art religion

Hardcover. New York, Aperture, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 96 pages, color photographs, Like new in publisher's shrinkwrap. Doors of the Kingdom is a unique collection of photographs depicting the ancient and disappearing craft of doormaking in Arabia. The Islamic concept of hurma, or sanctity of a place of dwelling or worship, is recurrent throughout Arabic poetry and literature. The door (bab), preserver of sanctity, becomes symbolic of the boundary between public and private space, and between the profane and the sacred. In 1995, Haajar Gouverneur traveled throughout the Arabian Peninsula photographing each region's distinctive doorways and the remaining artisans who make them. The doors of Arabia, painstakingly hand-carved from the wood of the Al-Athel trees, last in their exquisite variety for hundreds of years. This ancient craft, passed down from generation to generation in the central and northern regions of Saudi Arabia, is now nearly extinct. Modern materials, technology, and changing priorities threaten the continuity of the sacred and artisanal tradition of doormaking.

Hardcover. London, Penguin Books, 1st, 1965, Book: Very Good, Dust Jacket: Good, Hardcover in an edgeworn dust jacket. 390 pages, 192 bw plates at rear plus line diagrams and maps. No slipcase.

Hardcover. New York, Farrar Straus Giroux, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Color illustrated by Antonio Frasconi. Dust jacket shows some minor wear. Hardbound. Translated from the Yiddish by the author and Elizabeth Shub. The winner of the 1970 National Book Award for children's literature retells a Hebrew legend with vivid simplicity and an internationally respected artist interprets it with a sincerity and fresh vision reminiscent of medieval art.

Hardcover. London, James Clarke & Co., 1st, 1941, Book: Very Good, Dust Jacket: None, 92 pages, beige cloth covers. Hardcover with no dust jacket. Spine twisted slightly. Clean, tight copy.

Hardcover. Knoxville TN, University of Tennessee Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 235 pages. Evelyn Scott was a significant literary figure in American letters of the 1920s and 1930s, an important contributor in the experimental forms and techniques of the modernist movement. She wrote and published in many genres -- the novel, short fiction, poetry, memoir, criticism, and drama. Since that time, Scott's work has been forgotten by most readers and critics, and her reputation as an important writer of her day has been obscured. This collection, which features an introduction and thirteen critical essays, is the first volume to focus on Scott's work rather than her intriguing yet troubled life and initiates a long-needed examination of Scott's innovations in fiction, memoir, and other genres. The various essays take diverse critical approaches to Scott's canon, including her best-known works -- Escapade and The Wave -- and explore her views on topics such as women, politics, religion, art, and the South. Clean copy.

Softcover. London/NY, Bloomsbury, 1st, 2016, Book: Very Good, Dust Jacket: None, Softcover, 346 pages. This volume makes the key essays of 19th century French philosopher Felix Ravaisson available in English for the first time. In recent years, Ravaisson has emerged as an extremely important and influential figure in the history of modern European philosophy. The volume contains the classic 1838 dissertation Of Habit, studies of Pascal, Stoicism and the wider history of philosophy together with the Philosophical Testament that he left unfinished when he died in 1900. The volume also features Ravaisson's work in archaeology, the history of religions and art-theory, and his essay on the Venus de Milo, which occupied him over a period of twenty years after he noticed, when hiding the statue behind a false wall in a dingy Parisian basement during the Franco-Prussian war, that it had previously been presented in a way that deformed its original bearing and meaning. Clean copy.

Hardcover. New York, PowerHouse Books, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 128 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. With sumptuous black-and-white photographs that recall the religious fervor of El Greco and the anguish of Francis Bacon, The Face of Forgiveness: Salvation and Redemption takes us inside evangelical meetings across the world and bears witness to the driving emotional faith of Christian revival, where emotion and love pours from the eyes and mouths of the faithful, praying and thanking the Lord.

Hardcover. UK, Oxford University Press , 2nd Ed., 1962, Book: Very Good, Dust Jacket: None, Hardcover, dark blue cloth with gilt lettering on spine, 341 pages. Name on front fly leaf, light pencil notations to several pages.

Softcover. Universtity Park PA, Pennsylvania State University Press, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers, 280 pages. This easily accessible volume, which grew out of a series of lectures presented at the Smithsonian Institution in 1991, aims to provide a coherent introduction to Byzantine culture with a focus on the interconnected realms of art and religion. The eight participants have revised their lectures into chapters on Byzantine history, theology, icons and icon theory, church architecture, monumental painting, silver church furnishings, illustrated liturgical books, and pilgrimage. In addition to presenting current research on this range of topics, the chapters each contribute original scholarship from authors who are recognized experts in their respective fields. The Introduction, by Linda Safran, deals with views and definitions of Byzantium over the course of its long history and considers why that civilization deserves our attention today. Illustrated in b&w and color.

