Softcover. Durham NC, Duke University Press, 2012, Book: Very Good, Dust Jacket: None, Softcover, 387 pages. Pictures and Progress explores how, during the nineteenth century and the early twentieth, prominent African American intellectuals and activists understood photography's power to shape perceptions about race and employed the new medium in their quest for social and political justice. They sought both to counter widely circulating racist imagery and to use self-representation as a means of empowerment. In this collection of essays, scholars from various disciplines consider figures including Frederick Douglass, Sojourner Truth, Ida B. Wells, Paul Laurence Dunbar, and W. E. B. Du Bois as important and innovative theorists and practitioners of photography. In addition, brief interpretive essays, or "snapshots," highlight and analyze the work of four early African American photographers. Featuring more than seventy images, Pictures and Progress brings to light the wide-ranging practices of early African American photography, as well as the effects of photography on racialized thinking. Still in publisher's shrinkwrap.
Hardcover. NY, Basic Books, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 172 pages. This study examines the realities that the Free North held a substantial population who opposed the abolition of slavery, describing the history of this phenomenon and the attendant aspects of racism towards Black Americans during this period. Name on front fly leaf, otherwise clean.
Softcover. New York, Stewart, Tabori & Chang, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, 208 pages. Illustrated with black & white photographs by Charles Moore. With photographs throughout at the Selma March of 1965, of the Ku Klux Klan in North Carolina, of voter registration in Mississippi and more. With text by Michael S. Durham and an introduction by Andrew Young. Clean, tight copy.
Hardcover. Twin Palms, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, unpaginated, black cloth in pictorial dust jacket (with pink belly band dj present and intact). Lavishly illustrated in duotone photographs of female nudes. During the 1920s. a time when the United States was, from all appearances, open to artistic experimentation, a Bay Area photographer named Albert Arthur Allen unwittingly took on the Goliath of nudity and politics. An obscure figure who operated outside the margins of the fine art community, Allen was known to a small coterie of clients who bought boudoir studies, pictures of comely young voluptuaries. (In Europe these photographic etudes were an acknowledged integral part of the academic tradition.) A homespun aesthetician who had a marked propensity for self-invention, Allen produced photographic protfolios that were initially inspired by the naturist movement. Today his images, which are typically perceived as high camp, are more familiar than his name.
Softcover. New York, Viking Press, 1st, 1980, Book: Very Good, Dust Jacket: None, Non-paginated. Softcover with light wear to wrappers. Black and white pictures throughout of celebrities and famous people. Clean copy. Light spine cracking.
Hardcover. Ithaca NY, Cornell University Press, 2nd pr., 1975, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn, rubbed dust jacket, 576 pages. Name on front fly leaf, otherwise clean.
Hardcover. New York, NYUP, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover. 208 pages of text followed by a ection of corresponding black & white illustrations. Titian's fame as the greatest colorist in the history of painting has led students of his art to concentrate on problems of style and authenticity rather than on problems of content and meaning. Dr. Panofsky treats this neglected aspect of the Venetian master's work with a wealth of humanistic scholarship, exploring such varied topics as Titian's relationship to the philosophy and literature of his time, his attitude toward the antique, and the reasons behind his unrivaled acclaim as a portraitist. These studies show Titian to have been a man of far richer and more complex culture than hitherto assumed, possessed not only of the supremely gifted hand but of a subtle and poetic mind.Light wear. Clean, tight copy.
Hardcover. NY, Negro Universities Press, reprint, 1969, Book: Very Good, Dust Jacket: None, Hardcover, 175 pages. Brown cloth covers with gilt lettering. Originally published in 1864 by the American Anti-Slavery Society. Introduction by William Lloyd Garrison, President. Name on front fly leaf, otherwise clean.
