art literature

Hardcover. NY, Da Capo Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Fug You is Ed Sanders's unapologetic and often hilarious account of eight key years of "total assault on the culture," to quote his novelist friend William S. Burroughs. Fug You traces the flowering years of New York's downtown bohemia in the sixties, starting with the marketing problems presented by publishing Fuck You / A Magazine of the Arts, as it faced the aboveground's scrutiny, and leading to Sanders's arrest after a raid on his Peace Eye Bookstore. The memoir also traces the career of the Fugs -- formed in 1964 by Sanders and his neighbor, the legendary Tuli Kupferberg (called "the world's oldest living hippie" by Allen Ginsberg) -- as Sanders strives to find a home for this famous postmodern, innovative anarcho-folk-rock band in the world of record labels.

Hardcover. New York, Beaufort Books, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 375 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout.

Softcover. Bloomington IN, Indiana University Press, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 209 pages. This groundbreaking study explores the Harlem Renaissance as a literary phenomenon fundamentally shaped by same-sex-interested men. Christa Schwarz focuses on Countee Cullen, Langston Hughes, Claude McKay, and Richard Bruce Nugent and explores these writers' sexually dissident or gay literary voices. The portrayals of men-loving men in these writers' works vary significantly. Schwarz locates in the poetry of Cullen, Hughes, and McKay the employment of contemporary gay code words, deriving from the Greek discourse of homosexuality and from Walt Whitman. By contrast, Nugent-the only "out" gay Harlem Renaissance artist-portrayed men-loving men without reference to racial concepts or Whitmanesque codes. Schwarz argues for contemporary readings attuned to the complex relation between race, gender, and sexual orientation in Harlem Renaissance writing. Clean copy.

Softcover. Oakland CA, PM Press;, 1st, 2017, Book: Very Good, Dust Jacket: None, Softcover, 336 pages. The first comprehensive account of how the rise of postwar youth culture was depicted in mass-market pulp fiction. As the young created new styles in music, fashion, and culture, pulp fiction shadowed their every move, hyping and exploiting their behavior, dress, and language for mass consumption and cheap thrills. With their lurid covers and wild, action-packed plots, these books reveal as much about society's deepest desires and fears as they do about the subcultures themselves. Featuring approximately 400 full-color covers, many of them never before reprinted, along with 70 in-depth author interviews, illustrated biographies, and previously unpublished articles, the book goes behind the scenes to look at the authors and publishers, how they worked, where they drew their inspiration and--often overlooked--the actual words they wrote. It is a must read for anyone interested in pulp fiction, lost literary history, retro and subcultural style, and the history of postwar youth culture.

NY, Grove Press, 1st US, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 404 pages. Acclaimed novel based on the life of botanic artist William Buelow Gould (1801-53). In this account, Gould is a white convict condemned to the most feared penal colony in the British Empire, Port Arthur, Tasmania, in 1828 and there ordered to paint a book of fish. Gould, invader of Australia, liar, murderer and forger, falls in love with a black woman and discovers too late that to love is not safe. The book's design features colour reproductions of Gould's original art work, and each chapter is printed in a different colour ink. The book has been awarded the 2002 Commonwealth Writers Prize and Australian Literature Society's Gold Medal, and the Australian Publisher's Association 2002 Joyce Thorpe Nicholson Best Designed Book of the Year. Clean copy

Hardcover. NY, Oxford University Press, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, glazed boards, 205 pages. Much has been written about Graham Greene's relationship to his Catholic faith and its privileged place within his texts. His early books are usually described as "Catholic Novels" - understood as a genre that not only uses Catholic belief to frame the issues of modernity, but also offers Catholicism's vision and doctrine as a remedy to the present crisis in Western civilization. Greene's later work, by contrast, is generally regarded as falling into political and detective genres. In this book, Mark Bosco argues that this is a false dichotomy created by a narrowly prescriptive understanding of the Catholic genre and obscures the impact of Greene's developing religious imagination on his literary art. Clean copy.

