art textiles

Softcover. Baltimore, MD, Baltimore Museum of Art, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, 151 pages, b&w and color illustrations. Light edge wear, rubbing to wrappers. Else a clean, tight copy.

Softcover. NY, Scala Arts Publishers/Cornell, 1st, 2020, Book: Very Good, Dust Jacket: None, Softcover, 112 pages illustrated in color. Featuring African textiles, clothing, headwear, and jewelery, this book celebrates African dress as a product of global interactions, generational conflict and continuity, and expressions of gender. Featuring African textiles, clothing, headwear, and jewelery, this book celebrates African dress as a product of global interactions, generational conflict and continuity, and expressions of gender. The book highlights the strength and resilience of long-standing practices that characterize African dress; the wide variety of cultural, religious, and political motivations for adorning oneself; and the varying identities reflected in analyzing African material culture of the last century and a half. Textile selections include hand-woven and dyed examples alongside factory-woven and machine-printed cloth. Items of adornment include amber and silver jewelery from North Africa, beadwork-embellished clothing from South Africa, and various headdresses from across the continent, to name a few examples. From formal European colonization, to independence for African countries, to the liberalization of African economies, this book will demonstrate how dress practices reveal personal and group identities, cultural traditions, religious associations, political affiliations, and aspirations. Clean copy.

Softcover. NY, Thames & Hudson/Fine Arts Museum of San Francisco, reprint, 2006, Book: Very Good, Dust Jacket: None, Softcover, 160 pages illustrated in color. A colorful survey of the often provocative and always highly creative relationship between art and fashion. A crocheted wool coat of exuberant textures and glowing colors, a dyed and pleated silk vest of baroque sensuousness, a headdress of ribbon intricately ruched in the shape of a leaping fish, an evening gown made from shredded dollar bills, a kimono that carries art appliqued on its sleeve-these are just a few of the beautiful, imaginative, even surreal works of wearable art included in this richly illustrated book, published to accompany an exhibition at the Fine Arts Museums of San Francisco. Clean copy.

Softcover. London, Thames & Hudson, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover with color dust jacket., 181 pages, color and b&w illustrations. Text, art and photographs by Chaimowicz, Marc Camille Chaimowicz is a London-based contemporary artist whose works are in the Museum of Modern Art, Tate Modern, and Victoria and Albert Museum collections. His cross-disciplinary work in painting, drawing, collage, sculpture, installation, furniture, lighting, ceramics, textiles, and wallpaper challenges the categorical divisions between art and design. Clean, bright copy.

Hardcover. NY, Rizzoli, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 159 pages. Color illustrated. Brilliantly illustrates the interior designs of an internationally acclaimed British designer, featuring her use of vibrant colors, silky textiles, dramatic gilding, and untraditional combinations to create expressive rooms that are each a work of art.

Hardcover. Atglen PA, Schiffer Fashion Press, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. This nostalgic look at children's costume, from 1860 to 1920, reveals diverse cultural influences on its manufacture and design. More than 300 historic photographs, fashion plates, and selections from vintage catalogs and magazines, plus 115 color images, show examples of costume and accessories. See infants in period dress plus school-aged and teen fads and trends. Learn about the history of clothing use and development, fabric types, conservation and storage of textiles, and artistic inspiration, all arranged by decade. All types of clothing are represented, including christening gowns; boys' breeches, knickerbockers, and sack suits; swimwear and underwear; bloomers and blouses; fur, feather boas, and frocks; sailor suits and uniforms; collars and belts; capes and hoods; lingerie and dresses; sweaters and cardigans; overalls; and many more. Whether you are interested in clothing children wore in 1920 or to church in the Victorian era, this reference is a fun and evocative collection. Clean copy.

Hardcover. Lee Publishers Group, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 285 pages. Preface by Jean Mailey; Introduction by Zhang Ding. Designs in blue and white, fine bright tight copy, unmarked, very good slightly edge-rubbed dj. Collected from the remote areas of China's southwestern provinces, each decorative pattern is rich in beauty and meaning. This royalty-free volume will be an invaluable resource for artists, designers, craftspeople, and any lover of traditional Chinese folk art. Clean copy.

Hardcover. New York, Harper Design, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Color photographs. Clean, unmarked copy with only minor wear to dust jacket. A lavish, gorgeously designed full-color collection that showcases the designs of Dorothy and Otis Shepard, two groundbreaking giants of early twentieth-century American advertising. Dorothy and Otis Shepard are the unsung heroes of early twentieth-century North American visual culture. Together, they were the first American graphic designers to work in multiple mediums and scales with equal skill and vision, and their work remains brilliant; yet their names are little known today. Dorothy and Otis chronicles their story in detail for the first time. It explores the Shepards' penchant for abstraction and modernism, and shows how the advent of billboard advertising inspired their creativity--large campaigns that matched the grandeur of their lifestyle. Throughout, it demonstrates how their influence touched all aspects of consumer culture--from collaborating on the packaging for Wrigley's Gum and designing uniforms and logos for the Chicago Cubs to planning and promoting the resort island Catalina, where Stan Laurel, Oliver Hardy, Clark Gable, and other celebrities frequented.