Hardcover. New York, McCall Publishing, 1st, 1971, Book: Very Good, Dust Jacket: None, Hardcover, glazed boards illustrated in color. Unpaginated, b&w cartoon illustrations by the Berenstains. Clean copy.

Hardcover. NY, United Book Guild, 1st thus, 1950, Book: Very Good, Dust Jacket: None, Hardcover, black cloth covers with pasted-on illustrated title. A handsome volume of 21 full-page black and white plates of Blake's illustrations, accompanied by 'The Doctrine of Job' by S. Foster Damon on facing pages. Mild musty smell. Name stamp on front fly leaf, otherwise clean.

Hardcover. Lewes, DE, GILES, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 232 pages. Hardcover with dust jacket. A very clean, unmarked copy still in publishers shrinkwrap. Over 140 color illustrations. Provides analysis of this single panel painting of St. Francis, rendered by Italian Renaissance painter Giovanni Bellini

Hardcover. Cambridge MA, Candlewick Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Here, gathered together by Reeve Lindbergh, are 77 treasured poems and prayers from many cultures and faiths. With fresh, bright, and joyous illustrations by acclaimed artists from four different countries. Clean copy.

Softcover. Caldwell, NJ, Heritage Committee of The First Presbyterian Church at Caldwell, 1st Edition, 2003, Book: Near Fine, Dust Jacket: None, 69 pages. Soft cover. Vivid color illustrations throughout. Wrapper in beautiful condition. pages have just a touch of tanning around edges, otherwise clean and bright. Binding tight. In excellent shape. "Part of Daugherty's legacy to us is the sixty works in this book entitled 'In His Image'. These paintings were done in the period 1940 to 1960. They are executed in a powerful, emotional mood."

Hardcover. Pennsylvania State University Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 201 pages. Four major subthemes in Heidegger's thinking are explored in the book's four parts: the fundamental ontology developed in Being and Time; the "lighting and clearing" of Being, understood as "unconcealment"; the history of philosophy-with emphasis on Heraclitus, Hegel, and Nietzsche-interpreted as the "destiny" of Being; and the poetics of Being, explicated as the "fundamental experience" of mortality. Neither an introduction nor a survey, this book is a close reading of a wide range of Heidegger's books, lectures, and articles-including extensive material not yet translated into English-informed by the author's conversations with Heidegger in 1974-76. Each of the four subthemes is treated critically. The aim of the book is to push its interrogations of Heidegger's thought as far as possible, in order to help the reader toward an independent assessment of his work and to encourage novel, radically conceived approaches to traditional philosophical problems. Clean copy.

Hardcover. NY, Harry N. Abrams, 1st, 1954, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, cardboard slipcase. 214 pages with 75 mounted color plates, and 100 in-text illustrations. An important study, in which Salmi has gathered works of all schools of miniature painting, much of which had never been published before. Clean copy. Slipcase with minor tape repair. DOMESTIC SHIPPING ONLY.

Hardcover. Tokyo/Amsterdam, Bijutsu Shuppan-Sha/Abrams, 1st, 1964, Book: Very Good, Dust Jacket: None, Hardcover, 554 pages, illustrated with hundreds of color and b&w plates of Japanese temples from the year 552. Photographs by Tatsuzo Sato, Shihachi Fujimoto, Yoshio Watanabe, Ken Domon, Yasukichi Irie, Yukio Futagawa. Bijutsu Shuppan-Sha. Bibliography. Large folio, brown silk cloth with gilt lettering. In a edgeworn green slipcase. Heavy volume, extra charges for priority shipping.

Hardcover. Wappingers Falls NY, Kagyu Thubten Choling Publications Committee, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 120 pages. Color illustrations throughout. Clean copy.

Softcover. Cambridge UK, Polity, reprint, 2014, Book: Very Good, Dust Jacket: None, Softcover, 231 pages. Few philosophers have left a legacy like that of Gottfried Wilhelm Leibniz. He has been credited not only with inventing the differential calculus, but also with anticipating the basic ideas of modern logic, information science, and fractal geometry. He made important contributions to such diverse fields as jurisprudence, geology and etymology, while sketching designs for calculating machines, wind pumps, and submarines. But the common presentation of his philosophy as a kind of unworldly idealism is at odds with all this bustling practical activity. In this book Richard. T. W. Arthur offers a fresh reading of Leibniz's philosophy, clearly situating it in its scientific, political and theological contexts. He argues that Leibniz aimed to provide an improved foundation for the mechanical philosophy based on a new kind of universal language. His contributions to natural philosophy are an integral part of this programme, which his metaphysics, dynamics and organic philosophy were designed to support. Rather than denying that substances really exist in space and time, as the idealist reading proposes, Leibniz sought to provide a deeper understanding of substance and body, and a correct understanding of space as an order of situations and time as an order of successive things. Clean, bright copy.

