black history studies

Hardcover. New York, G. K. Hall & Company, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 319 pages. Hardcover with dust jacket. Minor dust jacket edge wear, otherwise, spotless and tight copy.

Hardcover. New Haven, Yale University Press, 1st, 1985, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth, 262 pages. Illustrated with black & white photographs. Clean, tight copy. This portrait of Disderi and the carte de visite he patented in Paris in 1854 is far more than a biography. The c-d-v, or photographic calling card, was a relatively inexpensive product that made the photographic portrait available to the middle class . McCauley's carefully documented work explores Disderi's career and oeuvre , the impact of mass-produced celebrity cartes on the social and cultural life of mid-19th-century France, and aesthetics in c-d-v portraiture. The final third of the book is an art historical evaluation of the importance of the c-d-v for portrait painting of the period . The fine bibliography, generous illustrative matter, and detailed notes add to the value of this work for the avid student of photohistory or 19th-century studies.

Hardcover. NY, Free Press, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 322 pages, b&w illustrations, in a bright dust jacket. This book examines the issue of racial stereotyping and with the issue of skin color as seen by such radio show broadcasts as Amos 'N' Andy. Some Blacks did not like the show when released, while others saw it as a humane portrayal of African-American Life. Overall, the show became the most popular radio show of all time. Later, it was touted by the Civil Rights Movement as offensive and racist.

Hardcover. NY, Albert & Charles Boni, 3rd pr, 1928, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards with a black cloth spine. 376 pages with illustrations, endpapers, and cover design by Miguel Covarrubias. Frontispiece loose, otherwise a clean copy.

Hardcover. Westport CT, Negro Universities Press , reprint, 1970, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth with gilt lettering on the spine. Originally published in 1852 this is an in depth study of the African people , both in Africa and in America. A great deal of material on slavery and the South, as well as early material on Liberia. Presented in a series of "conversations", this is an in-depth history of the African continent's peoples, the colonization of Africa, and subsequent African American slavery in the United States. Clean copy.

Softcover. Providence RI, John Carter Brown Library, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, 62 pages illustrated in b&w. Clean copy.

Softcover. NY, International Publishers, 7th pr., 1968, Book: Very Good, Dust Jacket: None, Softcover, 409 pages. Years ago, the controlling view held that the response of the slaves in the United States to their bondage 'was one of passivity and docility'. That opinion, so decisive a part of the chauvinism afflicting the nation, is shown to be false in this book and in the material accumulated since its initial appearance has further substantiated this thesis; namely, that the African-American people, in slavery, forged a record of discontent and of resistance comparable to that marking the history of any other oppressed people. Name on front fly leaf otherwise clean.

Softcover. Belmont CA, Wadsworth Publishing, 1st, 1971, Book: Very Good, Dust Jacket: None, Softcover, 202 pages. A collection of essays focusing on African American resistance, specifically (from the introduction) "on the nature and extent of the resistance of blacks to slavery in the United States." Name on front fly leaf, otherwise clean.

Softcover. University Park, Pennsylvania State University Press, 2nd pr., 2023, Book: Very Good, Dust Jacket: None, Softcover, 266 pages, b&w illustrations. INSCRIBED BY KELLEY on the title page. Lydia Hamilton Smith (1813-1884) was a prominent African American businesswoman in Lancaster, Pennsylvania, and the longtime housekeeper, life companion, and collaborator of the state's abolitionist congressman Thaddeus Stevens. In his biography of this remarkable woman, Mark Kelley reveals how Smith served the cause of abolition, managed Stevens's household, acquired property, and crossed racialized social boundaries. In the last years of Stevens's life, as his declining health threatened to short-circuit his work, Smith risked her own well-being to keep him alive while he led the drive to end slavery, impeach Andrew Johnson, and push for the ratification of the Thirteenth, Fourteenth, and Fifteenth Amendments. Clean copy.

Hardcover. Yale University Press, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 143 pages. An unprecedented look at a moving photographic series that chronicles the gay communities of Los Angeles and San Francisco from 1969 to 1972. For more than forty years, American photographer Anthony Friedkin (b. 1949), creating full-frame black-and-white images, has documented people, cities, and landscapes primarily in his home state of California. During the culturally tumultuous years of 1969 and 1970, Friedkin made a series of photographs that together offer an eloquent and expressive visual chronicle of the gay communities of Los Angeles and San Francisco at the time. This is the first book to explore the series, titled The Gay Essay, in depth, within the broader historical context that gave rise to it. 1969 witnessed the Stonewall riots in New York City and was a turning point in the history of community building and organized political activism among homosexuals in the United States. The Gay Essay provides a singular, intimate record of this crucial moment. Friedkin's portraits, taken in streets, hotels, bars, and dancehalls, demonstrate a sensitivity and an understanding that has imbued the photographs with an enduring resonance. This handsome book features seventy-five full-page plates and is accompanied by engaging essays and a poem by Eileen Myles.

