books printing

Softcover. San Francisco, Chronicle Books, 3rd Printing, 1993, Book: Very Good, Dust Jacket: None, Softcover, 180 pages, minor edge wear, otherwise, very clean and tight copy.

Hardcover. Takarajima Books, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 119 pages. The female nude has long been an important subject for photographer Gibson, but in earlier books, his nudes appeared as elements in sequences of all kinds of images. With Infanta, Gibson abandons the sequencing, presenting instead a collection of big, rather simplified black-and-white images. Like Lee Friedlander in his Nudes (1991), in middle age Gibson expresses an intense fascination with the bodies of young women. Whereas Friedlander used the camera to awkwardly describe specific details, Gibson uses his to idealize beautiful body fragments. Gibson's high-contrast, grainy printing style and abstract compositions have hardly changed in two decades. Alexandra Anderson-Spivy's accompanying essay perceptively responds to Gibson's work, but Mary Gaitskill's vulgar afterword (the memoir of a stripper) seems jarringly inappropriate to the idealism of the photographs.

Hardcover. New York, Farrar, Straus, Giroux, 2nd printing, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover. Non-paginated. TIPPED-IN BOOKPLATE ON FRONT ENDPAPER SIGNED BY AUTHOR AND ILLUSTRATOR. Clean, bright copy.

Hardcover. NY, Atheneum/Richard Jackson Books, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 64 pages. Floca proves himself masterful with this Caldecott Medal winner. The book's large format offers space for a robust story in a hefty package of information. Set in well-paced blank verse, the text begins with a quick sketch of "how this road was built" and moves abruptly to the passengers on the platform and the approaching train. The author smoothly integrates descriptions of the structure and mechanics of the locomotive, tasks of crew members, passing landscapes, and experiences of passengers. Simply sketched people and backgrounds, striking views of the locomotive, and broad scenes of unpopulated terrain are framed in small vignettes or sweep across the page. Though a bit technical in explaining engine parts, the travelogue scheme will read aloud nicely and also offers absorbing details for leisurely personal reading. Substantial introductory and concluding sections serve older readers. There's also a detailed explanation of the author's efforts and sources in exploring his subject. Train buffs and history fans of many ages will find much to savor in this gorgeously rendered and intelligent effort. True First Printing minus the stickers.

Hardcover. NY, Schocken Books, 2nd pr., 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Stated second printing of this ingenious picture puzzle book with a hidden story told through the vibrant illustrations. Clean copy.

Hardcover. Edison NJ, The Wellfleet Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, large oblong volume, 448 pages illustrated in color. First printing of arguably the finest work in print on the life and work of Maxfield Parrish. SIGNED on the title page by both Cutlers, founders of the National Musem of American Illustration. Maxfield Parrish's images achieved remarkable popularity and critical acclaim when they appeared on the covers of countless periodicals and books making him the most celebrated illustrator of the first half of the 20th century as well as incredibly famous and immensely wealthy. Clean copy. PLEASE NOTE: DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.

NY, Windmill Books/Simon & Schuster, 3rd pr., 1969, Book: Very Good, Dust Jacket: Good, Hardcover. Color illustrations by Rockwell. Dust jacket with mild edgewear, light soil. Third printing but INSCRIBED "SINCERELY' AND SIGNED BY NORMAN ROCKWELL Previous owner's inscription also on front fly leaf at bottom of page. Scarce thus.

Hardcover. NY, Windmill Books/Simon & Schuster, 1st, 1969, Book: Very Good, Dust Jacket: Good, Hardcover. Color illustrations by Rockwell. Dust jacket with mild edgewear, light soil. Previous owner's inscription also on front fly leaf. First Printing stated. 23 full-page color Norman Rockwell prints of his wonderful art work. The Rockwell pictures are complimented with one-page short stories.

