biography photography

Hardcover. US, Dark Horse Books, 2nd, 2007, Book: Very Good, Dust Jacket: Very Good, 200 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout. The culmination of more than fifteen years of photography by renowned photographer Greg Preston, this book is a living history of the men and women who have shaped the imaginations of countless millions of people around the world through their work in the fields of animated cartoons, comic books, comic strips and editorial cartooning. The list of more than two hundred artists includes such luminaries as Frank Miller, Al Hirschfeld, Joe Barbera, Jack Kirby, Joe Simon, Moebius, Walter and Louise Simonson and many more, all in photographs exclusive and shot expressly for this book.

Hardcover. Cambridge MA, The MIT Press, 1sr, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright gold foil dust wrapper, 476 pages. The artist Francis Picabia -- notorious dandy, bon vivant, painter, poet, filmmaker, and polemicist -- has emerged as the Dadaist with postmodern appeal, and one of the most enigmatic forces behind the enigma that was Dada. In this first book in English to focus on Picabia's work in Paris during the Dada years, art historian and critic George Baker reimagines Dada through Picabia's eyes. Such reimagining involves a new account of the readymade -- Marcel Duchamp's anti-art invention, which opened fine art to mass culture and the commodity. But in Picabia's hands, Baker argues, the Dada readymade aimed to reinvent art rather than destroy it. Picabia's readymade opened art not just to the commodity, but to the larger world from which the commodity stems: the fluid sea of capital and money that transforms all objects and experiences in its wake. The book thus tells the story of a set of newly transformed artistic practices, claiming them for art history -- and naming them -- for the first time: Dada Drawing, Dada Painting, Dada Photography, Dada Abstraction, Dada Cinema, Dada Montage.Along the way, Baker describes a series of nearly forgotten objects and events, from the almost lunatic range of the Paris Dada "manifestations" to Picabia's polemical writings. Clean copy.

Hardcover. London, Thames and Hudson, 1st UK, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 215 pages, 128 duotone plates. Introduction by Ann Beattie. John Loengard, one of the great LIFE magazine photographers, sums up his fifty-year career in this handsome volume.

Hardcover. New York, Skira Rizzoli, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 192 pages. Hardcover with dust jacket. Remainder mark on bottom of the text block. Clean, unmarked copy with only minor wear to dust jacket. Large black & white and color photographs throughout. Tight copy. Many portraits ranging throughout Audrey's life.

Softcover. New York, Multiples Inc & Lois and Michael K. Torf , 1st, 1980, Book: Very Good, Dust Jacket: None, 126 pages, paperback. Hundreds of b&w photographs documenting the personal belongings in LeWitt's living and working space in New York City in 1980. Fascinating look into the private life of one of the pioneers of minimal and conceptual art. Age toning to spine. Light rubbing, slight soiling, and mild age toning to wraps. Unmarked. Very scarce. A tight copy.

Hardcover. NY, Abrams, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, 352 pages. Richard Avedon was one of the most sought-after and influential advertising photographers in America from the 1940s to the beginning of the 21st century, creating work that exemplified Madison Avenue at the height of its influence in world culture. Working with a talented cadre of models, copy writers, and art directors, Avedon made images that enticed consumers to embrace the new, especially in the areas of fashion and beauty, with campaigns for Revlon, Chanel, Calvin Klein, Dior, and Versace, among many others. Avedon Advertising tells this story, reproducing memorable ads that range from the buoyant 1940s and 1950s, when post-war prosperity opened up new experiences to consumers; through the explosive '60s; and into the era defined by celebrity culture and global brand awareness.

Hardcover. New York, Spiegel & Grau, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, 720 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor dust jacket wear. Black and white images throughout. A tight copy.

Hardcover. New York, Spiegel & Grau, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, 720 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor dust jacket wear. Black and white images throughout. A tight copy.

Hardcover. New York, Ticknor & Fields, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 282 pages, illustrated throughout with vintage b&w photos, documenting the Yankee star's career. Small nick to dust jacket along fore-edge, light edgewear, otherwise very good.

Hardcover. London, Thames & Hudson, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 194 pages. This is the first book to document the short yet prolific artistic career of fashion photographer and filmmaker Tom Kublin, and a celebration of his creative union with Cristobal Balenciaga during the fashion house's postwar heyday in Paris. More than 140 photographs and film stills by Kublin capture the golden age of Balenciaga couture in the 1950s and 1960s, from the impeccable elegance of the collection shoots - including exclusive film footage of Balenciaga himself at work - to striking covers and editorials for high-profile magazines. The book begins with a foreword by the photographer's daughter, Maria Kublin, and continues with a biography by Ana Balda, charting Kublin's career, his place in the artistic milieu of the European avant-garde, and his working relationship with Cristobal Balenciaga. Miren Vives, head of the Cristobal Balenciaga Museum, also contributes. Clean copy in publisher's shrinkwrap. Remainder line to bottom edge.