Hardcover. Yale University Press, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 143 pages. An unprecedented look at a moving photographic series that chronicles the gay communities of Los Angeles and San Francisco from 1969 to 1972. For more than forty years, American photographer Anthony Friedkin (b. 1949), creating full-frame black-and-white images, has documented people, cities, and landscapes primarily in his home state of California. During the culturally tumultuous years of 1969 and 1970, Friedkin made a series of photographs that together offer an eloquent and expressive visual chronicle of the gay communities of Los Angeles and San Francisco at the time. This is the first book to explore the series, titled The Gay Essay, in depth, within the broader historical context that gave rise to it. 1969 witnessed the Stonewall riots in New York City and was a turning point in the history of community building and organized political activism among homosexuals in the United States. The Gay Essay provides a singular, intimate record of this crucial moment. Friedkin's portraits, taken in streets, hotels, bars, and dancehalls, demonstrate a sensitivity and an understanding that has imbued the photographs with an enduring resonance. This handsome book features seventy-five full-page plates and is accompanied by engaging essays and a poem by Eileen Myles.

Softcover. NY, Penguin Books, reprint, Book: Very Good, Dust Jacket: None, Softcover. Thomas Wentworth Higginson, a Unitarian minister, was a fervent member of new England's abolitionist movement, an active participant in the Underground Railroad, and part of a group that supplied material aid to John Brown before his ill-fated raid on Harpers Ferry. When the Civil War broke out, Higginson was commissioned as a colonel of the black troops training in the Sea Islands off the coast of the Carolinas. Shaped by American Romanticism and imbued with Higginson's interest in both man and nature, Army Life in a Black Regiment ranges from detailed reports on daily life to a vivid description of the author's near escape from cannon fire, to sketches that conjure up the beauty and mystery of the Sea Islands. This edition also features a selection of Higginson's essays, including "Nat Turner's Insurrection" and "Emily Dickinson's Letters." Clean copy.

Softcover. NY, Franklin Watts, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 176 pages, b&w photos. The Contents are: Gentleman's Agreement - African Americans and Baseball's Beginning; A Ballplayer from Cooperstown - Post Reconstruction America and the Strange Career of Bud Fowler; False Spring - Fleet Walker and the Grudging Integration of the 1880s; Jim Crow Wins - Cap Anson Gets the Save; War Paint and Feathers - Jim Crow and Chief Tokohama; Second Class Immortals - Satchel Paige and the Black Babe Ruth; The Badge of Martyrdom - The Myth of Rickey and Robinson; and They Never Had It Made - from 1947 to Today; followed by Appendix: Professional Baseball Leagues Chronology; Glossary of Team Names; and an index. Clean copy.

Hardcover. NY, Harcourt Brace Janovich , 1st, 1989, Book: Very Good, Dust Jacket: Very Good, 59 pages. Hardcover with dust jacket. Color Illustrations by Lambert Davis. Light edgewear to dust jacket , else a clean, tight copy.

Hardcover. Chicago, University of Chicago Press, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. It started with the searing sound of a slide careening up the neck of an electric guitar. In 1970, twenty-three-year-old Bruce Iglauer walked into Florence's Lounge, in the heart of Chicago's South Side, and was overwhelmed by the joyous, raw Chicago blues of Hound Dog Taylor and the HouseRockers. A year later, Iglauer produced Hound Dog's debut album in eight hours and pressed a thousand copies, the most he could afford. From that one album grew Alligator Records, the largest independent blues record label in the world. Bitten by the Blues is Iglauer's memoir of a life immersed in the blues--and the business of the blues. No one person was present at the creation of more great contemporary blues music than Iglauer: he produced albums by Koko Taylor, Albert Collins, Professor Longhair, Johnny Winter, Lonnie Mack, Son Seals, Roy Buchanan, Shemekia Copeland, and many other major figures. In this book, Iglauer takes us behind the scenes, offering unforgettable stories of those charismatic musicians and classic sessions, delivering an intimate and unvarnished look at what it's like to work with the greats of the blues. It's a vivid portrait of some of the extraordinary musicians and larger-than-life personalities who brought America's music to life in the clubs of Chicago's South and West Sides. Bitten by the Blues is also an expansive history of half a century of blues in Chicago and around the world, tracing the blues recording business through massive transitions, as a genre of music originally created by and for black southerners adapted to an influx of white fans and musicians and found a worldwide audience.

Softcover. Chicago, Arcadia Publishing, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 128 pages with b&w photos. Chronicles the history of the teams and players that spent time in the "Windy City." Has black and white photos of John Henry "Pop" Lloyd, Bruce Petway, Pete Hill, Grant "Home Run" Johnson, Lou Dials, Dave Malarcher, Willie Foster, "Cannonball" Dick Redding, Ted "Double Duty" Radcliffe and many others. Clean copy.

