art nature

Hardcover. Seattle, University of Washington Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 113 pages, b&w illustrations. When architects create a landscape or building, when artists depict a landscape, and when poets write of nature, they recreate certain aesthetic elements observed in nature. Jay Appleton asserts in an insightful analysis that these aesthetic values in landscape are not found in an elevated philosophy of aesthetics or in a culturally bound artistic symbolism but in the biological and behavioral needs that we share with other animals. Thus, the aesthetics of landscape may be approached through other areas of human experience and science, especially the natural and behavioral sciences. They are expressed in symbolism drawn from a primal habitat in which all animals seek survival. Clean copy.

Hardcover. Berkeley CA, Ten Speed Press, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. An illustrated tour of the planet exploring ecosystems large and small, from reefs, deserts, and rainforests to a single drop of water. Making earth science accessible and entertaining through art, maps, and infographics, The Wondrous Workings of Planet Earth explains how our planet works-and how we can protect it-from its diverse ecosystems and their inhabitants, to the levels of ecology, the importance of biodiversity, the cycles of nature, and more. Clean copy.

Hardcover. Wisconsin, Stanton & Lee Publishers, Inc., 1st, 1983, Book: Very Good, Dust Jacket: Good, Hardcover, 240 pages. SIGNED BY OWEN GROMME. Color and b/w illustrations throughout. "SIGNED" sticker on front cover. Dust cover shows wear: some chipping on spine and edges, small tears along edges, light fading. Boards in great shape, only very light fading along bottom edges. From the dust jacket front flap: "...presents the life and art of a man who through eight decades of accomplishment as a naturalist and artist has provided us with a link between the 19th and 21st centuries."

Hardcover. NY, Viking / Madison Press Books, 2nd pr., 1986, Book: Very Good, Dust Jacket: Very Good, Oversized hardcover with dust jacket, second (1986) printing, 168 pages. Selection of over 90 of Robert Bateman's wildlife paintings, reproduced in full color, together with his commentaries as a naturalist, plus an introduction based on extensive travels and interviews with the artist. DOMESTIC SHIPPING ONLY.

Hardcover. New Haven CT, Yale University Press, 1st, 2001, Book: Very Good, Dust Jacket: None, Hardcover in burgundy cloth boards with gilt lettering to front panel and spine, as issued w/out dj. Short inscription on front fly leaf, otherwise clean. This book gathers together for the first time an important body of texts written between 1672 and 1686 by the great German philosopher and polymath Gottfried Leibniz. These writings, most of them previously untranslated, represent Leibniz's sustained attempt on a problem whose solution was crucial to the development of his thought, that of the composition of the continuum. The volume begins with excerpts from Leibniz's Paris writings, in which he tackles such problems as whether the infinite division of matter entails "perfect points," whether matter and space can be regarded as true wholes, whether motion is truly continuous, and the nature of body and substance. Comprising the second section is Pacidius Philalethi, Leibniz's brilliant dialogue of late 1676 on the problem of the continuity of motion. In the selections of the final section, from his Hanover writings of 1677-1686, Leibniz abandons his earlier transcreationism and atomism in favor of the theory of corporeal substance, where the reality of body and motion is founded in substantial form or force. Leibniz's texts (one in French, the rest in Latin) are presented with facing-page English translations, together with an introduction, notes, appendixes containing related excerpts from earlier works by Leibniz and his predecessors, and a valuable glossary detailing important terms and their translations.

Hardcover. NY, Abrams, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 265 pages illustrated in b&w. From Bill Griffith, creator of Zippy the Pinhead and Nobody's Fool, comes Three Rocks, a biography of cartoonist Ernie Bushmiller, creator of the iconic comic strip Nancy. But this graphic novel is about more than a single comic book artist. It is the story of this American art form, tracing its inception to 1895 with the Yellow Kid, the creation of Nancy in 1933, and all the strips that followed, including Peanuts and The Far Side. When Bushmiller died in 1982, Nancy was running in almost 900 daily newspapers--a number few syndicated cartoonists ever achieve. Nancy is hailed as the "perfect" comic strip by fans and cartoonists alike. The title Three Rocks refers to the trope of three hemispherical rocks often seen in a Bushmiller landscape--just enough to communicate environment to the reader. This distillation is exemplary of the iconic, diagrammatic look of Nancy, a comic strip about the nature of what it means to be a comic strip--the perfect avatar for Griffith to expand upon his philosophy of creating comics. Clean, bright copy.

