art portraits

Softcover. New York , Aperture, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover. 88 pages. Fall 2009. William Eggleston artwork on the cover and an article on his drawings inside, with features on William Klein's 1956 portrait of Rome, Neil LaBute with photographs by Gerald Slota, Mark Alice Durant on monuments, Rob Hornstra's Russia, Luc Santo on American real-photo postcards, and Sally Gall's color insects. A clean, tight issue.

Softcover. Millerton NY, Aperture, Inc., 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover. Unpaginated, 70 pages of text and black and white photographic images. Highlights from this issue: "Walt Whitman and Thomas Eakins" by Lincoln Kirsten, "Double Portrait: Alfred Stieglitz and "Ananda Coomaraswamy" by Roger Lipsey. Includes images from: Paul Caponigro, Arthur Lazar, and Ernest Bloch. A very good copy in photo-illustrated wrappers.

Hardcover. New York, Rizzoli, 1st US, 2002, Book: Very Good, Dust Jacket: Very Good, 363 pages. Large format with gorgeous color photography throughout. White pictorial dust jacket with some light soiling and wear. Wrinkled wrap-around band. A nice, clean, tight copy. Archeology of Elegance is an exceptional and dynamic collection of 200 superb photographs by sixty-two of today's most acclaimed photographers from Robert Mapplethorpe to Peter Lindbergh, Miles Aldridge, Herb Ritts, Ellen von Unwerth, Nick Knight, David Lachapelle and Jean-Baptiste Mondino, presenting fashion photography as art. During the past twenty years, there is no question that fashion photography has become a driving force for new directions in fashion, design and cosmetics and a vital source of ideas for the visual arts and design-manifesting itself in forms as diverse as punk rock, glamour or high-tech futurism. According to culture critic Ulf Poschardt, fashion photography has become the new, almost self-sufficient leitmedia of international culture, a culture that is expressed increasingly in visual terms. As seen in Archeology of Elegance, this once commercial and functional craft has become, without question, an art form in itself.

Hardcover. Hong Kong, Visionary World, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 176 pages. Oversized hardcover with dust jacket. Very clean, unmarked copy with only minor wear to dust jacket. Price sticker on rear dust jacket. Color photographs throughout. Over 20 years worth of photography from Asia.

Hardcover. San Francisdo, Chronicle Books, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 240 pages. Founded in 1960 by Chris Strachwitz, the one-man operation Arhoolie Records eventually produced more than four hundred albums during more than forty years in operation, exploring the far corners of American vernacular music--blues, gospel, Cajun, zydeco, hillbilly, Texas-Mexican norteno music, and more. From the very beginning, Strachwitz brought his camera along with recording equipment as he met and recorded now-legendary artists such as Lightnin' Hopkins, Mississippi Fred McDowell, Clifton Chenier, and Big Joe Williams. This book collects more than 150 of his best, most intimate, and exciting images--many never-before-seen--each with rich captions by Strachwitz and award-winning music journalist Joel Selvin, along with a substantial 20,000-word essay by Selvin about Arhoolie, Strachwitz, and the music. Bright, clean copy.

Hardcover. GR, Steidl, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 232 pages. When celebrated photographer Arnold Newman began his career in 1938 in chain portrait studios in Philadelphia, Baltimore and West Palm Beach, he also immediately began to make abstract and documentary photography on his own, studying people and places impoverished by the Depression. In June of 1941, Beaumont Newhall of The Museum of Modern Art, New York, and Alfred Stieglitz "discovered" him, and he was given an exhibit with Ben Rose at the A.D. Gallery that September. There Newman began to combine his independent work with the portraiture that had been his bread-and-butter, developing the approach for which he is best known, which came to be called "environmental portraiture," and which is so widely influential today that it might be the new standard practice. This style made Newman a distinctive contributor to publications like Life, Vanity Fair, and the New York Times Magazine, brought him into the collections of museums around the world, including The Museum of Modern Art, The Metropolitan Museum of Art, and the International Center of Photography in New York, and led to his recognition in photography histories and with awards including France's Commander of the Order of Arts and Letters. The photographs collected here were made before Newman achieved recognition as a pioneering portraitist, during the formative years from 1938 to 1942. They highlight the early stirrings of a great photographic master.