Hardcover. Seattle, Fantagraphics Books, 1st, 2016, Book: Very Good, Dust Jacket: None, 159 pages. Hardcover with laminated boards. Clean, tight copy with color illustrations throughout. Inspired by magazines like Mad and traditional superhero comics, Real Deal magazine was a self-published,independent comic book created in the 1990s by Lawrence Hubbard (a.k.a "RawDog") and H.P. McElwee (a.k.a. "R.D. Bone"). Peopled with a cast out of a blaxploitation movie - convicts, hustlers, drug addicts,crack whores, car thieves,and murderers - these cult-classic comics straddle the line between satirizing and showing the harsh realities of urban life.
Softcover. NY, W. W. Norton & Company, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 348 pages. Reflections in Black, the first comprehensive history of black photographers, is a groundbreaking pictorial collection of African American life. Featuring the work of undisputed masters such as James VanDerZee, Gordon Parks, and Carrie Mae Weems among dozens of others, this book is a refutation of the gross caricature of black life that many mainstream photographers have manifested by continually emphasizing poverty over family, despair over hope. Nearly 600 images offer rich, moving glimpses of everyday black life, from slavery to the Great Migration to contemporary suburban life, including rare antebellum daguerrotypes, photojournalism of the civil rights era, and multimedia portraits of middle-class families. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.
Hardcover. Hampton, VA, Hampton Institute Press, 1st, 1927, Book: Very Good, Dust Jacket: Poor, Hardcover, dark blue cloth with gilt lettering on front cover and spine, 236 pages plus appendix. A scarce collection of traditional hymns, gospel, folk songs and "Songs of Tribulation" of the American Negro. An historical document of African-American culture and the history of slavery. Songs in musical score with lyrics. A tight, generally unmarked and clean volume with nice cloth and clear gilt, In a poor dust jacket with chipping and tape repairs. Name on front fly leaf otherwise clean.
Hardcover. NY, The New Press , 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover book with a bright dust jacket in a slipcase that also includes interview tapes. A startling first-person history of slavery. Using excerpts from the thousands of interviews conducted with ex-slaves in the 1930s by researchers working with the Federal Writers' Project, the astonishing audiotapes made available the only known recordings of people who actually experienced enslavement-recordings that had gathered dust in the Library of Congress until they were rendered audible for the first time specifically for this set. Two sixty-minute audiotapes: the first is original recordings of former slaves recorded in the 1930s, the second features dramatic readings by Esther Rolle, James Earl Jones and other black artists. Foreword by Robin D. G. Kelley.
Hardcover. Orangeburg SC, Sandlapper Publishing, 2nd pr., 1987, Book: Very Good, Dust Jacket: Good, Hardcover, 120 pages, b&w illustrations. The author documents the customs and lifestyles of a proud group of Sea Island blacks. Beginning with the first freedmen and their descendents, he reveals a colorful and provocative story, told in words of island natives and illustrated with photographs taken around the turn of the century. INSCRIBED BY DAISE on the half-title page. Clean copy with color fading to dust jacket spine and part of front cover.
Softcover. Columbia SC, S.C. Department of Archives and History, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 38 pages, b&w illustrations. Clean copy.
NY, Farrar, Straus and Company, 1st, 1950, Book: Very Good, Dust Jacket: Fair, Hardcover in a very worn, chipped dust jacket, 312 pages. This autobiography details the struggle of a young Negroe's struggle to rise from a Knoxville slum to reach the ministry in the first half of the 20th century.
Hardcover. San Francisco, Pomegranate Communications, 1st, 2004, Book: Near Fine, Dust Jacket: Near Fine, Like new in publisher's shrink-wrap. Hardcover, 136 pages, b&w photos of the artist at work. Foreword by David Driskell, introduction by Ruth Fine.
Hardcover. New York , Parents Magazine Press, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, 48 pages with b&w photos by Gloir Kitt Lindauer and Carmel Roth. Clean, bright copy with unclipped dust jacket, $3.95. Mild soil to jacket.
