art dutch

Hardcover. London, Hard Case Crime, 1st , 2019, Book: Very Good, Dust Jacket: None, Hardcover, colorful dust jacket with a retro-style illustration by the author. In 1919, the National Prohibition Act was passed, making it illegal across America to produce, distribute, or sell liquor. With this act, the U.S. Congress also created organized crime as we know it. Italian, Jewish, and Irish mobs sprang up to supply the suddenly illegal commodity to the millions of people still eager to drink it. Men like Lucky Luciano and Meyer Lansky, Dutch Schultz and Bugsy Siegel, Al Capone in Chicago and Nucky Johnson in Atlantic City, waged a brutal war for power in the streets and on the waterfronts. But if you think you already know this story...think again, since you've never seen it through the eyes of one the mobsters who lived it. Called "one of the most significant organized crime figures in the United States" by the U.S. District Attorney, Vincent "Jimmy Blue Eyes" Alo was just 15 years old when Prohibition became law. Over the next decade, Alo would work side by side with Lansky and Luciano as they navigated the brutal underworld of bootlegging, thievery and murder. Alo's later career included prison time and the ultimate Mob tribute: being immortalized as "Johnny Ola" in The Godfather, Part II. Introduced to the 91-year-old Alo living in retirement in Florida, Dylan Struzan based this book on more than 50 hours of recorded testimony--stories Alo had never shared, and that he forbid her to publish until "after I'm gone." Alo died, peacefully, two months short of his 97th birthday. And now his stories--bracing and violent, full of intrigue and betrayal, hunger and hubris--can finally be told. With cover art and 24 interior illustrations by Drew Struzan, one of the most acclaimed movie poster painters of all time. Small remainder dot bottom edge, otherwise like new.

Hardcover. London, Souvenir Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 251 pages. Illustrated with phtographs, line drawings and maps. Translated from the Dutch by Adrienne Dixon. The autobiography of a Dutch youth who "joined the German navy in a spirit of bravado, only to find himself trapped in the final, agonising throes of Germany's defeat." Subsequent tours in the French Foreign Legion and Korea led from his being a devotee of war to a confirmed pacifist. A fancnating life told with honesty and passion.

Hardcover. Boston, Faber and Faber, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, pages. "I write of peoples and of a struggle." So begins A New World, an ambitious and extraordinary book that challenges conventional historical narrative by presenting episodes in North America's history through the eyes and voices of the Europeans who established the first colonial outposts here. Beginning with the swaggering John Smith at Jamestown and ending with the beleaguered Montcalm at Quebec, Arthur Quinn allows towering historical figures to emerge from an often beautiful, sometimes forbidding early American landscape and speak. An elderly William Bradford looks back with growing despair at the early promise of the Pilgrim colony at Plymouth. Governor John Winthrop tries to administer a dose of practicality to the Puritans of Massachusetts. Jesuit missionaries bring Christianity and disaster to the Huron Confederacy. A blustering Peter Stuyvesant watches Manhattan slip from Dutch grasp. William Penn's Holy Experiment in Pennsylvania goes increasingly awry. And, finally, the British and the French fight history's first world war for supremacy in the New World. Telling each story using the literary conventions of the day, Quinn casts North America's colonial beginnings as a multicultural epic, gripping the reader throughout with his uncanny eye and storytelling skill. Clean copy.

Softcover. New York, The Metropolitan Museum of Art, 1st, 1991, Book: Near Fine, Dust Jacket: None, Softcover, 80 pages. b&w and color illustrations throughout. Gray pictorial paper covers. Very light wear to corners, otherwise like new.

