art impressionism

Hardcover. New Castle DE, Oak Knoll, 1st, 2004, Hardcover in a bright dust jacket. A History of the Eragny Press, 1894-1914, is a full and exceptionally well-researched account of the Press. It begins with a brief survey of Lucien Pissarro's early career in France in order to establish the influences and motivations for his book designs and proceeds to examine Lucien's association with Charles Ricketts, the establishment of the Eragny Press, and the Press' relationship to the publishers Hacon & Ricketts. Eragny was not a commercial publisher, yet profits was an important motivation for the Pissarros. Included here is the first major account for a private press of the costs of production, profits, and marketing and distribution practices. Eragny Press books were promoted and sold in England, the Continent, and the United States. Two of the Eragny Press books were the results of commissions from French bibliophile clubs. This history of the Eragny Press includes a discussion of the influences and artistic theories that are the basis for the Pissarros' books and provides a critical reassessment of their significance within the history of the English Arts and Crafts Private Press movement. About half the book is devoted to an exhaustive and detailed bibliography of all the Eragny Press publications, with critical commentary on each. Accompanying the text and the descriptive bibliography are more than seventy-five reproductions of rare Eragny wood engravings ( by Lucien Pissarro, T. Sturge Moore, and others), title pages, borders and decorated initials, binding papers, and book covers. A History of the Eragny Press, 1894-1914, is an important book for anyone interested in the history of printing, the Arts and Crafts movement, Impressionism, private presses, the art of wood engraving, and illustrated and fine books.

Softcover. Fort Lauderdale, FL, Richard Stuart Gallery, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, 76 pages, b&w and color illustrations. Light rubbing, soiling to white wrappers. Else a very clean, tight copy.

Softcover. New York, Metropolitan Museum of Art, 1st, 1973, Book: Very Good, Dust Jacket: None, Softcover exhibition catalog, 165 pages, illustrated in b&w and color. INSCRIBED BY MARGARET & RAYMOND (HOROWITZ) TO JOHN WILMERDING, art historian and author. Also laid in is the business card of JOHN K. HOWAT - curator of this exhibition at the Metropolitan. Tight, clean copy.

Hardcover. Pasadena CA, Pasadena Museum of California Art, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 149 pages, illustrated in color. Bright, clean copy in similar dust jacket. Catalog of an exhibition organised by the Pasadena Museum of Californian Art and held there and at the Gibbes Museum, Charleston, South Carolina, in 2005-6. The book presents 77 works, reproduced in excellent colour as half and full page plates, including nudes, figures and urban and rural landscapes. William Gerdts offers a scene-setting Introduction after which Solon provides an in-depth study of the artist's life and work. This includes his marriage, travels abroad including Europe, Panama and Mexico, experience as an aerial photographer in the Great War, return to Southern California and life in Pasadena, a region that was recommended for health reasons, and a final decade marked by ill-health that contributed to the general decline in his reputation outside of the local art community.

Hardcover. Merrell, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover. 176 pages. This illustrated volume - the first major monograph ever devoted to Stillman - is a timely and revealing examination of a remarkable talent, encompassing every phase of Stillman's stylistic development, from his early representational painting to his striking post-war Abstract Expressionist works. With contributions from prominent curators, critics, and art historians, the book comprises o detailed overview of the artist's life and achievements together with essays on more specific aspects of his oeuvre, including Stillman's Paris period, his innovative "white line" drawings, his Mexican paintings, and the influence on his work of his Jewish identity. Featuring a comprehensive selection of Stillman's drawings and paintings, this beautiful book restores the artist to his rightful place among the most important names of twentieth-century art.

Hardcover. London, Merrell, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover. Orange cloth with black lettering on the spine; 176 pages; 125+ color and bw plates and figures. Includes essays on the artist and his work by Donald Kuspit, James Wechsler, Susan Power, Michael Betancourt, Helen A. Harrison, David Craven, and Rachel Garfield; Artist biography also included.

