art landscape

Hardcover. NY, Charles Scribner's Sons, 1st US, 1900, Book: Good, Dust Jacket: None, Hardcover, 346 pages plus publisher's ads. Blue cloth with red shirt loading a musket on front board. 8 b&w plates by William Rainey (1852-1936) was a noted landscape painter and figure artist who regularly illustrated books for Henty. Hinge cracked at title page. Moderate shelf wear. No markings.

Hardcover. New York, Oxford University Press, 1st, 1999, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 242 pages. B&w and color prints. Lavishly illustrated catalog presenting a fascinating cultural history of an idyllic vision of California that still figures prominently in the American imagination. Red cloth, gilt lettering to spine. Pictorial dust jacket. Copy in mint condition, looks brand new.

Hardcover. NY, Knopf, 1st, 2009, Hardcover, 384 pages. Ronsequist writes about growing up in a tight-knit community of Scandinavian farmers in North Dakota and Minnesota in the late 1930s and early 1940s; about his mother, who was not only an amateur painter but, along with his father, a passionate aviator; and about leaving that flat midwestern landscape in 1955 for New York, where he had won a scholarship to the Art Students League. George Grosz, Edwin Dickinson, and Robert Beverly Hale were among his teachers, but his early life was a struggle until he discovered sign painting. He describes days suspended on scaffolding high over Broadway, painting movie or theater billboards, and nights at the Cedar Tavern with Willem de Kooning, Franz Kline, and the poet LeRoi Jones. His first major studio, on Coenties Slip, was in the thick of the new art world. Among his neighbors were Ellsworth Kelly, Robert Indiana, Agnes Martin, and Jack Youngerman, and his mentors Robert Rauschenberg and Jasper Johns.

Hardcover. London, Jupiter Books, First Edition, 1978, Book: Very Good, Dust Jacket: Good, 31 pages text followed by 130 plates. Hardcover. Blue cloth boards with gilt titles to spine. Frontis photograph of the artist, L. S. Lowry, Stockport, Winter 1962. Full page, full color & bw plates throughout. Dust jacket with wear & toning to edges. Clean, unmarked copy.

Softcover. London, Phaidon, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, 160 pages. Paul Graham's intense color photographs map a social and cultural landscape. This work brings together portraits, landscapes and interiors from his British, European and Japanese series. Graham has exhibited worldwide, including the Museum of Modern Art, New York and the Tate Gallery, London.

Softcover. Washington and Lee University, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 100 pages. The 2005 issue, Volume 12, of Perspectives in Vernacular Architecture: The Journal of the Vernacular Architecture Forum contains the articles: "Selling Domestic Space: The Boarding House in the Southern Mountains" by Michael Ann Williams; "La Casa Alamense: The Mexican Hacienda as Urban Dwelling" by John Messina; "Unraveling the Benjamin Deyerle Legend: An Analysis of Mid-Nineteenth-Century Brickwork in the Roanoke Valley of Virginia" by Michael J. Pulice; "Orson S. Fowler and a Home for All: The Octagon House in the Midwest" by Rebecca Lawin McCarley; and "Roadside Shrines and Granite Sketches: Diversifying the Vernacular Landscape of Memory" by David Charles Sloane.

Hardcover. New York , Skira, 1st, 2006-09-05, Book: Very Good, Dust Jacket: Very Good, Hardcover, like new in publishers shrink-wrap. 224 pages profusely illustrated in color. This book describes the grandeur and richness of the numerous civilizations predating the Incas, including the Paracas, Nazca, Recuay, Sican-Lambayeque, Moche-Sipan, and Chimu cultures, as well as the great Inca civilization. Included in the book are the important sites and landscapes representative of the three major ecological levels of Peru, as well as a general view and a historical perspective of the pre-Columbian cultures of Peru.

Softcover. US, Paul Holberton Publishing, 1st, 2012, Book: Very Good, Dust Jacket: None, 152 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to wrappers. Sir Peter Lely (1618-1680) was Charles II's Principal Painter and the outstanding artistic figure of Restoration England. When Lely arrived in England in the early 1640s his ambition was to be a painter of narrative scenes and not to work as a portraitist. However, the 'subject pictures' did not find favor with many English patrons and he produced less than thirty. As Lely's friend Richard Lovelace explained, all they wanted was "their own dull counterfeits" or portraits of their mistresses. Thus, Lely was obliged to turn to portraiture to make a living. Yet, his poetic pictures of figures in idyllic landscapes are among the most beautiful paintings made in 17th-century England and this catalog will be the first in-depth look at this important chapter of this major painter's career.

Hardcover. Dial Press, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, 216 pages. Hardcover. Color photographs. Clean, unmarked copy in excellent condition with minor wear to dust jacket. Sergei Prokudin-Gorskii was a chemist and photographer commissioned by Tzar Nicholas II to photograph as much of the Russian Empre as possible in color. Prokudin-Gorskii used three color separations for his photos and as a result some pictures are astoundingly sharp and brilliantly colored, and some the colors are out of register slightly. That's irrelevant, because the photos are spectacular and show the Russian Empire from end to end on the eve of its collapse.

