asia war

Hardcover. New Haven CT, Yale University Press;, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 180 pages. John Gutmann (1905-1998) was one of America's most distinctive photographers. Born in Germany where he trained as an artist and art teacher, he fled the Nazis in 1933 and settled in San Francisco, reinventing himself as a photo-reporter. Gutmann captured images of American culture, celebrating signs of a vibrant democracy, however imperfect. His own status as an outsider--a Jew in Germany, a naturalized citizen in the United States--informed his focus on individuals from the Asian-American, African-American, and gay communities, as well as his photography in India, Burma, and China during World War II. This handsome book acknowledges Gutmann's place in the history of photography. Drawing on his archive of photographs and papers at the Center for Creative Photography, it presents both unfamiliar works and little-known contexts for his imagery, linking his photography to his passionate interest in painting and filmmaking, his collections of non-Western art and artifacts, and his pedagogy. In addition to a major essay by Sally Stein, the volume includes an introduction by Douglas R. Nickel, and an overview of the Gutmann archive by Amy Rule.

Hardcover. London, Chris Boot, 1st, 2009, Book: Very Good, Dust Jacket: None, Hardcover, 252 pages. In this volume, ten Magnum photographers turn their lenses on contemporary Georgia. Situated on the cusp of Russia and Asia, but with a European culture dating back to the 7th century BC, Georgia was forcibly incorporated into the Soviet Union in 1922. Its independence was restored in 1991, but it then suffered from civil war and a breakdown of its economic infrastructure. In the last decade, however, despite ongoing tensions in its relations with Russia, Georgia has mounted a spirited comeback. Magnum photographers Antoine d'Agata, Jonas Bendiksen, Thomas Dworzak, Martine Franck, Alex Majoli, Gueorgui Pinkhassov, Martin Parr, Paolo Pellegrin, Mark Power and Alec Soth visited the country during spring 2009, each pursuing their own theme (Alec Soth goes in search of the 'most beautiful woman in Georgia', for example). All found themselves enchanted by the Georgian people, something strongly conveyed in their photographs as well as in personal text journals which accompany the images. This well-designed volume also includes a fold-out map, marked with each photographer's journey; a chapter showing the best of Magnum photographers' work over 60 years (including by Magnum's founders Robert Capa from his visit to Georgia with John Steinbeck in 1948 and Henri Cartier-Bresson); and an illuminating introduction by the Paris-based New Yorker writer, and Georgia expert, Wendell Steavenson.

Hardcover. New York, Macmillan Co., 1st, 1932, Book: Very Good, Dust Jacket: None, Hardcover, 311 pages, 2 b&w fold-out maps in rear. Maroon cloth covers w/ gilt lettering. Spine faded. Previous owner's signature on front fly leaf. Else a very clean, tight copy.

Hardcover. Watkins, reprint, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 272 pages. Marco Polo (c.1254-1324) was a Christian merchant from the Venetian Republic who learned about trading while his father and uncle were absent on an extended journey through Asia, which culminated in a visit with the great khan Kublai. In 1269 the brothers returned to Venice and met Marco for the first time. The three of them then embarked on a new journey to Asia and the court of the khan, returning after more than two decades to find Venice at war. Marco was imprisoned in Genoa, whereupon he dictated his romantic-sounding stories to a cellmate. The popularity of his account is a rare example of a success in publishing before the age of printing. Introduction by John Masefield.

Hardcover. Atlanta, Nexus Press, 1st, 1995, Book: Very Good, Dust Jacket: None, Hardcover, 118 pages. Glossy color illustrated boards, color illustrated end-papers, color and black-and-white illustrations from photographs throughout, accompanying 16 page facsimile journal laid in (no publishing info) with reproductions of polaroids of Burke's. 'Mine Fields' (a sequel to Bill Burke's justly famous I Want To Take Picture), is Burke's scrapbook of his life and his pursuit of the history and daily life of Cambodia. Part adventure story, part personal confession, part travelogue, and always fascinating, Burke's negotiation of the mine fields of divorce and war is a compelling collage of photographs, found objects, stories, and the contrast between glorious ancient temples and the horrors of war and genocide.

