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Hardcover. Bristol UK, Thoemmes , 1st, 2003, Hardcover set, two volumes complete, black cloth with red and gilt titles on spine, 1116 pages, ribbon bookmarks. No slipcase. In this Dictionary, more than four hundred biographical entries encompass all the Dutch thinkers who exercised a major influence on the intellectual life of the Golden Age, as well as those who developed their ideas and beliefs through interaction with other scholars. Additional entries describe foreign philosophers who lived in the country temporarily and whose work was influenced by their stay. These include John Locke, Rene Descartes and Pierre Bayle. Ther is some pencil marking to the endpapers, mostly in Vol. 1. Otherwise clean, tight copies. PLEASE NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Dodd, Mead, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover, 122 pages, in a bright, price-clipped dust jacket. Six animal stories with full page black and white illustrations by author. Previous owner's inscription and SIGNED UNDERNEATH BY SAVITT. Clean copy.

Hardcover. NY, Harcourt, Brace and Co., 1st, 1936, Book: Very Good, Dust Jacket: None, Hardcover, light brown cloth with black lettering on spine. 101 pages illustrated with b&w photos throughout. Two children take a ride in an airship. Published before the Hindenburg disaster in May of 1937. Scarce, Clean tight copy, lacks dust jacket.

Hardcover. Chicago, Ziff-Davis Publishing , 1st, 1948, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket that has the $2.50 flap price. The Brooklyn Dodgers and Leo "Lippy" Durocher were made for each other. Here are the breezy accounts of internal struggles, clubhouse brawls and front-office tempests that marked the Dodgers climb to national fame and the National League Pennant. Has green boards and is in good condition. Has a number of black and white photos: Pete Reiser, Pee Wee Reese, Al Gionfriddo's World Series catch, and Leo arguing with the umpires. Mild soil and rubbing to rear of dj, book is bright and clean.

Hardcover. NY, William Scott, 1st, 1947, Book: Good, Dust Jacket: None, Hardcover, oblong pictorial boards, b&w illustrations by John Fischetti. Light wear, chipping to cover edges. Clean copy.

Hardcover. NY, Henry Z. Walck, 1st, 1950, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with black lettering on spine, pasted label on front cover. unpaginated, 12 color illustrations by Tasha Tudor. Assumed first edition with 1950 on title page, 1950 on copyright page, no other printings noted. Name on front fly leaf, otherwise clean.

Softcover. London, Castle Communications/Penguin, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps, Fantastic collection of color & black & white photos with lots of info about the band. Contains color reproductions of psychedelic posters for The Doors concerts. Discography. Light chipping to paper spine, otherwise clean, very good.

Hardcover. London, Blackie & Son, nd, Book: Good, Dust Jacket: None, Hardcover with ornate decoration to covers in gilt and 2-colors, 352 pages. A short Preface by Henty. In this story the author gives an account of the fierce struggle between Saxon and Dane for supremacy in England, and presents a vivid picture of the misery and ruin to which the country was reduced by the ravages of the sea-wolves. The hero, a young Saxon thane, takes part in all the battles fought by King Alfred. He is driven from his home, takes to the sea, and resists the Danes on their own element, and being pursued by them up the Seine, is present at the long and desperate siege of Paris. Eight b&w plates by C.J. Staniland. Worn copy with cracked hinges. Spine slightly cocked. Interior clean.

Hardcover. NY, Curt Valentin, 1st, 1947, Book: Very Good, Dust Jacket: None, Hardcover, textured beige boards with a green cloth spine. 94 pages of text and 58 black & white plates. Limited to 1,000 copies. Clean copy.

Hardcover. MY, Harcourt Brace & Co., 2nd pr., 1939, Book: Very Good, Dust Jacket: None, Hardcover, orange cloth stamped in black, 267 pages, b&w illustrations by James MacDonald. A boy's novel about track and field competition. Jim Wellington, Harvard senior and Waterloo, Iowa native, already the U. S. collegiate record holder for the two-mile, heads to Berlin for the Olympics. Inscription on front fly leaf, otherwise a clean, bright copy. Lacks dust jacket.

Hardcover. NY, New York University Press, 1st, 1992, Book: Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 240 pages. Under the influence of European historians, scholarship about the Dutch in America has generally emphasized what was derived from the urban and merchant character of the Netherlands, particularly the single province of Holland in the seventeenth century. But it was among the farmers of New York and New Jersey, according to David Steven Cohen, rather than the urban merchants of Albany and New York City, that a distinctive Dutch-American regional subculture arose, thrived, and survived through the end of the nineteenth century. By examining the life of the early emigrant Dutch settlers, the author constructs a picture of their culture through the farmhouses they built, the landscapes they cultivated, and the tools and equipment they used, relating it all to the structure of their families, their folklore, and folklife. It was in the second quarter of the eighteenth century, according to Cohen, that a change occurred in the culture of the Dutch in America by which they became Dutch-American, and the most striking material evidence of this transformation was in the development of a new type of farmhouse, which began to replace those still traceable to the Netherlands.Thirty black-and-white illustrations. Many pages with light pencil notations.

Softcover. NY, Doubleday Anchor , 3rd pr., 1973, Book: Very Good, Dust Jacket: None, Softcover, 245 pages, black and white photographs and line drawings throughout. Clean copy.

Hardcover. Philadelphia, W.A. Henry Press, 3rd Ed., 1926, Book: Very Good, Dust Jacket: None, Hardcover, pictorial gray cloth stamped in black and white. 330 pages, top edge gilt. frontis., b/w plates, text illustrations appendix, index. A highly regarded social history of Nantucket treats the purchase and settlement of the island, the early proprietors, and various events in Nantucket history, such as Nantucket's role in the Revolution. The balance of the work consists of histories of some thirty founding families. Genealogists should also consult the appendices for a list of Quakers who visited Nantucket between 1664 and 1847. Small embossed stamp on front fly leaf, otherwise a bright, clean copy.

