art renaissance

Hardcover. NY, BlueBridge, 1st US, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 246 pages. This narrative history masterfully weaves together the sweeping events surrounding what has become known as the "Babylonian captivity" of the popes into the broader story of 14th-Century Europe?one of the most turbulent times in the continent's history. It was a time of fear, ferocity, and religious agony, which saw the suppression of the Knights Templar and the Cathars, the first onslaught of the plague, and the beginning of the Hundred Years' War. The century also produced some of the greatest writers and artists in the western tradition, including Giotto, Boccaccio, Petrarch, and Chaucer. Central to this period was the movement of the papal seat from Rome to Avignon in the south of France, where seven successive popes held power from 1309 to 1377. The drama, intrigue, and tumult associated with the papacy in exile forms the perfect lens through which to clearly see a Europe making the transition from the Middle Ages to the Renaissance. Clean copy.

Hardcover. NY, Pantheon Books, 1st, 1966, Book: Very Good, Dust Jacket: Good, Hardcover, 12th volume of the A.W. Mellon lectures in the fine arts. The Bollingen Series XXXV. Profusely illustrated with b/w plates. Arntzen calls this book `a good critical treatment of the development of the Renaissance portrait.' Light edgewear to dust jacket.

Hardcover. New Haven CT, Yale University Press, 1st, 1994, Book: Very Good, Dust Jacket: None, Hardcover, black cloth covers with gilt lettering on spine. No dust jacket. Profusely illustrated throughout in black & white and color. 433 pages. This book examines the technical and aesthetic experimentation that went into printmaking, workshop practices, and the material and social contexts of print production, and it gives the fullest account ever written of the ways in which Renaissance prints were produced, distributed, and acquired. David Landau and Peter W. Parshall pose a range of practical questions about the production of prints. They investigate, for example, what materials were used, how they were acquired, and how a Renaissance printmaker's workshop operated. They explore the evidence that individual prints were beginning to be esteemed as works of art rather than as inexpensive substitutes for them, and the relationship between prints made to be collected and those of a more ephemeral nature intended for a wider audience. They discuss how prints were valued during the period, including the relative value of woodcuts to engravings, and engravings to etchings. And they investigate how prints evolved in relation to the pictorial arts of the Renaissance generally. Clean, bright copy. NOTE: DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. New Haven CT, Yale University Press, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, 375 pages. In this pathbreaking and richly illustrated book, Martin Kemp examines the major optically oriented examples of artistic theory and practice from Brunelleschi's invention of perspective and its exploitation by Leonardo and Durer to the beginnings of photography. In a discussion of color theory, Kemp traces two main traditions of color science: the Aristotelian tradition of primary colors and Newton's prismatic theory that influenced Runge, Turner, and Seurat. His monumental book not only adds to our understanding of a large group of individual works of art but also provides valuable information for all those interested in the interaction between science and art. "This beautifully made volume . . . shows us the unity of the visual study of nature-the exalted mutual task of Renaissance science and art."-Scientific American. Clean copy. NOTE: Due to weight, DOMESTIC SHIPPING ONLY.

Hardcover. Insight Editions, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 16 pages. Born from shadow and mystery, Will Eisner's deathless hero returns in a recreation of The Spirit's final two issues. Coinciding with Frank Miller's upcoming Spirit movie, Will Eisner's The Spirit: A Pop-Up Graphic Novel spins a noir tale of blackmail, murder, and espionage innovatively crafted into seven full-color pop-up spreads. Reborn, The Spirit breaks out of the conventional comic book frame, animating the vigor and dynamism of Eisner's original vision. Designed by renowned paper engineer Bruce Foster (creator of The Pop-up Book of Celebrity Meltdowns and designer of the Caldecott nominated Little Red Riding Hood) Will Eisner's The Spirit: A Pop-Up Graphic Novel comes alive with expansive panoramic cityscapes, three-dimensional action sequence pop-outs, frame-by-frame expanding mini-booklets, and scene change pullouts. Re-colored and ingeniously renovated, the novel design animates the vigorous action of the Spirit's final exploits with an inventiveness merited by Eisner's original imagination. From the noir aficionado to the comic zealot, fans will celebrate this renaissance of Eisner's masterpiece, heralding the interactive ingenuity of a new format for sequential art.

Softcover. Rome, Del Turco Editore Roma, Book: Very Good, Dust Jacket: None, Softcover, 71 pages illustrated with 4 color plates and 61 b/w illustrations. Full account of the paintings in the Stanza della Segnatura, the Stanza of Heliodorus, the Stanza of the Incendio and the Hall of Constantine; uncredited English translation. No date, clean copy.

Hardcover. Boston, David R Godine, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A wonderful version of this classic Christmas song illustrated by award-winning artist Plume. Renaissance & illuminated manuscripts were the inspiration for the colorful art. On each day a beautiful, shy, young noblewoman receives a gift from her handsome Romeo. Clean copy.