Hardcover. NY, Oxford University Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 455 pages, b&w illustrations. From John Hope Franklin, America's foremost African American historian, comes this groundbreaking analysis of slave resistance and escape. A sweeping panorama of plantation life before the Civil War, this book reveals that slaves frequently rebelled against their masters and ran away from their plantations whenever they could. For generations, important aspects about slave life on the plantations of the American South have remained shrouded. Historians thought, for instance, that slaves were generally pliant and resigned to their roles as human chattel, and that racial violence on the plantation was an aberration. In this precedent setting book, John Hope Franklin and Loren Schweninger demonstrate that, contrary to popular belief, significant numbers of slaves did in fact frequently rebel against their masters and struggled to attain their freedom. By surveying a wealth of documents, such as planters' records, petitions to county courts and state legislatures, and local newspapers, this book shows how slaves resisted, when, where, and how they escaped, where they fled to, how long they remained in hiding, and how they survived away from the plantation. Of equal importance, it examines the reactions of the white slaveholding class, revealing how they marshaled considerable effort to prevent runaways, meted out severe punishments, and established patrols to hunt down escaped slaves. Clean copy.
Hardcover. New York, Harry N. Abrams, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. A celebration of jazz legend Sonny Rollin's incredibly prolific career. This intimate appreciation in pictures and words combines the images of John Abbott, who was Rollin's photographer of choice for the past twernty years has captured the saxophonist at home and at work, and the essays of Bob Blumenthal, a jazz critic who has chronicled Rollins and his art for nearly four decades.
Hardcover. US, Harry N. Abrams, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. a celebration of jazz legend Sonny Rollin's incredibly prolific career. This intimate appreciation in pictures and words combines the images of John Abbott, who was Rollin's photographer of choice for the past twernty years has captured the saxophonist at home and at work, and the essays of Bob Blumenthal, a jazz critic who has chronicled Rollins and his art for nearly four decades.
Hardcover. NY, The New Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Ellis and Smith provide a unique anthology of African American voices over the past 100 years. In doing so, they give voice to the voiceless with transcribed speeches of leading African American speakers of the twentieth century. Included are 2 80-minute CDs. Includes speeches by: Mary McLeod Bethune,Julian Bond, Stokely Carmichael, Shirley Chisholm, Louis Farrakhan, Marcus Garvey, Jesse Jackson, Martin Luther King Jr., Thurgood Marshall, Booker T. Washington, Walter White, others, Clean copy.
Hardcover. Berkeley, University of California Press, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 303 pages. Contains some black & white photos of the Sebei people. Dust jacket with edgewear, light soiling. No markings.
 "Pictures and Progress: Early Photography and the Making of African American Identity by: Wallace, Maurice O. & Smith, Shawn Michelle (Editors)")
 "Private Picturesby: Angeli, Daniel; Dousset, Jean-Paul")
 "Real Deal Comixby: Hubbard, Lawrence")
 "Religious Folk Songs of the Negro as Sung at Hampton Institute by: Dett, R. Nathaniel")
 "Remembering Slavery: African Americans Talk About Their Personal Experiences of Slavery and Emancipationby: Ira Berlin/Marc Favreau/Steven Miller")
 "Reminiscences of Sea Island Heritage: Legacy of Freedmen on St. Helena Island (SIGNED COPY)by: Daise, Ronald")
 "Rice and the Making of South Carolina: An Introductory Essay by: Littlefield, Daniel C")
 "Road Without Turning: The Story of Rev. James H. Robinson by: Robinson, Reverend James H.")
 "Romare Beardenby: Stewart, Frank(photographer)")
 "Ronnieby: Rosenbaum, Eileen")
 "Runaway Slaves: Rebels on the Plantationby: Franklin, John Hope & Schweninger, Loren")
 "Saxophone Colossus: A Portrait of Sonny Rollinsby: Blumenthal, Bob")
 "Saxophone Colossus: A Portrait of Sonny Rollinsby: Blumenthal, Bob")
 "Say It Plain: A Century of Great African American Speechesby: Catherine Ellis , Stephen Drury Smith (Editors)")
 "Scriptural Ecclesiastical and Historical View of Slavery from the Days of the Patriarch Abraham to the Nineteenth Century Addressed to The Right Rev. Alonzo Potter by:")
