art russia

Hardcover. St. Petersburg, Palace Editions, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. A book more about art than a book of art. Khardzhiev, though apparently not a painter himself, was an heroic figure in the world of Russian art. Despite official discouragement and prohibitions, he assembled an awesome personal collection of avant-garde Soviet art. He knew the artists personally, and gave them aid and comfort. there are samples of his writing (in English). There are 100 pages of large, high-quality reproductions of drawings and paintings in his collection with notes and bibliography. Most of the works are from the Khardzhiev-Chaga Foundation in Amsterdam,though a few are in private collections, and there are some which Khardzhiev was not allowed to take out of Russia, and were thus previously unknown in the West.

Hardcover. NY, First Second, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. This riveting graphic novel biography chronicles Vladimir Putin's rise from a mid-level KGB officer to the autocratic leader of Russia and reveals the truth behind the strongman persona he has spent his career cultivating. In the West's collective imagination, Vladimir Putin is a devious cartoon villain, constantly plotting and scheming to destroy his enemies around the globe and in Ukraine. But how did an undistinguished mid-level KGB officer become one of the most powerful leaders in Russian history? And how much of Putin's tough-guy persona is a calculated performance? Two-color art throughout by Brian "Box" Brown. Clean copy.

Hardcover. Konemann, 1st US, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, large format, 344 pages. Profusely illustrated with black & white photographs by Alexander Rodchenko. Dust jacket shows light rubbing to back cover. Large, heavy book. Clean, tight copy. This is the most complete volume published outside of Russia to capture the photographic work of Alexander Rodchenko, one of the former Soviet Union's greatest artists

Hardcover. NY, Harcourt, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. B&w photos, 185 pages. Twenty years after his death, George Balanchine still dominates the world of ballet. Not only have his works been danced by the New York City Ballet continuously since 1948, but they also have been performed by more than two dozen other companies throughout the world. In clear and elegant writing, Terry Teachout brings to life the dramatic story of George Balanchine, a Russian emigre who fell in love with American culture, married four times and kept a mistress on the side, and transformed the art of ballet forever. Clean copy.

Hardcover. Moscow, Progress Publishers, 1966, Book: Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket with faded spine. Anthology of writings by American journalist, poet and Communist activist. Includes portions of "Insurgent Mexico" and "Ten Days That Shook the World,"as well as stories, articles, documents, poetry and drama. Illustrated with photos. Text in English with introductory section in Russian. 299 pages, b&w illustrations. No date but indicates "2.6.66" Clean copy.

Atgen PA, Schiffer, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 144 pages illustrated in color and b&w. In 1942, Ed Vebell landed with the US Army in North Africa and was recruited by Stars & Stripes, the US armed forces newspaper, as their official staff artist. Daily, he drew illustrations and reported on the progress of World War II throughout Europe. This book offers a selection of his sketches, drawings, paintings, and photographs from that time, and presents one artist's view of the war from North Africa, through the campaigns in Italy, France, and Germany. After the war, the author spent two weeks with the Russians in Berlin, and was then assigned as the courtroom artist during the Nuremberg War Crimes Trials. Along the way are Ed's reminiscences about such personalities as famed war correspondent and artist Bill Mauldin, singers Josephine Baker and Edith Piaf, Charles de Gaulle, Gen. Teddy Roosevelt Jr., and many others. Ed also reminisces about his two years photographing backstage at the Folies Bergere in Paris, as well as his time as an Olympic fencer. Clean copy.

Softcover. New York , Aperture, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover. 88 pages. Fall 2009. William Eggleston artwork on the cover and an article on his drawings inside, with features on William Klein's 1956 portrait of Rome, Neil LaBute with photographs by Gerald Slota, Mark Alice Durant on monuments, Rob Hornstra's Russia, Luc Santo on American real-photo postcards, and Sally Gall's color insects. A clean, tight issue.

Hardcover. New York , Tekhne, 1st, 1960, Book: Very Good, Dust Jacket: None, 109 pages of text, 292 plates, almost all in b&w, some color. Blue cloth covers with gilt design. INSCRIBED BY ARCIPENKO on the page following the title. One page has been carefully excised and laid back in (plate #33-35). Otherwise clean, tight copy.