Hardcover. Weatherhill, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 239 pages. 266 illustrations including 163 in full color. The batik designs of Java's North Coast are particularly varied in both design and color. With their fanciful, highly imaginative motifs and luminous tints, they are more immediately appealing than the sombre blue and brown batik of Central Java. It was a chance encounter in a Hong Kong antique shop that inspired photojournalist Inger McCabe Elliot to devote over three decades to assembling one of the world's finest collections, which she presented to the Los Angeles Country Museum of Art in 1991. This volume, published in conjunction with an exhibition at the Museum, celebrates Elliott's gift and presents her collection. Essays by authorities on the subject examine the 82 featured batik textiles from historical, cultural and aesthetic perspectives. The essays are followed by biographies of some of the most distinguished batik designers and entrepreneurs and a descriptive catalogue of the batiks. Appendices document design formats and motifs, as well as the complete production process of North Coast batiks. Clean copy,

Hardcover. New Haven, CT, Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: None, 168 pages. Hardcover with no dust jacket. Very clean, like new in publishers shrink-wrap. A lavishly illustrated tribute to one of the most remarkable self-invented personalities on the New York fashion scene. Featuring approximately 80 looks from Bartsch's personal collection of clothing and accessories, including designs by Rachel Auburn, Body Map, Leigh Bowery, John Galliano, Jean Paul Gaultier, Thierry Mugler, Mr. Pearl, Vivienne Westwood, Zaldy, and many others. Dazzling color photographs allow readers to witness the incredible art of transformation. 

Softcover. Munich / London, Prestel, 1st, 2012, Book: Very Good, Dust Jacket: None, Softcover, 240 pages, 450 color illustrations. Like new in publisher's shrink-wrap. This book profiles the works of ten designers whose use of textiles, meticulous attention to material and workmanship, and interaction with other creative disciplines have created a new atmosphere of connectivitiy and engagement on the Tokyo runways.

Hardcover. Bologna, Italy, Damiani, 1st, 2012, Book: Very Good, Dust Jacket: None, 204 pages. Hardcover no dust jacket. Like new in publisher's shrink-wrap. Rocking Fornarina celebrates the past ten years of Fornarina's "street couture" shoewear and apparel through the photographs of Francesco Musati and Valentina Aimone, who together have developed the brand's identity into a sexy, sassy and artful visual style. Founded in 1947 by Gianfranco Fornari, and now led by his son Lino, Fornarina has galvanized the women's shoe and apparel industry with its fresh take on urban style, emphasizing strong color, bold contours, humor and mischievous, tongue-in-cheek glamour, in styles ranging from sandals and sabots to boots and pumps. Rocking Fornarina includes a selection of previously unpublished photos by Musati and Aimone (who have been photographing for the company for more than 20 years), and a style gallery with portraits of Fornarina's celebrity fans, such as Lindsay Lohan and Martina Stella.

Hardcover. Other Distribution, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in publisher's shrink-wrap. 378 pages. Gloria F. Ross (1923-1998) described her work as the translation of paint into wool. She was deeply committed to reinventing the centuries-old art of tapestry, particularly championing the handmade in contemporary art. This remarkable book, written by textile scholar Ann Lane Hedlund, draws from rare unpublished archives to unravel the evolution of Ross's modern tapestries and to illuminate the significance of her creative partnerships. Gloria F. Ross and Modern Tapestry features the collaborative work of 28 acclaimed modernist painters and sculptors, including Helen Frankenthaler (Ross's sister), Kenneth Noland, and Louise Nevelson, with several dozen traditional-yet-innovative weavers in France, Scotland, and the Southwestern United States. Brief biographies of the artists, letters, notes, sketches, and photographs illustrate the practical and aesthetic challenges that occupied Gloria Ross for over three decades

Hardcover. US, Other Distribution, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Hardcover with dust jacket, 378 pages. Gloria F. Ross (1923-1998) described her work as the translation of paint into wool. She was deeply committed to reinventing the centuries-old art of tapestry, particularly championing the handmade in contemporary art. This remarkable book, written by textile scholar Ann Lane Hedlund, draws from rare unpublished archives to unravel the evolution of Ross's modern tapestries and to illuminate the significance of her creative partnerships.Gloria F. Ross and Modern Tapestry features the collaborative work of 28 acclaimed modernist painters and sculptors, including Helen Frankenthaler (Ross's sister), Kenneth Noland, and Louise Nevelson, with several dozen traditional-yet-innovative weavers in France, Scotland, and the Southwestern United States. Brief biographies of the artists, letters, notes, sketches, and photographs illustrate the practical and aesthetic challenges that occupied Gloria Ross for over three decades.