Hardcover. Chicago, University Of Chicago Press, 1st US, 2001, Book: Very Good, Dust Jacket: Very Good, 440 pages. Hardcover with dust jacket and slipcase. Full color and black & white illustrations. Beautiful copy with light sunning to dust jacket spine, Clean, tight copy. The technical problems with the Last Supper began as soon as Leonardo started to paint it. He jettisoned the traditional fresco technique of applying paint to wet plaster, a method unsuited to Leonardo's slow and thorough execution, and created the work instead with an experimental technique that involved painting directly on the dry plaster. With this renegade method, Leonardo rendered one of the most enduring painting techniques volatile and unstable. Added to this initial complication have been centuries of pollution, tourists, candle smoke, and the ravages of age, not to mention food fights in the refectory staged by Napoleonic soldiers and Allied bombs in 1943. By the middle of the twentieth century, the Last Supper was in desperate need of a complete restoration.Pinin Brambilla Barcilon was chosen to head this twenty-year project, and Leonardo, The Last Supper is the official record of her remarkable effort. It first documents the cleaning and removal of the overpainting performed in the other attempts at restoration and then turns to Barcilon's meticulous additions in watercolor, which were based on Leonardo's preparatory drawings, early copies of the painting, and contemporary textual descriptions. This book presents full-scale reproductions of details from the fresco that clearly display and distinguish Leonardo's hand from that of the restorer. With nearly 400 sumptuous color reproductions, the most comprehensive technical documentation of the project by Barcilon, and an introductory essay by art historian and project codirector Pietro C. Marani that focuses on the history of the fresco,

Softcover. Zurich, Georg Olms, 1st, 2012, Book: Very Good, Dust Jacket: None, Softcover, 220 pages. INSCRIBED BY AUTHOR on the front fly leaf. This volume consists of Yasuhiko Tomida's notable essays on Locke, Berkeley, and Kant, as well as a thought-provoking article written in collaboration with an experimental physicist. Tomida asserts that the logical space of the theory of ideas is originally "naturalistic" in Quine's sense of the term and that Berkeley and Kant 'distort' it in their respective ways, thus offering a wholly new viewpoint concerning the historiography of the theory of ideas.

Hardcover. UK, Oxford University Press, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 326 pages. Lucretius' didactic masterpiece De Rerum Natura (On the Nature of Things) is one of the most brilliant and powerful poems in the Latin language, a passionate attempt at dispelling humanity's fear of death and its enslavement by false beliefs about the gods, and a detailed exposition of Epicurean atomist physics. For centuries, it has raised the question of whether it is primarily a poem or primarily a philosophical treatise, which also presents scientific doctrine. The current volume seeks to unite the three disciplinary aspects -- poetry, philosophy, and science -- in order to offer a holistic response to an important monument in cultural history. With ten original essays and an analytical introduction, the volume aims not only to combine different approaches within single covers, but to offer responses to the poem by experts from all three scholarly backgrounds. Philosophers and scholars of ancient science look closely at the artistic placement of individual words, while literary critics explore ethical matters and the contribution of Lucretius' poetry to the argument of the poem. Topics covered include death and grief, evolution and the cosmos, ethics and politics, perception, and epistemology.Name and date on front fly leaf, light pencil marking to about 25 pages.

Softcover. Los Angeles, CA, Taschen, 1st, 2005, Book: Very Good, Dust Jacket: None, 192 pages. Softcover. Very clean, unmarked copy still in publishers shrink-wrap. Luis Bunuel, one of the most brilliant representatives of the surrealist movement, chose to make films and was able to make them with unflagging fidelity to his principles for fifty years. After an audacious Parisian showing of Un Chien Andalou in 1929 (Bunuel carried stones in his pockets in case he needed them to fend off the audience), Bunuel's subsequent career in Spain (Las Hurdes), Hollywood and Mexico (Los Olvidados, Robinson Crusoe, El, Nazarin) before returning to France (Diary of a Chambermaid, Belle de jour, The Discreet Charm of the Bourgeoisie, That Obscure Object of Desire), showed that the only subjects he cared to make films about were the three that are never supposed to be discussed in polite society: sex, religion, and politics.

Hardcover. Berg Publishers, 1st, 1988, Book: Very Good, Dust Jacket: None, Hardcover, 528 pages. This historico-critical edition of Schopenhauer's manuscript remains contains Schopenhauer's entire surviving philosophical notes, from his university years until his death in 1860. Translated here into English for the first time, it provides a fascinating insight into the workings of Schopenhauer's mind and an important key to his philosophical work. Translated by E.F.J. Payne