Hardcover. Westport CT, Greenwood Press, reprint, 1981, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with gilt lettering on spine, 210 pages. Professor Dunn presents an account of the making of the Japanese peace treaty. He discusses the international environment from the outbreak of World War II to 1950, the San Francisco conference of September 1951 and the security arrangements which the United States helped to create in the Pacific and Asian area. Originally published in 1963 by Princeton. Name on front fly leaf, otherwise clean.

Softcover. NY, Pantheon Books, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover, 297 pages. This compelling social history uses diaries, memoirs, fiction, trial testimony, personal recollections, and eyewitness accounts to weave a fascinating tale of what ordinary Japanese endured throughout their country's era of economic growth. Through vivid, often wrenching accounts of peasants, miners, textile workers, rebels, and prostitutes, Mikiso Hane forces us to see Japan's "modern century" (from the beginnings of contact with the West to World War II) through fresh eyes. In doing so, he mounts a formidable challenge to the success story of Japan's "economic miracle." Starting with the Meiji restoration of 1868, Hane vividly illustrates how modernization actually widened the gulf, economically and socially, between rich and poor, between the mo-bo and mo-ga ("modern boy" and "modern girl") of the cities and their rural counterparts. He interlaces his scholarly narrative with sharply etched individual stories that allow us see Japan from the bottom up. Clean copy.

Hardcover. NY, Newsweek Books, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 269 pages, b&w photos. The author and photographer won the Pulitzer Prize for Photography in 1972 for his work in southeast Asia and the wider region during the Vietnam War and civil unrest in Calcutta. He was also President Gerald Ford's Official White House Photographer. Clean copy.

Hardcover. US, Princeton University Press, 1st, 1990, Book: Good, Dust Jacket: Good, 321 pages. Faint smoke (tobacco) smell. Light shelf-wear to dust jacket and light soil to fore edge, else a clean, tight copy.

Hardcover. NY, Abrams, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages. Steinberg's high-concept graphic art--epitomized by his oft-imitated cartoon map in which a Manhattan distended with self-importance shoves the continents of North America and Asia to the margins--is enchantingly showcased in this lavishly illustrated retrospective of his work for the New Yorker. Smith, a curator at the Frances Lehman Loeb Art Center at Vassar and author of Edward Steichen: The Early Years, surveys six decades of Steinberg's pieces, including all 89 New Yorker covers (in full color), cartoons, wartime sketches from overseas, evocative (but never literal-minded) illustrations for articles, and unpublished items from the artist's portfolio. The material is arranged thematically, examining such recurring motifs as cats, pedestals and rubber-stamped figures and documenting the turn to visual metaphor in Steinberg's later work, where symbolic graphic representations of sound, abstract relationships and existential conundrums replace the usual scenario-with-verbal-punch line cartoon setup. Smith's pithy biographical essay situates Steinberg as a self-conscious modernist who helped develop a distinctive New Yorker visual style, one with "a wry, informal wit... attuned to the jittery optimism of the Atomic Age." Steinberg's cartoons usually made readers think before they laughed, and so will this splendid memorial to a 20th-century artistic landmark.

Hardcover. Trans Pacific Press, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover in glossy boards, 170 pages. Stratification in Cultural Contexts is a collection drawn from research results of the East Asian Division of the Center for the Study of Social Stratification and Inequality at Tohoku University. In this book, scholars who specialize in areas of East and Southeast Asia examine how the problem of stratification manifests itself in different cultural and historical contexts, discussing when and in what circumstances the problem of stratification has become more serious, and suggesting how the tension could be eased. The topics dealt with are diversified, from religion to economic concerns. The local wisdom of traditional societies is used to analyze inequality and stratification in cases such as the phenomenon of 'religious revival' following democratization in Mongolian society, the lives of 'slaves' under the Choson dynasty in Korea, and the role of warrior-class women in early-modern Japan. Clean, bright copy.

Hardcover. Harrisburg, Stackpole Company, 1st, 1961, Book: Good, Dust Jacket: None, 322 pages. Hardcover. Features 16 pages of black & white photographs. Notations in red pencil on 2 maps - pages 92 and 97. Light wear to yellow cloth covers. No dust jacket.

