art pop

Softcover. New York, King Features Syndicate, 1st, 1937, Book: Very Good, Dust Jacket: None, Softcover, 12 pages. Folio (9 1/2 x 13 1/8") flexible linen-like pictorial wraps, some cover soil, internally clean, overall VG. Illustrated on every page with large bright, vibrant color lithos featuring all of the familiar characters. There are 7 lines of text beneath each picture. with illustrations by E. C. Segar (his "cigar" logo printed on one of the illustrated pages). Story of Popeye and Wimpy's fishing trip. Clean.

Hardcover. NY, InterVisual, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover. Eight intricate and highly designed pop ups engineered by James Diaz. This book takes everyday paper and creates origami that pops! Imagine legal paper transformed into a paper bird orgiami and then it pops off the page.

Hardcover. US, Piggy Toes Press, 1st, 2008, Book: Very Good, Dust Jacket: None, Clean, tight copy. In this technical tour de force, father and daughter combine origami-style figures and intricate pop-up effects into six spreads and a double gatefold of paper magic. The art evokes common materials, from a whirl of newspaper doves or passport pages made into sailboats to legal-pad-paper ducks swimming in a desktop "pond" of spilled coffee and, for a spectacular finish, an array of Chinese take-out menus and cartons falling prey to a hungry dragon's attack. The figures are mostly made of precut and glued pieces, but many of the beaks and noses, at least, are actually folded.

Hardcover. US, Piggy Toes Press, 1st, 2008, Book: Very Good, Dust Jacket: None, Clean, tight copy. In this technical tour de force, father and daughter combine origami-style figures and intricate pop-up effects into six spreads and a double gatefold of paper magic. The art evokes common materials, from a whirl of newspaper doves or passport pages made into sailboats to legal-pad-paper ducks swimming in a desktop "pond" of spilled coffee and, for a spectacular finish, an array of Chinese take-out menus and cartons falling prey to a hungry dragon's attack. The figures are mostly made of precut and glued pieces, but many of the beaks and noses, at least, are actually folded.

Hardcover. New York, Harry N. Abrams , 1st US , 1990, Book: Fine, Dust Jacket: Fine, Hardcover, 396 pages. Co-written with Natalia Adaskina, translated from Russian by Marian Schwartz. Originally published in French as "Lioubov Popova" by Philippe Sers Editieur, Paris, 1989. 433 illustrations, 130 full-color plates. Blue cloth cover with red lettering on spine. Dust jacket like new. Pristine inside and out.

Hardcover. Museum of New Mexico Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 124 pages. Featuring eighty-two vintage postcards published beginning at the turn of the century, Postcards of the Night traces American cultural life as it was transformed by industrial strength and shifting demographics. The nation increasingly was growing more educated, upwardly mobile, and urban, and the nighttime postcard popularized this modernism for ordinary consumption. Coalitions of city planners and urban developers, politicians and the media utilized the picture postcard to strategize the role of the individual in the rise of the city. It was the birth of leisure and of travel, the new tourist city to which the postcard needed forcefully to speak, in ways that were equal part artifice and art.

Hardcover. Seattle, WA, Fantagraphics, 1st, 2015, Book: Very Good, Dust Jacket: None, 112 pages. Hardcover with no dust jacket. Two years of the Sunday strips in color. Clean, unmarked copy with only minor wear to covers. The eleventh volume of Fantagraphics award-winning Prince Valiant series concludes our heroes' adventures in Cornwall, and marks the first appearance of Arvak the Red Stallion. At the Council of Kings, Prince Valiant stands alone in the decision to avoid a ruinous war. Val returns to Aleta, and the two are summoned to Camelot, where Queen Guinevere becomes jealous of Aleta's popularity. Meanwhile, Val leads a bloody campaign to secure the Eastern marches and learns the tragedies of war. As the book ends, Prince Valiant begins searching for Gawain. There may just be another adventure afoot. Bonus features include a gallery of Foster's rare and never-before-reprinted advertising art from the 1920s. Hal Foster's Prince Valiant is the most illustrious heroic saga ever written and drawn for the Sunday newspapers. In full, glorious, restored color, this is the finest reproduction of this enthralling, romantic adventure serial ever published. Full color illustrations throughout