Hardcover. East Sussex, Ammonite Press, 1sr, 2012, Book: Very Good, Dust Jacket: None, 286 pages, color photographs throughout. No dust jacket as issued. Large, heavy folio. Black cloth with cover label photo. "Arrested" is the biography of idiosyncratic London-based photographer and film director Jim Lee. Lee established a portfolio photographing bands such as the Kinks and the Who and later became in demand as a fashion photographer, notably working with "Vogue" editor-in-chief Anna Wintour. Lee's earlier photographic work is included in a permanent collection at the Victoria & Albert Museum. Born in 1945 to parents who were both MI5 operatives, Lee's life has followed anything but a conventional route. Dyslexia and an independent spirit saw Lee at the age of just seventeen emigrate to Australia where his passion for photography was kindled. Rescued from fighting in the Vietnam war by his parents' intervention, Lee returned to the UK and began to establish a portfolio photographing bands. As his reputation grew, Lee became in demand as a fashion photographer for magazines during the late sixties and seventies. He collaborated with some of the most influential fashion designers, including Yves St Laurent and Gianni Versace, and his work appeared in "Elle", "The Sunday Times Magazine", "Harpers & Queen" and "The New York Times".

Hardcover. East Sussex, Ammonite Press, 1sr, 2012, Book: Very Good, Dust Jacket: None, 286 pages, color photographs throughout. No dust jacket as issued. Large, heavy folio. Black cloth with cover label photo. "Arrested" is the biography of idiosyncratic London-based photographer and film director Jim Lee. Lee established a portfolio photographing bands such as the Kinks and the Who and later became in demand as a fashion photographer, notably working with "Vogue" editor-in-chief Anna Wintour. Lee's earlier photographic work is included in a permanent collection at the Victoria & Albert Museum. Born in 1945 to parents who were both MI5 operatives, Lee's life has followed anything but a conventional route. Dyslexia and an independent spirit saw Lee at the age of just seventeen emigrate to Australia where his passion for photography was kindled. Rescued from fighting in the Vietnam war by his parents' intervention, Lee returned to the UK and began to establish a portfolio photographing bands. As his reputation grew, Lee became in demand as a fashion photographer for magazines during the late sixties and seventies. He collaborated with some of the most influential fashion designers, including Yves St Laurent and Gianni Versace, and his work appeared in "Elle", "The Sunday Times Magazine", "Harpers & Queen" and "The New York Times".

Hardcover. US, Reel Art Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, 320 pages with 200 color and b&w plates. Art Kane was one of the most profoundly influential photographers of the twentieth century. A bold visionary, his work explored a number of genres - fashion, editorial, celebrity portraiture, travel, and nudes with an unrelenting and innovative eye. Slight dent to upper edge of spine. Like new in publisher's shrink-wrap.

Hardcover. Trumbull, CT, Greenwich Workshop Press Inc., 1st, 1993, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket. Includes a bonus colored print with publishers note. Color illustrations throughout. A tight copy. James Bama is one of the best contemporary artists working today. His portraits - of people from the smallest child to the greatest hero - have garnered the respect and captured the imagination of art collectors and critics around the world. The Art of James Bama is a new, comprehensive collection of his finest work, showing real people of the new West recreating their history, and descendants of the Old West paying homage to their heritage. Bama's ability to convey their emotion gives his paintings a resonance like no other.

Hardcover. New York , Harry N. Abrams, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover, 230 pages, 91 illustrations in color and b&w. In a bright, clean dust jacket. Introduction by John A Williams. "The numerous large illustrations of Bearden's drawings, paintings, and collages from 1940 to the present, give depth to this portrait of an unusually fine American artist." 91 illustrations of the artist's work, including 46 in full color: one four-page spread over two folding pages, and one folding two-page spread. Chronology. List of exhibitions. Bibliography. Silver-blocked blue-cloth-covered boards with facsimile signature on front board. DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. New York , Harrison House, reprint, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover. 150 vintage black-and-white 1920s and 1930s Hollywood star portraits (many/most full-page) with accompanying descriptive captions. "This book lets us see, with dramatic impact, the artistry of the Hollywood studio photographers, whose portraits (reproduced by the millions as cheap fan photographs) of Crawford, Garbo, Cooper and the others both revolutionized photographic portraiture and, to an enormous extent, formed our vision of the great Hollywood faces." 292 pages. Small previous owner's stamp on front fly leaf otherwise clean.