Softcover. San Francisco, Pomegranate, Revised Ed., 2001, Book: Very Good, Dust Jacket: None, Softcover, 168 pages. Many cans of tuna have been opened and emptied since the collection's first mostly black-and-white edition, in 1981; the revised edition adds more color art as well as coverage of classics including The Cat in the Hat, Bill the Cat, and pets penned by B. Kliban and Edward Gorey. The volume covers cartoon depictions of the cat dating back to 1100 B.C., though the bulk of the images date to the 20th century. Brief essays about printing, literature, contemporary society, and other historical facts are interspersed with the goods selections from the comics themselves. Editor Whyte is a publisher who founded the Cartoon Art Museum in San Francisco.

Softcover. San Francisco, Pomegranate, Revised Ed., 2001, Book: Very Good, Dust Jacket: None, Softcover, 168 pages. Many cans of tuna have been opened and emptied since the collection's first mostly black-and-white edition, in 1981; the revised edition adds more color art as well as coverage of classics including The Cat in the Hat, Bill the Cat, and pets penned by B. Kliban and Edward Gorey. The volume covers cartoon depictions of the cat dating back to 1100 B.C., though the bulk of the images date to the 20th century. Brief essays about printing, literature, contemporary society, and other historical facts are interspersed with the goods selections from the comics themselves. Editor Whyte is a publisher who founded the Cartoon Art Museum in San Francisco.

Hardcover. NY, Columbia University Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 328 pages. William Logan has been a thorn in the side of American poetry for more than three decades. Though he has been called the "most hated man in American poetry," his witty and articulate reviews have reminded us how muscular good reviewing can be. These new essays and reviews take poetry at its word, often finding in its hardest cases the greatest reasons for hope. Logan begins with a devastating polemic against the wish to have critics announce their aesthetics every time they begin a review. "The Unbearable Rightness of Criticism" is a plea to read those critics who got it wrong when they reviewed Lyrical Ballads or Leaves of Grass or The Waste Land. Sometimes, he argues, such critics saw exactly what these books were-they saw the poems plain yet often did not see that they were poems. In such wrongheaded criticism, readers can recover the ground broken by such groundbreaking books. Logan looks again at the poetry of Wallace Stevens, Frank O'Hara, and Philip Larkin; at the letters of T. S. Eliot, Elizabeth Bishop, and Robert Lowell; and at new books by Louise Gluck and Seamus Heaney. Always eager to overturn settled judgments, Logan argues that World War II poets were in the end better than the much-lauded poets of World War I. He revisits the secretly revised edition of Robert Frost's notebooks, showing that the terrible errors ruining the first edition still exist. The most remarkable essay is "Elizabeth Bishop at Summer Camp," which prints for the first time her early adolescent verse along with the intimate letters written to the first girl she loved. Clean, like new.

Hardcover. Berkeley , University of California Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, unclipped dust jacket, 455 pages. This biography of Henry Thoreau offers insight into his social activism, his interest in fine arts, William Gilpin and John Ruskin's influence on his nature writing, and his involvement in, and influence by, the Agassiz-Darwin debate over "The Origin of Species." Name on front fly leaf, otherwise clean.

Hardcover. Prague, Twisted Spoon Press, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly soiled dust jacket, 150 pages. B&w frontis. The works of the Czech Symbolist Otokar Brezina (1868-1929), a writer twice nominated for the Nobel Prize in Literature, influenced an entire generation of artists in Bohemia and Moravia. Hidden History (published posthumously in 1935) is one of the most important works of 20th century Czech prose and represents the apotheosis of Brezina's endeavors in the essay form. In this finely crafted collection, he discusses the role of art as a vanguard of developments in science and as a force for social change. These essays also contribute to an understanding of Brezina's poetry, for which he is better known. They comprise the most systematic exposition of his aesthetic creed, which served to inspire the Czech writers and literary critics who followed in his footsteps. This edition is the first complete English translation of any complete volume of Brezina's work. Afterword by Petr Holman. Light foxing, no markings.

Softcover. Los Angeles, The Augustan Reprint Society, reprint, 1982, Book: Very Good, Dust Jacket: None, Softcover, 70 pages, a facsimile reprint of his fantastic tales first published in 1785. Horatio Walpole, also known as Horace Walpole, was an English art historian, man of letters, antiquarian and Whig politician. His literary reputation rests on his Gothic novel, The Castle of Otranto (1764) and his Letters, which are of significant social and political interest. "The Hieroglyphic Tales were undoubtedly written a little before the creation of the world, and have ever since been preserved, by oral tradition, in the mountains of Crampcraggiri, an uninhabited island, not yet discovered. Of these few facts we could have the most authentic attestations of several clergymen, who remember to have heard them repeated by old men long before they, the said clergymen, were born." (From Walpole's own ntroduction). Clean copy.

