austria history

Hardcover. NY, Quantuck Lane Press, 1st, 2005, Book: Very Good, Dust Jacket: Good, 456 pages. Hardcover with dust jacket. Clean, unmarked copy with tear on front dust jacket and light wear to edges. Erich Lessing is a legend in photography. Born in 1923 in Vienna, he became a photo-reporter for Associated Press in 1947, and in 1951 he became one of the earliest members of the legendary Magnum photo cooperative. His remarkable 1950s images documenting post-World War Europe, and particularly his pictures of the 1956 Hungarian Revolution, garnered worldwide admiration. Lessing's works always revolve around the human condition at the moment when power and powerlessness come face to face, when the joy of living is suddnely overclouded with pain. His photographs seize the opportunity to recount an instant of history that will never be repeated. This monumental book is a tribute to Lessing's talent as a photojournalist and a visual record of a time of turmoil and great change. Lessing has received international honors, including the American Art Directors' Award, the Grand Austrian State Prize for Artistic Photography, and many others. 400 duotone photographs.

Hardcover. New York, Simon & Schuster, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 283 pages, SIGNED BY AUTHOR on title page. Spotless and tight copy. In Joanna Scott's breakthrough novel Arrogance, the Austrian artist Egon Schiele comes to prismatic life in a narrative that defies convention, history, and identity. A self-professed genius and student of August Klimt, Scott's Schiele repeatedly challenges the boundaries of early twentieth-century Europe. Thrown in jail on charges of immorality, Schiele's Mephistophelean reputation only grows in stature until at the age of twenty-eight, the artist dies in the Great Flu Pandemic. Told from a crosscurrent of voices, viewpoints and times, this stunning novel won Scott a nomination for the 1991 PEN/Faulkner Award.

Hardcover. Cologne, Dumont Buchverlag, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 363 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. This volume provides an extensive survey of painting in Austria from 1900-1930, with Egon Schiele as the focal point, through a representative selection of over 100 works by Schiele and 23 of his contemporaries from the collection of Dr. Rudolf Leopold. Contributions by: Antonia Hoerschelmann, Rudolf Leopold, Klaus Albrecht Schroder, Harald Szeemann, and Patrick Werkner. 139 color plates and 59 b&w illustrations.

Hardcover. NY, Random House, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 387 pages. These essays originated in a series of lectures and seminars held by the Graduate School of Contemporary European Studies and the Centre for the Advanced Study of Italian Society of the University of Reading in 1966-1967. The countries covered include Italy, Germany, Austria, Hungary, Rumania, Poland, Finland, Norway, Great Britain, France, Spain, and Portugal. Name on front fly leaf otherwise clean.

Hardcover. NY, Liveright, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 432 pages, b&w illustrations. As the great Austrian writer Stefan Zweig confided in his autobiography, written in exile, "I have a pretty thorough knowledge of history, but never, to my recollection, has it produced such madness in such gigantic proportions." He was referring to the situation in Germany in 1923. It was a "year of lunacy," defined by hyperinflation, a political system on the verge of collapse, and separatist movements that threatened Germany's territorial integrity. Most significantly, Adolf Hitler launched his infamous Beer Hall Putsch in Munich-a failed coup that nonetheless drew international attention and demonstrated the Nazis' ruthless determination to seize power. In Germany 1923, award-winning historian Volker Ullrich draws on letters, memoirs, newspaper articles, and other sources from the time to present a captivating new history of those explosive twelve months. Clean copy.

Hardcover. NY, Palgrave/Macmillan, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 283 pages. Each chapter is devoted to a specific idea of, or a major influence on, Hayek. Foundational ideas incorporated into Hayek's thought are discussed (Darwinianism, German historicism, Austrian school economics) as are significant works that denoted major changes in his thought. Individual chapters deal with Mises, Keynes, Friedman and Popper, and another contrasts Hayek's thought with Marx, Mill, and Freud. Hayek's major economic thought is address in chapters devoted to both his early years and his later work. Ex-lib with stamp on top edge, residue on inside rear cover.

Hardcover. Munich, Prestel Verlag, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, pages. "Born Dora Kallmus (1881-1963), the Austrian fashion and portrait photographer who went by the moniker Madame d'Ora was the most acclaimed portraitist of fin de siecle Vienna. After relocating to Paris in the 1920s, she opened one of the most stylish Art Deco portrait studios where her models included Pablo Picasso, Josephine Baker, and Collette, among many others. This book, accompanying the largest exhibition devoted to Madame d'Ora ever presented in the United States, includes sections focusing on the different periods of the photographer's life, from her early upbringing as the daughter of Jewish intellectuals in Vienna, to her days as a premier society portraitist, through her survival during the Holocaust." Still in publisher's shrinkwrap.

Hardcover. Munich, Prestel Verlag, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, pages. "Born Dora Kallmus (1881-1963), the Austrian fashion and portrait photographer who went by the moniker Madame d'Ora was the most acclaimed portraitist of fin de siecle Vienna. After relocating to Paris in the 1920s, she opened one of the most stylish Art Deco portrait studios where her models included Pablo Picasso, Josephine Baker, and Collette, among many others. This book, accompanying the largest exhibition devoted to Madame d'Ora ever presented in the United States, includes sections focusing on the different periods of the photographer's life, from her early upbringing as the daughter of Jewish intellectuals in Vienna, to her days as a premier society portraitist, through her survival during the Holocaust." Still in publisher's shrinkwrap.