Hardcover. Shelton CT, Greenwich Workshop Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 176 pages. SIGNED BY DOOLITTLE on the half-title page. Nicely illustrated with Doolittle's signature artwork, including black-and-white pencil sketches overlaid with detailed color paintings. At the end of the novel there is a fold-out poster illustration. This book will have the most appeal to those interested in Doolittle's dramatic illustrations. Clean copy.

Softcover. Washington D. C., Eastern High School, 1st, 1915, Book: Very Good, Dust Jacket: None, Softcover with heavy gray wrappers stamped in blue and black, 40 pages, stapled. Magazine format. Illustrated with black & white photographs and drawings, local ads. Cover chipped, interior clean, sound.

Hardcover. Duke University Press, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, 440 pages. Black cloth, no dust jacket. The Edge of Surrealism is an essential introduction to the writing of French social theorist Roger Caillois. Caillois was part of the Surrealist avant-garde and in the 1930s founded the College of Sociology with Georges Bataille and Michel Leiris. He spent his life exploring issues raised by this famous group and by Surrealism itself. Though his subjects were diverse, Caillois focused on concerns crucial to modern intellectual life, and his essays offer a unique perspective on many of twentieth-century France's most significant intellectual movements and figures. Including a masterful introductory essay by Claudine Frank situating his work in the context of his life and intellectual milieu, this anthology is the first comprehensive introduction to Caillois's work to appear in any language. These thirty-two essays with commentaries strike a balance between Caillois's political and theoretical writings and between his better known works, such as the popular essays on the praying mantis, myth, and mimicry, and his lesser-known pieces. Presenting several new pieces and drawing on interviews and unpublished correspondence, this book reveals Caillois's consistent effort to reconcile intellectual rigor and imaginative adventure. Perhaps most importantly, The Edge of Surrealism provides an overdue look at how Caillois's intellectual project intersected with the work of Georges Bataille and others including Breton, Bachelard, Benjamin, Lacan, and Levi-Strauss.

Hardcover. NY, Whittlesey House, McGraw Hill, 1st, 1956, Book: Very Good, Dust Jacket: None, Hardcover, red cloth stamped in black. 32 pages illustrated in 2-colors by Alain (the pen name of Daniel Brustlein, painter, book illustrator, magazine illustrator, and cartoonist). Stamp to front fly leaf otherwise clean.

Hardcover. NY, Books of Wonder, reprint, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 304 pages. For the first time in more than eighty years, the most spectacularly illustrated of all the Oz books is available again with the metallic "emerald" green ink that illuminated the color plates of the original edition. This deluxe new edition features ninety black-and-white pictures and sixteen dazzling five-color plates by Oz artist John R. Neill. Afterword by Peter Glassman.

Hardcover. Boston, Little, Brown and Company, 1st US, 1943, Book: Very Good, Dust Jacket: None, Hardcover, red cloth covers lettered in gold with black letterbox, 322 pages. Contains speeches throughout 1942. This year was a low point of the war, full of setbacks and disappointments across the globe for the British. Throughout the year Churchill's speeches conveyed sober, resolved, and eloquent defiance - with of course an occasional sparkle of Churchillian wit, even in the dark hours of the war. The title of this volume comes from Churchill's 10 November 1942 speech at the Lord Mayor's Day Luncheon in London at a time when fortune finally favored the British with victories in North Africa: "The Germans have received back again that measure of fire and steel which they have so often meted out to others. Now this is not the end. It is not even the beginning of the end. But it is, perhaps, the end of the beginning." Light marking to front endpapers.

Hardcover. Chicago, University of Chicago Press, 1st thus, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 87 pages. Foreword, black and white photographs, and colophon. A description of the Allied bombing campaign from the perspective of the German survivors.

Hardcover. NY, Grove Press, 1st, 1969, Book: Very Good, Dust Jacket: None, Hardcover. Marbled boards and black spine lettered in gilt. the complete set of copper plate engravings Zichy made in an edition of 200 for private sale in 1911. He then destroyed the plates. This is from one of the rare original copies and contains 40 of the most exquisitely executed works of erotica ever made. Claen copy. No dust jacket.

Hardcover. Holdrege NE, privately printed, 1st, 1984, Book: Very Good, Dust Jacket: None, Hardcover, beige cloth stamped in black and gilt, 92 pages. 11 1/4" x 8 1/2". Errata slip loosely laid in. A survey of this Italian-American modernist painter's etchings of highly realistic and romanticized still lifes, landscapes, and portraits. Clean copy.

Hardcover. London, Hodder & Stoughton, Ltd. Ed., 1981, Book: Very Good, Dust Jacket: None, Hardcover, red leather stamped in gilt. Facsimile edition of a book that was first published in 1909 by Hodder & Stoughton. 152 pages. 23 full page illustrations in color by Detmold plus various line illustrations in black and white throughout the text. #337 of 500 copies as indicated on tipped-on plate inside front cover. All edges gilt. No slipcase.

Hardcover. London, Ingram, Cooke, and Co., 1st transl. thus, 1853, Book: Very Good, Hardcover, marbled boards with black leather spine and corners. 100 pages, illustrated frontis, drawing on title page. Preface on Fable, The Fabulists and La Fontaine by the translator, text is formatted in double columns per page. Name on inside front cover, otherwise a clean, tight copy.