Softcover. NY, Grove Press, reprint, 1997, Book: Very Good, Dust Jacket: None, Softcover, 239 pages. Hettie Jones presents an intimate memoir of her life--from her middle-class Jewish family in Queens to her marriage to the controversial black poet LeRoi Jones and her search for her own artistic voice. Clean copy.

Hardcover. San Francisco, Chronicle Books, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages, fine in fine dust jacket. (10 1/2" X 12 1/4"). Color and b&w illustrations throughout. In celebration of the thirtieth anniversary of the Summer of Love, the Rock and Roll Hall of Fame and Museum has launched a major exhibition examining how rock & roll came of age in the late Sixties and influenced everything from fashion and art to politics and literature. I Want to Take You Higher expands on that exhibit, showcasing the infamous icons of the era - from John Lennon's Sgt. Pepper uniform to Janis Joplin's hand-painted Porsche. A host of revealing new interviews offer never-before-published tales from the land of psychedelic wonder. Country Joe McDonald, Allen Ginsberg, Grace Slick, Mickey Hart, Donovan, Bob Weir and members of the influential bands Big Brother and the Holding Company, Quicksilver Messenger Service, Moby Grape and many others contribute fresh perspectives on now-legendary events. I Want to Take You Higher also features posters, paraphernalia and an illustrated time line (just in case you forgot), as well as classic and previously unpublished images from the greatest rock photographers of the era: Jim Marshall, Baron Wolman, Robert Whitaker, Michael Cooper, Herb Greene, Bob Seidemann and others. Due to size and weight, DOMESTIC SHIPPING ONLY.

Hardcover. Guilford CT, Backbeat, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 304 pages, b&w illustrations. Phil Ochs is known primarily as a songwriter; however, his oeuvre extends far beyond that--to short stories, poetry, criticism, journalism, and satire, all of which are included in I'm Gonna Say It Now: The Writings of Phil Ochs, which represents the majority of what Ochs wrote outside of his large circle of songs. This comprehensive tome presents another side of the famous topical songwriter, showcasing his prose and poetry from across the full span of his life.From prizewinning stories and clear-eyed reporting while a journalism major in college to music criticism, satires, and political pieces written while part of the burgeoning folk scene of New York City in the early 1960s and during the tumultuous Vietnam War era; from sharp and lyrical poems (many previously unpublished) to reviews, features, and satires written while living in Los Angeles and the final, elegiac coda writings from near the end of his life--I'm Gonna Say It Now presents the complete picture. The book includes many rare or nearly impossible to find Ochs pieces, as well as previously unpublished works sourced from the unique holdings in the Ochs Archives at the Woody Guthrie Center. Additionally, never-before-seen reproductions from Ochs's journals, notebooks, and manuscripts provide a closer look at the hand of the artist, giving a deeper context and understanding to his writings. Never before published photographs of Ochs bestow the visual cherry on top.

Hardcover. Milan, A. Mondadori, 1st, 1945, Book: Very Good, Dust Jacket: None, Hardcover, 6 unnumbered pages including the inside of both covers. Publisher's thick pictorial boards backed in white cloth-patterned paper & saddle stapled Lightly soiled, edges slightly rubbed, otherwise very good. A nice example with all flaps and concealed color illustrations in perfect working order. Laid in is a typed English translation of the text. Bruno Munari was "one of the most celebrated names in twentieth century Italy in graphic designing who fundamentally altered the landscape of many fields of visual arts, futurism and modernism He is credited for his contribution to industrial design, sculpture, painting, literature, film and concrete art." A collector's copy of this scarce title.

Hardcover. Chapel Hill NC, University of North Carolina Press, 1st, 2001, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers with silver lettering, 384 pages, b&w illustrations. Say "New England" and you likely conjure up an image in the mind of your listener: the snowy woods or stone wall of a Robert Frost poem, perhaps, or that quintessential icon of the region--the idyllic white village. Such images remind us that, as Joseph Conforti notes, a region is not just a territory on the ground. It is also a place in the imagination. This ambitious work investigates New England as a cultural invention, tracing the region's changing identity across more than three centuries. Incorporating insights from history, literature, art, material culture, and geography, it shows how succeeding generations of New Englanders created and broadcast a powerful collective identity for their region through narratives about its past. Whether these stories were told in the writings of Frost or Harriet Beecher Stowe, enacted in historical pageants or at colonial revival museums, or conveyed in the pages of a geography textbook or Yankee magazine, New Englanders used them to sustain their identity, revising them as needed to respond to the shifting regional landscape. Clean copy. No dust jacket.