Hardcover. NY, Hudson Hills Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, 228 pages, 123 color plates. Morisot was a gutsy pioneer among the French impressionists. As a standard-bearer of the avant-garde, she created a scandal by helping to organize a public auction of their works, something very few artists had dared to do. Defying the advice of her parents and Manet, she remained in Paris when Prussian troops besieged the city. In her artistic technique she was no less daring. Around 1874, in pictures of tourists and yacht-filled rivers, she broke through to an abbreviated, shorthand style ahead of her contemporaries. Disregarding her own view that Monet had taken landscape painting to its farthest limits, her late oils of gardens are brilliant fireworks of color. This catalogue of a retrospective exhibition that is to tour the country stands on its own as a valuable study.

Hardcover. NY, Abrams, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 303 pages. Eclipsed by the Impressionists, Naturalist painters are restored to their rightful place in the history of art in this remarkable, lavishly illustrated study. Influenced by Emile Zola's writings, French Naturalist artists documented personalities and locales in a detached, impersonal style. With photography as their chief tool and ally, the Naturalists aimed for the look of unposed, spontaneous nature, which put them on a collision course with the Impressionists. Now this challenging book adds a new dimension to that period, showing that at the same time the Naturalists were shaping a different view of painting. Weisberg reveals that the Naturalists went beyond Impressionism in both technique and subject matter. 307 illustrations, 86 in full color. Very good in a bright dust jacket.

Hardcover. New York, Pantheon Books, 1st US, 1988, Book: Very Good, Dust Jacket: Very Good, 127 pages, hardcover with dust jacket. Preface by Jean Leymarie. Translated from the French by Sebastian Wormell. Vivid recollections of life at La Cannet and descriptions of the house and garden, accompanied by reproductions of related drawings and paintings. With 130 illustrations, 77 in color. Including 14 photographs by Henri Cartier-Bresson. Previous owner's signature to front flyleaf. Light fading to dust jacket top edge and spine. Mild rubbing to dust jacket as well. A tight and clean copy.

Hardcover. Southport, CT, Hugh Lauter Levin Associates, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover. A companion book to Mathews' definitive biography of Cassett. 357 pages, Comprehesive retrospective of the American artist Mary Cassatt, which includes a scholarly introduction, a wealth of texts and letters by Cassatt as well as by her contemporaries (including Zola, Degas, Pissarro), a chronology and genealogy, detailed bibliography, hundreds of archival photos, and 118 color plates of her paintings. Still in shrinkwrap.

Hardcover. New York, Harry N. Abrams, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 600 pages, illustrated throughout with 504 illustrations, including 242 plates in full color. Heavy oversized book. Light edgewear and faint tanning to dust jacket, else a clean, tight copy. A definitive survey of the life and work of the Paul Cezanne follows the evolution of his art from drawing school in the 1860s to his death in 1906, providing more than six hundred reproductions of drawings, watercolors, paintings, and sketchbook pages that demonstrate his masterful artistic style. DOMESTIC SHIPPING ONLY.

Hardcover. New York, Harry N. Abrams, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 600 pages, illustrated throughout with 504 illustrations, including 242 plates in full color. Heavy oversized book. Light edgewear and faint tanning to dust jacket, else a clean, tight copy. A definitive survey of the life and work of the Paul Ce+a7zanne follwows the evolution of his art from drawing school in the 1860s to his death in 1906, providing more than six hundred reproductions of drawings, watercolors, paintings, and sketchbook pages that demonstrate his masterful artistic style.

Hardcover. San Francisco , Pomegrante Artbooks, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, XV pages + 36 plates in full color. Light blue cloth, blue pictorial dust jacket. Light edgewear to jacket, else like new

Hardcover. NY, Abrams, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Small paper scar on front fly leaf where tape pull left dime-size white spot. Otherwise like new. 256 pages. Childe Hassam's impressive career as one of America's foremost Impressionists is celebrated and illuminated in this dazzlingly beautiful volume.No other American Impressionist ever surpassed the quality and variety of Hassam's output as a painter and draftsman. Equally talented in oils, watercolors, and prints, he explored rain-swept city scenes, glorious gardens, exquisite women, and stirring flag-lined streets. Many of these irresistible pictures are hidden in private collections and are rarely, if ever, accessible to the public; others are on view at major museums across the country, from the Metropolitan Museum to the Museum of Fine Arts, Boston, to the Los Angeles County Museum of Art. By approaching Childe Hassam (1859-1935) from different angles, the three authors reveal this multitalented artist's many facets and uncover previously unknown aspects of his life and work. The authoritative essays are illustrated with a brilliant array of color illustrations that represent all of Hassam's styles, from Barbizon-inspired Tonalism to Impressionism to Post-Impressionism. The book concludes with an invaluable illustrated chronology and an annotated bibliography.