Hardcover. Seattle, Fantagraphics, 1st, 2015, Book: Very Good, Dust Jacket: None, Volume 10. Hardcover, 112 pages. Illustrated throughout in color. Clean, tight copy. This tenth volume finds our band of heroes making their way back to the Kingdom of Thule by way of Constantinople and Eastern Russia. Soon they are attacked by a tribe of barbarians who kidnap Aleta for the great Dragada Khan who wants to make her one of his wives. After nearly being killed in battle, Valiant returns to his homeland only to find the threat of hunger hovers over Thule. As Val explores new ways of feeding the kingdom's growing populace, raiders threaten the lives of his family and friends. The volume ends with Val's return to Camelot, a tournament of champions, and the threat of new treachery in Cornwall. This volume also includes an introduction by legendary comics artist Timothy Truman, and a special gallery containing more of Hal Foster's incredible Mountie paintings annotated by comics historian Brian M. Kane.

Hardcover. New York, Clarkson N. Potter, Inc., 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover, 287 pages. Comprehensive catalogue of Reginald Marsh's prints. Illustrated with black/white reproductions of all known prints by Marsh. Also includes biographical text on the artist. Cloth bound book is in near fine condition, dust jacket is in very good condition with small closed tear on the back. Marsh was an American painter, born in Paris, most notable for his depictions of life in New York City in the 1920s and 1930s. Crowded Coney Island beach scenes, popular entertainments such as vaudeville and burlesque, women, and jobless men on the Bowery are subjects that reappear throughout his work.

Hardcover. New York, Clarkson N. Potter, Inc., 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover, 287 pages. Comprehensive catalogue of Reginald Marsh's prints. Illustrated with black/white reproductions of all known prints by Marsh. Also includes biographical text on the artist. Cloth bound book is in near fine condition, dust jacket is in very good condition with small closed tear on the back. Marsh was an American painter, born in Paris, most notable for his depictions of life in New York City in the 1920s and 1930s. Crowded Coney Island beach scenes, popular entertainments such as vaudeville and burlesque, women, and jobless men on the Bowery are subjects that reappear throughout his work.

Hardcover. New York, Sterling Publishing, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 183 pages. Hardcover. Full color illustrations. Light wear. Clean, tight copy. The term pulp fiction has always had a certain resonance; but it is the artwork--bold, energized, dramatic, garishly colorful, and frequently grotesque--that has made pulp magazines memorable to so many people. Pulp Art is the groundbreaking--and ultimate--book on one of America's most important and spectacular forms of illustration art. At last, preserved in this volume are most of the still-existing originals created for the pulp covers, never before seen in all their sharply focused, vibrantly colored brilliance. Robert Lesser, a pioneering collector of this work and an expert on American popular culture, has assembled a gallery of these now-priceless originals. The dynamically pulp-flavored text is a complete historical survey of the pulps and their most important cover artists--Virgil Finlay, J. Allen St. John, Rafael de Soto, Hannes Bok, George and Jerome Rozen, Frank R. Paul, and many others. Also offered are critical discussions of individual paintings, as well as the major themes of the pulp magazines.

Hardcover. Berkeley CA, Counterpoint, 2nd pr., 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dustjacket, 161 pages. An unsuccessful writer and an inveterate alcoholic, Boris Alikhanov has recently divorced his wife Tatyana, and he is running out of money. The prospect of a summer job as a tour guide at the Pushkin Hills Preserve offers him hope of regaining some balance in life as his wife makes plans to emigrate to the West with their daughter Masha, but during Alikhanov's stay in the rural estate of Mikhaylovskoye, his life continues to unravel.Populated with unforgettable characters?including Alikhanov's fellow guides Mitrofanov and Pototsky, and the KGB officer Belyaev? Pushkin Hills ranks among Dovlatov's renowned works The Suitcase and The Zone as his most personal and poignant portrayal of the Russian attitude towards life and art.