Softcover. Boston, Museum of Fine Arts, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 315 pages. Color illustrations. For nearly four decades in the sixteenth century, the careers of Venice's three greatest painters-, Titan, Tintoretto and Veronese, overlapped, producing mutual influences and bitter rivalries that changed art history. Venice was then among Europe's richest cities, and its plentiful commissions fostered an exceptionally fertile and innovative climate. In it, the three artists, brilliant, ambitious and fiercely competitive, vied with one another for primacy, employing such new media as oil on canvas, with its unique expressive possibilities, and such new approaches as a personal and identifiable signature style. They also pioneered the use of easel painting, a newly portable format that led to unprecedented fame in their lifetimes. With more than 150 stunning examples by the three masters and their contemporaries, this volume elucidates the technical and aesthetic innovations that helped define the uniquely rich "Venetian style," as well as the social, political and economic context in which it flourished. Essays range from examinations of seminal new techniques to such crucial institutions as state commissions and the patronage system. Most of all, by concentrating on the lives and careers of Venice's three greatest painters, Titian, Tintoretto, Veronese paints a vibrant human portrait--one brimming with savage rivalry, one-upmanship, humor and passion. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. New York, Prestel Publishing, reprint, 1990, Book: Very Good, Dust Jacket: Very Good, 452 pages. Hardcover with dust jacket. Color pictures throughout. Black covers with gilt lettering on spine. Previous owner's signature and bookplate on front flyleaf. Light wear and rubbing to dust jacket. This excellent catalog of the 1990-1991 exhibition in Venice and Washington is a work of permanent value. Featuring essays by 16 authorities, primarily Italian and American, on every aspect of the art of Titian (Tiziano Vecelli, c. 1490-1576), the quintessential Venetian artist of the high Renaissance, the work transcends the limits of spatial and temporal exhibition to summarize and extend current scholarship. At the same time, the text is accessible, well translated, and aimed at a broad audience. Many of the works in the exhibit were conserved or cleaned, so the book features fresh illustrations and a hefty amount of technical discussion of specialist interest.

Hardcover. London, Phaidon Press, 1st, 2007, Book: Very Good, Dust Jacket: None, 240 pages. Hardcover no dust jacket. Like new in publisher's shrink-wrap. Titian (Tlziano Vecellio, c. 1488/90-1576) was an outstanding painter of the Renaissance. An Ideal introduction to Titian's life and work for the general reader and scholar alike. Places Titian's career and work into the social and historical context of sixteenth-century Italy and explores his approach to a number of themes.

Hardcover. Athens GA, University of Georgia Press, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 464 pages, b&w photographs. Light edge wear to dust jacket. Else a very clean, tight copy. This biography offers the most complete and accurate portrait to date of the writer Caroline Gordon (1895-1981). Viewing Gordon's life in the context of female literary tradition, Nancylee Novell Jonza reclaims Gordon's integrity, individuality, and artistic vision from beneath a self-effacing, sometimes detractive, public image carefully fostered by the artist herself. Gordon's nine novels and three short-story collections are a major contribution in their own right to the southern literary renaissance. Despite an enduring readership, however, she still remains in the shadow of her husband, Allen Tate, the Fugitive Poet and Agrarian critic, partially due to her contrived persona of a traditional southern lady turned artist under the tutelage of a gifted, benevolent male writer. Drawing on manuscript drafts, unpublished works, letters, and a significant body of her journalistic writing, Jonza investigates fully the causes and effects of Gordon's self-mythologizing and covers substantially more ground than the thirty years during which she was closest to Tate.

Hardcover. Princeton NJ, Princeton University Press, 2nd pr., 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 372 pages, color plates throughout. Dust jacket protected with a mylar covering.A comprehensive survey of the work of this most influential Florentine artist and teacher Andrea del Verrocchio (c. 1435-1488) was one of the most versatile and inventive artists of the Italian Renaissance. He created art across media, from his spectacular sculptures and paintings to his work in goldsmithing, architecture, and engineering. His expressive, confident drawings provide a key point of contact between sculpture and painting. He led a vibrant workshop where he taught young artists who later became some of the greatest painters of the period, including Leonardo da Vinci, Sandro Botticelli, Lorenzo di Credi, and Domenico Ghirlandaio. This beautifully illustrated book presents a comprehensive survey of Verrocchio's art, spanning his entire career and featuring some fifty sculptures, paintings, and drawings, in addition to works he created with his students. Through incisive scholarly essays, in-depth catalog entries, and breathtaking illustrations, this volume draws on the latest research in art history to show why Verrocchio was one of the most innovative and influential of all Florentine artists.Published in association with the National Gallery of Art, Washington, Small white sticker on dj spine, otherwise like new. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.