biography

Hardcover. New York, Spiegel & Grau, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, 720 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor dust jacket wear. Black and white images throughout. A tight copy.

Softcover. NY, Bellevue Literary Press, 1st, 2007, Softcover, 236 pages. Without awkwardness we would not know grace, stability, or balance. Yet no one before Mary Cappello has turned such a penetrating gaze on this misunderstood condition. Fearlessly exploring the ambiguous borders of identity, she mines her own life journeys from Russia to Italy to the far corners of her heart and the depths of a literary or cinematic text to decipher the powerful messages that awkwardness can transmit. Clean copy.

Hardcover. New York, Ticknor & Fields, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 282 pages, illustrated throughout with vintage b&w photos, documenting the Yankee star's career. Small nick to dust jacket along fore-edge, light edgewear, otherwise very good.

Hardcover. NY, William Sloane Associates, 1st, 1947, Book: Very Good, Dust Jacket: Very Good, Hardcover, 315 pages, b&w illustrations by Mauldin. In a lightly worn dust jacket, stated First Printing on copyright page. Clean. The famous cartoon/journalist's take on post-war life for ex-GIs.

Hardcover. Boston, Houghton Mifflin , 1st, 1930, Book: Very Good, Dust Jacket: None, 356 pages, 27 b&w illustrations, index. Black cloth spine over blue boards, spine label. SIGNED BY BEAUX on the title page and dated June 1st 1931. Scarce thus.

Hardcover. New York , Nan A. Talese, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, SIGNED BY FEIFFER on title page. Hardcover, 431 pages, b&w photographs and drawings by author. The legendary cartoonist's candid, self-deprecating, and beautifully written memoir describes his childhood in the Bronx, evolution from "smart-ass kid into an enraged satirist" (with inspiration from a stint in the Army) and his later successes as a pioneer of the graphic novel and a collaborator with the likes of film greats Robert Altman, Mike Nichols and Jack Nicholson. SIGNED by Feiffer on title page.

Hardcover. NY, Nan A. Talese, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 440 pages, in a bright, unclipped dust jacket. The legendary cartoonist's candid, self-deprecating, and beautifully written memoir describes his childhood in the Bronx, evolution from "smart-ass kid into an enraged satirist" (with inspiration from a stint in the Army) and his later successes as a pioneer of the graphic novel and a collaborator with the likes of film greats Robert Altman, Mike Nichols and Jack Nicholson. SIGNED by Feiffer on title page.

Hardcover. NY, Crown, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 368 pages. In an extraordinarily candid and revealing memoir, Fischl discusses the impact of his dysfunctional family on his art--his mother, an imaginative and tragic woman, was an alcoholic who ultimately took her own life. Following his years as a student at Cal Arts and teaching in Nova Scotia, he describes his early years in New York with the artist April Gornik, just as Wall Street money begins to encroach on the old gallery system and change the economics of the art world. Fischl rebelled against the conceptual and minimalist art that was in fashion at the time to paint compelling portraits of everyday people that captured the unspoken tensions in their lives. Still in his thirties, Eric became the subject of a major Vanity Fair interview, his canvases sold for as much as a million dollars, and The Whitney Museum mounted a major retrospective of his paintings. Bad Boy follows Fischl's maturation both as an artist and sculptor, and his inevitable fall from grace as a new generation of artists takes center stage, and he is forced to grapple with his legacy and place among museums and collectors. Beautifully written, and as courageously revealing as his most provocative paintings, Bad Boy takes the reader on a roller coaster ride through the passion and politics of the art world as it has rarely been seen before.

Hardcover. Boston, Houghton Mifflin, 2nd pr., 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 414 pages, b&w illustrations. Very good, clean, in a lightly worn, unclipped dust jacket. World famous at twenty-four, brilliant and reckless, hard-living and scandalous, Stephen Crane wrote The Red Badge of Courage before he ever experienced war first-hand. So true was his portrait of a young man who runs from his first confrontation with battle that Civil War veterans argued about whose regiment Crane had been in. Considered by H.G. Wells as "beyond dispute, the best writer of our generation," Crane was also famous in his time as an unforgettable personality, an Adonis with tawny hair and gray-blue eyes that Willa Cather described as "full of luster and changing lights." A lover of women and truth at any cost, Crane, in his short life, paid dearly for both. He alienated the New York police when he testified against a policeman on behalf of a prostitute falsely accused of soliciting, forcing him to live the rest of his short life as an expatriate in England. Reporting on the Spanish American War, Crane described the Rough Riders blundering into a trap after arriving in Cuba, infuriating Roosevelt. He died tragically young, leaving behind a handful of fine short stories, including The Open Boat and The Blue Hotel, along with war reporting, novels, and poetry.

Hardcover. London, Thames & Hudson, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 194 pages. This is the first book to document the short yet prolific artistic career of fashion photographer and filmmaker Tom Kublin, and a celebration of his creative union with Cristobal Balenciaga during the fashion house's postwar heyday in Paris. More than 140 photographs and film stills by Kublin capture the golden age of Balenciaga couture in the 1950s and 1960s, from the impeccable elegance of the collection shoots - including exclusive film footage of Balenciaga himself at work - to striking covers and editorials for high-profile magazines. The book begins with a foreword by the photographer's daughter, Maria Kublin, and continues with a biography by Ana Balda, charting Kublin's career, his place in the artistic milieu of the European avant-garde, and his working relationship with Cristobal Balenciaga. Miren Vives, head of the Cristobal Balenciaga Museum, also contributes. Clean copy in publisher's shrinkwrap. Remainder line to bottom edge.

