bicycle

Hardcover. NY, Harper & Brothers, First Edition, 1900, Book: Very Good, Dust Jacket: None, 239 pages. Hardcover. Green cloth boards with embossed art nouveau design, light green ink & gilt titles. Moderate foxing to preliminary pages. Light foxing to a couple interior pages, and last illustration. Otherwise light toning to edges, clean & unmarked.

Hardcover. New York , Delacorte Press, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Clean.

Hardcover. London, David & Charles , reprint, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a dust jacket. 79 pages with b&w illustrations. A reprint of a 1874 British publication. Clean copy.

Hardcover. NY, Praeger Publishers, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 214 pages. Social history on two wheels (sometimes more or less), many b&w pictures, early photographs of the famous Dursley-Pedersen (1893), complete with hammock-saddle; the astonishing Crypto "Bantam" (1895); and the stylish Singer de luxe of the Edwardian period, to name but a few. There is even a photograph of the legendary G.P. Mills on the Humber tricycle aboard which he beat the Land's End to John O'Groats record in 1893. Small owner's stamp on front fly leaf, otherwise clean.

Hardcover. New York, Dodd, Mead & Company, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover. Non-paginated. Full color and black & white illustrations by Edward Gorey. Price clipped dust jacket shows light wear along edges. Clean, tight copy.

Softcover. NY, W. W. Norton , 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover. Color photos throughout. What do the Bari Pork Store (King of the Sausage), the Los Doctores Tires Shop, the Great Eagle Photo Company, and the St. Jude Religious Articles shops have in common? If you were Paul Lacy, they would be among the hundreds of storefronts you photographed on bicycle trips throughout Brooklyn. Over the years Lacy has managed to capture every conceivable type of shop, decorated with spectacular and wildly varied signs and displays and representing countless ethnic groups. A more colorful array of graphics, both amateur and professional, is unimaginable. Brooklyn's storefronts are a vibrant canvas that reflects the changing trends and distinct character of this dynamic community. You don't have to be from Brooklyn to enjoy this book-playful while documenting a fast-changing scene, it transcends geography to speak to anyone with an interest in urban culture. Clean copy.

Softcover. Poster Auctions International, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 148 pages. Nowhere are we given a more profound glimpse into the dawning stages of women's emancipation than in turn-of-the-century posters. In this revealing book with 206 full-color posterswe are presented with women stepping out of the confining traditional roles which they were cast and exercising their new-found liberation. We see them taking to the roads on bicycles, getting behind the wheel of automobiles, hoisting an aperatif, attending a ball unescorted and we are provided with glimpses into women's burgeoning, nascent sexual freedom. This volume features all the top artists of the period: Toulouse-Lautrec, Bonnard, Grasset, Chret, Mucha, De Feure, Cappiello, Steinlen, Grn, Pal, Bradley, Penfield and others. These lively images not only reflected their time, but did much to inspire this new-found freedom.

Hardcover. Santa Monica CA, Angel City Press, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 159 pages. HOLLYWOOD RIDES A BIKE shows classic stars -- from Shirley Temple, Betty Grable, and Brigitte Bardot to Bogie, Gable, and Bing -- on wheels, then proves there's way less than six degrees of separation between Kevin Bacon and all the best bikes Hollywood prop shops have to offer. One hundred twenty-five rare vintage photographs will make bicycle lovers drool over classic models and one-of-a-kinds. Then, especially for cycling aficionados, there's a special index just about the bicycles! Not to disappoint movie fans, another index is devoted to the book's Who's Who of Hollywood stars. Still in publisher's shrinkwrap.

Softcover. NY, Princeton Architectural Press, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 262 pages. The designers at San Francisco-based design firm Cahan & Associates, in their hunger for fresh ideas, find inspiration in the most unexpected places, such as an oddly sculptural piece of discarded metal in the alley near their office, or a conversation with an elaborately tattooed bicycle messenger. From these eclectic ingredients the office serves up in-your-face graphics that are exceptional for their visceral impact yet still convey the strategic thinking behind each piece. The firm's working methods, involving extensive exploration, collaborations, and play, are documented in this monograph through interviews with founder Bill Cahan, clients, and vendors; writings by colleagues; photo essays; proposals to clients that were accepted and rejected; and finished pieces, providing a portrait of a firm for whom process is just as important as product. Clean copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. London, Chapman & Hall, 1st, 1936, Book: Very Good, Dust Jacket: None, Hardcover, publisher's red and black marble-patterned cloth, lettered in gilt to spine. A collection of eleven short stories, some of which became inspirations for his novels. Frontispiece illustration of man falling off a bicycle, by Thomas Derrick. Clean, square copy.

Softcover. NY, American Youth Hostels, 2nd Ed., 1970, Book: Very Good, Dust Jacket: None, Softcover, 128 pages, stapled binding. An illustrated guide to great bicycle touring in the 1960s. Maps, diagrams of routes throughout the states. Small name stamp on front fly leaf otherwise clean.