Hardcover. Univ of Louisiana at Lafayette, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 80 pages. Over the past eight years, Tina Freeman has photographed the Louisiana wetlands and Arctic and Antarctic glaciers. In Lamentations, Freeman pairs images from each place in a series of diptychs that address climate change, ecological balance, and the connectedness of things across time and space. Lamentations demonstrates how the rising waters along the coast of Louisiana are both visually and physically connected to the melting glaciers at the poles, despite the separation of vast distances. Freeman's work makes plain the crucial, threatening, and global dialogue between water in two physical states. Lamentations is published to accompany an exhibition of the same name, organized by and presented at the New Orleans Museum of Art, September 11, 2019 to February 22, 2020. Text was provided by Tina Freeman, Russell Lord, Brent Goehring, and Jady Surrounding along with a forward by Susan M. Taylor.

Hardcover. NY, Harper & Row, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket with mild edgewear. A little boy & girl enjoy all of nature- a field, a cow, a fence, a kittycat. Wonderful color art by Weisgard. Clean copy.

Hardcover. New York, Sirecox, 2nd pr., 1991, Book: Very Good, Dust Jacket: Very Good, 243 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Color photographs throughout. Illustrated with color photographs by Jose Luis Gonzalez Grande. Translation by Louis Bourne. Foreword by Sam K. Sebagereka, Minister for Tourism and Wildlife of Uganda. Preface by Luis Yanez-Barnuevo. A photographic safari of Uganda.

Softcover. New York, Doubleday, 3rd pr., 1986, Book: Very Good, Dust Jacket: None, 128 pages. Softcover with Light edgewear to wrappers. Cartoons by Roz Chast. Cartoons use puns and the author's offbeat sense of humor to poke fun at human nature and modern life in the United States. Originally appeared 1978-1981 mostly in The New Yorker magazine.

Softcover. Cambridge MA, The MIT Press, 1st, 1997, Book: N, Softcover, 119 pages. Ultimately, Viewing Olmsted is a savvy and thought-provoking, yet diminutive picture book. The collaboration of three brilliant photographers under the sponsorship of the Canadian Centre for Architecture, it guides the reader down three highly personal, present day tours of legendary parks designed by Olmsted, the patron saint of American landscape architecture. Happily, though, its readers are left to intellectually fend for themselves as to meanings or implications of Frederick Olmsted's work, genius, and lasting influence as the man who designed such famous spaces as Central Park. Academics and artists will appreciate the fresh visual perspectives offered on the man's legacy, the sometimes soothing, sometimes haunting nature-by-design retreats for the urban soul. Those with more than a passing interest in the ways in which man interacts with his `natural' surroundings will appreciate vistas evocative of place rather than time. To the authors' credit, the book raises more questions than it answers, and is of a scale to fit neatly into a travel case. Far from definitive, the book is, nevertheless, a must have for architects, landscape architects, photographers, and Olmsted aficionados.

Hardcover. Seattle, Fantagraphics, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 240 pages. Only a few months after the devastating attack on Pearl Harbor and the same year that Albert Camus offered the world his bleak vision of man's existence by introducing his philosophical dictum of The Absurd, Virgil Partch burst onto the scene with his own twist on the phrase. Partch was a cartoonist who offered comic counterpoint to the grim headlines and a unique perspective on human nature in the pages of the nation's most popular magazines. Known to millions by his jazzy signature, VIP, this comic genius ushered in a new era of the gag cartoon-zany, sometimes surreal, always hilarious-that inspired a generation of fellow cartoonists starting in the 1940s and '50s. His madcap style of humor was reflected in the cutting-edge comedic sensibilities of Burns & Allen, Jack Benny, Ernie Kovacs, Bob & Ray, Stan Freberg, and Jean Shepherd, and would position Partch as one of the most prolific "gag-men" of his day. VIP contributed to an astonishing array of magazines, wrote gags for other cartoonists, illustrated books, album covers, and advertisements, and adorned merchandise including, appropriately, cocktail glasses.VIP: The Mad World of Virgil Partch is the first time Partch's life and career has been treated in full, collecting amazing artwork from the entire range of his inspired career and featuring his own writings.