Hardcover. New York , E.P. Dutton & Co., 1st, Book: Very Good, Dust Jacket: None, Hardcover in violet cloth covers, 275 pages. Black & white illustrations. Cover faded. No dust jacket. Previous owner's bookmark. Otherwise clean.

Hardcover. Boston, Little Brown, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 282 pages, b&w illustrations. A graceful, witty and dramatic biography of one of the most fabulous cities in the world. Clean copy.

Hardcover. NY, St. Martin's, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 333 pages. Now, in the first ever full-scale investigation of the artist, reporter Will Ellsworth-Jones pieces together the story of Banksy, building up a picture of the man and the world in which he operates. He talks to his friends and enemies, those who knew him in his early, unnoticed days, and those who have watched him try to come to terms with his newfound fame and success. And he explores the contradictions of a champion of renegade art going to greater and greater lengths to control his image and his work.

Softcover. Millbank, Tate Gallery Publications, Reprint, 1985, Book: Very Good, Dust Jacket: None, 134 pages. Softcover. Light marginal wear to edges. Profusely illustrated in black & white. Cover photograph of the artist's workshop in full color. Clean & unmarked.

Hardcover. NY, Bantam Books, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 414 pages, b&w photos. Clean copy.

Hardcover. New Jersey, Prentice-Hall, 1st, 1968, Book: Very Good, Dust Jacket: Good, Hardcover in a price-clipped dust jacket that's lightly soiled and spine faded, 277 pages. Eaton (b. 1764) was a flamboyant hero who was America's "Lawrence of Arabia" and defeated the Barbary Pirates at Derna. Front fly leaf with bookseller's old price in red pencil, otherwise clean.

Hardcover. New York, Harper Collins, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 181 pages. Crisp photographs throughout. Some black and white, some color. Internally clean. Tight and clean copy. The noted designer shares his opinions on and memories of fifty years of fashion and its driving forces as well as Hollywood, men, women, and friendship.

Softcover. Columbia SC, University of South Carolina Press, reprint, 2010, Book: Very Good, Dust Jacket: None, Foftcover in pictorial wraps, 212 pages with index. Belle W. Baruch (1899-1964) could outride, outshoot, outhunt, and outsail most of the young men of her elite social circle-abilities that distanced her from other debutantes of 1917. Unapologetic for her athleticism and interests in traditionally masculine pursuits, Baruch towered above male and female counterparts in height and daring. While she is known today for the wildlife conservation and biological research center on the South Carolina coast that bears her family name, Belle's story is a rich narrative about one nonconformist's ties to the land. In Baroness of Hobcaw, Mary E. Miller provides a provocative portrait of this unorthodox woman who gave a gift of monumental importance to the scientific community. Clean copy.

Hardcover. Princeton NJ, Princeton University Press, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 366 pages. Though Bartolomeo Scala has long intrigued historians, he is a figure whose importance has only recently been appreciated. In Alison Brown's biography Scala emerges as a man of more ability and character than anyone has imagined him to be. We begin to understand why he was employed as chancellor for the almost unrivaled period of thirty-two years. Ms. Brown's study is not only the first extensive treatment of Scala's life but also a significant contribution to our knowledge of Italian Renaissance history and of the contrast between theory and practice in Medicean government. Blank bookplate on front fly leaf, otherwise clean.

Hardcover. Philadelphia, J.B. Lippincott, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, 216 pages. Hardcover with price-clipped dust jacket. Dust jacket shows chipping, and wear on edges. Covered with plastic sleeve. Previous owner's name on front fly leaf,otherwise clean, tight copy.

Hardcover. NY, G. P. Putnam's Sons, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 316 pages. "A manager's-eye view of the agonies and ecstasies of the '85 Mets--from way inside!. 'Bats,' written with bestselling coauthor Peter Golenbock, reveals Johnson's stinging opinions on the state of the game, on umpires, opposing players, other managers, and the press." Clean copy.

Hardcover. New York, Random House, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, 350 pages. SIGNED AND INSCRIBED BY AUTHOR. Gilt title on spine and design on front cover board. B/w illustrations throughout. Front flaps very lightly yellowed at top, otherwise clean inside and out. previous bookseller tag on back. From the dust jacket front flap: "As we follow Peres from his ancestral home in Poland to Israel, from the youth village of BenShemon to Kibbutz Alumot, from the youth movement leader to prime minister, we are introduced both to a man and to a nation."

Hardcover. London, Peter Owen , 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 256 pages. An acclaimed and most unusual biography of Baudelaire, showing him ensnared by his passions for poetry, prostitutes, and drugs.A crucial link between romanticism and modernism, Charles Baudelaire is a pivotal figure in European literature and thought. His influence on modern poetry is immense. In the English language, where his literary reputation is less well known, it is his link with drug culture that gives him contemporary resonance. It is commonly known that Baudelaire used opium. Many writers have described him as being addicted to the drug, but none of his biographers, Frank Hilton argues, has fully understood the effect of opiate addiction on the personality and, in the case of Baudelaire, the extent to which it damaged his life and work. In this original contribution to Baudelaire studies Hilton contends that the drug is at the root of all Baudelaire's problems and in particular--something that constantly tormented him--his chronic inability to apply himself to any prolonged creative work. Unquestionably, there is significantly more to Baudelaire than his opium addiction. But a proper awareness of what it did to the poet helps to illuminate those puzzling aspects of his life and behavior that were not previously understood. Written with the general reader in mind, Baudelaire in Chains will give those who know little or nothing about him a comprehensive picture of his life. To those who know a great deal it will present him in an unexpected light.

Hardcover. New York, Prestel, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 496 pages. Hardcover with dust jacket. Color illustrations throughout. Clean, tight copy.