Hardcover. NY, Scala, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages. Jack Kerouac's novel On the Road was a touchstone for a generation and the centrepiece of the Beat movement in literature and art. This new book examines Kerouac's life and career, and accompanies a major exhibition at The New York Public Library to celebrate the 50th anniversary of On the Road's publication in 1957. Kerouac's achievement as both a literary and cultural figure is traced, including his innovations in narrative techniques and in character development. His counterculture vision is explored, showing his image as a seer and sage who wanted to save America from its obsession with consumerism, the inhibition of sexuality and other conventional bourgeois pieties. The author also explores Kerouac's relationships with Allen Ginsberg, William S. Burroughs and other Beats, as well as the Beat movement in general. The book is heavily illustrated, with material from the extensive Kerouac literary archive owned by The New York Public Library, including typescript drafts of On the Road.

Hardcover. NY, Viking, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover. Edited, with text by James Danziger. Black & white photos. 256 pages. Bright, unclipped dust jacket. The best Beaton photos of all genres, fashion, society, travel and war pictures, in the most extensive collection of his work ever published.

Hardcover. NY, Abbeville Press, 1st, 1991, Hardcover in a bright dust jacket, 397 pages, illustrated in b&w and color. In this thoughtful and thought-provoking art historical study, Peters first traces strands of Art Nouveau and Symbolist theory in the art of Georgia O'Keeffe. She then discusses other influences, from Arthur Dow as teacher to Paul Strand as photographer and friend. But by far the most sustained study in the text is the relationship between O'Keeffe's painting and the photography and philosophy of her husband, Alfred Stieglitz. Peters argues lucidly and always in accessible language for O'Keeffe's emergence as a great and deeply individual artist while illuminating these many influences and illustrating her points with lavish use of excellent reproductions. Clean copy.

Softcover. Gloucestershire UK, History Press, 1st pbk, 2019, Book: Very Good, Dust Jacket: None, Softcover, 237 pages. Before Marilyn tells the story of Marilyn Monroe's modeling career, during which time she was signed to the famous Blue Book Agency in Hollywood. The head of the agency, Miss Emmeline Snively, saw potential in the young woman and kept detailed records and correspondence throughout their professional relationship and beyond. On the day of Monroe's funeral, Snively gave an interview from her office, talking about the girl she had discovered, before announcing, rather dramatically, that she was closing the lid on her Marilyn Monroe archive that day - to 'lock it away forever'. This archive was purchased by Astrid Franse, and together with bestselling Marilyn Monroe biographer Michelle Morgan they draw on this collection of never-before-seen documents, letters and much, much more. Before Marilyn explores an aspect of Monroe's life that has never been fully revealed - by charting every modelling job she did, and illustrating the text with rare and unpublished photographs of the young model and her mentor.

Hardcover. New York , Belwin Mills Publishing , 1st U.S., 1972, Book: Very Good, Dust Jacket: Good, 260 pages. Black cloth cover, very little wear. Dust jacket is worn on edges and corners. Many b&w photographs, and reproductions of documents, throughout.

Hardcover. New York, Norton, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover, 634 pages, b&w illustrations. In a bright, unclipped dj. In Berenice Abbott: A Life in Photography, author, archivist, and curator Julia Van Haaften brings this iconic public figure to life alongside outlandish, familiar characters from artist Man Ray to cybernetics founder Norbert Wiener. A teenage rebel from Ohio, Abbott escaped first to Greenwich Village and then to Paris-photographing, in Sylvia Beach's words, "everyone who was anyone." As the Roaring Twenties ended, Abbott returned to New York, where she soon fell in love with art critic Elizabeth McCausland, with whom she would spend thirty years. In the 1930s, Abbott began her best-known work, Changing New York, in which she fearlessly documented the city's metamorphosis. When warned by an older male supervisor that "nice girls" avoid the Bowery-then Manhattan's skid row-Abbott shot back, "I'm not a nice girl. I'm a photographer...I go anywhere." This bold, feminist attitude would characterize all Abbott's accomplishments, including imaging techniques she invented in her influential, space race-era science photography and her tenure as The New School's first photography teacher.With more than ninety stunning photos, this sweeping, cinematic biography secures Berenice Abbott's place in the histories of photography and modern art, while framing her incredible accomplishments as a female artist and entrepreneur.