Hardcover. Marina del Rey, CA, Graystone Books, 1st, 1992, Book: Very Good, Dust Jacket: None, Hardcover. Printing limited to 5000 copies. 113 pages. B&w and sepia photographs throughout. Sepia photo plate on front of ivory cloth cover. Light soiling and rubbing to back cover. Light edgewear to cover. Else a nice, clean copy. A collection of images by De Meyer of his wife Olga who was rumored to be the daughter of Edward VII.

Hardcover. New York, Clarion Books, 3rd printing, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 32 pages, illustrated throughout in full color by Ted Lewin. SIGNED BY ILLUSTRATOR on title page. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. Oak Knoll Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 244 pages. Ottmar Mergenthaler is considered one of America's greatest inventors. The German immigrant revolutionized the printing and publishing industry with the invention of an automatic typesetting machine which became known as the Linotype. This remarkable machine made it possible to eliminate the laborious hand setting of lead type by allowing one Linotype operator to do the work of a half-dozen typographers.This compelling work chronicles Mergenthaler's struggles to get his invention accepted, and his battles with the typographical unions and with his financiers.

Hardcover. New York , William E. Rudge's Sons, 1st, 1943, Book: Very Good, Dust Jacket: None, Hardcover, 187 pages, b&w illustrations, 2-color designs. Tan cloth with gilt title front, spine and back.

Hardcover. Middleburg PA, Middleburg Post Press, 1st, 1915, Book: Very Good, Dust Jacket: None, Hardcover, green cloth covers with cover title label. Two softcover books rebound together in one hardcover volume. First volume 60 pages, second volume is 120 pages, also published in 1915 by The Faust Printing Company in Reading, PA. Many b&w photos in both. Clean and bright copies of 1915 printings.

Hardcover. New York, Dutton Children's Books, 1st, 1997, Book: Near Fine, Dust Jacket: Near Fine, Hardcover. SIGNED BY PAUL O. ZELINSKY ON TITLE PAGE. Caldecott Winner for 1998. Acetate-protected dust jacket, gorgeous full page color illustrations. No sign of wear, dust jacket, covers and pages crisp, clean and unmarked; a beautiful book in excellent condition. First printing. no sticker.

Softcover. Princeton NJ, Princeton University Press, reprint, 1996, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps, 490 pages. By explaining how to sire multicolored horses, produce nuts without shells, and create an egg the size of a human head, Giambattista Della Porta's Natural Magic (1559) conveys a fascination with tricks and illusions that makes it a work difficult for historians of science to take seriously. Yet, according to William Eamon, it is in the "how-to" books written by medieval alchemists, magicians, and artisans that modern science has its roots. These compilations of recipes on everything from parlor tricks through medical remedies to wool-dyeing fascinated medieval intellectuals because they promised access to esoteric "secrets of nature." In closely examining this rich but little-known source of literature, Eamon reveals that printing technology and popular culture had as great, if not stronger, an impact on early modern science as did the traditional academic disciplines. Clean copy.

Softcover. Seattle, Fantagraphics, 1st, 2021, Book: Very Good, Dust Jacket: None, Softcover, 192pages. Collects, for the first time, the complete adventures of four of the influential Mad magazine cartoonist's more arcane comics creations: Scoop Scuttle, Mystic Moot, Bingbang Buster, and Jumpin' Jupiter - restored, as they've never been seen before! In this rip-roaring retrospective of the influential Mad magazine cartoonist, Basil Wolverton's often-warped imagination combines with his outlandishly wacky visual humor to fascinate and delight. It collects the ultra-rare treasures Scoop Scuttle, Mystic Moot, Bingbang Buster, and Jumpin' Jupiter - as they've never been seen before! Due to the rock-bottom printing methods of ten-cent comic books, Wolverton's intricate line work was routinely obscured, and often obliterated. In this collection, every effort has been made to restore the art to its original splendor, and to at last present the uniquely detailed graphics of this justly revered comic book master. Full-color illustrations throughout.