Hardcover. Baltimore, Johns Hopkins University, 1st, 2002, Book: Very Good, Dust Jacket: None, An extraordinary work, unparalleled in its breadth and depth of detail, this three-volume set offers the first comprehensive history of architecture and town planning throughout colonial North America, from Russian Alaska to French Quebec, to Spanish Florida and California, to British, Dutch, and other settlements on the East Coast. Across this vast terrain, James Kornwolf conjures the outlines of the constructed environment as it emerged in settlements and communities, in structures and sites, and in the flourishes and idiosyncrasies of the families and individuals who erected and inhabited colonial buildings and towns. Here as never before readers can observe the impulses and principles of colonial design and planning as they are implemented in the buildings and streets, harbors and squares, gardens and landscapes of the New World. Incorporating more than 3,000 illustrations, Kornwolf's massive work conveys the full range of the colonial encounter with the continent's geography, from the high forms of architecture through formal landscape design and town planning. From these pages emerge the fine arts of environmental design, an understanding of the political and economic events that helped to determine settlement in North America, an appreciation of the various architectural and landscape forms that the settlers created, and an awareness of the diversity of the continent's geography and its peoples. Considering the humblest buildings along with the mansions of the wealthy and powerful, public buildings, forts, and churches, Kornwolf captures the true dynamism and diversity of colonial communities-their rivalries and frictions, their outlooks and attitudes-as they extended their hold on the land. His work conveys for the first time the full scale, from intimate to grand, of their enduring transformation of the natural landscape of North America. NOTE: DOMESTIC SHIPPING ONLY.

Softcover. Russia, Contemporary Art Museum, 1st, 2007, Book: Very Good, Dust Jacket: None, 514 pages. Only 2000 copies printed. Softcover. A very clean, unmarked copy with only minor edgewear. Color illustrations throughout.

Softcover. Chicago, University of Chicago Press, reprint, 1982, Book: Very Good, Dust Jacket: None, Red card cover, with pages and covers in pristine condition. Like new, in shrinkwrap. Rosenberg's essays cover art's relationship with the media, pop art, art as thinking; Pollock's methods; Josph Cornell's boxes; Russian constructivism; big paintings; the artist's hand; action painting, Dada etc etc. First published in 1969.

Softcover. New Haven, Yale University Press, 3rd, 1988, Book: Very Good, Dust Jacket: None, 152 pages, illustrations in color and b&w. Previous owner's signature scribbled over on front end paper, light wear to edges and spine, else a clean, tight copy.

Hardcover. New York, Scalo Verlag , 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 144 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Thisbook contains a never-before published series of work from the early 1980s: Mikhailov photographed ''The Dancers'' in his hometown in the Ukraine during a period when the former Soviet Union was a reality, before the appearance of Gorbachov and "perestroika". We observe the open-air dancing scene with great astonishment; seeing older and younger people enjoy themselves in a way that might be contradictory to the images we might have about everyday life in the old Soviet Union. These cheerful images remind us how little women and men need to have a good time. An essay by Russian art critic Boris Groys and an exhaustive interview make this volume a must have for readers and libraries interested in contemporary art and photography. 65 duotone illustrations.

Hardcover. New York, Scalo Verlag , 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 144 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. This book contains a never-before published series of work from the early 1980s: Mikhailov photographed ''The Dancers'' in his hometown in the Ukraine during a period when the former Soviet Union was a reality, before the appearance of Gorbachov and "perestroika". We observe the open-air dancing scene with great astonishment; seeing older and younger people enjoy themselves in a way that might be contradictory to the images we might have about everyday life in the old Soviet Union. These cheerful images remind us how little women and men need to have a good time. An essay by Russian art critic Boris Groys and an exhaustive interview make this volume a must have for readers and libraries interested in contemporary art and photography. 65 duotone illustrations.

Hardcover. NY, Greenwich House, reprint, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Journeys through the world of Carl Faberge to explore some of his elaborate and exquisite gold pieces and to provide information on his craftsmen, art, and aristocratic patrons.185 photos with 100 in full color.

Hardcover. New York, Greenwich House, Reprint, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. 185 photographs, including more than 100 in full color. Brown leatherette. gilt lettering to spine. Pictorial dust jacket. Minor wear to edges, otherwise like new. Journeys through the world of Carl Faberge to explore some of his elaborate and exquisite gold pieces and to provide information on his craftsmen, art, and aristocratic patrons.

NY, Greenwillow, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color illustrations by Anita Lobel. "One of the greatest pleasures of this impressive collection of 12 Russian fables is Lobel's sophisticated artwork. She outdoes herself with watercolor-and-gouache paintings that are brilliantly colored and wonderfully composed. The details are just right....Heins' prose retellings of poems by Ivan Andreevich Krylov, "Russia's greatest fabulist,' are elegant." Clean copy.