Hardcover. Prague, Brown and Watson / Artia, reprint, 1983, Book: Very Good, Dust Jacket: None, Hardcover, glossy pictorial boards. 10" x 8", 6 double page pop-ups of scenes telling the story of Puss-in-Boots. All 6 pop-ups seem to be working & sharp; illustrated with Kubasta cover; ; Treasure Hour Pop-Up Book. Clean copy. NOTE: The scarce original Prague edition in 1960 had 8 pop-ups.

Softcover. Costa Mesa CA, Mazda Publishers, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 134 pages. The history of Iran is a subject attracting increasing interest, and in it the history of the Qajar period, here dated 1796-1925, occupies a pivotal transitional place. The Qajar rulers reunited Iran after a century of weakness and division, and helped create modern Iran and its response to western power. Although the Qajars were not great reformers, their period saw the development of many new trends of thought, ranging from new religious ideas and groups to the adapting of modern ideas to Iranian circumstances. This book covers intellectual trends and equally it covers the political and socioeconomic history of Iran, including the growth of western incursions and control, which led to social, economic, and political disruptions and helped lead to a major revolution that gave Iran a modern constitution. Later developments culminated in a modernizing central government under the Pahlavi shahs. The period 1796-1925 saw a flowering of Iran's visual arts, politically oriented literature, popular culture, and crafts and carpets, and the beginnings of photography and film. The book interprets all these developments as part of a readable and comprehensible history of a period that helped bring Iran into the modern world while continuing its cultural greatness. Clean copy.

Hardcover. New York, New York Graphic Society, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover, 143 pages. color and duotone illustrations and b&w photos throughout. Beautifully illustrating the art of one of Americas most popular artist, Navaho R. C. Gorman. Photography by Chuck Henningsen. SIGNED BY GORMAN on titlepage. Blue cloth, gilt lettering to spine and front. A very attractive and well preserved copy.

Hardcover. New York, NYUP, 1st, 1970, Book: Very Good, Dust Jacket: Good, 303 pages. Hardcover. 246 black & white illustrations, 6 in color. Light wear to dust jacket at corners, edges. Clean, tight copy. Raphael (The Wrightsman Lectures, Delivered Under the Auspices of the New York University Institute of Fine Arts) [Oct 01, 1979].

Hardcover. NY, George Braziller , 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 95 pages. Oblong format. 33 color plates of the artist's fresco in the Vatican. Other b&w illustrations. Recognizing the precocious talent of Raphael, then age twenty-six, Pope Julius II commissioned the artist in 1509 to paint four monumental murals and numerous smaller scenes that gave visual form to the enlightened world of the Renaissance. Guided by the leading scholars of his day, Raphael chose themes that glorified the four branches of learning required for a general education, particularly that of a pope: Theology, Poetry, Jurisprudence, and Philosophy. The painting of the latter, perhaps best known today as "The School of Athens," shows Plato and Aristotle striding through a vast, open hallway and flanked by scientists and philosophers of the ancient world; rediscovered in the Renaissance, they hold a convention where they discuss issues that will inspire a new age. Short inscription on front fly leaf, otherwise clean.

Hardcover. New York, New York University Press, 1st Edition, 1970, Book: Very Good, Dust Jacket: Very Good, 303 pages. Hardcover. 246 illustrations in black & white. 6 full page, full color illustrations. Red cloth covers with gilt titles to spine. Bright dust jacket with tears to edges. Clean, unmarked copy.

Softcover. New Brunswick NJ, Rutgers University Press, 1st pbk., 1990, Book: Very Good, Dust Jacket: None, Softcover, 372 pages. The first set of essays seeks to analyze the patriarchal discourses of a colonial society and includes an analysis of the shaping of Hindu-Aryan identity, the parameters of the discourse on widow-immolation, the "defeminization" of popular culture in nineteenth-century urban Calcutta, the nature of the reforms proposed by early women's journals in Hindi, and the implications of the nationalist movement and of Indo-Anglian literature on middle-class patriarchal norms. The second set of articles relates to women of the productive classes--the reconstitution of patriarchies in the agrarian transition in Haryana, in the Oudh peasant movement, in the armed peasant struggle in Telangana, and among the working class in Bengal. The contributors explore the interrelation of patriarchies with political economy, law, religion, and culture, and suggest a different history of "reform" movements, and of class and gender relations. Clean copy.