Hardcover. NY, Roaring Brook Press], 3rd pr., 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. This spare, poetic picture book follows a group of kids as they move through all the different phases of the water cycle. From rain to fog to snow to mist, author Miranda Paul and artist Jason Chin combine to create a beautiful and informative journey in this innovative nonfiction picture book. Clean copy.

Hardcover. Ames IA, University Museums at Iowa State, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 398 pages. Mainly b&w illustrations with a small color section in center. In 1927, President Raymond Hughes began planning aesthetic improvements to the Iowa State campus. In 1933, at the depth of the Great Depression, and in an act that dramatically illustrates his artistic commitment, he began discussion with Grant Wood and Christian Petersen for each to create a significant mural cycle for the Iowa State College campus in Ames. The federal New Deal s Public Works of Art Project began in 1934 and offered a grand opportunity to employ artists in executing Grant Wood s painted mural for the library, When Tillage Begins, Other Arts Follow, and Christian Petersen s sculpted mural for the Dairy Industry Building, The History of Dairying. This book presents the first history of the Public Works of Art Project in Iowa and the first in-depth examination of the Grant Wood and Christian Petersen murals at Iowa State College. It also discusses the co-operative painting group that Grant Wood developed and illuminates the collaborative nature of the Iowa Project among its artists, as well as between the State University of Iowa in Iowa City and Iowa State College in Ames. Clean, like new. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Methuen Publishing , 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 235 pages. Covers such subjects as black literature; the reconstruction of culture, changing arts, letters and sciences to include the topics of women and gender; and, the nature of family and the changing roles of women within society. As such, Catharine Stimpson employs a transdisciplinary approach, to encourage greater understanding of the differences among women, and thus socially-constructed differences in general. Where the Meanings Are tells of some of the arguments within feminism during the re-designing and designing of cultural spaces, as post-modernism began to change the boundaries of race, class, and gender. Clean copy.

Hardcover. Philadelphia, John C. Winston Co., 1st, 1942, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn, chipped dust jacket. 229 pages,color frontis, endpapers art plus many b&w drawings by Diana Thorne.

Hardcover. NY, Abrams, 1st, 1991, Large hardcover in a bright, unclipped dust jacket. Uncommon monograph regarding British ornithological painter Basil Ede with contributions by H.R.H. The Prince Philip, Walter H. Annenberg, and Jack Warner plus an essay by Robert McCracken Peck. Includes 103 color plates including one foldout as well as 15 b/w illustrations. Clean copy.

NY, Sterling, reprint, Book: Very Good, Dust Jacket: None, Hardcover, glossy pictorial boards. Acclaimed artist and naturalist Jim Arnosky has created a breathtaking and informative reference on the subject, filled with intricately drawn prints from creatures both wild and domestic, as well as large-scale paintings of the animals in their environment. Best of all, many of the tracks are true to size, so children can compare the trace left by a big-footed polar bear (whose paws act as snowshoes in its icy environment) with that of a small bird. Adding to the eye-catching illustrations are four awesome gatefolds that display paintings of a bobcat, wolf, deer and a variety of hoofed animals right next to their prints. And the featured menagerie includes bighorn sheep and goats, chipmunks and rabbits, grizzlies and brown bears, horses and burros, domestic cats and dogs and even slithering reptiles!

Hardcover. New York, Penguin Books, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 115 pages, color photographs throughout. Light edge wear, rubbing to dust jacket. Small previous price sticker on rear cover. Else a clean, tight copy.

Hardcover. New York, Knopf : distributed by Random House, 1st, 1976, Book: Very Good, Dust Jacket: Good, Hardcover, 199 pages, b&w and color illustrations throughout. Edge wear, rubbing, small tears to price-clipped dust jacket. Else a clean, tight copy.

Hardcover. NY, Dodd Mead, reprint, 1896, Book: Very Good, Dust Jacket: None, Hardcover, 285 pages, illustrated with many b&w line engravings by various artists. Light tan cloth covers with bright gilt and dark brown design. Copyright page states 1888, so assumed a reprint. Clean, bright copy.