Hardcover. Munch/London/NY, Prestel, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Still in publisher's shrinkwrap. 656 pages. Published on the twentieth anniversary of the founding of Neue Galerie New York, this stunning volume celebrates the varied achievements of modern art history in the German-speaking world by examining historical developments in Austria and Germany from 1890 to 1940. Illustrated throughout with exquisite reproductions of the museum's holdings, this book considers the influence of Friedrich Nietzsche and his writings on the fine arts and examines the founding of the Secessionist artists' organizations in Germany and Austria. Insightful essays trace the emergence of Expressionism and abstraction, as well as the development of such movements as Dada and New Objectivity. Evolutions in architecture and design are appraised through the legacy of the Arts and Crafts movement, as well as the establishment of the Darmstadt Artists' Colony and the Wiener Werkstatte. The book also examines the role of the German Werkbund and the founding of the Bauhaus school. Finally, the book briefly addresses the horrific impact of the National Socialists' degenerate art campaign, which resulted in incalculable damage and led to the exile and death of artists and designers of the era. From well-known artists such as Otto Dix, Josef Hoffmann, Vasily Kandinsky, Gustav Klimt, and Egon Schiele, to lesser recognized but equally important figures, including Albert Birkle, Alfred Kubin, Felix Nussbaum, and Dagobert Peche, this book offers an authoritative and kaleidoscopic look at a crucial moment in history and a portrait of radical thought that changed forever the way we experience art in our lives. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Doubleday, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket with minor edgewear. Illustrated throughout by black and white photographs, including frontispiece, title and contents pages. decorated by half title vignette. An early 1960s portrait of New York City and some of its inhabitants going about their daily business in words and evocative photographs. By journalist, Gilbert Millstein and photojournalist and street photographer, Austrian born Sam Falk (1901-91).

Hardcover. Philadelphia, Carey and Hart, 1st, 1843-46, Book: Good, Dust Jacket: None, Five volumes bound into one, 537 total pages. Half leather with marbled boards, edgeworn. All first American editions. The final book's full title: The Military Operations at Cabul, Which Ended in the Retreat and Destruction of the British Army, January 1842. With a Journal of Imprisonment in Afghanistan. Condition good with some browning and foxing to paper. Front inner hinge repaired with tape.

Hardcover. NY, Benjamin Blom, reprint, 1971, Hardcover, oversize folio, brick red boards with gilt lettering and black etchings on the front. 1971 reissue of the commemorative edition published in Antwerp, 1642, by Meursius, with descriptive text by Casperius Gervatius and engravings, after design Of Peter Paul Rubens, by Theodor van Thulden. Clean, bright copy, no dust jacket. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Random House, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket. 739 pages, index, b&w illustrations. The War That Ended Peace brings vividly to life the military leaders, politicians, diplomats, bankers, and the extended, interrelated family of crowned headsacross Europe who failed to stop the descent into war: in Germany, the mercurial Kaiser Wilhelm II and the chief of the German general staff, Von Moltke the Younger; in Austria-Hungary, Emperor Franz Joseph, a man who tried, through sheer hard work, to stave off the coming chaos in his empire; in Russia, Tsar Nicholas II and his wife; in Britain, King Edward VII, Prime Minister Herbert Asquith, and British admiral Jacky Fisher, the fierce advocate of naval reform who entered into the arms race with Germany that pushed the continent toward confrontation on land and sea. Clean copy.

Hardcover. NY, E.P. Dutton , 1st, 1932, Book: Good, Dust Jacket: None, Hardcover, green cloth stamped in red, 235 pages. A masterpiece of humanism, Time Stood Still recounts Paul Cohen-Portheim's years of internment in England as an enemy alien during World War One. An artist and theatre designer, he at first viewed internment as a sort of holiday: 'Should I bring my bathing things and evening dress?' he asked the policeman taking him prisoner. Though confined in a 'gentleman's camp' near Wakefield, as Cohen-Portheim shows with grace, humor, and deep compassion, even under the best conditions, the simple act of being confined and placed in a sort of limbo is a form of torture: 'Where there is no aim, no object, no sense, there is no time.' Time Stood Still is a passionate but balanced argument against internment and its inherently dehumanizing effects. Paul Cohen-Portheim (1880-1932) was an Austrian artist, travel writer and linquist. When WWI broke out, he was painting in Devonshire, England and found himself interned for the length of the war. Flap copy pasted to front fly leaf, stamp to endpapers (Harvard Club of Boston), some light notations as well to endpapers.

Hardcover. Chicago, University Of Chicago Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. In When Buildings Speak,Anthony Alofsin explores the rich yet often overlooked architecture of the late Austro-Hungarian Empire and its successor states. He shows that several different styles emerged in this milieu during the late nineteenth and early twentieth centuries. Moreover, he contends that each of these styles communicates to us in a manner resembling language and its particular means of expression. Covering a wide range of buildings--from national theaters to crematoria, apartment buildings to warehouses, and sanatoria to postal savings banks--Alofsin proposes a new way of interpreting this language. He calls on viewers to read buildings in two ways: through their formal elements and through their political, social, and cultural contexts. By looking through Alofsin's eyes, readers can see how myriad nations sought to express their autonomy by tapping into the limitless possibilities of art and architectural styles. And such architecture can still speak very powerfully to us today about the contradictory issues affecting parts of the former Habsburg Empire.

Hardcover. NY, Abbeville Press, 1st US, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages, illustrated throughout with 700 illustrations, including 194 in full color. Minor edgewear to dust jacket. Clean, tight copy.