Hardcover. London, Transaction Publishers, 2nd Ed., 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. The late twentieth century witnessed rapid changes not only in Taiwan's economy, but also in its identity. Both economic as well as ideological restructuring have been basic elements in the transformation of postwar Taiwan, as rapid democratization opened a Pandora's Box, and stirred a whirlwind of social discord. This volume considers such important questions as whether the old Taiwanese work ethic is a relic of the past, and whether Taiwan is likely to become a battleground of ideological wars.The book addresses Taiwanese nostalgia for Chinese culture; the rise and fall of postwar Taiwanese agrarian culture; the transformation of farmers' social consciousness in the period 1950-1970; the place of Confucianism in postwar Taiwan; and the awakening of the "self" and the development of a Taiwanese national identity in the post-World War II period. Finally, it considers whether "mutual historical understanding" may be the basis for Taiwan-Mainland relations in the twenty-first century. This second edition includes a new chapter on the history of Taiwan after World War II, incorporating additional developments in Taiwan in the past decade.

Hardcover. NY, Basic Books, 4th pr., 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 710 pages. We think of the Cold War as a clash of two superpowers, the United States and the Soviet Union. But in The Cold War, award-winning historian Odd Arne Westad argues that the war must be understood as a global confrontation, with roots in the Industrial Revolution and ongoing repercussions around the world. The Cold War may have begun on the perimeters of Europe, but it had its deepest reverberations in Asia, Africa, and the Middle East. Stunning in its breadth and revelatory in its perspective, The Cold War expands our understanding of the Cold War both geographically and chronologically, and offers a new history of how today's world was creased. Clean copy.

Hardcover. NY, New York University Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, pages. The GI War Against Japan recounts the harrowing experiences of American soldiers in Asia and the Pacific. Based on countless diaries and letters, it sweeps across the battlefields, from the early desperate stand at Guadalcanal to the tragic sinking of the U.S.S. Indianapolis at war's very end. From the daunting spaces of the China-India theater to the fortress islands of Iwo Jima and Okinawa, Schrijvers brings to life the GIs' struggle with suffocating wilderness, devastating diseases, and Japanese soldiers who preferred death over life. Amidst the frustration and despair of this war, American soldiers abandoned themselves to an escalating rage that presaged Hiroshima and Nagasaki.

Hardcover. NY, Oxford University Press, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 364 pages. The Second World War's Pacific conflict was one of the most complex in history. It embrioled peoples from opposite sides of the globe; it was fought in China, across the expanses of the Pacific, and in the jungles of Southeast Asia; and it was devastating in its consequences for civilians and servicemen alike. It saw the first use of atomic weapons, hastened the end of the Western empires in Asia, and marked America's rise to the position of the most powerful nation in the world.Christopher Thorne, whose previous studies of the war in the Pacific have become landmarks in the field, here weaves together both the entire network of international relations surrounding the war and the impact the war had on all the societies involved--Indian as well as American; Australian and New Zealand as well as Japanese; Korean, Chinese, and Southeast Asian as well as British, French, and Dutch. The Issue of War draws on material gathered over many years in the Far East, Western Europe, and the U.S.--material including wartime films, broadcasts, and newspapers,as well as countless private and offical papers. Representing a synthesis of military, diplomatic, economic, intellectual, and social history, it not only places the war in the context of developments before 1941, but illuminates various patterns that cut across the familiar distinctions between Asia and the West or between Japan and the Allies. Name on front fly leaf, otherwise clean.

Hardcover. Princeton NJ, Princeton University Press, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 408 pages. A book that casts new light on the history of China and the West at the turn of the nineteenth century. George Macartney's disastrous 1793 mission to China plays a central role in the prevailing narrative of modern Sino-European relations. Summarily dismissed by the Qing court, Macartney failed in nearly all of his objectives, perhaps setting the stage for the Opium Wars of the nineteenth century and the mistrust that still marks the relationship today. But not all European encounters with China were disastrous. The Last Embassy tells the story of the Dutch mission of 1795, bringing to light a dramatic but little-known episode that transforms our understanding of the history of China and the West. Drawing on a wealth of archival material, Tonio Andrade paints a panoramic and multifaceted portrait of an age marked by intrigues and war. China was on the brink of rebellion. In Europe, French armies were invading Holland. Enduring a harrowing voyage, the Dutch mission was to be the last European diplomatic delegation ever received in the traditional Chinese court. Andrade shows how, in contrast to the British emissaries, the Dutch were men with deep knowledge of Asia who respected regional diplomatic norms and were committed to understanding China on its own terms.