Hardcover. New Haven, CT, Yale University Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 272 pages. Hardcover with dust jacket. Very clean, like new in publishers shrink-wrap. This book features specially commissioned photographs of an extraordinary, newly formed collection of fashionable handbags that date from the 16th century to the present day. It has been acquired for exhibition in the first museum devoted to the handbag, in Seoul, South Korea. The project is a commission undertaken by experimental exhibition-maker Judith Clark, whose innovative practices are revealed in Handbags.

Hardcover. Seattle WA, Laughing Elephant, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Beloved Swedish artists Carl and Karin Larsson made their home a living testament to their aesthetics. They designed, built and decorated the furniture, wove and embroidered all the textiles, and painted the walls of the lovely cottage where they and their children lived in great happiness. The Larssons inspired a uniquely Scandinavian design style that was, and is, hugely influential. Carl's paintings captured the beauty and happiness of their home, and these illustrate this volume. Welleran Poltarnees' text considers the truths of home and family, and the resultant book is a loving testimony to the transformative powers of art and love. 26 pages in color, clean copy.

Hardcover. US, Thames & Hudson Ltd, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages, illustrated throughout in color and b&w. Light edgewear to dust jacket, else a clean, tight copy. From its founding in 1875, the firm of Liberty has been a byword for high-quality design. Arthur Lasenby Liberty, its founder, set out to transform the appearance of dress and interior decoration; that sense of energy and excitement remains integral to the house, making Liberty a world-recognized name. This account and celebration is divided into chronological sections. It begins with the early emporium and ends with a survey of the institution's influence on post-war aesthetics and design. The Arts and Crafts Movement found Liberty's associated with leading craftsmen-designers. After World War I its textiles continued the famous lines of prints. Now, in keeping with its role as innovator, the firm continues to commission designers and to promote both traditional and avant-garde furniture and artifacts. This history of a unique enterprise reflects in microcosm major developments in taste from the late 19th-century to the present.

Hardcover. Chicago, A. C. McClurg and Co., reprint, 1934, Book: Very Good, Dust Jacket: None, 213 pages, 254 illustrations in color and b&w. First published in 1914, this is the 1934 reprint. Light yellow cloth with two-color design. Previous owner's signature, date on front fly leaf. Otherwise clean, very good.

Hardcover. New York, W W Norton , 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. Hardcover with clear plastic dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color and black and white pictures throughout.

Hardcover. New York, Harper Design, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Like new in publisher's shrink-wrap. The first published collection of the work of Joe Eula, oe of the 20th century's greatest fashion illustrators. Brings 200+ gorgeous b/w and full-color sketches and finished illustrations; sheds light on Eula's development as an artist, and his contributions to the worlds of fashion, design and arts and entertainment.

Hardcover. Germany, Daab, 1st, 2012, Book: Very Good, Dust Jacket: None, 320 pages. Hardcover no dust jacket. Like new in publisher's shrink-wrap.. The Label Book of Clothing Culture presents over 40 TOP labels within the fashion business which are among the very best in the world. Great names such as Barbour and Brioni stand next to numerous 'Hidden Champions' of clothing culture. But this extraordinary coffee-table book is about much more than mere fashion, it also presents craftsmanship and history, style and quality; it highlights those companies that have committed themselves to this tradition with heart and soul. The editor and enthusiastic art collector, Dr. Dr. Thomas Rusche, knows what he is talking about, since it is he that coined the term 'clothing culture.' He shares his knowledge of the true champions of the business and provides interesting background information about the companies presented here.

Hardcover. New York, Walker and Company, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, 72 pages. Hardcover. Dust jacket unclipped. Color and B/w gar 12/8illustrations throughout. cover boards bound in red cloth with gilt title and decoration on spine and front cover. Some age wear to dust jacket, very good condition. Clean and unmarked inside, binding tight. In great shape for its age.

Softcover. Minneapolis, Creative Publishing International, First Edition, 2009, Book: Very Good, Dust Jacket: None, 144 pages. Softcover with french flaps. DVD ROM laid in. Full page, full color illustrations & details throughout. Clean, unmarked copy.

Hardcover. London, Royal Academy of Arts, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 214 pages illustrated in color. "Matisse's relationship with the textiles that surrounded him from his earliest days is revealed here for the first time - the authors examine the ways in which Matisse used what he called his 'working library' of textiles to furnish, order and compose some of the twentieth century's most pioneering works of art". Exhibition catalog for a show at Le Cateau-Cambresis, France; London and New York, October 2004 to September 2005. Clean copy.