Old-timer running into a tree on his bike, b&w art by E.W. Kemble. 10.5 x 13.5", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1967, Book: Very Good, Color art of bikers on seacoast road by Albert Hubbell. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1966, Book: Very Good, Color art by Steinberg of cat crossing over bridge on a bicycle from March into April. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1973, Book: Very Good, Color art by Getz of a girl walking out of apartment building with her bicycle. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1966, Book: Very Good, Color art by Steinberg of Indians on horseback chasing men on bicycles. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1978, Book: Very Good, Color art by Getz of 4 bike riders near seaport area. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. Boston, Lothrup, 1st, 1897, Book: Very Good, Dust Jacket: None, Hardcover, 6 black & white illustrations by W. A. Rogers. Red cloth spine faded on parts of spine and rear panel. Previous owner's inscription front fly leaf. Attractive gilt-decorated front cover.

Hardcover. Lyons Press, 1st, 2017, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 142 pages illustrated in color. For many children of the sixties, the gift of a Schwinn was a ticket to freedom, a chance to feel the wind on their face and the steady rotation of rubber at their feet. The Schwinn took many through their childhood adventures, with memories filled of after school, free-range bike rides around the neighborhood with friends, the late afternoon sun shining off of the gleaming painted frame and stainless steel fenders. The 1960s and 70s saw a boom of Schwinn Sting-Rays, which appealed to young riders who had to have the hottest 'muscle' bike in town, and sold like hotcakes to parents everywhere scrambling to get the best Christmas present ever for their kids. From its early years dominating the youth market with Sting-Rays to the teen-friendly Varsity and Continental models to its most recent parent-friendly iterations of the Easy-Steer and Roadster Trikes, the Schwinn weaves itself through 120 years of American history. Clean, bright copy.

Hardcover. NY, Dodd, Mead & Company, 1st thus, 1976, Book: Very Good, Dust Jacket: Good, Hardcover, small oblong format, 64 pages illustrated in color and b&w by Gorey. Light edgewear, chipping to dust jacket.

Hardcover. New , Yale University Press, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 180 pages. The authors explain some of the forces behind urban change and offer new visions of the many possibilities for tomorrow's city. Pervasive digital systems that layer our cities are transforming urban life. The authors provide a front-row seat to this change. Their work at the MIT Senseable City Laboratory allows experimentation and implementation of a variety of urban initiatives and concepts, from assistive condition-monitoring bicycles to trash with embedded tracking sensors, from mobility to energy, from participation to production. They call for a new approach to envisioning cities: futurecraft, a symbiotic development of urban ideas by designers and the public. With such participation, we can collectively imagine, examine, choose, and shape the most desirable future of our cities. Clean copy.

Softcover. Lexington KY, University Press of Kentucky, 2nd Ed., 2001, Softcover, 377 pages. The first part of the book deals with the production code as it existed from 1922-34 with the introduction of figures such as Will Hays, Mae West and Joe Breen. The second part deals with the administration of the production code from 1934-66. Specific detail is given on the movies Dead End; Gone With the Wind; The Outlaw and The Postman Always Rings Twice; The Bicycle Thief; Detective Story and A Streetcar Named Desire; The Moon is Blue and The French Line; Lolita and Who's Afraid of Virginia Woolf. This second edition is updated to include the introduction of the PG-13 and NC-17 ratings of the 1990s. Mild wear to covers, clean.

Hardcover. Berkeley, University of California Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 385 pages, b&w illustrations. In this highly original history of the world's most famous bicycle race, Christopher S. Thompson, mining previously neglected sources and writing with infectious enthusiasm for his subject, tells the compelling story of the Tour de France from its creation in 1903 to the present. Weaving the words of racers, politicians, Tour organizers, and a host of other commentators together with a wide-ranging analysis of the culture surrounding the event including posters, songs, novels, films, and media coverage Thompson links the history of the Tour to key moments and themes in French history. He argues persuasively that this hugely popular sporting event has been instrumental in French attempts to grapple with the great challenges they have confronted during their tumultuous twentieth century from World Wars, political divisions, and class conflict to economic modernization, women's emancipation, and threats to public health. Name on half title page, otherwise clean.

Softcover. NY, Prestel, 1st, 2018, Book: Very Good, Dust Jacket: None, Softcover. This book of 22 detachable vintage cycling posters captures the sport's style and speed throughout the years.Dating from the late 19th-century to the 1970s, this collection features vintage posters from cycling's most iconic brands--such as Bianchi and Peugeot--as well as races--such as the now-defunct Peace Race, the Olympics, and Paris-Brest-Paris. Featuring artwork by A. M. Cassandre, Henri de Toulouse-Lautrec, and other significant names in design history, alongside extraordinary works from lesser known artists and designers, each impeccably reproduced poster is detachable from the spine, ready for framing. The reverse side of each image includes information about the artist and subjects depicted, and a brief introduction offers an overview of the origins, rise and development of the posters. Spanning decades and continents, these striking full-color posters celebrate the beauty of cycling and are the perfect gift for bicycle enthusiasts.