Hardcover. New York, National Academy of Design, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 246 pages. 62 B&w illustrations and 77 plates in full color. Black leatherette. silver lettering to spine. Pictorial dust jacket. Like new.

Hardcover. London, Faber and Faber Ltd., 1st, 1949, Book: Good, Dust Jacket: None, 435 pages. Hardcover. 256 black & white illustrations and 12 tipped-in full color plates. Fading to spine and along cover edges. No dust jacket. Clean, unmarked copy.

Hardcover. NY, Thames and Hudson, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 240 pages. 226 illustrations, 50 in color, "Nudes comprised more than 20 percent of Degas' subject matter. His typical unclothed female is a slightly plump middle-class lady at her bath. Yet the French artist explored nudity in many guises. The symbolic figures of his Medieval War Scene and David and Goliath suggest vulnerable, naked humanity. Then there are the prostitutes of his brothel pictures, salaciously or humorously observed. There are women in meditative poses, asleep, dancing and, infrequently, making love to other women. There is a bit of the voyeur in Degas' images, but as British art historian Thomson shows, the painter transcended his own conventional categories of 'nice' bourgeois women and 'fallen' lower-class whores. His explorations of the nude in charcoal, pastel, oil and sculpture exude empathy, even nobility." Clean copy.

Hardcover. Boston, Museum of Fine Arts, Boston, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 190 pages. B&W and color illustrations. Essay by David Park Curry. Introduction by Theodore E. Stebbins Jr. Nice clean copy with tight binding and beautiful cover.

Hardcover. Hingham, MA, Pierce Galleries, 1st, 1980, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 253 pages. b&w illustrations and color plates throughout. Documents Tarbell's journey from being labeled "just a Boston painter" to being one of the most sought-after, outspoken, teachers in the country. Black leatherette, gilt lettering to spine and front cover. In mint condition. Looks brand new.

Softcover. US, Brooklyn Museum Bookshop, 1st, 1992-11-01, Book: Very Good, Dust Jacket: None, Softcover, 176 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to wrappers.

Hardcover. Milan, Artvera's, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover without dust jacket. Like new in publisher's shrink-wrap. This one-of-a-kind book brings the work of German Expressionist artist Friedrich Karl Gotsch (1900-1984) to a larger, well-deserved audience. Gotsch, whose paintings are in the collections of the Brooklyn Museum and the Museum of Modern Art in New York, trained at the Dresden School of Fine Arts in the early 1920s and was inspired by the works of Oskar Kokoschka and Edvard Munch. While his early paintings follow a straightforward Expressionist style, he truly came into his own after World War II, when his work became distinct and easily recognizable: The energy, contrasting primary colors, vivid outlines, and free brushwork combine to produce powerful, spellbinding images. In addition to stunning color reproductions of his work, this book includes essays on Gotsch's art and life, illuminating the artist's creative development and the cultural milieu and influences that inspired him.

Hardcover. New York, Harry N. Abrams, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, 288 pages, illustrated throughout in color and b&w. Brown cloth, pictorial dust jacket. Beautiful copy in shrinkwrap. Like new. The first biography of the couple who created the landmark collection that is still the base of most American museums.

Hardcover. NY, Spanierman Gallery, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, 112 pages, illustrated throughout in color. Illustrated, laminated boards, no dust jacket issued. Clean, tight copy. This is a beutifully produced catalog of a NY retrospective for the Australian/British/American painter Hayley Lever (1876-1958). His painting also crossed boundaries including elements of Impressionism, Post-Impressionism & Tonalism. Perhaps it was this refusal to sit in one box that accounts for his being so nearly forgotten. There are many lovely pictures here, mostly of St Ives & the coasts of New England.

Hardcover. New York , Harry N. Abrams, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 230 pages, published to accompany exhibition show in London, Paris, and Washington. Shows how Rousseau's captivating jungle paintings are best understood in relation to his work in other genres such as portraiture and landscapes. Beautiful color illustrations throughout. Deep green boards with lighter green tiger on front. In publisher's shrinkwrap.