art portraits

Hardcover. New York , HarperCollins, 1st us, 1976, Book: Very Good, Dust Jacket: Good, 224 pages. Hardcover. Color photographs. sun fading on spine, otherwise with only minor wear to dust jacket. Clean, unmarked copy. This book is Leni Riefenstahl's second opus on Sudan's Nuba People (Die Nuba von Kau, 1976, followed her first book The Last of the Nuba / Die Nuba, first German ed.,1973). It is a classic and laandmark in 20th century ethnographic photography. Translated from the German by J. Maxwell Brownjohn. DUE TO WEIGHT, This is a heavy and oversized book and will require extra shipping. International customers please ask for a shipping quote before purchasing.

Softcover. London, Tate Gallery, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 216 pages. A key figure in the history of British Pop Art, Blake is one of the most influential and original artists working in Britain today. Central to Blake's work since the 1950s has been his fascination with popular culture, ranging from music to Hollywood icons and wrestling stars. Perhaps his most famous engagement with Pop came with his design for the cover of The Beatles' album Sgt Pepper's Lonely Hearts Club Band. With this and other works he helped create a specifically British pop aesthetic that defined an era. A prolific artist, he has utilised a variety of media including painting, drawing, collage, sculpture and printmaking; this study focuses principally on his two-dimensional works and provides the first thorough survey of his paintings from the 1950s through to the present. It will include major icons of twentieth-century art, such as Self-Portrait with badges (1961), and Have a Nice Day, Mr Hockney (1981-3), but will also feature many lesser-known works including his recent, major work The Marcel Duchamp World Series.

Softcover. Austin, University of Texas Press, First, 1965, Book: Very Good, Dust Jacket: None, Softcover, 68 pages, profusely illustrated in b/w and color. Slight edgewear otherwise tight, clean copy.

Softcover. US, Paul Holberton Publishing, 1st, 2012, Book: Very Good, Dust Jacket: None, 152 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to wrappers. Sir Peter Lely (1618-1680) was Charles II's Principal Painter and the outstanding artistic figure of Restoration England. When Lely arrived in England in the early 1640s his ambition was to be a painter of narrative scenes and not to work as a portraitist. However, the 'subject pictures' did not find favor with many English patrons and he produced less than thirty. As Lely's friend Richard Lovelace explained, all they wanted was "their own dull counterfeits" or portraits of their mistresses. Thus, Lely was obliged to turn to portraiture to make a living. Yet, his poetic pictures of figures in idyllic landscapes are among the most beautiful paintings made in 17th-century England and this catalog will be the first in-depth look at this important chapter of this major painter's career.

Softcover. New York , Allan Frumkin Gallery, 1st, nd (1983), Book: Very Good, Dust Jacket: None, Large softcover exhibition catalog, spiral bound. Six full-page color plates of paintings by the artist. Essay by Russell Bowman. Top corner has minor bump.

Softcover. New York, Rizzoli , 1st, 1995, Book: Good, Dust Jacket: None, Non-paginated. Softcover. B&w and color photographs throughout. Binding cracked between two pages. Otherwise clean, tight copy.

Hardcover. London, Thames and Hudson, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, green cloth, gilt lettering, 144 pages. Discovered in Paris in 1987, these 80 color and 30 b&w photographs, taken about 1910-14, are artistic studies of the expressionist Russian writer, his family and friends, his home, and the countryside around St. Petersburg. Includes a biographical essay and a review of the Lumiere autochrome photographic process. Mild wear to top of dj spine, otherwise a clean, tight copy.

Hardcover. Dial Press, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, 216 pages. Hardcover. Color photographs. Clean, unmarked copy in excellent condition with minor wear to dust jacket. Sergei Prokudin-Gorskii was a chemist and photographer commissioned by Tzar Nicholas II to photograph as much of the Russian Empre as possible in color. Prokudin-Gorskii used three color separations for his photos and as a result some pictures are astoundingly sharp and brilliantly colored, and some the colors are out of register slightly. That's irrelevant, because the photos are spectacular and show the Russian Empire from end to end on the eve of its collapse.

Hardcover. Boston, J. Paul Getty Museum, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 112 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor edgewear. Featuring eighty-seven photographs, all drawn from the collection of the J. Paul Getty Museum, that span nearly 150 years of image making.

Hardcover. Boston, J. Paul Getty Museum, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 112 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Photography as Fiction includes seventy-six color plates illustrating works from the J. Paul Getty Museum's collection that embrace theatricality and are unconcerned with documenting the world as it exists.