Hardcover. New York , Harrison House, reprint, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover. 150 vintage black-and-white 1920s and 1930s Hollywood star portraits (many/most full-page) with accompanying descriptive captions. "This book lets us see, with dramatic impact, the artistry of the Hollywood studio photographers, whose portraits (reproduced by the millions as cheap fan photographs) of Crawford, Garbo, Cooper and the others both revolutionized photographic portraiture and, to an enormous extent, formed our vision of the great Hollywood faces." 292 pages. Small previous owner's stamp on front fly leaf otherwise clean.

Softcover. Berkeley CA, University of California Press, 1st, 1958, Book: Very Good, Dust Jacket: None, Softcover, tight, bright, clean and especially sharp-cornered. Physical description; 96 pages illustrations (some color), portrait. 23 color, 39 bw plates. The first significant look at the artwork of American modernist Arthur G. Dove (1880-1946). With a foreword by Duncan Phillips, and a lengthy illustrated essay by Wight. Includes a collections history, exhibitions history, and a sizable selected bibliography. Clean copy.

Hardcover. NY, Cambridge University Press /Macmillan, 1st, 1948, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket, 174 pages, color frontis. portrait of the author, several b&w plates. Flap price crossed out otherwise clean.

Hardcover. US, Dark Horse Books, 2nd, 2007, Book: Very Good, Dust Jacket: Very Good, 200 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout. The culmination of more than fifteen years of photography by renowned photographer Greg Preston, this book is a living history of the men and women who have shaped the imaginations of countless millions of people around the world through their work in the fields of animated cartoons, comic books, comic strips and editorial cartooning. The list of more than two hundred artists includes such luminaries as Frank Miller, Al Hirschfeld, Joe Barbera, Jack Kirby, Joe Simon, Moebius, Walter and Louise Simonson and many more, all in photographs exclusive and shot expressly for this book.

Hardcover. NY, Princeton Architectural Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. Tucked away among the letters, diaries, and other ephemera in the Smithsonian's archives lies a trove of rarely seen snapshots of some of the twentieth century's most celebrated artists. Unlike the familiar official portraits and genius-at-work shots, these humble snaps capture creative giants with their guard down, in the moment, living life. Pablo Picasso stands proudly on a balcony with young daughter Maya--a tiny, meticulously inked annotation penned by an unknown hand proclaims that "he's very much in love." Jackson Pollock morosely carves a turkey while his mother, Stella, and wife, Lee Krasner, look on. A young Andy Warhol clowns for the camera with college friend Philip Pearlstein, and in a later shot more closely resembles his famously enigmatic public self at a gallery opening with John Lennon and Yoko Ono.

Hardcover. NY, Harcourt, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 292 pages, b&w illustrations. It's very possible that the only thing more peculiar and arresting than Edward Gorey's books and illustrations is Gorey himself. This collection of chronologically arranged interviews with Gorey (1925-99) spans three decades and shines light into many corners of his eccentric life and work. Gorey ponders his own bizarre dress (floor-length fur coats and sneakers), his obsession with the New York City Ballet, and his life with six cats and even manages to delve into some of the inspirations that fuel his enigmatic and strangely endearing work. This assembly by Wilkin reveals a charming, extremely intelligent, articulate, and eminently likable artist and writer. A thoughtful self-portrait thus emerges from the mist of questions and answers, one that helps to counter the paucity of recent Gorey scholarship. Gorey's own words clarify his peculiar and macabre worldview more succinctly than any biographer could hope to. Note: small bump to bottom corner of book, evident to the first half of the pages. Otherwise clean and bright.

Hardcover. New York, Harry N. Abrams, 1st US, 1998, Book: Very Good, Dust Jacket: Very Good, 224 pages. Hardcover with dust jacket. Sun fading to dust jacket spine. Light foxing to top edge of text block. An otherwise clean, unmarked copy with only minor wear to dust jacket edges. Beardsley's work is looked at alongside the work of contemporaries such as Oscar Wilde, Max Beerbohm and W.B. Yeats and against the backdrop of the artistic, literary and social life of fin-de-siecle London, Dieppe and Paris. In addition to the drawings, the book includes examples of Beardsley's innovative book binding, prints and posters, revealing a gallery of portraits and photographs from that decadent period, the "Naughty Nineties." It also explores the diverse influences, such as ancient Greek vase painting and Japanese prints, upon which the young artist freely drew in the formation of his own style.