Hardcover. Baltimore, Johns Hopkins University, 1st, 2002, Book: Very Good, Dust Jacket: None, An extraordinary work, unparalleled in its breadth and depth of detail, this three-volume set offers the first comprehensive history of architecture and town planning throughout colonial North America, from Russian Alaska to French Quebec, to Spanish Florida and California, to British, Dutch, and other settlements on the East Coast. Across this vast terrain, James Kornwolf conjures the outlines of the constructed environment as it emerged in settlements and communities, in structures and sites, and in the flourishes and idiosyncrasies of the families and individuals who erected and inhabited colonial buildings and towns. Here as never before readers can observe the impulses and principles of colonial design and planning as they are implemented in the buildings and streets, harbors and squares, gardens and landscapes of the New World. Incorporating more than 3,000 illustrations, Kornwolf's massive work conveys the full range of the colonial encounter with the continent's geography, from the high forms of architecture through formal landscape design and town planning. From these pages emerge the fine arts of environmental design, an understanding of the political and economic events that helped to determine settlement in North America, an appreciation of the various architectural and landscape forms that the settlers created, and an awareness of the diversity of the continent's geography and its peoples. Considering the humblest buildings along with the mansions of the wealthy and powerful, public buildings, forts, and churches, Kornwolf captures the true dynamism and diversity of colonial communities-their rivalries and frictions, their outlooks and attitudes-as they extended their hold on the land. His work conveys for the first time the full scale, from intimate to grand, of their enduring transformation of the natural landscape of North America. NOTE: DOMESTIC SHIPPING ONLY.

Hardcover. Black Dog Publishing, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 189 pages. Blasphemy: Art that Offends is a prescient examination of the perpetually troubled, often explosive relationship between religion, politics and art. This book draws on a rich wealth of visual material, tracing both the history of blasphemy as a concept and re-positioning the term in the twenty-first century. Questions of censorship and freedom of expression are today extremely volatile, a fact evinced by the recent international backlash against the Danish newspaper Islamic caricatures and the murder of the Dutch filmmaker Theo Van Gogh following the release of his notorious Submission. Blasphemy: Art that Offends provides a vital vantage point from which to view the complicated, compelling interrelations between religion, politics and the visual arts.

Hardcover. Stichting Kunstboak , 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. Like new in publisher's shrink-wrap. Photography offers a thousand possible ways of looking at the society we live in. Foremost among the talents that have brought Calvin Dondo international recognition is the ability to put into his work all the respect he has for the individual identities of those he captures on film. This artist who reveals the nature of Zimbabwe today freely tells us of his country and the history concealed within it. This book presents a new world in which images are an essential component. This first monograph to be devoted to a contemporary Zimbabwean photographer will encourage others, for the excellent reason that it is time to look at Africa through the clearsighted viewfinder of those working on its development. Text in English, French, Dutch and German.

Hardcover. Amsterdam, Schetern & Giltay, 1st, 1915, Book: Very Good, Dust Jacket: None, Hardcover, color illustrated boards, 190 pages. A collection of b&w (a few 2-color) political cartoons preceding WW I. Dutch text. Scarce.

Hardcover. New York, Abrams, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 200 pages, color illustrations throughout, illustrated end papers. Light edge wear to dust jacket. Light foxing to end papers. Else a very clean, tight copy. Rien Poorvliet was a Dutch artist and writer of incomparable talent. He was rightly considered a national treasure in the Netherlands, and his death was a national tragedy. Most of his books are free-ranging collections of his superior drawings and paintings interspersed with cursive text narrative about the subject at hand. This book happens to be an account of his life, family, pets, love of animals, culture and country as he experienced it - past, and (at the time) present in the Netherlands. His artwork is extremely expressive and entertaining - he was a master draftsman, and the work ranges from very spontaneous pencil, charcoal, and conte drawings, along with watercolor, and well-finished oil paintings which provide a wonderful visual story of the man's life.

Softcover. Groningen, Holland, International Art Publishing, 1st, 1962, Book: Very Good, Softcover, illustrated card wraps, 32 watercolors in chromolithography by Molendijk. Introduction by B. Van Der Veen Czn. Spine edgewear. Clean.