Softcover. London, Omnibus Press, Revised Ed., 1979, Book: Very Good, Dust Jacket: None, Softcover, 270 pages. Compiled by Solomon, Howard Pizzey and Martin Watson. Gives you instant answers to thousands of questions. Listed alphabetically by artists, is every top 50 entry, date of entry, number of weeks in chart, highest position reached, original label and catalogue number, plus details of any corresponding success in the U.S.charts. Clean.

Hardcover. London, Tate Publishing, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, pictorial boards with an acetate dust wrapper, 304 pages. Warhol brought to the art world a unique awareness of the relationship that art might have with popular consumer culture and tabloid news, with celebrity, and with sexuality. Each of these themes is explored through visual dialogues between warhol and some sixty artists, among them John Baldessari, Vija Celmins, Gilbert & George, Felix Gonzalez-Torres, Robert Gober, Nan Goldin, Damien Hirst, Alfredo Jaar, Deborah Kass, Alex Katz, Jeff Koons, Barbara Kruger, Glenn Ligon, Robert Mapplethorpe, Vik Muniz, Takashi Murakami, Bruce Nauman, Cady Noland, Elizabeth Peyton, Sigmar Polke, Richard Prince, Gerhard Richter, Ed Ruscha, Cindy Sherman and Luc Tuymans. Clean copy. DOMESTIC SHIPPING ONLY.

Softcover. New York, Metropolitan Museum of Art, 1st, 2012, Book: Very Good, Dust Jacket: None, Softcover, 304 pages, color and b&w illustrations. Includes interviews, conducted by Marla Prather, with Polly Apfelbaum, John baldessari, Vija Celmins, Chuck Close, Robert Gober, Hans Haacke, Alfredo Jaar, Deborah Kass, Alex Katz, Jeff Koons, Julian Schnabel, Ryan Trecartin, and Luc Tuymans. Beginning essay, Dialogues with Warhol, by Mark Rosenthal. Clean, bright copy.

Hardcover. London/NY, Routledge, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 280 pages with index. Color and b&w illustrations. Why does art matter to us, and what makes it good? Why is the role of imagination so important in art? Illustrated with carefully chosen color and black-and-white plates of examples from Michaelangelo to Matisse and Poussin to Pollock, Revealing Art takes us on a compelling and provocative journey. Kieran explores some of the most important questions we can ask ourselves about art: how can art inspire us or disgust us? Is artistic judgement simply a matter of taste? Can art be immoral or obscene, and should it be censored? He brings such abstract issues to life with fascinating discussions of individual paintings, photographs and sculptures, such as Michelangelo's Pieta, Andres Serrano's Piss Christ and Francis Bacon's powerful paintings of the Pope. He also suggests some answers to problems that any one in an art gallery or museum is likely to ask themselves: what is a beautiful work of art? and can art really reveal something true about our own nature? Clean copy.

Hardcover. Chicago, Art Institute of Chicago, 1st, 2017, Book: Very Good, Hardcover,324 pages. Published on the centenary of the Russian Revolution, this landmark book gathers information from the forefront of current research in early Soviet art, providing a new understanding of where art was presented, who saw it, and how the images incorporated and conveyed Soviet values. More than 350 works are grouped into areas of critical importance for the production, reception, and circulation of early Soviet art: battlegrounds, schools, the press, theaters, homes and storefronts, factories, festivals, and exhibitions. Paintings by El Lissitzky and Liubov Popova are joined by sculptures, costumes and textiles, decorative arts, architectural models, books, magazines, films, and more. Also included are rare and important artifacts, among them a selection of illustrated children's notes by Joseph Stalin's daughter, Svetlana Allilueva, as well as reproductions of key exhibition spaces such as the legendary Obmokhu (Constructivist) exhibition in 1921; Aleksandr Rodchenko's 'Workers' Club in 1925; and a Radio-Orator kiosk for live, projected, and printed propaganda designed by Gustav Klutsis in 1922. Bountifully illustrated, this book offers an unprecedented, cross-disciplinary analysis of two momentous decades of Soviet visual culture.