art drawing

Hardcover. New Haven, CT, Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover with no dust jacket. Very clean, like new in publishers shrink-wrap. This publication presents the first in-depth survey of the Conley Harris and Howard Truelove Collection of Indian Drawings, which was recently acquired by the Philadelphia Museum of Art. This exceptional collection, which has never previously been published, consists of 65 works on paper created between the 16th and 19th centuries.

Hardcover. NY, E.P. Dutton, 1st US, 1962, Book: Very Good, Dust Jacket: None, Hardcover, 217 pages. Black & white line drawings by Shepard. Black & white photo on frontispiece. Blue cloth binding with gold spine lettering. English artist Shepard's (1879-1976) life story from 1890 on, a sequel to Drawn from Memory. The famed illustrator of the Winnie-the-Poo stories tells his story, with many vignettes of Milne and his books. Clean, bright copy, no dust jacket.

Softcover. Cambridge, MIT Press, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, exhibition catalogue featuring the famed architect's travel sketches along with photographs of the buildings he encountered and essays on their influence on his work. 11'' x 8.5''. In original dark orange pictorial wrappers. Illustrated throughout in black and white, some color, 136 pages. Spine sun faded.

Hardcover. NY, The Morgan Library & Museum, 1st, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 294 pages. Clean, bright copy. A sumptuous collection of master drawings from the Renaissance to the current era, all reproduced in color.

Hardcover. NY, Liveright, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages. Who could have imagined that in 1972, when Aline Kominsky, a Long Island escapee and bodaciously talented artist, broke her foot one rainy fall day, it would result in the most unique collaboration in comics history? Laid up in her house, she was persuaded by R. Crumb, her nerdy, neurotic boyfriend, to pass the time drawing together a "two-man" comic. The result is a jaw-dropping yet tender account, not only of the joys and challenges of a legendary marriage but also of the obstacles faced by struggling female artists. In Drawn Together, our foremost male-female cartooning couple recall their success at shocking America with Weirdo Magazine, the life-altering birth of their precocious daughter Sophie, and their astonishing move to the safe haven of France. With an irresistible introduction and a striking four-color section, Drawn Together becomes a graphic cause-celebre and a must-have for any comics devotee.

Hardcover. London, Knockabout Comics, 1st, 2012, Book: Very Good, Dust Jacket: None, 264 pages. Hardcover, no dust jacket issued. Extensive b&w and color illustrations by the two Crumbs. Illustrated paste downs and end papers. Includes appendix of portraits. Clean, tight copy.

Softcover. Paris FR, Paris-Musees, 1st, 1993, Book: Very Good, Dust Jacket: None, Flexible cloth covers, profusely illustrated, 463 pages, FRENCH TEXT. "This well-illustrated catalogue provides a fine review of the early years of the German Expressionist movement through a presentation of some 400 paintings, prints, drawings and sculptures by members of the Brucke in Dresden (Heckel, Kirchner, Mueller, Pechstein, Schmidt-Rottluff and Nolde) , the Blaue Reiter artists in Munich (Jawlensky, Kandinsky, Klee, Macke, Marc, Munter and Werefkin) and Berlin painter Ludwig Meidner. Sixteen wide-ranging essays are supplemented by detailed entries for most of the exhibited works, a selection of texts and letters by the featured artists, and a chronology of important cultural and political events in Dresden, Munich and Berlin from 1905 to 1914." Clean copy.

Hardcover. NY, Watson Guptill, 1st US, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover, 161 illustrations (8 color plates), 232 pages. Dust jacket with front flap creases otherwise very good.

Hardcover. London, Agnews Gallery, 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover, embossed blue cloth covers with silver gilt lettering on spine. 115 pages illustrated in color. "5 essays on the recently discovered drawing of the 'Virgin and Child with a flower on a grassy bench', discussing Durer in the context of the growing cult of Virgin Mary, his relationship to Jakob Fugger, the impact of Cornelisz's 1507 'Crucifiction' and Raphael's interest in Durer's works." Clean copy.

Hardcover. Munchen GR, Anton Schroll, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover, 385 pages, b&w plates throughout. Clean copy with a very good dust jacket with minor edge wear. GERMAN TEXT.

Softcover. Atlanta, The High Museum of Art, 1st, 1972, Book: Good, Dust Jacket: None, 135 pages. Foreword by Gudmund Vigtel. Illustrated in B&W. Some surface wear to covers. Internally clean. Overall tight copy.

Hardcover. New York, Abrams, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 200 pages, color illustrations throughout, illustrated end papers. Light edge wear to dust jacket. Light foxing to end papers. Else a very clean, tight copy. Rien Poorvliet was a Dutch artist and writer of incomparable talent. He was rightly considered a national treasure in the Netherlands, and his death was a national tragedy. Most of his books are free-ranging collections of his superior drawings and paintings interspersed with cursive text narrative about the subject at hand. This book happens to be an account of his life, family, pets, love of animals, culture and country as he experienced it - past, and (at the time) present in the Netherlands. His artwork is extremely expressive and entertaining - he was a master draftsman, and the work ranges from very spontaneous pencil, charcoal, and conte drawings, along with watercolor, and well-finished oil paintings which provide a wonderful visual story of the man's life.