Hardcover. 5 Continents Editions , 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 304 pages. Plain cloth boards with B/W Photographic DJ, 12" x 9.75, page bibliography, 1-page biography of Bernatzik, 3 pages listing Bernatzik's published works. 2 maps. 145 Black & White Photos by Hugo A. Bernatzik (1897-1953), Many of the photos are presented on 2-Pages, and the balance on 1-Page.. An 18-Page Section at the end with 145 thumbnail photos of the principle illustrations accompanied by descriptions. Photographs by Hugo A. Beratzik. Preface by Ian C. Glover. Acknowledgements by Kevin Conru, Essays by Jacques Ivanoff, Alison Nordstrom, Christina Angela Thomas.

Hardcover. Guilford, CT, Lyons Press, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, 144 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Hundreds of never before seen black & white photographs and private letters spanning 1949 - 2000.

Hardcover. Stanford CA, Stanford University Press, 1st, 2004, Book: Very Good, Dust Jacket: Good, Hardcover, 335 pages. Oversized. Black cloth cover, minor wear to edges. Dust jacket has some wear to corners and edges, small faint smudge. Inside is bright and clean. Many b&w photographs throughout. A nice, tight copy.

Hardcover. NY, Norton, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 339 pages, b&w illustrations. The little-known story of an iconic photographer, whose work captured--and influenced--a critical moment in American history. Ernest Withers took some of the most legendary images of the 1950s and '60s: Martin Luther King, Jr., riding a newly integrated bus in Montgomery, Alabama; Emmett Till's uncle pointing an accusatory finger across the courtroom at his nephew's killer; scores of African-American protestors carrying a forest of signs reading "i am a man." But at the same time, Withers was working as an FBI informant. In this gripping narrative history, Preston Lauterbach examines the complicated political and economic forces that informed Withers's seeming betrayal of the people he photographed, and "does a masterful job of telling the story of civil rights in Memphis in the 1960s" (Ed Ward, Financial Times), including the events surrounding Dr. King's tumultuous final march in Memphis. Small remainder dot to top edge.

Hardcover. Brooklyn, NY, PowerHouse Books, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 200 pages. Hardcover with dust jacket. Remainder mark on bottom edge, otherwise, clean, unmarked copy with only minor wear to dust jacket. Color and Black and white pictures throughout. Explores the genre of self-portraits through nineteenth, twentieth, and twenty-first-century photographic techniques, including also block prints, watercolor drawings, and accompanying essays.

NY, Abrams, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 367 pages. Brassai: The Eye of Paris is both the catalog of an exhibition of Brassai's photographs organized by the Houston Fine Arts Museum and a valuable biography of the artist. In 1932, only three years after he purchased his first camera (a Leica), Brassai published a portfolio of 64 photos titled Paris by Night that caused an immediate sensation. His lively eye (seen in an enigmatic photograph at the beginning of the book) captured fresh, unique images of the city and its citizens. Fascinated by the underworld, he moved easily among gangsters and prostitutes in bars and bordellos; he was equally at home among the fashionable and wealthy, and just as devastating in his depiction of them. He used magnesium flares for low-contrast shadows, catching his subjects in natural poses at significant moments. The wide range of Brassai's work is suggested by his formal nudes, which have an affinity with Edward Weston's, and his informal portraits, which remind viewers of Diane Arbus, who admired his work. Brassai was a central figure in the intellectual and artistic circles of Montparnasse that made Paris the most exciting city in the world during the 1930s. In a long essay that includes lively anecdotes of the photographer's relationships with Picasso, Henry Miller, Kertesz, and many other luminaries, the author re-creates the aesthetic and philosophical ferment of the period. Brassai: The Eye of Paris recognizes the artist's talents in five different media--photography, filmmaking, sculpture, writing, and drawing--but focuses on what he is best known for: lyrical and penetrating photographs of the City of Light.

Hardcover. Boston, Bulfinch Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 319 pages, mostly b&w photographs (some color), essays by 7 contributors including Henry Miller. Preface by Jean-Jacques Aillagon. Text essays excerpted from the work of Brassai himself as well as contributions from his wife Mme. Gilberte Brassi and close friends Roger Grenier, Henry Miller, Jacques Prevert and Werner Spies. End-matter includes Biography, Bibliography, Exhibitions and List of Illustrations. Illustrated with 308 photographs, 14 of which are in color. Stated first American edition. A presentation of Brassi's art from his nude drawings and sculpture to his fascination with graffiti but principally featuring on his photographs of nocturnal Paris and the demimonde creatures which inhabited its streets. Remainder mark to top edge, otherwise clean. DOMESTIC SHIPPING ONLY.

Hardcover. New York , Charles Scribner's Sons, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 160 pages, illustrated throughout with b&w photographs by Bob Adelman. Clean, unmarked copy with only minor wear to dust jacket.