Hardcover. NY, Greenwillow Books, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover. Black & white illustrations by the New Yorker cartoonist.. Light edgewear to dust jacket. This is the original first printing with b&w drawings by Stevenson. It was re-issued in 1994 with re-colored plates.

Hardcover. Seattle, Fantagraphics Books, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. Sex, Rock 'N' Roll, & Optical Illusions is Victor Moscoso's first major, career-spanning retrospective, from his earliest poster work in 1966 to his most recent graphic experimentation. Optical Illusions contains his best posters that advertised bands playing in San Francisco's famous dance ballrooms of the time - the Avalon, the Matrix, and the Fillmore - as well as many of his Zap Comix contributions, and his solo comix work, many in Moscoso's signature color. This wide-ranging career retrospective - Moscoso's famous technique employing "vibrating colors" that he pioneered in his posters is impeccably reproduced with as much fidelity to the original as modern printing can achieve, his black-and-white and full color comix work is collected here for the first time - is an intense, vibrant, and revelatory experience. Introductions by Steve Heller and Milton Glaser.

Hardcover. Chicago, Reilly & Lee, 1st, 1938, Book: Very Good, Dust Jacket: None, Hardcover, 255 pages, b&w illustrations by John R. Neill. Light blue cloth cover with color pictorial paste-down. This was one of Ruth Plumly Johnson's contributions to the Oz canon and is a first printing. Cover title in silver, drawing of Mandy on spine. Books published after 1936 lacked color plates except for the cover. Previous owner's signature on half-title page. Endpaper drawings neatly colored in at both ends. Otherwise a clean, bright copy.

Hardcover. NY, Delacorte Press, 5th pr., 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket with $5.95 on flap with the number 8021 underneath it, and the number 0369 on the bottom rear flap, indicating a true first edition jacket. Stated fifth printing June 1969. Light blue boards, gold and red titles on spine, gold facsimile signature on front board. There is tanning and light soil to the dust jacket. No markings. Slaughterhouse-Five, an American classic, is one of the world's great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what he had witnessed as an American prisoner of war. It combines historical fiction, science fiction, autobiography, and satire in an account of the life of Billy Pilgrim, a barber's son turned draftee turned optometrist turned alien abductee.

Softcover. London, Faber and Faber, Uncorrected proof, 1970, Book: Good, Dust Jacket: None, Softcover, 81 pages, b&w drawings by Karen Usborne, INSCRIBED BY WILSON to Irving and Joyce (Adler) on the title page and dated August 1970. Wilson has also added 3 titles to the list of his previously published books on the opposite page. Joyce Adler wrote several books on Caribbean literature and Harris. She has marked up this book in pencil and pen with underlining and marginal notes. This edition published before the hardcover printing. Peach color wrappers faded..

Hardcover. NY, Duenewald Printing Corp., 1st, 1949, Book: Very Good, Dust Jacket: None, Original pictorial boards bound in a red plastic spiral binding. Movable pictures for animation. Interior includes (4) mechanical vignettes, A very well reserved copy, clean, bright and unmarked.

Hardcover. New Haven, CT, William Edwin Rudge, 1st, 1941, Book: Very Good, Dust Jacket: None, 73 pages. Dark gray cloth covers, gilt titles, b&w photographic frontispiece, top edge red. Clean covers with slight wear to corners, pages crisp and unmarked, stiff binding; a very neat tight copy in great condition.

Hardcover. New York, Dial Books, 4th printing, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, unpaginated, color illustrations by Brad Sneed, very clean, tight copy, like new. Jean Van Leeuwen has written a simple, poignant, yet powerful story about how such a little thing as acknowledging a mistake and saying "I'm sorry", can change the course of lives forever. Her expressive text with its gentle message and air of sadness, is beautifully complemented by Brad Sneed's bold, rich watercolor illustrations, full of wonderful farm life detail, that pull you into the story and the brother's lives.