Hardcover. Prestel Publishing, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 576 pages. Unlike many other artistic media, photographys origins are well documented, as are its ever-changing technologies and applications. Written by an international team of experts, this definitive history of photography looks at every step of the fields dynamic evolution, period by period and movement by movement. Each key genre is chronologically presented within its social, economic, and political context, along with close analysis of specially selected works that best exemplify the characteristics of the period. With more than 500 gorgeous examples in black and white and color, the book explores in-depth virtually every aspect of the medium since its first public demonstration in 1839 to the latest innovations: from early portraits and the birth of photojournalism to travel photography and the mapping of the world; from the Pictorialists to the avant-garde; from celebrity and fashion to documentary and landscape. Along the way readers will learn why some photographs are considered iconic, and why the medium as an art form continues to challenge and enthrall us. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

NY, Harper & Brothers , reprint, 1900, Book: Very Good, Dust Jacket: None, Hardcover, 385 pages. Illustrated with a frontispiece and 48 half tone photographs. Original decorated publisher's cloth, with gilt titles. First published in 1897. Account of Sicily at the turn of the 20th century, with a focus on the art, history, and landscape of the Island, from the largest of cities to its hamlets and villages. Contemporary color postcard laid in. Original pale green cloth fafed, previous owners name, embossed stamp on front fly leaf, otherwise clean.

Hardcover. NY, William Edwin Rudge, 1st, 1930, Book: Good, Dust Jacket: None, Hardcover, red cloth, 46 pages + 51 b&w plates (color frontispiece). Russian artist and diplomatic secretary Paul or Pavel Svinin (1787-1839) toured the northeastern United States in the early 1800s. Here are excerpts of his notes, details about the time and his trip, and 51 BW reproductions of landscapes he rendered along the way. Most of the paintings show scenes from Pennsylvania, New York, New Jersey, Virginia and Maryland. Of interest to both cultural and art historians. With an introduction by R.T.H. Halsey. One of 1000 copies. Ex-lib with stamping, residue to endpapers, gilt lettering on spine faded, otherwise clean.

Hardcover. New York, Aperture , 1st, 2001, Book: Very Good , Dust Jacket: Very Good, Hardcover, 144 pages, B&W photos. In original shrink wrap. For almost sixty years Pirkle Jones has chronicled the people, politics, and landscape of Northern California-a "promised land" which has long held sway in the American cultural imagination. Within the confines of that locale, he has unearthed a universe of beauty and meaning, photographing everything from flea-market finds to some of the most important American social movements of the second half of the twentieth century. Operating primarily within a social-documentary framework, Jones has made images characterized by sensitivity and acute observation. With uncanny prescience, a sense of urgency, and a sympathetic eye, Jones often plays the dual roles of artist and witness, combining portraiture, landscapes, and architectural photographs to create thorough documents of social structure and upheaval. Among the photo-essays included in Pirkle Jones: California Photographs are a compassionate and controversial piece on the Black Panther Party in the San Francisco Bay Area, Jones's portraits of the Sausalito houseboat community known as Gate 5, and a notable 1956 photo-essay done in collaboration with Dorothea Lange photographing the destruction and dislocation of the Berryessa Valley before it was flooded on completion of the Monticello Dam. Produced as a single issue of Aperture magazine in 1960 under the name "Death of a Valley", this essay remains a powerful testament to the price of progress. The book also includes Jones's work from the last few decades, in which he shifted his focus to an extended series of elegant, contemplative landscapes. A biographical essay by curator Tim B. Wride frames Jones and his work within the context of photographic history, the people he collaborated with-including Ansel Adams as well as Lange-and the great scope of Californian life.

Hardcover. Berkeley, University of California, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 292 pages. Hardcover with sunned dust jacket. INSCRIBED BY AUTHOR ON FRONT FLY LEAF. Clean and tight copy. Color and black and white photographs throughout.

Rome, Contrasto, 1st, 2010, Book: Very Good, Dust Jacket: None, Hardcover, 136 pages, 53 b&w plates. A collection of 53 photographs of Pompeii, never published before, shot by the master photographer Mimmo Jodice. Unique images, visions conjuring up a long-lost past tradition, coupled with texts by Ethan Canin, Jim Nisbet and Jay Parini. No dj issued.