Hardcover. New York, Watson-Guptill Publications, 1st, 1971, Book: Very Good, Dust Jacket: Good, Hardcover, 87 pages, illustrated throughout in color and b&w. Gray cloth with gilt titles to front and spine. Pictorial dust jacket, slight wear to edges, closed tear to front cover, Upper edge of spine worn and torn, else a very nice, tight copy.

Hardcover. London, Bradbury & Evans, 1st, Book: Good, Dust Jacket: None, 252 full page engravings of Leech's 19th century political cartoons. 3/4 leather front cover (detached) deletes "Early" from title. Back cover mostly detached, but good internally. Shipping extra for this volume.

Softcover. NY, Whitney Museum of American Art, 1st, 1973, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps. Beautiful reproductions of paintings and drawings throughout, with 12 color plates. Pages are crisp and clean, binding is tight. 126 pages. Catalogue of the exhibition held March 28 to May 14, 1972, at the Whitney Museum of American Art.

Softcover. IDW/Idea & Design Works, 1st, 2024, Book: Very Good, Dust Jacket: None, Softcover, the smaller (8 1/4 X 12") Artisan Edition. Collects more than 140 EC covers by their best and brightest talents. The luminaries included in this elegant tome include: Wally Wood, Harvey Kurtzman, Graham Ingels, Al Williamson, Johnny Craig, Frank Frazetta, Jack Davis, Al Feldstein, and more. Each cover in this collection has been scanned from the original art. While appearing to be in black and white, these images were scanned in COLOR, enabling the reader to see all the subtle nuances that make original art unique. Blue pencil notations, zip-a-tone, Duoshade, whiteoutall of these and more are clearly visible. Clean, bright copy.

Hardcover. New York, Grove Press, 1st , 1966, Book: Very Good, Dust Jacket: Good, Unpaginated. Hardcover with dust jacket. 14 pages of text, with eighty-four drawings and sixteen watercolors by Grosz throughout. Introduction by Henry Miller. Moderate foxing on fabric covers. Clean, tight internally.

Softcover. New York, Dell, 1st, 1970, Book: Very Good, Dust Jacket: None, Mass market paperback, Dell #2254, 128 pages. B&w cartoon drawings throughout by the Berenstains. Clean.

Hardcover. NY, R.H. Russell, 1st, 1899, Book: Very Good, Dust Jacket: None, Hardcover. Large, oblong folio, b&w cartoons by Gibson, light soil to covers, otherwise VG.

Softcover. The Norton Gallery of Art, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, 122 pages illustrated in color and b&w. Here the Norton Gallery of Arts Museum shows the exhibition of works by the distinguished Norwegian painter and printmaker Edvard Munch. For him, art must do nothing less than reveal the essential human condition. Having emerged as an accomplished Naturialist painter in the 1880s, he rejected Naturalism in his artistic manifesto of 1889-90. He began to paint images reflecting the stormy human psyche, and arranged his paintings into friezes to better communicate their meaning. At his death in 1944, his legacy included several thousand oil prints, reams of drawings, literary fragments, photographs and sculpture. Light sticker residue to front cover otherwise clean and bright.

Hardcover. Boston, David R. Godine, 1st US, 2002, Book: Very Good, Dust Jacket: None, Hardcover, oblong volume, 128 pages. The much-admired English artist enjoyed adding artistic touches to letters he sent to friends, and this collection displays some of these delightful drawings. With examples throughout in color and black and white, as well as at endpapers. No dj issued, clean copy.

Hardcover. Boston, David R. Godine, 1st US, 2002, Book: Very Good, Dust Jacket: None, Hardcover, oblong volume, 128 pages. The much-admired English artist enjoyed adding artistic touches to letters he sent to friends, and this collection displays some of these delightful drawings. With examples throughout in color and black and white, as well as at endpapers. No dj issued, clean copy.

Hardcover. New York, Abbeville Press, 1st, 1985, Book: Near Fine, Dust Jacket: Near Fine, 276 pages illustrated throughout in color and b&w. Gray cloth with dark green title to spine. Pictorial dust jacket. Beautiful copy. Like new. Edward Hicks (1780-1849), itinerant Quaker preacher and painter of coaches, signs and his own pictures, viewed Paine and Spinoza as devils, considered slavery a moral but not a political issue, and abhorred the temperance movement. When not torturing himself with guilt for being an artist or for leaving his wife and children in order to preach, he produced some masterpiecesnotably The Peaceable Kingdom, whose 50 or so variants dramatize Isaiah's biblical prophecies. Fifty color plates and 100 halftones show Hicks's folk renditions of William Penn, Noah's ark, David and Jonathan, along with his pastoral landscapes.

Softcover. New York, W. W. Norton, 1st, 1979, Book: Very Good, Dust Jacket: None, 509 pages. Softcover with minor wear to edges. Otherwise clean, unmarked copy. Color and black & white images throughout. Heavily illustrated throughout. Chapters explore Edward Hopper's career as an illustrator and his mature style. Much of the catalogue comprised of color plates. Includes magazine covers, short story illustrations and advertisements. xii, 54 pages plus 110 leaves of plates.