Hardcover. Cambridge MA, The MIT Press, 1st thus, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. August Sander (1876-1964) spent his life intending to create a collective portrait of the German people, an undertaking which remained incomplete at the time of his death. This reconstruction by Keller, a professor of art history, in collaboration with Gunther Sander, the photographer's son, was compiled from Sander's notes and negatives. The photographs cover the years of the Kaisers, the Weimar Republic, the Nazi regime, and the early Federal Republic and have become a landmark in the history of photography. 512 pages; 431 full-page duo-toned b&w plates + 75 text illustrations; 9.25 x 11.75 inches. Bibliography. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. Munich/NY, Prestel, 1st, 2019, Hardcover in a bright dust jacket, 304 pages. Featuring 60 subjects from August Sander's People of the 20th Century along with another 100 brilliant images from his large-scale project, this book presents a selection of the most stunning images from the photographer's monumental work. August Sander is one of the greatest photographers in international photographic history. With his seminal book People of the 20th Century, he set new standards in portrait photography. Sander's aspiration was to create a typological "composite image" of his time. The ambitious project began in the 1910s and was to occupy him through the 1950s. A novel feature of this book is that all the reproductions are based on vintage prints produced and authorized by August Sander himself. The croppings and the desired tonal values are authentically rendered here for the first time in the long publication history of Sander's brilliant portrait work. The originals are from the rich holdings of the Photographische Sammlung/SK Stiftung Kultur in Cologne and from additional major collections such as the Museum of Modern Art in New York, the J. Paul Getty Museum in Los Angeles, and the Pinakothek der Moderne in Munich. Like new in publisher's shrinkwrap. DOMESTIC SHIPPING ONLY.

Hardcover. Charlottesville VA, University Press of Virginia, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover, 553 pages, 348 full-page portraits in b&w. Includes a catalogue of 3,800 silhouettes by the artist. Very good in a crisp, unclipped dust jacket. Auguste Edouart was the most prolific silhouettist ever to work in this country. Arriving from France in 1839, he traveled throughout the United States contracting enough projects in six years to fill over fifty albums; at the same time he created a biographical record of the most famous Americans of the period. This volume contains the most, and the best, of Edouard's silhouettes every to appear under a single cover.

Hardcover. Somogy Editions D'Art , 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Still in publisher's shrinkwrap. Full color exhibition catalogue of the new retrospective exhibition of Saint-Gaudens' work, the first in Europe since 1900. Venues include the Muse des Augustins, in Toulouse (February 2-May 30, 1999), and the Muse national de la Cooperation Franco-Americaine, at Blrencourt (June 26-October 18, 1999). The artwork covers Saint-Gaudens' entire career, from the cameos done during his youth, to sophisticated portrait reliefs, public monuments and coins. The essays contribute new scholarship on the sculptor's career and art, including his decorative art designs for Tiffany's, personalized pencil caricatures for friends, and the development of the monument to Charles Stewart Parnell in Dublin, the last public monument Saint-Gaudens saw to completion.

Hatje Cantz, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 200 pages. Celebrating the kind of childhood play that signals a search for identity, Who Am I, What Am I, Where Am I? is a series of 70 photographs by New York- and Berlin-based artist Aura Rosenberg. For each picture, a child and an artist were paired up to create an idiosyncratic portrait of the child--each of whom was given access to masks and costumes. Among the collaborating artists are John Baldessari, Coco Fusco, Skuta Helgason, Louise Lawler, Allan McCollum, John Miller, Vik Muniz, Tony Oursler, Jim Shaw, James Siena, Laurie Simmons, Kiki Smith and Haim Steinbach. Rosenberg's contribution to the collaboration is her technically playful style--the photographs are often digitally manipulated to create an array of surreal and humorous effects. This volume draws a compelling parallel between childhood play and the work of the adult artists. Also included are texts by artists Dan Graham, Mike Kelley and Nicolas Guagnini.