Hardcover. Oxford, Oxford University Press, 1st, 1973, Book: Very Good, Dust Jacket: Good, 193 pages, 8 color and 100 b&w plates. Examines the approach of the Pre-Raphaelite Brotherhood and their associates to the natural world. It is the first serious examination of the consequences of the Pre-Raphaelite creed of 'exact truth to nature', which led to the ever increasing importance of natural detail in Pre-Raphaelite school of landscape painting. Following a discussion of the developing interest in the precise depiction of nature by the Pre-Raphaelites from 1848 to 1851, chapters on individual artists, many hitherto almost forgotten, trace the history of the Pre-Raphaelite landscape in the 1850s and 1860s and its relation to earlier and later art in England and abroad. Much new light is cast on Ruskin's central role as theorist, patron, and critic of mid Victorian art.

Hardcover. NY, Taschen, reprint, 2025, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Color frontispiece. Black & white illustrations throughout on every page. 11" high X 8" wide, 448 pages. The perfect tribute to the world's favorite dirty old man. It spans the years 1982 to 1989, a period when the artist was comfortably ensconced in rural California, raising his young daughter Sophie, who appears throughout this volume. But Crumb was still Crumb, declaring in one drawing, above a lovingly rendered tree, "As I get older I get more twisted, convoluted, depraved, cynical, embittered, self-centered, jaded, debauched, ruthless, greedy, conceited, set-in-my-ways, long-winded, absent-minded, prejudiced, closed-minded, misanthropic, nervous..." To prove this self-flagellating analysis he fills the pages with his signature perversions (in country settings), scathing social commentary, cruel self-portraits, experimental cubism... and some lovely sylvan landscape. His mastery of the Rapidograph pen is at its zenith here in his 40s, Clean, still in publisher's shrinkwrap.

Hardcover. London, Korero Press, Revised Ed., 2025, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 479 pages in color. Science-fiction paperbacks exploded over the 1940s and '50s literary landscape with the force of an alien gamma bomb. Titles such as Rodent Mutation, The Human Bat vs. The Robot Gangster, Dawn of the Mutants and Mushroom Men from Mars appeared from fly-by-night publishers making the most of the end of post-war paper rationing. They were brash and seductive - for around a shilling the future was yours. Despite the tight deadlines and poor pay, the books' cover artists still managed to produce works of multi-hued, brain-bending brilliance, and collected here is an overview of their output during an unparalleled period of brash optimism and experimentation in publishing. This is the updated edition with 16 new pages. Clean copy.

Hardcover. London, Korero Press, Revised Ed., 2024, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 479 pages in color. Science-fiction paperbacks exploded over the 1940s and '50s literary landscape with the force of an alien gamma bomb. Titles such as Rodent Mutation, The Human Bat vs. The Robot Gangster, Dawn of the Mutants and Mushroom Men from Mars appeared from fly-by-night publishers making the most of the end of post-war paper rationing. They were brash and seductive - for around a shilling the future was yours. Despite the tight deadlines and poor pay, the books' cover artists still managed to produce works of multi-hued, brain-bending brilliance, and collected here is an overview of their output during an unparalleled period of brash optimism and experimentation in publishing. This is the updated edition with 16 new pages. Clean copy.

Hardcover. Middlebury, VT, Paul S. Eriksson, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, 110 pages, color art reproductions, b&w photos, small taped tears to price-clipped dust jacket, clean, tight copy.

Hardcover. Washington DC, National Gallery of Art, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 296 pages, color plates throughout. Exhibition catalog, five scholarly essays. In publisher's shrinkwrap.

Hardcover. Germany, Hatje Cantz Publishers, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 159 pages. Like new in publishers shrink-wrap. The prominent Genovese architect Renzo Piano--recipient of the 1998 Pritzker Award and architect of the Whitney Museum of American Art and Morgan Library renovations, as well as the new New York Times building--has just completed a new and unusual museum building--the Zentrum Paul Klee on the outskirts of Bern. The center, says Piano, is dedicated to the "poet of silence," and thus it was fitting to consider building a museum that would speak softly. The Zentrum Paul Klee rises upward in the form of three hills connected by a 150-meter-long thoroughfare, the "Museum Street" serving as a path within the complex. The three structures make up a harmonious yet prominent landscape sculpture whose roofs are supported by innovative steel construction. Includes photographs, design sketches, plans and models--a living image of a magnificent building.

Hardcover. Germany, Hatje Cantz Publishers, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 159 pages. Like new in publishers shrink-wrap. The prominent Genovese architect Renzo Piano--recipient of the 1998 Pritzker Award and architect of the Whitney Museum of American Art and Morgan Library renovations, as well as the new New York Times building--has just completed a new and unusual museum building--the Zentrum Paul Klee on the outskirts of Bern. The center, says Piano, is dedicated to the "poet of silence," and thus it was fitting to consider building a museum that would speak softly. The Zentrum Paul Klee rises upward in the form of three hills connected by a 150-meter-long thoroughfare, the "Museum Street" serving as a path within the complex. The three structures make up a harmonious yet prominent landscape sculpture whose roofs are supported by innovative steel construction. Includes photographs, design sketches, plans and models--a living image of a magnificent building.