Hardcover. Syracuse NY, Syracuse University Press, 1st, 1973, Book: Very Good, Dust Jacket: Good, Hardcover in a worn dust jacket with fading to spine, 236 pages. This foremost history of the Northern slave system examines its operation from its colonial beginnings to its dissolution. Unlike the South, which used slaves primarily for agricultural labor, the North trained and diversified its slave force to meet the needs of a complicated economy. In the early 19th century the author sees that economic displacement allows an emancipation of blacks that is at least as beneficial to the masters as to the blacks. Name on front fly leaf, otherwise clean.

Softcover. NY, Viking Press, reprint, 1971, Book: Very Good, Dust Jacket: None, Softcover, 306 pages, b&w illustrations. This book tries to tell where the Negroes came from, how they were enslaved in Africa, how they were purchased by sea captains, how they were packed into the hold like other merchandise (though with greater losses in transit), and how the survivors were sold in West Indian and American markets. Clean copy.

Softcover. Washington DC, Howard University Press, 1994, Book: Very Good, Dust Jacket: None, Softcover, 365 pages. Maps, illustrations, bibliography, index. A comparative social overview of slavery in Britain, America, and the Caribbean during the colonial period. Walvin carefully examines the external pressures exerted on coastal communities in Africa for slaves, the gradual development of a slave trading system within Africa, and the transport of over twelve million Africans across the seas. Clean copy. Several pages with dog-ear creases.

Softcover. Cambridge MA, Harvard University Press, reprint, 1998, Book: Very Good, Dust Jacket: None, Softcover, 310 pages, b&w illustrations. Few Americans, black or white, recognize the degree to which early African American history is a maritime history. W. Jeffrey Bolster shatters the myth that black seafaring in the age of sail was limited to the Middle Passage. Seafaring was one of the most significant occupations among both enslaved and free black men between 1740 and 1865. Tens of thousands of black seamen sailed on lofty clippers and modest coasters. They sailed in whalers, warships, and privateers. Some were slaves, forced to work at sea, but by 1800 most were free men, seeking liberty and economic opportunity aboard ship.Bolster brings an intimate understanding of the sea to this extraordinary chapter in the formation of black America. Because of their unusual mobility, sailors were the eyes and ears to worlds beyond the limited horizon of black communities ashore. Sometimes helping to smuggle slaves to freedom, they were more often a unique conduit for news and information of concern to blacks.But for all its opportunities, life at sea was difficult. Blacks actively contributed to the Atlantic maritime culture shared by all seamen, but were often outsiders within it. Capturing that tension, Black Jacks examines not only how common experiences drew black and white sailors together-even as deeply internalized prejudices drove them apart-but also how the meaning of race aboard ship changed with time. Bolster traces the story to the end of the Civil War, when emancipated blacks began to be systematically excluded from maritime work. Rescuing African American seamen from obscurity, this stirring account reveals the critical role sailors played in helping forge new identities for black people in America.

Hardcover. Washington, DC, Associated Publishers, Revised Ed., 1944, Book: Very Good, Dust Jacket: None, Hardcover, 381 pages. Dark green cover with slight wear and white spotting to back. Slight soiling to edges. Binding cracked at page 45. Overall, a clean, tight copy.

Hardcover. Boston, Little, Brown & Company, 1st, 1961, Book: Very Good, Dust Jacket: None, Hardcover, light mauve cloth with white lettering on spine, 311 pages with index. B&w illustrations, maps. Spine with light fading, book is clean, tight copy. Stated First Edition.

Hardcover. NY, Atheneum, 3rd pr., 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In a clear, straightforward style, Katz describes the settlement of the Ohio and Mississippi Valleys (covering Ohio, Indiana, Illinois, Michigan, Wisconsin, Minnesota, Iowa, Kansas, and Missouri) by African Americans seeking freedom, including biographical sketches of men and women who formed churches, started schools, or were politically active in their region. Some of these settlers were fugitive slaves; several set up stations on the Underground Railroad with the aid of the Quakers; others were farmers, poets, and soldiers. In several states, they helped form black regiments in the Civil War. Chronologically arranged, the book introduces many lesser-known personages not found in most collective biographies and places them in a broader context of U.S. history as a whole.

Hardcover. NY, Atheneum, 3rd pr., 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In a clear, straightforward style, Katz describes the settlement of the Ohio and Mississippi Valleys (covering Ohio, Indiana, Illinois, Michigan, Wisconsin, Minnesota, Iowa, Kansas, and Missouri) by African Americans seeking freedom, including biographical sketches of men and women who formed churches, started schools, or were politically active in their region. Some of these settlers were fugitive slaves; several set up stations on the Underground Railroad with the aid of the Quakers; others were farmers, poets, and soldiers. In several states, they helped form black regiments in the Civil War. Chronologically arranged, the book introduces many lesser-known personages not found in most collective biographies and places them in a broader context of U.S. history as a whole.