Hardcover. New York, Thames & Hudson, 1st, 2001-12-01, Book: Very Good, Dust Jacket: Very Good, Hardcover. Like new in publishers shrink-wrap. Contains 136 illustrations, 126 in color. A collection of photographs of the ancient and spiritual lands of Indochina: Vietnam, Laos and Cambodia taken during a lifetime of traveling and living there by Tim Page. They provide an account of a deeply religious society whose age-old Buddhist principles have endured to this day. The book also represents a personal passage for Page himself, drawing a line beneath the loss of many friends and colleagues in the Vietnam War.

Hardcover. New York, Thames & Hudson, 1st, 2001-12-01, Book: Very Good, Dust Jacket: Very Good, Hardcover. Like new in publishers shrink-wrap. Contains 136 illustrations, 126 in color. A collection of photographs of the ancient and spiritual lands of Indochina: Vietnam, Laos and Cambodia taken during a lifetime of traveling and living there by Tim Page. They provide an account of a deeply religious society whose age-old Buddhist principles have endured to this day. The book also represents a personal passage for Page himself, drawing a line beneath the loss of many friends and colleagues in the Vietnam War.

Hardcover. NY, Verso, 1st, 2009, Hardcover in a bright, unclipped dust jacket, 561 pages. The New Old World looks at the history of the European Union, the core continental countries within it, and the issue of its further expansion into Asia. It opens with a consideration of the origins and outcomes of European integration since the Second World War, and how today's EU has been theorized across a range of contemporary disciplines. It then moves to more detailed accounts of political and cultural developments in the three principal states of the original Common Market-France, Germany and Italy. A third section explores the interrelated histories of Cyprus and Turkey that pose a leading geopolitical challenge to the Community. The book ends by tracing ideas of European unity from the Enlightenment to the present, and their bearing on the future of the Union. The New Old World offers a critical portrait of a continent now increasingly hailed as a moral and political example to the world at large. Clean copy.

Hardcover. Boston, Bulfinch, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 204 pages. Combines photography with the writings of a Pulitzer Prize-winning author to create a portrait of contemporary Vietnam healed from the war and replete with lush landscapes, customs, villages, traditions, and cities.

Hardcover. New York , Thames & Hudson, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 255 pages, clean hardcover in a bright, unclipped dust jacket. B&w photographs throughout by Bischof. His images were influenced by the major photo-movements of his time: the formal concepts of Das Neues Sehen (New Vision), the surrealism of Man Ray, and the documentary tradition of photojournalism. From the 1940s through the early 1950s, he covered World War II, the bombing of Hiroshima, and the Korean War for Life , Paris-Match , and other publications; his most famous series, "Famine in India," appeared in Life in 1951. This first major compilation of Bischof's work is nicely complemented by the text, a joint effort by son Marco and Swiss art historian Magnaguagno that vividly integrates biography and history. Dust jacket with minor edgewear, short closed tear to rear panel.

Hardcover. New York , Thames & Hudson, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 255 pages, clean hardcover in a bright, unclipped dust jacket. B&w photographs throughout by Bischof. His images were influenced by the major photo-movements of his time: the formal concepts of Das Neues Sehen (New Vision), the surrealism of Man Ray, and the documentary tradition of photojournalism. From the 1940s through the early 1950s, he covered World War II, the bombing of Hiroshima, and the Korean War for Life , Paris-Match , and other publications; his most famous series, "Famine in India," appeared in Life in 1951. This first major compilation of Bischof's work is nicely complemented by the text, a joint effort by son Marco and Swiss art historian Magnaguagno that vividly integrates biography and history.