w internal illustrations, 28 pages. It has nearly every point of the first printing, including a fifty-cent cover price, wording of publishing information on inner front cover ("Printed by Apex Novelties and published by the San Francisco Comic Book Company...") etc.; distinguished as third printing by lack of fading especially at lower left corner of front cover, 6 & 1/3" width of back cover artwork. Mild wear, rubbing.
Hardcover. Brussels, Aschehoug, 1st Edition, 2004, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover published on the occasion of the exhibition, Munch - Drawings, in collaboration with the Musee d'Ixelles, Brussels and Munch Museum, Oslo - February 19 - May 16, 2004. Full page, full color plates throughout. Dust jacket with light toning. Clean, bright copy.
Hardcover. NY, Harper and Brothers, 1st, 1961, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. Murdoch, an only mouse, learns to play croquet in this disarmingly sweet little picture-book tale with enchanting b&w pointillist drawings by D.H. ("a well-known artist who wishes to remain anonymous" reads the jacket flap.) Clean copy.
Hardcover. NY, Pegasus Books, 1st, 2020, Hardcover in a bright dust jacket, 242 pages. A finely wrought coming-of-age memoir about the author's relationship with her beloved grandfather Joe Simon, cartoonist and co-creator of Captain America. In the 1990s, Megan Margulies's Upper West Side neighborhood was marked by addicts shooting up in subway stations, frequent burglaries, and the "Wild Man of 96th Street," who set fires under cars and heaved rocks through stained glass church windows. The world inside her parents' tiny one-bedroom apartment was hardly a respite, with a family of five-including some loud personalities-eventually occupying the 550-square-foot space. Salvation arrived in the form of her spirited grandfather, Daddy Joe, whose midtown studio became a second home to Megan. There, he listened to her woes, fed her Hungry Man frozen dinners, and simply let her be. His living room may have been dominated by the drawing table, notes, and doodles that marked him as Joe Simon the cartoonist. But for Megan, he was always Daddy Joe: an escape from her increasingly hectic home, a nonjudgmental voice whose sense of humor was as dry as his farfel, and a steady presence in a world that felt off balance. Evoking New York City both in the 1980s and '90s and during the Golden Age of comics in the 1930s and '40s, My Captain America flashes back from Megan's story to chart the life and career of Rochester-native Joe Simon, from his early days retouching publicity photos and doing spot art for magazines, to his partnership with Jack Kirby at Timely Comics (the forerunner of Marvel Comics), which resulted in the creation of beloved characters like Captain America, the Boy Commandos, and Fighting American. My Captain America offers a tender and sharply observed account of Megan's life with Daddy Joe-and an intimate portrait of the creative genius who gave us one of the most enduring superheroes of all time.
Softcover. US, Simon & Schuster , 1st, 1989, Book: Very Good, Dust Jacket: None, 127 pages. Softcover. A collection of b&w drawings by The New Yorker cartoonist. Light edgewear to wrappers.
Softcover. Middlebury, VT, Middlebury College Museum of Art, 1st, 2015, Book: Very Good, Dust Jacket: None, 111 pages. Softcover with paper wrappers. Color pictures throughout. In 1899 Gustav Klimt's painting Nuda Veritas shook up the Austrian public with what many deem to be the painter's most political exploration of the nude female body. Klimt's provocative allegory challenged viewers to consider their own beliefs about the relationship between the nude (female) body and contemporary morality; this "naked truth" was shocking. Transcending accusations of pornography, Klimt's work paved the way for artistic examinations of the nude body as the site through which questions of freedom, desire, beauty, nature, culture, power, and their antonyms could be represented and negotiated. Taking these ideas as one critical point of departure, this volume and the accompanying exhibition feature selected prints, drawings, and watercolors by Klimt, Egon Schiele, Otto Dix, George Grosz, Max Beckmann and Kathe Kollwitz, among others. It explores the conceptions of the human body and the manner of its visualization in the period leading up to and following the First World War, which changed the world's notions of flesh and blood forever.
Softcover. Malmo, Sweden, Malmo Konsthall, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 48 pages, color illustrations. Text in English and Swedish. Essay by Susan Harris. This catalog was prepared to accompany the exhibition in Sweden at the Malmo Konsthall from September 3 to October 16, 1994. In this exhibition Nancy Spero printed her drawings directly on the walls to create the work.
Softcover. New York, National Cartooonists Society, 1st, 1965, Book: Very Good, Dust Jacket: None, 183 pages. Spiral bound softcover with light browning to paper wrappers. Black and white cartoons, and text throughout, tight copy.Album of the National Cartoonists SocietyCompilation of over 350 biographies, photos and drawings of America's best loved cartoonists of 1965 including Walt Disney, Charles Schulz, Al Capp, Hank Ketch
Hardcover. Flagstaff, Arizona, Northland Press, 2nd pr., 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover, 98 pages. INSCRIBED BY PERCEVAL with personal note to previous owner from him and his wife. Cover shows very light wear and soiling. Internally clean. Beautiful color and black & white sketches of Navajos and Arizona landscape. With a descriptive text by Clay Lockett.
Hardcover. New Haven CT, Yale University Press , 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, still sealed in publisher's shrinkwrap. Exhibition catalog for a show organized by the Amon Carter Museum of American Art, Fort Worth, Texas, and the Saint Louis Art Museum, St. Louis, Mo. Concentrates on Bingham?'s images inspired by the waterborne traffic on the Mississippi and Missouri rivers? in his lifetime, the great highways of the American frontier?and the men who worked on the river's? flatboats and rafts. 11-14" x 10-3/4", 199 numbered pages. A detailed academic analysis of Bingham's work, with numerous color plates and photos of his drawings.
Softcover. Milan, Stanza del Borgo, limited, 1973, Book: Very Good, Dust Jacket: None, Softcover. Number 966 of 1000 copies. 142 pages, b&w illustrations throughout. Edge wear, rubbing to wrappers; spine slightly yellowed. Previous owner's signature on front fly leaf. Light smudges on top edge. Internally a very clean, tight copy.
Hardcover. Berlin, Hermann Klemm, 1st, n.d., Book: Very Good, Dust Jacket: None, 488 pages, hardcover illustrated with about 1,500 b&w cartoons, photos, some color plates. Terra cotta cloth with gilt lettering. Previous owner's inscription on prelim page, one loose plate otherwise very good.