Hardcover. Hatje Cantz, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. Erwin Blumenfeld (1897-1969) was born into a Jewish family in Berlin. In 1941, after being interned in a concentration camp, he left Europe for the United States, where he eventually became a citizen; during the 40s and 50s, he was to make his name here as one of the most sought-after fashion photographers in the world. But most people are unfamiliar with Blumenfeld's early work, the often bitingly satiric Dada photomontages and collages he produced between 1916 and 1933. This book, put together by Helen Adkins, renowned expert on the Berlin Dada movement, is the first to provide a study and a survey of these early works. Blumenfeld did not intend for these works to be shown publicly, as they were primarily personal gifts to his friends and acquaintance, or were enclosed in love letters to his fiancee. Nonetheless, they were conceived in the Dada spirit (Blumenfeld established the Dutch branch of Dada in 1918) and belong to its story. Approximately 100 works--including many previously unpublished, which Adkins discovered in the artist's family archives and in other public and private collections--are examined within the context of Blumenfeld's life, photographs, drawings and literary works.

Hardcover. Turin, Umberto Allemandi & Co., Revised Ed., 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 320 pages, Illustrated throughout in color. Real 'honest men', the Brueghels took part in the intellectual epic of their day which, from humanism to the spirit of the Enlightenment, brought about a renewal in thought and laid the foundations of Modernity. Through the human adventure of the Brueghel dynasty, progressing from obscure beginnings to recognition by the very greatest, Florence de Voldere introduces us to the genius of these men who created the Flemish aesthetic identity. Voldere takes us through the Renaissance in Flanders in the form of a story in pictures. Through this approach based on a dynamic reading of the paintings, this book shows the crucial role of art at one moment of civilization, and opens up some decidedly novel perspectives for interpreting Flemish art. Clean, like new. DOMESTIC SHIPPING ONLY.

Hardcover. Antwerp/Paris, Fonds Mercador/Alpin Michel, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover, 318 pages, color and b&w illustrations. Slipcased. Text in Dutch. Original illustrated dustjacket over white quarter paper and black cloth with gilt-stamped lettering on spine and initials on cover. Black illustrated endpapers. Two frontispieces, a Masereel woodcut and 1923 self-portrait woodcut. Sound monograph profusely illustrated with 284 mostly b/w Masereel woodcuts and drawings, two fold-outs and 7 color plates. Includes indices with Masereel's published artwork, partly with b/w thumbnail reproductions and list of illustrations.

Hardcover. London, Phaidon Press, 1st, 1945, Book: Very Good, Dust Jacket: Very Good, Hardcover, 147 pages, 85 reproductions of Holbein's exquisite portrait drawings, tipped-in color frontispiece. Dust jacket with chipping to top and bottom of spine otherwise very good.

Hardcover. Boston, MFA Publications, Museum of Fine Arts, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 256 pages, profusely illustrated. From the 1890s through the turn of the century, there was a flourishing of new, imaginative art and craft throughout Europe that we now know as Art Nouveau. The Netherlands experienced an inventive variant of this art and design phenomenon, but until now it has been largely overshadowed by its counterparts in other countries, especially France. This richly illustrated book is the first in English to celebrate the Dutch contribution to Art Nouveau through a tour of more than 100 works on paper--posters, decorative calendars and illustrated books, as well as prints and drawings. These innovative works of graphic design reveal the progressive Dutch artists' conscious reaction against the past, their inspiration in natural forms and exotic cultures, and their embrace of the principle that art should transform everyday life. They also show how the New Art--Nieuwe Kunst in Dutch--coexisted and sometimes intertwined in the Netherlands with other artistic strands, including persistent realist trends, Symbolism and the emergence of modernism. Included here are early drawings by well-known artists Vincent van Gogh and Bart van der Leck, as well as new discoveries from Jan Toorop, Theo Nieuwenhuis, Samuel Jessurun de Mesquita, Theo Hoytema, G. W. Dijsselhof and C. A. Lion Cachet. This beautifully illustrated book is the first in English to celebrate the Dutch contribution to Art Nouveau through a tour of over one hundred posters, decorative calendars, and illustrated books, as well as prints and drawings. With text by Clifford S. Ackley, one of the leading specialists on Dutch prints and drawings, Holland on Paper in the Age of Art Nouveau provides a fascinating and visually rewarding introduction to a rich and creative artistic era.