Softcover. Oxford UK, Museum of Modern Art , 1982, Book: Very Good, Dust Jacket: None, 88 pages, b/w illustrations, very good paperback (exhibition catalogue). The essay is: Soviet photography between the wars. The photographers are: Max Alpert; Dimitr Dyebabov; Semyon Fridlyand; Boris Ignatovich; Yelizaveta Ignatovich; Georgi Lipskerov; Moisei Nappelbaum; Georgi Petrusov; Alexander Rodchenko; Galina Sanyko; Arkadi Shaikhet; Shaikhet/Alpert/Tules; Abram Shterenberg; Georgi Zelma.

Hardcover. New Haven CT, Yale University Press, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 232 pages. The question "What is American art?" might conjure the hyperrealism of Raphaelle Peale and William Harnett, the bold graphic style of Stuart Davis and Jacob Lawrence, or the Precisionist forms of Charles Sheeler. Little known, however, is that such notions of American art are significantly owed to a Russian Jewish immigrant named Edith Halpert. The founder of the Downtown Gallery in New York, Halpert shaped an identity for American art, declaring that its thrilling heterogeneity and democratic values were what most distinguished it from the European avant-garde. For forty-plus years, Halpert's gallery brought recognition and market success to now-legendary American artists--among them Arthur Dove, Marsden Hartley, and Georgia O'Keeffe, in addition to the artists mentioned above. She relentlessly championed nonwhite, female, and unknown artists and was a formative advisor in the shaping of many of the nation's most celebrated art museums and collections, from San Francisco to Boston. Not content with those achievements, she also pioneered the appreciation and collecting of American folk art. Richly illustrated with works that passed through her groundbreaking gallery, this book tells the extraordinary and largely overlooked story of her career and legacy. The artists Halpert launched into the American canon are household names--and this book compellingly argues that hers should be, as well. In publisher's shrinkwrap.

Hardcover. New York, E.P. Dutton - New York, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, 191 pages, profusely illustrated throughout in full color. Large folio. Clean, unmarked copy with only minor wear to dust jacket. A stunning showcase of Erte"s graphics completed at the time of publication with an additional 27 graphics added since the first edition (Erte at Ninety). Erte was a leading light in the Art Deco style and this book belongs in the library of anyone with an interest in the genre.

Hardcover. New York, E. P. Dutton, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages illustrated throughout with 156 plates including 74 in full color. Remainder mark on bottom edge. Large folio. Light edgewear to dust jacket, else a clean, tight copy. Follows the artist from his birth in St. Petersburg, Russia in 1892, through the 1980's. Beautiful color plates include costume design, magazine covers (Harper's Bazar), sculpture, vases, mirrors, medallions, jewelry, labels, bottles, playing cards, watches.

Hardcover. New York , E. P. Dutton, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover, 199 pages, illustrated throughout in color and b&w. Text and Commentaries by Erte. Introduction by Alistar Duncan. Edited by Marshall Lee. Light shelf-wear to dust jacket with very faint tanning to upper edge of front cover. Clean, tight copy. Lavishly illustrated with full page color plates/ photographs by Lee Boltin depicting multiple views of forty-one bronze sculptures by the author. A fabulous cataloguing of Erte's evocative art deco sculpture.

Hardcover. New York, Dutton Studio, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages, illustrated throughout with 176 plates in full color. Additional text by Ray Perman and David Rogath and photographs by Daniel Kramer. Light edgewear to dust jacket, else a clean, tight copy. Romain de Tirtoff, who worked under the pseudonym Erte (the French pronunciation of his initials), was a celebrated artist and designer who produced 250 covers for "Harper's Bazaar" as well as fashion designs for some of the world's most glamorous stars, and costume & set designs for Hollywood and stage productions.

Hardcover. Los Angeles, Getty Research Institute, 1st, 2017, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 199 pages. The artists' books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets--including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky--collaborated to fabricate hand-lithographed books, for which they invented a new language called zaum (a neologism meaning 'beyond the mind') that was distinctive in its emphasis on 'sound as such' and its rejection of definite logical meaning. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mirskontsa (Worldbackwards) and Vzorval' (Explodity). In addition, Nancy Perloff examines the profound difference between the Russian avant-garde and Western art movements, including futurism. Still sealed in publisher's shrinkwrap.