Hardcover. Prestel Publishing, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 576 pages. Unlike many other artistic media, photographys origins are well documented, as are its ever-changing technologies and applications. Written by an international team of experts, this definitive history of photography looks at every step of the fields dynamic evolution, period by period and movement by movement. Each key genre is chronologically presented within its social, economic, and political context, along with close analysis of specially selected works that best exemplify the characteristics of the period. With more than 500 gorgeous examples in black and white and color, the book explores in-depth virtually every aspect of the medium since its first public demonstration in 1839 to the latest innovations: from early portraits and the birth of photojournalism to travel photography and the mapping of the world; from the Pictorialists to the avant-garde; from celebrity and fashion to documentary and landscape. Along the way readers will learn why some photographs are considered iconic, and why the medium as an art form continues to challenge and enthrall us. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. New York, Fromm International Publishing Corporation, 1st, 1994, Book: Very Good, Dust Jacket: None, 340 pages. Softcover. B/w illustrations throughout. Very clean copy, inside and out. From the back cover: "...a wickedly peceptive and daring book. It is also that worst of present-day literary evils, a real work of literature." This fresh and vivid portrait of the postwar Paris art world, written by a member of Picasso's circle, sheds original new light on the greatest of modern artists and on the most important and least-known of his loves, the alluring and formidable photographer and painter Dora Maar.

Hardcover. NY, Harper & Row, 1st, 1961, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket, 270 pages. David Duncan was an accomplished photojournalist who covered World War II and the Korean War. He later joined Life magazine. He was a close friend of Picasso and was the only person allowed to photograph Picasso's private collection. Issued for the 80th birthday of the artist, the book is a recollection of Picasso's work between 1895-1960. The photographic reportage was shoot by Duncan in Villa La Californie in Cannes on the French Riviera, where Picasso was living with his wife Jacqueline. The book contains many illustrations, tipped in color plates, photographs of Picasso, and black and white illustrations, the text is reach of anecdotes and presents a fine portrait of Picasso's life through his work and time. Clean, no markings. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Paris, France / Amsterdam, Editions Cercle D'art / Abrams, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with the gray wrap-around band present. First English language edition, translated from the French by Humphrey Hare. Preface by Douglas Cooper. Thick folio. 11-1/4 in. x 12 in. 199 pages. Profusely illustrated with tipped-in color plate reproductions. (160 color mounted plates & 2 portraits in monochrome (including mounted frontis.). Sturdy and handsome joint publication with oatmeal cloth lettered with colorful letters by Picasso created specifically for the publication of this book. Clean copy. Due to size and weight, DOMESTIC SHIPPING ONLY.

Softcover. Hanover, Brandeis University Press, 1st pbk, 2000, Book: Very Good, Dust Jacket: None, Softcover, 338 pages, a study of Alice Neel and her paintings. Illustrated with b/w photographs and color plates, with notes, bibliography, and index. Clean, bright copy.

Softcover. Hanover, Brandeis University Press, 1st pbk, 2000, Book: Very Good, Dust Jacket: None, Softcover, 338 pages, a study of Alice Neel and her paintings. Illustrated with b/w photographs and color plates, with notes, bibliography, and index. Clean, bright copy.

Hardcover. New York, Aperture , 1st, 2001, Book: Very Good , Dust Jacket: Very Good, Hardcover, 144 pages, B&W photos. In original shrink wrap. For almost sixty years Pirkle Jones has chronicled the people, politics, and landscape of Northern California-a "promised land" which has long held sway in the American cultural imagination. Within the confines of that locale, he has unearthed a universe of beauty and meaning, photographing everything from flea-market finds to some of the most important American social movements of the second half of the twentieth century. Operating primarily within a social-documentary framework, Jones has made images characterized by sensitivity and acute observation. With uncanny prescience, a sense of urgency, and a sympathetic eye, Jones often plays the dual roles of artist and witness, combining portraiture, landscapes, and architectural photographs to create thorough documents of social structure and upheaval. Among the photo-essays included in Pirkle Jones: California Photographs are a compassionate and controversial piece on the Black Panther Party in the San Francisco Bay Area, Jones's portraits of the Sausalito houseboat community known as Gate 5, and a notable 1956 photo-essay done in collaboration with Dorothea Lange photographing the destruction and dislocation of the Berryessa Valley before it was flooded on completion of the Monticello Dam. Produced as a single issue of Aperture magazine in 1960 under the name "Death of a Valley", this essay remains a powerful testament to the price of progress. The book also includes Jones's work from the last few decades, in which he shifted his focus to an extended series of elegant, contemplative landscapes. A biographical essay by curator Tim B. Wride frames Jones and his work within the context of photographic history, the people he collaborated with-including Ansel Adams as well as Lange-and the great scope of Californian life.

Hardcover. New Haven, CT, Yale University Art Gallery, 1st, 2014, Book: Very Good, Dust Jacket: None, 207 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in shrink wrap. Images of New Orleans and the city's jazz culture, performers, bands, and clubs between 1957 and 1982. Over 200 black and white photographs taken by Friedlander. Tight copy.