Softcover. Gent, Netherlands, Museum Voor Schone Kunsten, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, Dutch text. 160 pages, b&w and color illustrations. Frontispiece portrait, many plates & text-illustrations, essays, catalogue of 136 items depicted & described, bibliography, list of exhibitions. Light edge wear, rubbing to wrappers. Else a clean, tight copy.

Hardcover. Bussels, Renaissance du Livre, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 398 pages, illustrated in color and b&w. French language.DOMESTIC SHIPPING ONLY.

Hardcover. New Haven CT, Yale University Press, 1st, 2008, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 320 pages. Like new in publisher's shrink-wrap. Jan Lievens (1607-1674) was one of the most fascinating and enigmatic Dutch artists of the 17th century. Daring and innovative as a painter, printmaker, and draftsman, he created powerful character studies, genre scenes, landscapes, formal portraits, and religious and allegorical images that were widely praised and valued during his lifetime. This beautiful book, the first overview of the full range of Lievens' career, features more than 50 paintings-many of them newly discovered in private collections-and more than 75 prints and drawings, providing a reassessment of his place in the history of art.

Hardcover. New Haven, CT, Yale University Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. This book includes a general discussion of Van der Heyden's work, entries on 40 of his paintings, illustrations of about 100 of his paintings, as well as supplemental drawings and prints. Focusing mainly on the bustling city of Amsterdam, he also recorded other Dutch, Flemish, and German cities with a brilliant palette and exceptionally detailed technique. Often innovative in his composition, he was the first artist to create imaginary scenes by rearranging existing city views and known buildings.

Softcover. Woodbury NY, Barron's , 1st, 1976, Book: Very Good, Dust Jacket: None, Softcover, 90 pages, color illustrations. English language edition. Paintings of France and Holland by Dutch artist, Johan Barthold Jongkind [1819-1891]. A volume in the series, 'Les Carnets de dessins'. Clean copy.

Softcover. Koln GR, Galerie Rudolf Zwirner, 1st, 1985, Book: Very Good, Softcover, 'Z' on front white card wrappers. Fotos: Otto Nelson & Frank Oleski. 9 illustrations in color. Christiaan Karel Appel (1921- 2006) was a Dutch painter, sculptor, and poet. Clean copy.

Hannibal Publishing , 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. 394 pages; in English and Dutch. First overview of portrait photographer Koos Breukel's work at the retrospective at Den Haag. 'Me, We' was the full text of the improvised poem that Muhammad Ali delivered to a crowd of Harvard students in 1975. It can be interpreted as a cheerful tribute to life, expressing unity and at the same time individuality. Dutch photographer Koos Breukel (1962) chose it as the title for this book that assembles portraits from the first 30 years of his career, focusing on the circle of life: be born, grow up, develop and express yourself, love, suffer and die. Koos Breukel is a portraitist of farmers and artists, newborn babies and politicians, the sick and the old. ME WE, with a poignant contribution by the prizewinning author Erwin Mortier, is Breukel's mid-career retrospective as well as his homage to life. Still in publisher's shrinkwrap. NOTE: DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Barcelona SP, FKG. , reprint, 2010, Book: Very Good, Dust Jacket: Very Good, Facsimile edition. Folio. Cloth binding, 191 pages. In 1834 the leading scholars of the Faculty of Medicine in Paris, led by Professor A.L.G. Bayle, compiled a remarkable atlas of exquisite anatomical drawings. It immediately became a benchmark work in international medical and scientific communities, praised not only for its scientific value but also for the artistry of the color plates. This large facsimile volume features 94 color plates, 11 x 15 inches, labeled in English, German, French, and Dutch.

Hardcover. FR, Dupuis, 1st, 1995, Book: Very Good, Dust Jacket: None, Hardcover, glossy pictorial boards, 46 pages illustrated in color by Van Hamme. FRENCH LANGUAGE, graphic novel. Clean copy.