Softcover. Greensboro NC, University of North Carolina Press, 1st, 1999, Book: Very Good, Dust Jacket: None, 108 pages, illustrated in color and b&w. Softcover exhibition catalog featuring the poet's collaboration with various artists like John Altoon, Donald Sultan, others. Includes a CD-ROM.

Hardcover. Penn State University Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 328 pages illustrated in color. Jean-Auguste-Dominique Ingres has long been recognized as one of the great painters of the modern era and among the greatest portraitists of all time. Over a century and a half of scholarly writing on the artist has grappled with Ingres's singular identity, his relationship to past and future masters, and the idiosyncrasies of his art. Ingres and the Studio: Women, Painting, History makes a unique contribution to this literature by focusing on the importance of Ingres's training of students and the crucial role played by portraits-and their subjects-for Ingres's studio and its developing aesthetic project. Rather than understanding the portrait as merely a screen onto which the artist's desires were projected, the book insists on the importance of accounting for the active role of portrait sitters themselves. Through careful analysis of familiar and long-overlooked works, Ingres and the Studio traces a series of encounters between painters and portrait subjects in which women sitters-such as the artist Julie Mottez, art critic, salonniere, and historian Marie d'Agoult, and tragic actress Rachel-emerge as vital interlocutors in a shared aesthetic project. Still in publisher's shrinkwrap.

Hardcover. Chapel Hill NC, University of North Carolina Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 277 pages, illustrated in b&w and color. The putto (often portrayed as a mischievous baby) appears frequently in the art and literature of Renaissance Italy. The "spiritelli" embody a minor species of demon, neither good nor bad. This book discusses the manifestations of the putto-spiritello in 15th-century art and literature. It offers parallel interpretations of two works: Botticelli's "Mars and Venus", a painting in which infant Satyr-putti appear as the panic-inducing spirits of the nightmare, and Politian's "Stanze", a poem in which masked cupids appear to the hero in a deceiving dream. The text concludes with an examination of the functions of such masks in the poetry and public masquerades sponsored by Lorenzo de'Medici and in Michelangelo's scheme for the decoration of the Medici Chapel. Clean copy.

Hardcover. Boston, Houghton Mifflin Harcourt, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 181 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy.

Hardcover. Stanford CA, Stanford University Press, 1st, 1963, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with gilt lettering on the spine. No dust jacket. 384 pages, b&w illustrations. The biography of an influential critic gives a vivid picture of American cultural life from the 1880s to the 1920s. INSCRIBED BY ERIK HUNEKER, SON OF JAMES on the front fly leaf. Clean copy.

Softcover. New York, Thames & Hudson, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, 112 pages. Like new in publisher's shrink-wrap. This book selects from Jane Bown's whole range of her photography during the forty-five years she has worked for London's Observer, starting with scenes typical of the fifties and ending with others characteristic of the nineties. The portraits, sandwiched between these and forming the body of the book, themselves range widely - from such proven classics as those of Samuel Beckett, Mick Jagger and John Gielgud, to early studies of the Beatles and recent photos of Alan Bennett, Archbishop Tutu, Boy George and Woody Allen among a great variety of famous people in the worlds of music, literature, stage, screen, politics and the arts.

Softcover. New York, Thames & Hudson, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, 112 pages. This book selects from Jane Bown's whole range of her photography during the forty-five years she has worked for London's Observer, starting with scenes typical of the fifties and ending with others characteristic of the nineties. The portraits, sandwiched between these and forming the body of the book, themselves range widely - from such proven classics as those of Samuel Beckett, Mick Jagger and John Gielgud, to early studies of the Beatles and recent photos of Alan Bennett, Archbishop Tutu, Boy George and Woody Allen among a great variety of famous people in the worlds of music, literature, stage, screen, politics and the arts. Clean. bright copy.