Hardcover. New Haven, CT, Yale University Art Gallery, 1st, 2014, Book: Very Good, Dust Jacket: None, 207 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in shrink wrap. Images of New Orleans and the city's jazz culture, performers, bands, and clubs between 1957 and 1982. Over 200 black and white photographs taken by Friedlander. Tight copy.

Hardcover. Lexington KY, University Press of Kentucky, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover, 320 pages, in a bright unclipped dust jacket, b&w illustrations. Pola Negri (1897-1987) rose from an impoverished childhood in Warsaw, Poland, to become one of early Hollywood's greatest stars. After tuberculosis ended her career as a ballerina in 1912, she turned to acting and worked under legendary directors Max Reinhardt and Ernst Lubitsch in Germany. Negri preceded Lubitsch to Hollywood, where she quickly became a fan favorite thanks to her beauty, talent, and diva personality. Known for her alluring sexuality and biting artistic edge, she starred in more than sixty films and defined the image of the cinematic femme fatale. Author Mariusz Kotowski brings the screen siren's story to English-speaking audiences for the first time in this fascinating biography. At the height of her fame, Negri often portrayed exotic and mysterious temptresses, headlining in such successes as The Spanish Dancer (1923) and Forbidden Paradise (1924), before returning to Europe in the 1930s. The devastating effects of World War II soon drove her back to the United States, where she starred in Hi Diddle Diddle (1943) and pursued her vaudeville career before retiring from the entertainment industry. Kotowski also illuminates Negri's dramatic personal life, detailing her numerous love affairs-including her engagement to Charlie Chaplin and her romance with Rudolph Valentino-as well as her multiple marriages. This long-overdue biography not only paints a detailed portrait of one classic Hollywood's most intriguing stars and the film industry's original Jezebel, but also explores the link between Hollywood and European cinema during the interwar years.

Hardcover. New Texture, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 135 pages. A lush visual archive collecting some of artist Samson Pollen's most memorable pieces, selected from the hundreds of jaw-dropping illustrations Pollen provided for men's adventure magazines (MAMs) from the 1950s through the 1970s. Sexy women were a regular component of story illustrations published in the more than 160 MAM titles that flourished from the early 1950s through the mid-1970s, and nobody painted beautiful and dangerous femmes like Pollen. Much of the artist's work--literally, hundreds of pieces--saw print in the Atlas/Diamond group of MAMs from Marvel Comics founder Martin Goodman's Magazine Management Company. Until now, almost none of these illustrations have seen print since their original publication in those latter-day pulps. POLLEN'S WOMEN collects the artist's sexiest and most lethal female portraits in a deluxe hardcover edition, with an autobiographical introduction by the artist.

Softcover. London, National Portrait Gallery , 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 112 pages. This collection of photographic portraits celebrates the achievements and contributions of prominent Australians to British society today. It includes photographs of figures such as Rolf Harris, Patricia Hewitt, Clive James and Nick Cave, and uses the photographic portrait to explore the worlds of business, publishing, entertainment and the arts. A catalogue to accompany the exhibition held at the NPG London in 2000 and in NPG Canberra in 2001.

Softcover. NY, New York Review Comics, 1st, 2023, Book: Very Good, Dust Jacket: None, Softcover, 184 pages, illustrated in color and b&w. The first-ever collection of comics by Ed Subitzky--comedy writer, National Lampoon legend, Atari spokesperson, "The Impostor" on The David Letterman Show, and an enduring influence on an entire generation of cartoonists and humorists. For the entire run of National Lampoon, Ed Subitzky bent, broke, and reimagined what a cartoon could do: A cartoon that hypnotizes you. A cartoon that goes to prison. A cartoon that folds up and flies away. Framed by an interview with Mark Newgarden, this first-ever collection of Subitzky's work is a portrait of one of the funniest, most prolific humorists of the '70s and '80s. Clean copy.

Hardcover. New Haven CT, Yale University Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. Reaching its pinnacle during the era of Marilyn Monroe and James Bond, Haight-Ashbury and Swinging London, Pop art reflected the ideals and aspirations of a generation. By the 1960s the movement's bold imagery and style had become inseparable from the new consumer culture. This important book looks at British and American Pop art through the lens of portraiture, providing a fresh perspective on the movement and its innovative artists. Blurring the boundaries between "high" and "low" culture, Pop artists including Andy Warhol, Roy Lichtenstein, Richard Hamilton, and Peter Blake elevated portraiture to a new position. Author Paul Moorhouse explores the artists' engagement with portraits; their shared fascination with fame; their use of images from advertisements, rock music, films, and print sources; and the ways in which the British and American schools of Pop evolved and influenced one another. Bringing together key works from the peak years of Pop, this extensively illustrated book demonstrates how the conventions of portraiture were redefined as Pop artists transformed familiar images into transcendent works of art.