Softcover. New York, Harry N. Abrams, Inc., 1st, 1997, Book: Very Good, Dust Jacket: None, 336 pages. Softcover. Color and b/w illustrations throughout. Covers in excellent condition. Touch of foxing to top edge. Pages clean and bright. The ever-rapacious Nazis looted staggering quantities of great art and antiques from the nations they occupied. Much of it found its way back to Germany, and following the Allied victory, many thousands of rare (and some priceless) pieces were identified, and returned to the countries from which they had been taken. But not all of the paintings, statues, and archaeological treasures were recovered: Some were taken by Soviet troops and disappeared into Russia. Still others slipped into the black market in western Europe, and were snapped up by wealthy (if unprincipled) collectors. A 1995 symposium at the Bard Graduate Center for Studies in the Decorative Arts brought together European and American investigators and historians to discuss both the the Nazi thefts and the current state of knowledge of the whereabouts of the many still missing treasures. Those papers are reprinted here. While the pieces are detailed, dry, and likely to be of most interest to specialists, there are some extraordinary stories, most prominently the description of the recent rediscovery of ``Priam's treasure,'' excavated by Schliemann at Troy and hidden since WW II in a Russian museum. (123 illustrations, 25 in color).
Hardcover. London, England, Adam and Charls Black, 1st Edition, 1969, Book: Good, Dust Jacket: Very Good, 328 pages. Hardcover. Color and b/w illustrations by Victor Ambrus throughout. Decorated cover boards, cover boards slightly warped, but no moisture damage present. Back endpaper has an horizontal air-bubble. pages clean and unmarked with exception of half title page with has a small brown smudge. Dust jacket unclipped, slightly tanned from age. Light tanning to edges. Binding tight. Spine straight. Here is the story of the British people, written by an author renowned as 'the young reader's historian' and illustrated by an artist who is amongst the most talented book illustrators of our time.
Hardcover. Washington, Prestel, 1st, 2016, Book: Very Good, Dust Jacket: None, 288 pages. Softcover. Very clean, like new in publishers shrink-wrap. This book pays tribute to the mature work of Stuart Davis, a distinctly American artist who adapted European modernism to reflect the sights, sounds, and rhythms of popular culture. Beginning in 1921, a series of creative breakthroughs led Davis away from figurative painting and toward a more abstract expression of the world he inhabited. Drawing upon his admiration for Cezanne, Leger, Picasso, and Seurat, Davis developed a style that would evolve over the next four decades to become a dominant force in postwar art. His visionary responses to modern life and culture both high and low remain relevant more than 50 years after his death. Focusing on the images and motifs that became hallmarks of his career, this book features approximately 100 works-from his paintings of tobacco packages of the early 1920s, the abstract Egg Beater series, and the WPA murals of the 1930s, to the majestic works of his last two decades. The authors take a critical approach to the development of Davis's art and theory, paying special attention to the impact his earlier work had upon his later masterpieces. They also discuss Davis's unique ability to assimilate the lessons of Cubism as well as the imagery of popular culture, the aesthetics of advertising, and the sounds and rhythms of jazz-his great musical passion. Informed by previously unpublished primary documents, the detailed chronology is, in effect, the first Davis biography. Together, these elements create a vital portrait of an artist whose works hum with intelligence and energy.
 "Story of Britain, Theby: Unstead, R.J., Victor Ambrus (Illustrator)")
 "Stuart Davis: In Full Swingby: Cooper, Harry")